17th Century Banquets and Revelry

Engravings depicting lively gatherings of 17th-century people in festive attire, showcasing themes of drinking, merriment, and social camaraderie.

Board for the comic scarron novel: the rancor cuts the Ragottine hat after Dumont Louis Overall (1686-1762). Board for the comic scarron novel: the rancor cuts the Ragottine hat after Dumont. Forte and Burin, 1727.

January 1830. / Public warmer

Giving Drink to the Thirsty. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: Sheet (trimmed): 10 3/16 × 12 15/16 in. (25.9 × 32.8 cm). Publisher: Jean I Leblond (French, ca. 1590-1666 Paris). Series/Portfolio: Acts of Mercy(Les Oeuvres de miséricorde). Date: 1635. Museum: Metropolitan Museum of Art, New York, USA.

Here you see, ô kids! You depressed, depicted, / which apourmet it's evil household cultivation / as man and woman weighed through two-wayed, / in drunkenness, galyf and beating, miserable life. Leaf with 2 performances. Above: the drunk dries that are brought to his wife. Below: Tryn that gives the Drunk Dries a big beating. Under the images a verse in three columns. Numbered at the top right: No. 116.

A young man, in the presence of his father, is examined by an academic for admission to university. Etching by J. Williams, 1772, after H.W. Bunbury.

Holding a court, or farmers paying their rent , Landlord & tenant relations. Thomas Rowlandson (1756-1827). Prints and Drawings

THE NEW YORK TAMMANY FRAUDS

Sunday in the backwoods of Canada. Engraved by F Lefrancq afer Thomas Faed. From the book 'Illustrations of English and Scottish History' Volume II

Pl. 2. Canvassing for votes , Taverns Inns, Bribery, Political elections. William Hogarth (1697-1764). Prints

Plate from Livre de Scènes Comiques 1729-1732 France. Etching on paper . Gabriel Huquier

To the Restoration of Poland! Made 1831 France. Lithograph in black on ivory wove paper . Denis Auguste Marie Raffet

Scene from the eighteenth century: a man seated in a chair examines a painted wallpaper held up before him by the painter and his assistant. Part of a series of six representations of moments in Dutch history presented in tableaux vivants by members of Arti et Amicitiae in Amsterdam on December 2, 1864, Man looking at painted wallpaper, 18th century Tableaux Vivants, mainly presented by the ordinary members of the Arti et Amicitiae society in Amsterdam, on December 2, 1864, in the municipal theater, on the occasion of the festive celebration of the Society's Twenty-fifth Anniversary , print maker: Frans Molenaar (1821-1886), (mentioned on object), intermediary draughtsman: Johan Conrad Greive, (mentioned on object), publisher: Frans Molenaar (1821-1886), print maker: Amsterdam, intermediary draughtsman: Netherlands, publisher: Amsterdam, 1864 - 1865, paper, etching, h 135 mm - w 225 mm

The death of Lord Nelson on the quarter deck aboard HMS Victory at the battle of Trafalgar. Engraving by W. Bromley after A.W. Devis, 1807.

Print made by William Hogarth, 1697-1764, British, Marriage à la Mode, Plate 6, 1745. Etching with line engraving.

THE EASTERN QUESTION: THE STOCK EXCHANGE, ISTANBUL, TURKEY, 1876

after William Hogarth, 1697-1764, British, Industry and Idleness, Plate X, The Industrious 'Prentice Alderman of London, the Idle One Impeach'd before Him by His Accomplice, 1833. Etching and line engraving on medium, slightly textured, cream wove paper.

The Blacksmith, 1771. Richard Earlom (British, 1743-1822), after Joseph Wright of Derby (British, 1734-1797). Mezzotint; Joseph Wright of Derby's fame as a painter was enhanced by prints based on his compositions since works on paper, being relatively cheap and widely available, could reach a much larger audience than his oils. Filled with dramatic light effects, Wright's paintings were ideally suited for reproductionin mezzotint. With its velvety texture and subtle tonal variations ranging from rich blacks to delicate shades of gray, mezzotint was the printmaking technique closest to oil painting. Experts like Earlom or William Pether were skilled at transposing paintings into mezzotint while exploiting the unique characteristics of this medium.

4. The industrious apprentice a favourite and entrusted by his master Date: 1747

Two performances from the Hellmuth van Hiemer family, Daniel Nikolaus Chodowiecki, 1798 print Berlin paper etching arrival and return ~ travelling. family, descendance. acquiring riches

A man at the edge of the room waves his arms as a man attacks one of his friends. Etching by Robert Cruikshank.

Signing the peace treaty between France and the German emperor, February 5, 1679, Jan Luyken, 1699 print Signing the peace treaty between France and the German emperor in the town hall of Nijmegen, at ten o'clock in the evening 5 February 1679. Interior with a group of men standing around a table near candlelight. The negotiators mention: Graf Strattmann, Marquis de Croissy (jacket), Comte d'Estrades, the bishop of Gurk, Graf Kinsky, and the empty chair of the Comte d'Avaux. In the margin the legend 1-5. Amsterdam paper etching signing of peace treaty, concluding the peace Town hall

Lesson in the workshop of the mechanic, Daniel Nikolaus Chodowiecki, 1791 print Berlin paper etching education. Utopia. mechanics. agricultural implements: plough. sculpture

Jan Gossaert with a party company at the table, Jean Baptiste Madou, c. 1839 - c. 1843 print paper. festivities. eating and drinking

Exhibition in Utrecht in 1431

George Dawe, 1781-1829, British, Set of nine: (5) The Life of a Nobleman. Aquatint, colored by hand.

The Trollope family , Family members, Painters Artists, Paintings, Trollope, Frances Milton, 1780-1863

View of a omracht chance. .

Etching and aquatint by Francisco Goya illustrating the unknowable reasons behind war, using ledge needle technique 1812-1815, first edition 1863.

Day of payment of the lease. Engraving, 1883. Original painting by David Wiklie (1785-1841). Engraving by A. Raimbach. Author: Abraham Raimbach.

Good practices Auger, Adrien Victor (1787 18 ..), Motte, Charles Etienne Pierre (1785 1836)

Cheerful company in an inn. Draughtsman: Jan Anthonie Langendijk Dzn. Dating: 1805. Measurements: h 215 mm × w 318 mm. Museum: Rijksmuseum, Amsterdam.

The Trial. Illustration from the Charles Dickens novel The Pickwick Papers by H.K. Browne known as Phiz

Amsterdam, Picart, Bernard, Three men walking on the street at night (small version), verso lower right - stamped, Three men walking on the street at night. The wigmaker holds an axe, Brontin a hammer and Boirude leans on a walking stick., print, engraving, book illustration, prints, height 142 mm, width 81 mm, Northern Netherlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1718 - 1718, first quarter 18th century, paper, etching, engraving (printing process), supervision

SAVING HOME OF COMMITMENTS TO MONT-DE-POINT

Herberg interior with reading man at the table with other figures, Jacques-Philippe Le Bas, after David Teniers (II), 1735 print Numbered in the top left: No. 14. Paris paper etching / engraving inn, coffee-house, public house, etc.. drinking. eating

La Nuit (Night), London Street Scene at Night, by William Hogarth, Engraving, 1738

Joe, the fat boy. Date: First published: 1836-37

A Blacksmith's Shop 1771 England. Working with stunning speed, Richard Earlom produced 200 mezzotint landscapes after Claude Lorrain in three years and made this sizable plate less than three months after Joseph Wright of Derby completed the original painting. This impression is an early proof before letters, but the final published title boasted that ìthe Right Honorable Lord Melbourneî already owned the painting. He had bought it for 150 guineas directly from the artistís studio, along with Wrightís Academy by Lamplight. The glow of the iron ingot on the central anvil is no less impressive in Earlomís mezzotint rendition.. Mezzotint in black on ivory laid paper . Richard Earlom

ITALIAN PEOPLE, Italy

'Gauls, goths, visigoths and vandals in Rome' A sketch in the Sistine Chapel highlighting the many types of tourists who visit. Date: 1873

Straat met boekverkoper.A street in Paris with a book seller deepens into a Montaigne work. As a result, he does not realize that a stack of books has fallen, possibly through a customer. The titles of the books are partially visible. Numbered: CHAP CXLIV.

Goya No se puede saber por que (One Can't Tell Why) Francisco de Goya, No se puede saber por que (One Can't Tell Why), Spanish, 1746 - 1828, published 1863, etching, burnished lavis, drypoint, and burin, Rosenwald Collection

Return of the Lost Son, Jan Frederik Christiaan Reckleben, 1845 print In the parental home, the lost son repentance. He is welcomed by his mother, who sits on a chair. The father, who stands next to the mother, keeps his hand. There are different paintings on the wall. The lost son is depicted as a 19th-century person and the scene is set in a 19th-century interior. Amsterdam paper steel engraving the parable of the prodigal son (Luke 15:11-32). picture, painting

Depiction of the regents of St. Elisabeth-Hospital in Haarlem showing seated figures, clothing, and posture, executed in brown pen and gray brush.

Hans Joachim von Sucked Sleeping at the table of Frederik the Great, Daniel Nikolaus Chodowiecki, 1800 print paper etching historical persons (portraits and scenes from the life). historical persons. sleeping in chair. evening meal, dinner, supper Berlin city palace

ARRIVAL OF THE KING TO DREUX. (TI)

Haarlem, Emrik & Binger, Kate, Herman Frederik Carel ten, Netherlands, Veen, Jan van der (prentmaker), Louis XIV and Pieter de Groot, 1672, Negotiations between the French king Louis XIV and the Dutch ambassador Pieter de Groot, April 1672. Numbered top right: XLVII., print, history print, prints, Frederik Muller History plates, height 163 mm, width 239 mm, Dutch, 1831-07-13 - 1860-06-21, print maker, printmaker, 1853 - 1861, third quarter 19th century, paper, tone lithography, 1822-02-16 - 1891-03-26, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

Departure with men and women, Johann Heinrich Maria Hubert Rennefeld, After Charles Rochussen, 1872 print View of a departure with men and women. There are various decorations and paintings on the wall. Amsterdam paper etching / engraving picture, painting

Le tribunal , Judicial proceedings, Alphonse Legros (1837-1911)

LesJournaux. Artist: Louis Léopold Boilly, French, 1761-1845

Be it ever so Humble, There's no place like Home, George Augustus Sala, 1828-1895, British, undated, Gray wash and graphite with pen and black ink on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper, Sheet: 6 7/8 × 4 1/4 inches (17.5 × 10.8 cm) and Mount: 3 3/8 × 5 5/8 inches (8.6 × 14.3 cm), broom, cats, children, genre subject, home, man, pigs, pitchfork, women

People's meal Auguste Raffet (1804-1860). Press cartoon. "People's meal". Board published in "caricature" of January 26, 1832. Lithography. Paris, House of Balzac.

The Enraged Musician. 1741. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Columbus Breaking the Egg 18th century William Hogarth. Columbus Breaking the Egg. William Hogarth (British, London 1697-1764 London). 18th century. Etching

Night, Johann Esaias Nilson, 1731 - 1788 print From a window looking and listening a man and a woman to a singing man and woman with a lantern, a violin player, two music -making children and a dog down. Publishing number LVIII. Augsburg paper etching pastorals, Arcadian scenes. night. vocal music, singing. making music; musician with instrument

News. The return of the holidays. (Title registered (letter))

Ploos van Amstel, Cornelis, Bray, Jan de, Schreuder, Bernhard, Amsterdam, Regents of the orphanage in Haarlem, verso - handwritten, The regents of the orphanage in Haarlem gathered around a table. The messenger is standing in the background., print, prints, verso - stamped, J. de Bray 1663 del CPl v Amstel direx., height 225 mm, width 296 mm, Noord-Nederlands, 1726-01-04 - 1798-12-20, supervision, 1777 - 1786, paper, papier, printtekening, etching, etchings, roulette, transfer, handkleuring, - 1780-10-16, print maker, printmaker, 1627 - 1697-04-04, intermediary draughtsman, after a drawing by, Publication (Event), Publicatie, publisher

SKETCH AT NED WRIGHT'S THIEVES' SUPPER, 1870

Run-Off Elections. "- Will she invite me for a second waltz," plate 114 from Actualités. Honoré Victorin Daumier; French, 1808-1879. Date: 1869. Dimensions: 240 × 205 mm (image); 302 × 248 mm (sheet). Lithograph in black on buff wove paper, with letterpress verso. Origin: France. Museum: The Chicago Art Institute, USA.

The Committee (Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 10) 1725-68 William Hogarth British. The Committee (Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 10) 396573

Northern Netherlands, The Hereditary Stadtholdership Guaranteed, Presentation of the Act of Guarantee to William V, 1788, verso - stamped, Presentation by the delegation of the States General in Huis ten Bosch Palace of the Act of Guarantee to Stadtholder William V, 10 July 1788., print, prints, Frederik Muller Historieplaten, height 84 mm, width 44 mm, print maker, printmaker, 1788 - 1788, paper, papier, etching, etchings, engraving, engraving (printing process)

A crowd watches as two men gamble; representing the phrenological faculty of acquisitiveness. Steel engraving by L.A. Portier, 1847, after H. Bruyères.

Photo collection Government information service. Painting, paintings, Metsu, Gabriel. undated. Amsterdam, Noord-Holland

Watercolor and pencil by Ludek Marold depicting Roma musicians performing, showing figures, instruments, and interaction.

The Five Sisters of York. Illustration from the Charles Dickens novel Nicholas Nickleby by H.K. Browne known as Phiz

The royal, Hungarian pleasure castle Gödöllö, Emperor Elisabeth, Emperor Franz Joseph, the imperial family in front of the royal Hungarian pleasure palace Gödöllö from Wiener Salon Album , Vinzenz Katzler -, Artist, Friedrich Wilhelm Bader -, realization

Les chantres Espagnols , Choirs Music, Singers, Alphonse Legros (1837-1911)

Louis Léopold Boilly, Second Scene of Burglars: The Burglars Arrested, 1810, oil on canvas.

Auguste Lepère after Honoré Daumier (French, 1849-1918), Les Fauteuils d'orchestre, 1878, wood engraving

Netherlands, Heintzen, Julianus Amtonius, Congress in the Brakke Grond of Coffee Brokers, deciding on the new Law of Weight and Condition, 19 Sept. 1820, Meeting of coffee brokers in the Brakke Grond inn in Amsterdam, 1820, verso - stamped, Meeting of coffee brokers in the Brakke Grond inn on the Nes in Amsterdam on 19 September 1820. A group of men sitting around a table. In the center the chairman Sam. Voûte, to his left the draftsman JA Heintzen Jr. The persons depicted are numbered 1-15 in pencil, the print comes with a piece of paper with a legend with the corresponding names., print, prints, Frederik Muller Historieplaten, height 390 mm, width 495 mm, Dutch, 1802-01-18 - 1878-11-25, print maker, printmaker, 1820 - 1820, paper, papier, lithografie (technique)

Departure from a French Inn: An Illustration for Sterne's Sentimental Journey, Samuel Hieronymus Grimm, 1733-1794, Swiss, 1775, Watercolor with black ink over graphite on medium, slightly textured, cream laid paper, Sheet: 5 5/16 × 7 3/8 inches (13.5 × 18.7 cm), genre subject, signs, France

Alexandre-Évariste Fragonard / 'The Last Moments of the Duc de Berry', Oil on canvas, 56,8 x 73 cm. Museum: MUSEE BONNAT, Bayona, France. CARLOS FERNANDO DE ARTOIS.

Harley, Mine Oyster"Shucking", 1872, wood engraving on paper.

Allegorical grave monument for Prince Willem V, 1806, Lambertus Antonius Claessens, 1806 print Allegorical grave monument for Prince Willem V, died on April 9, 1806. The Historia History writes with the tomb of the prince. A genius with a winch in hand inspires her. Bottom left a portrait of the prince in three -quarters to the right, here a Bible and a map. The print includes a magazine with a statement. print maker: Netherlandspublisher: Amsterdam paper grave-building, monumental tomb. 'Historia'; 'Historia' (Ripa)

The Committee (Plate 10: Illustrations to Samuel Butler's Hudibras) 1725-30 () After William Hogarth British. The Committee (Plate 10: Illustrations to Samuel Butler's Hudibras) 415397

Giacomo Casanova (1725-1798) as a prisoner in Newgate, London. Date: 1725-1798

Widow Costard's Cow and Goods destained for Rent are redeemed by the generosity of Johnny Pearman, William Sedgwick, 1748-1800, after Edward Penny RA, 1714-1791, British, 1784, Stipple engraving, Sheet: 12 1/8 x 10 1/8in. (30.8 x 25.7cm)

The Berlin artist association from Ueber and the sea, General illustrated newspaper, Eduard Hallberger -, Xylographer, after, Ludwig Löffler -, artist

After Winslow Homer, "Our Next President", 31 Oct. 1868, wood engraving on newsprint.

Illustration from a nineteenth century edition of 'Robinson Crusoe' a novel by Daniel Defoe. The book was first published on 25 April 1719. It relates the story of Robinson Crusoe, stranded on a desert Island for 28 years and his subsequent fight for survival.

toys dolls graphic ""Die Leipziger Puppendoctorin"" (The Leipzig doll doctor) wood engraving coloured by Emil Schmidt from the magazine ""Die Gartenlaube"" (The arbour) Germany 1871 private collection,

It was neither Julie nor Sophie was Madame Roland, a daughter of Rousseau.

Très bien! Vous vous êtes parfaitement conduits!... , Kings, Louis Philippe, King of the French, 1773-1850. Honoré Daumier (1808-1879). Lithographs

The Dilettanti Society, Print made by William Say, 1768-1834, British, after Sir Joshua Reynolds RA, 1723-1792, British, 1812, Mezzotint (proof before letters) on medium, slightly textured, cream laid paper, Sheet: 24 1/4 × 18 inches (61.6 × 45.7 cm), Plate: 23 1/8 × 16 5/8 inches (58.7 × 42.2 cm), and Image: 19 3/4 × 14 3/4 inches (50.2 × 37.5 cm), book, bottles, conversation piece, costume, drinking glasses, food, genre subject, Grand Tour, men, portrait, society, vase, wine

Interior of a fabric store, Vincent Laurensz. van der Vinne (II), 1758 print In a fabric store there is a stack of packages on a counter. On the left, a customer asks a store clerk to view something. A woman comes in. Haarlem paper etching / letterpress printing shop, store. textile fabric, cloth. materials ~ textile industry. ladder

THE AUTUMN MANOEUVRES

Engraving by British artist & engraver, William Hogarth 1697ñ1764: frontispiece to Samuel Butler's 'Hudibras', a satirical polemic upon Roundheads, Puritans, Presbyterians and many of the other factions involved in the English Civil War

George Washington and the Spy Harvey Birch, designed by T.H. Matteson, Engraved by Charles Burt, N.Y., 1840's

Paris, Frey, Bellangé, Hippolyte, Charges d'Atelier no. 1, New member of an artists' association is welcomed, verso - handwritten, A new member of an artists' association enters through the door of a studio, where he is hazed by the members, including a completely naked man. More jokes are played on him: for example, two men above the door pour a bucket of water over him., print, prints, verso - stamped, LA de Vries, v. Stockum, 24 Nov. 1964, no. 172 (81 st.), f. 520, -, height, 267 mm, width mm, French, 1800-01-17 - 1866-04-10, print maker, printmaker, 1832 - 1832, paper, papier, lithografie (techniek), printer, drukker

The Good Little Girls. Denis Auguste Marie Raffet (French, 1804-1860); published by Chez Gihaut Frères (French, 19th century). Date: 1832. Dimensions: 181 × 284 mm (image); 283 × 401 mm (sheet). Lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Ludwig Angerer photographed 'The Slogan' after Arthur Grottger in 1869 on albumin paper, showing the artwork and composition.

Fall Gamesthe Apple-Bee Published 1859 United States. Wood engraving on paper . Winslow Homer

The ghost a Christmas frolic le revenant, en sanguine engraving 1814, a boy with a mannequin ghost holding a candle frightens several guests at an intimate party.

The Interior of the Mint from a drawing of about 1800, 1878 Artist: Walter Thornbury

Birth of His Royal Highness The Count of Paris. (IT)

after William Hogarth, 1697-1764, British, Concert Ticket, Mary's Chappel, 1799. Etching and line engraving on medium, slightly textured, cream wove paper.

The farewells of Louis XVI to his family, January 20, 1793 According to Charles Benazech (1767-1794). "The goodbye of Louis XVI to his family, January 20, 1793". Oil on cardboard.

Father HughPeters. Artist: William Loggan, Dutch

THE GENEVA ARBITRATION

Sociëteit de Ooijevaar, ca. 1820, Daniël Vrevalwaard (I), After Jacob Smies, 1820 - 1825 print Theater performance in the Sociëteit or Café '-Théatre (or night pub) called' De Ooyevaar ', on Sint-Antoniesbreestraat in Amsterdam, ca. 1820. In a busy occasion a man and woman are on stage with some musicians. In the foreground the public drinking at tables. Netherlands paper etching night-club, dance-hall. inn, coffee-house, public house, etc.. theatre, theatrical performance Sint Antoniesbreestraat

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