16th to 17th Century Costume Illustrations

Detailed prints of women in historical costumes, showcasing the fashion trends and cultural aesthetics of the time.

Estius, Franco, Goltzius, Hendrick, Haarlem, Matham, Jacob, The Seven Deadly Sins, Pride (Superbia), verso - stamped, Personification of vanity or pride, depicted as a richly dressed female figure looking into a mirror., print, prints, height 322 mm, width 170 mm, Northern Netherlands, 1571-10-15 - 1631-01-20, print maker, printmaker, 1593 - 1593, paper, papier, engraving, engraving (printing process), 1558-01 - 1617-01-01, intermediary draughtsman, after a drawing by, writer

Ornatus Muliebris Anglicanus, Plate 20. Wenceslaus Hollar (Bohemia, Prague, 1607-1677). England, London, 1640. Prints; etchings. Etching on paper

Autumn 17th century Gilles Rousselet French. Autumn 645442

Saly, Jacques Francois Joseph, France, Lalive de Jully, Ange Laurent de, marquis de Rémoville, Collection of caricatures drawn by J. Saly and engraved by AL De Lalive DJ, Caricatures after J. Saly, Caricature of a woman in high heels, verso - stamped, print, prints, height 270 mm, width 188 mm, 1725 - 1779-03-18, print maker, printmaker, 1745 - 1779, paper, papier, etching, Work conception, French, 1717-06-20 - 1776-05-04

Sitting woman, to the left. Draughtsman: Pieter van Loon. Dating: 1841. Measurements: h 219 mm × w 144 mm. Museum: Rijksmuseum, Amsterdam.

Portrait of Kenau Simonsdochter Hasselaer, 1573, 1600 - 1799 drawing Portrait of Kenau Simonsdochter Hasselaer, 1573. Stand up with lance and gun in front of a city gate at the Red Light District. In the background a group of three armed women. Northern Netherlands paper. ink pen / brush Haarlem

Copper engraving and etching by Hans Lautensack from 1553 depicting Felicitas from Eckh, showing figure detail and composition.

Gallerie of French modes and costumes, Nicolas Dupin, After Le Clerc, c. 1776 - C. 1786 A lady with two hands on the skirts, three -quarters to the left walking on a tiled floor. Caption: "Habit de Bal, Le Corsage et le Juppon Retroussés Avec des Gands .......". Sign. Le Clerc del., Dupui sc. print maker: Francepublisher: Paris paper. cardboard. ink engraving A lady with two hands on the skirts, three -quarters to the left walking on a tiled floor. Caption: "Habit de Bal, Le Corsage et le Juppon Retroussés Avec des Gands .......". Sign. Le Clerc del., Dupui sc. print maker: Francepublisher: Paris paper. cardboard. ink engraving

Recueil des modes de la cour de France, 'Femme de qualité en habit d'hiuer'. Jean Dieu de Saint-Jean (France, flourished 1675-1695)Jean Berain (France, 1637/1640-1711)Jean Dieu de Saint-Jean (France, flourished 1675-1695). France, Paris, 1683. Prints. Hand-colored engraving on paper

Hazelnuts with Litron. / 3. (Registered title) | Boards extracted from the Cree of Paris. (IFF 97) (Title of the whole)

An anonymous drawing showing a full-length portrait of a man, executed with brown ink, gray wash, and black chalk traces.

Summer; L'Esté; Persons of the four seasons.

Saint Standing in a Niche 1675-1699 Italy. Charcoal on ivory laid paper . Follower of Carlo Maratti

W.A. M�ller (1733-1816), a Danish Husar, 1762

Knave (Moroab from Morocco) from Court Game of Geography 1838-55 William and Henry Rock. Knave (Moroab from Morocco) from Court Game of Geography. 1838-55. Engraving, etching, and hand coloring (watercolor). William and Henry Rock

Elisabetha Rudolphi Boemiae Regis, according to a print from the work by Gaspare Oselli, Francesco Terzio, `Francisci Tertii Bergomatis Sereniss. Ferdinandiova Archidvcis Avstriae...`, vol. 4, c. 1558. Lesser, Aleksander (1814-1884), draughtsman, cartoonist, Terzi, Francesco (ca 1523-1591), painter

Woman with the Peer, Ferdinand Bol, 1651 print paper etching / drypoint fruits: pear

Mulier Nobilis Hispanica. Dated: probably 1649. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar.

A peasant woman sits on a stool and smiles. In her hands she holds a pipe and a test with a coal fire. In the frame below the image a mocking poem, Smoking peasant woman with pipe and test Peasants and peasant women (series title), print maker: Matthijs Pool, Cornelis Dusart, Amsterdam, 1696 - 1727, paper, etching, engraving, h 253 mm × w 191 mm

Wladyslaw II Jagiello, Jogaila (1362-1434). King of Poland. Engraving depicting the sarcophagus of the king in the Cathedral of Krakow (according Essenwein).

Money; Pecunia; Prosopographia, Sive Virtutum, Animi, Corporis, Bonorum Externorum, Vitiorum, ET Affectuum Variorum Deineatio. A woman is sitting on a throne. Both her crown and her dress are decorated with coins. She is wearing a necklace of coins and the staff in her left hand is also awarded a large coin. In addition to the coins decorated chair, two pouches and two pockets with coins are still two pouches. Under the show two lines text in Latin. The print is part of an album.

Woman is touching her own bosom For this another, print maker: Jan Luyken, publisher: Pieter Arentsz (II), Amsterdam, 1687, paper, etching, letterpress printing, h 92 mm × w 73 mm

Smell; Odoratus; Five senses. Personification of the sense of sense. A woman smells of a flower. There are even more flowers in her apron. A dog snuffles behind her. In the distance a face on a landscape.

Pausing harp player, draughtsman: David Bles, 10-Oct-1861, paper, h 257 mm × w 180 mm

Sketchbook William Merritt Chase (American, 1849-1916). Sketchbook, 1872. Graphite and black, red and white Conté crayon on cream and tan medium-weight, slightly textured wove paper, 11 7/8 x 9 7/16 x 11/16 in. (30.2 x 24 x 1.7 cm). William Merritt Chases knack for realistic characterization is evident in these deftly executed informal portraits, possibly representing his fellow students at the Royal Academy in Munich. This sketchbook contains numerous other portraits, as well as figure studies from a life class, rendered with different approaches—the linear style seen here and a softer, tonal one used on other pages. American Art 1872

Le Moufti, ou Chef de la Loy 1714-15 After Jean Baptiste Vanmour. Le Moufti, ou Chef de la Loy. Plate 20; from "Recueil de cent estampes représentent differentes nations du Levant". After Jean Baptiste Vanmour (French, Valenciennes 1671-1737 Istanbul (Constantinople)). 1714-15. Etching and engraving. Jacques le Hay. Prints

Den Haag, Weissenbruch, Jan, Studie van eenzittende vrouw, The Hague, verso - stamped, A woman is sitting on a chair. She is wearing a cap and has her eyes closed turned away., print, prints, height 184 mm, width 158 mm, Dutch, 1822-03-18 - 1880-02-15, print maker, printmaker, 1837 - 1880, paper, papier, chine collé, etching, etchings, drypoint, dry needle

Jaime Febrer. 15th century. Character presumably contemporary to the Conquest of Valencia during the reign of Jaime I and to whom he was attributed his famous ballads. Engraving by Panissa. "La Ilustracion Cayalana", 1888.

Oude Spinster, C. Palmieri, after Palmerius, 1750 - 1849 print paper etching spinning (manufacture of yarn). old woman

Sibylle Delphique ca. 1635 Gilles Rousselet French. Sibylle Delphique 391184

Young woman with hat and curly hair, print maker: (mentioned on object), Cornelis van Cuylenburgh (II), Netherlands, 1768 - 1827, paper, etching, h 85 mm × w 60 mm

Praalbed of the Princess Gouvernante, Anna van Hannover, widow of Prince William IV, Simon Fokke, 1759 drawing Palse bed of the Princess Gouvernante, Anna van Hannover, widow of Prince William IV. The princess's body, seen from the feet. With inscription at the bottom left. Design for a print. Northern Netherlands paper vigils and wakes ~ burial rites

Drawing by Sébastien Le Clerc depicting an old woman from Padua using brown pen and gray lavated shading on a leaf with a pierced decorative strip, dated 1650-1664.

Rysbrack, John Michael .

Portrait of Boles Wierzawy, according to the illustration from: "Polish Chronicle Marcin Bielski again by the Ioach. Bielsko son published", Kraków 1597, p. 119; Lesser, Aleksander (1814-1884), Bielski, Joachim (Ca 1540 cars Ca 1550-1599); 1830-1884 (1830-00-00-1884-00-00); was downloaded from the Muse of the National Museum in Warsaw; drawing / feather, drawing / ink; products from W Dzkien / paper / paper , products from Wąkien / Paper, products from Wzkien / Paper / cardboard; Figure: height 12.8 cm, width 8.2 cm, cardboard: height 36.0 cm, width 26.0 cm; di 31500 MNW; all rights reserved.Bielski, Marcin (Ca 1495-1575). Polish Chronicle, Bolesław Kędzierzawa (Prince of Poland - 1125-1173), Bolesław Kędzierzawa (Prince of Poland - 1125-1173) - iconography, Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884) - collections, Lesser, Wiktor, Wiktor Stanisław Zygmunt (Baron - 1853-1935), Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935) - collection, gift (provenance), copie

Wilhelm III., Prince of Orania, King of England as toddler at the age of about three years: whole figure standing, en face from left; with loop-plunger bonnet and choudned resistant feather baret, in a long, shoulder-free, lace-foamed apron dress with closure tassels in front of the neckline trim; A portrait medal on the left hip on tape around the right shoulder; Command duty in the right, next to it a crescender on a crowd table, about it drapery; Left on the mouth of a small, lion-legged, lion; In window-shaped wall recess in the top right a young orange tree in pot vase, about it. Latin. Sense, in the radiation wreath of the Divine Sun (with Hebrew Jahweh sign); Stecher design in the picture below right; Below the representation single-line Lat. Legend. Copper engraving of Anthony Heeres Sioertsma. -

A drawing by Edme Bouchardon depicting a sitting woman holding a basket, executed in black and brown ink with brown washes, showing posture and details of figure and object.

The Charming Doll. Artist: Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692-1765 Paris); After Edme Bouchardon (French, Chaumont 1698-1762 Paris). Dimensions: Sheet: 9 3/16 x 6 7/8 in. (23.3 x 17.4 cm)Image: 8 3/4 x 6 13/16 in. (22.3 x 17.3 cm). Series/Portfolio: Cries of Paris: Fourth Set(Études Prises dans le Bas Peuple où les Cris de Paris: Quatrième Suite). Date: 1742. Museum: Metropolitan Museum of Art, New York, USA.

Numbered upper right: 99 and lower right: 139. Virgin in a landscape, print maker: Simon de La Vallée, (mentioned on object), François Boucher, (mentioned on object), publisher: Pierre Jean, (mentioned on object), print maker: France, France, publisher: Paris, 1726, paper, engraving, etching, h 359 mm × w 227 mm

Recueil des modes de la cour de France, 'Maistre à Dancer'. Nicolas Bonnart (France, 1637-1717). France, Paris, 1678-1693. Prints. Hand-colored engraving on paper

'HOMEWARD SERENELY SHE WALKED, WITH GOD'S BENEDICTION UPON HER.' PAINTED BY A.C.H. LUXMORE, IN THE EXHIBITION AT THE DUDLEY GALLERY, 1874

Standing woman with arms crossed. Draughtsman: anonymous. Dating: 1700 - 1799. Place: Netherlands. Measurements: h 114 mm × w 87 mm. Museum: Rijksmuseum, Amsterdam.

Maria of Navarre (c. 1326-1347). Infanta of Navarra and queen consort of Aragon (1338-1347). Wife of Pedro IV of Aragon. Portrait. Illustration of Urrabieta. Engraving by Capuz. Historia General de Espana by Father Mariana. Madrid, 1852.

A statue of Nicolaus Copernicus, made by Kucharzewski Schübeler, Julian (before 1865 1890), Kucharzewski, Ludwik (1838/1842 1889)

Young Woman Seated at a Table, Holding a Candle late 17th century Godfried Schalcken Dutch. Young Woman Seated at a Table, Holding a Candle 381963 Artist: Godfried Schalcken, Dutch, Made 16431706 The Hague, Young Woman Seated at a Table, Holding a Candle, late 17th century, Black chalk. Framing line in pen and brown ink, sheet: 10 3/16 x 8 1/8 in. (25.9 x 20.7 cm). The Metropolitan Museum of Art, New York. Frits and Rita Markus and Harry G. Sperling Funds, 2008 (2008.378)

Portrait of Christina Ewartina van Saksen, Anonymous, 1675 - 1711 Christina Ewartina, Duchess of Saxony with feathers in the hair. The crown next to her. Amsterdam paper etching / engraving crown (symbol of sovereignty). garden

French 17th Century, The Milkmaid The Milkmaid

GRABADO MUJER DE LOS ALREDEDORES DE VALLADOLID-(CASTILLA LA VIEJA). Location: PRIVATE COLLECTION. France.

Experientia, from Proposopographia ca. 1585-90 Philips Galle Netherlandish. Experientia, from Proposopographia. Philips Galle (Netherlandish, Haarlem 1537-1612 Antwerp). ca. 1585-90. Engraving. Philips Galle (Netherlandish, Haarlem 1537-1612 Antwerp). Prints

Maurmiller, brigitta.

Lithograph by Moritz von Schwind from 1826-1827 depicting Katharina Enöckl in the role representing satisfaction, showing costume, posture, and expression.

Sibille from cumae; S: Cumana; Twelve sibilles. Sibille from Cumae, half, with her arm on a book.

George Vertue (1684 - 1756) English engraver and antiquary

Woman with a basket; Griet Garnael; Genre scenes. A woman (Griet Garnael) with a basket around her arm runs to the right. In the background a bridge with a few figures and marine masts. The print is part of a series of 32 prints with genre scenes.

Sitting woman with a dish on her lap, to the right. Draughtsman: Abraham van Strij (I). Dating: 1763 - 1826. Measurements: h 319 mm × w 234 mm. Museum: Rijksmuseum, Amsterdam.

Frankreich, Burgund, Dame im Hofkostüm mit hohem Hut und Schleier auf Drahtgestell, um 1450, Modegeschichte, Kostümgeschichte, Historisch, digital res...

'Roubilliac', (1702-1762), 1830. Louis-Francois Roubiliac (1702-1762) French rococo sculptor in London, commissed by Henry Cheere for a series of busts at Trinity College, Dublin and modeller at the Chelsea porcelain factory. From "Biographical Illustrations", by Alfred Howard. Thomas Tegg, R. Griffin and Co., J. Cumming, London, Glasgow and Dublin, 1830

The Artist's Mother Seated, in an Oriental Headdress. Dated: 1631. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: HARMENSZOON VAN RIJN REMBRANDT.

Mujer Hibita. Antigua nación india que habitaba en las cordilleras de los Andes y las pampas del río Huallaga. Grabado en color de 1805.

Wenceslaus Hollar (Bohemian, 1607 - 1677), Matrona Bernensis, etching

Chinoiserie with a woman holding cymbals, from Suite de Figures Chinoises. .Tiré du Cabinet de Mr. d'Azaincourt (Series of Chinoiserie Figures. .From the Chambers of Mr. d'Azaincourt) 1755-76 Jean Pierre Louis Laurent Hoüel French. Chinoiserie with a woman holding cymbals, from Suite de Figures Chinoises. .Tiré du Cabinet de Mr. d'Azaincourt (Series of Chinoiserie Figures. .From the Chambers of Mr. d'Azaincourt). Suite de Figures Chinoises. .Tiré du Cabinet de Mr. d'Azaincourt. Jean Pierre Louis Laurent Hoüel (French, Rouen 1735-1813 Paris). 1755-76. Etching and engraving. Gilles Demarteau (French, Liège 1722-1776 Paris)

'Girl Looking at a Dead Pigeon'. France, Late 1760s. Dimensions: 38,8x30,9 cm. Museum: State Hermitage, St. Petersburg. Author: JEAN-BAPTISTE GREUZE.

Science; Sientia; Three virtues. The personification of science is in front of a building and is working with a passer. There are still a few buildings in the distance. Under the show a Latin sense with an explanation of the personification.

Hendrik Goltzius, Terpsichore, probably 1592 Terpsichore

Majel G Claflin, Unnamed Bulto, 1935 1942 Unnamed Bulto

Corn Husk Doll. Dated: c. 1941. Dimensions: overall: 30.6 x 22.8 cm (12 1/16 x 9 in.) Original IAD Object: 4 5/8" high; 2" wide. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Wilbur M Rice.

In greenery according to the image of Robert J. Beyschlag. A clip from a German magazine. Knesing, Theodor (1840 1927), Weber, A. (n.n.), Beyschlag, Robert Julius (1838 1903)

Clio. Dimensions: overall: 12.7 x 12.6 cm (5 x 4 15/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Crispijn de Passe I.

Ramon Llull (ca. 1232-1316). Religious, philosopher, poet, mystic, theologian and missionary from Majorca. The alchemist Raymond Lulle. Portrait after an engraving by Jean de Vries in the 16th century. Sciences & Lettres au Moyen Age et à l'époque de la Renaissance. Paris, 1877. Author: Jean de Vries. 16th-century artist.

Lesdiguières, Jean Francois Paul de Blanchefort de Créquy Duc de.

Polish Girl from Zhvanets on the Dniester River Viero, Teodoro (1740 1819/21)

'Saint Barbara', 1640-1650, Oil on canvas, 173 x 103 cm. Author: FRANCISCO DE ZURBARAN (1598-1664). Location: MUSEO DE BELLAS ARTES-CONVENTO DE LA MERCED CALZAD. Sevilla. Seville. SPAIN. PATRONA DE LA ARTILLERIA. SANTA BARBARA (273-306) BARBARA DE NICOMEDIA.

Wenceslaus Hollar, Winter, 1643, etching and engraving on paper.

Recueil des modes de la cour de France, 'La vendeuse de Mottes'. Jean Baptiste Bonnart (France, 1654-1726)Henri Bonnart (France, 1642-1711). France, Paris, after 1685. Prints. Hand-colored engraving on paper

A fisherwoman with a flower in her hand stands in front of a meadow. In the background the village of Marken and the Zuiderzee. Print from a series of 10 prints depicting villagers wearing traditional costumes, Fisherman's wife from the island of Marken Femme de Pescheur de l'Isle de Marcken Dutch costumes (series title), print maker: Pieter van den Berge, (mentioned on object), Pieter van den Berge, (mentioned on object), publisher: Pieter Persoy, (mentioned on object), Amsterdam, 1669 - in or before 1689, paper, etching, engraving, h 276 mm × w 175 mm

The Gratitude, draughtsman: Louis Fabritius Dubourg, 1746, paper, pen, brush, h 183 mm × w 143 mm

Handmaid with burning candle Five etchings (series title), print maker: Pierre Louis Dubourcq, (mentioned on object), Netherlands, 1839, paper, etching, h 170 mm × w 113 mm

Allegory on caution and innocence. Round representation of a woman in a garden. Two pigeons shot on her shot in her right hand. In the background right a group of people in the loggia of a large building. To the show a Latin text.

Standing brother with a staff, c. 1657 Brother with a habit of the Order of the Crosiers, in an octagonal frame. Zwolle paper. watercolor (paint) brush Brother with a habit of the Order of the Crosiers, in an octagonal frame. Zwolle paper. watercolor (paint) brush

Giovanni David, A Seated Young Woman Holding a Letter, c 1775 A Seated Young Woman Holding a Letter

Omdut il Mulk, Nabob of Arcot. John Dixon (Ireland, active England, circa 1740-1811). Ireland, 1771. Prints; mezzotints. Mezzotint

Netherlands, Bega, Cornelis Pietersz., Young woman sitting with a pipe, verso center bottom - stamped, print, prints, height 60 mm, width 54 mm, Northern Netherlands, 1632 - 1664-08-27, print maker, printmaker, 1642 - 1664, second quarter 17th century, third quarter 17th century, paper, etching, etchings, Work conception, after own design by

Juan Antonio Salvador Carmona (Engraver) (After Titian (Tiziano Vecellio)); Calcografía Nacional (Printer) / 'The Virgin Dolorosa with her Hands apart'. 1778 - 1788. Etching, Burin on wove paper. Museum: Museo del Prado, Madrid, España.

Lekain, Henri Louis.

Elizabeth Woodcock, buried alive in snow for eight days between Impington and Cambridge, February 1799. Rescued but lost her toes from frostbite. Died the following July. Engraving, London, 1869.

Copper engraving and etching by Comte Anne Claude Philippe de Caylus titled 'My Beautiful Salad', created in 1742.

Woman at a Window 1759 France. Etching on paper . Jean-Pierre Norblin de la Gourdaine

Street vendor with combs, Pieter de Goeje, 1789 - 1859, Design for a print., draughtsman: Pieter de Goeje, 1789 - 1859, paper, pen, brush, h 136 mm × w 61 mm

Judit with the head of Holofernes, Herman Hendrik de Quiter (I), After Rafaël, 1642 - 1708 print paper Judith with Holofernes' head and the sword

. Print middle numbered: 33.

Cantiniere, France, 1853, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes 1888 Issued by Kinney Brothers Tobacco Company Trade cards from the "MIlitary Series" (N224), issued in 1888 by Kinney Tobacco Company to promote Sweet Caporal Cigarettes.. Cantiniere, France, 1853, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes. 1888. Commercial color lithograph. Issued by Kinney Brothers Tobacco Company

Paris, Breton, Richard, Desprez, François, Recueil de la diversité des habits, Series of different costumes, La dame de turquie, Lady from Turkey, verso - stamped, print, prints, height 147 mm, width 85 mm, French, print maker, printmaker, 1562 - 1562, paper, papier, woodcut, Publication (Event), Publication, 1524 - 1571, publisher

Old woman by candlelight; December. An old woman in an interior holds a candlestick with a candle in hand. She stands at a table on which a skull and an hourglass. There is a goat next to the table. In a niche in the wall behind her an owl, to the right of her on the wall a tablet with the date December 29, 1675. Under the show a Latin text in two columns. Copy in mirror image to the print of the same name by Albert Haelwegh, number twelve from a series with representations of the twelve months, manufactured by various artists.

Pleated bed of the princess governess, Anna van Hannover, widow of Prince William IV. Draughtsman: Simon Fokke (mentioned on object). Dating: 10-Feb-1759. Place: Northern Netherlands. Measurements: h 203 mm × w 158 mm. Museum: Rijksmuseum, Amsterdam.

Gregor I. The big, dad.

Woman and Child by a Duck Pond. Artist: Lorenz Frølich (Danish, Copenhagen 1820-1908 Hellerup). Dimensions: 7 3/16 x 4 13/16 in. (18.2 x 12.2 cm). Date: 1835-1903. Museum: Metropolitan Museum of Art, New York, USA.

AISHA. Egypt, engraving 1879

Weep, weep, little children, vintage engraving. Weep, weep, little children, vintage engraved illustration. Magasin Pittoresque 1869. Copyright: xZoonar.com/PatrickxGuenettex 10678733

Couplet, Francis .

Le Jeune Soldat. Dated: 1737. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Charles-Nicolas Cochin I after Jean Siméon Chardin.

Queen of Collars, from The Cloisters Playing Cards. Culture: South Netherlandish. Dimensions: 5 3/16 × 2 3/4 in. (13.2 × 7 cm). Date: ca. 1475-80.The Cloisters set of fifty-two cards constitutes the only known complete deck of illuminated ordinary playing cards (as opposed to tarot cards) from the fifteenth century. There are four suits, each consisting of a king, queen, knave, and ten pip cards. The suit symbols, based on equipment associated with the hunt, are hunting horns, dog collars, hound tethers, and game nooses. The value of the pip cards is indicated by appropriate repetitions of the suit symbol. The figures, which appear to be based on Franco-Flemish models, were drawn in a bold, free, and engaging, if somewhat unrefined, hand. Their exaggerated and sometimes anachronistic costumes suggest a lampoon of extravagant Burgundian court fashions. Although some period card games are named, it is not known how they were played. Almost all card games did, however, involve some form

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