18th Century Engravings of Human Emotion

A collection of historical engravings depicting various human emotions and scenarios, including scenes of marriage, pride, and grief, showcasing intricate details and dramatic expressions.

Lord challenges another for a fight with the Degen, Reinier Vinkeles (I), 1786 print Amsterdam paper etching / engraving threatening behaviour, challenging. hacking and thrusting weapons: sword

Ludwig XV., King of France.

Charles V as emperor crowned by the pope; Entry of Ferdinand in Ghent in 1635 (no. 24), Pieter de Jode (II), After Gaspar de Crayer, after Peter Paul Rubens, 1675 - 1685 print Charles V to Emperor crowned by Pope Clemens VII in Bologna, 24 February 1530. Presentation on a side wall of the passage of the triumph gate Arcus Caroli on the Vrijdagmarkt. Page No. 24 In a whole of 42 plates that illustrate the publication of the description of the entry of the Cardinal Infant Ferdinand of Austria in Ghent on January 28, 1635 as the new governor for the Spanish Netherlands. Southern Netherlands paper engraving during the coronation. triumphal arch Ghent. Friday market. Bologna

De Messenger, Pieter ROTTERMONDT, 1639 - 1706 print A messenger brings a time to a king. Possibly Simeon who informs Jakob of Josef's death. Northern Netherlands paper etching messenger. ruler, sovereign - BB - female ruler

William III, Prince of Orange(1650-1702). Artist: Gerard de Lairesse, Dutch, born Flanders, 1641-1711

Pigeon for a mirror; Chloris. Chloris has changed in a pigeon. Her lover takes the hands in despair while looking at the pigeon in front of the mirror.

Artist: Nicolaes de Bruyn, Flemish, 1571-1656, After: Hendrick Goltzius, Dutch, 1558-1617, Christ before Pilate (PassionSeries), Engraving, 19.8 × 13.6 cm (7 13/16 × 5 3/8in.), Made in Flanders, Flemish, 16th-17thcentury, Works on Paper -Prints

Julie on her father's lap, Daniel Nikolaus Chodowiecki, 1782 print Nummered at the top left: 3. With caption in French. paper etching interior of the house. open hearth, fire-place. sitting in someone's lap - AA - female human figure. parents with their children

Peter Paul Rubens on his deathbed, Willem van Senus, after Johannes Steyn, 1838 print The painter Peter Paul Rubens on his deathbed surrounded by many figures. Top right: pl. 4. Netherlands paper etching artist on his deathbed

Folkema, Jacob, Man catches his wife with a lover, verso - stamped, A man in nightclothes walks into a dimly lit bedroom. Startled, he looks at a man and woman leaning against each other on the bed, dozing off. Print marked at top right: Tom 1 pag. 331., print, book illustration, prints, height 148 mm, width 90 mm, Dutch, 1692 - 1767, print maker, printmaker, 1702 - 1767, paper, papier, etching, etchings, intermediary draughtsman

The visit, Johannes Körnlein, 1730 - 1772 print In a decorated interior, a man greets an elegantly dressed young woman who sits in a chair. There are two servants behind the young lady. paper etching / engraving introducing

Page 15 / 3rd song

Comfort in the Gout November 30, 1785 Thomas Rowlandson. Comfort in the Gout. Thomas Rowlandson (British, London 1757-1827 London). November 30, 1785. Hand-colored etching. John Raphael Smith (British, baptized Derby 1751-1812 Doncaster). Prints

Antoine Jean Duclos after Jean Michel Moreau, La confiance des belles mes, 1777 La confiance des belles mes

Line Drawing. Henry the Eighth and Anne Boleyn.

Heinrich IV., King of France.

Ll. AA. RR. Monseigneur The Duke of Bordeaux and Miss.

Falstaff is asked to dress in women's clothing, Daniel Nikolaus Chodowiecki, 1786 print paper etching Falstaff. Literature. embracing each other, kissing. man dressed as woman, travesty

Jean Dambrun after Jean Honoré Fragonard, Le calendrier des viellards Le calendrier des viellards

Oranje donates Goignies's sword, 1578, Theodoor Koning, After Jacobus Buys, 1785 print Goignies, released at the request of Mondragon, receives a Degen, 1578 from Orange, this print is part of a series of 24 prints with scenes from the life of Prince William I, 1568-1584 and is an illustration of the twentieth singing. Amsterdam paper engraving

Waiting room with reading, smoking and card -playing officers, Pieter Tanjé, after Cornelis Troost, 1754 print Waiting room with reading, smoking and card -playing officers. On the right one of them studies a map of the Netherlands. On the wall a coat of arms with the Dutch Lion. At the bottom of the margin the coat of arms of Gerrit Braamcamp, who had the original painting in his collection. Amsterdam paper etching / engraving Officer. In the Guard-room, 'Cortegarard' Dog. Maps of Separate countries or regions

Man views might of a goldsmith, Ernst Friedrich Oldermann, After Wilhelm Nerenz, 1818 - 1837 print Presentation from the work 'Goldschmieds Töchterlein' by Ludwig Uhland. Berlin paper jeweller, goldsmith, silversmith. shop, store. adult man. adult woman

Home of the lost son; Recueil De Quatre-Vingt-Cinq Estampes Originales. The print is part of an album.

Elisabeth I, Queen of England.

Bliżej Kultury Falck, Jeremias (ca 1610 1677), Liss, Johann (ca 1597 1631)

Germanicus at a group of women. Germanician is opposite a group of women. A man holds the poor of germanicus and the front woman. The germanicus and agrippina engagement may be displayed. Numbered at the top right: VII.

last Supper Bertin, C., Martinet, L. (18 .. 18 ..) Printer, Rubens, Peter Paul (1577 1640)

Intogt from Willem I in Utrecht.

Man is a departure from with a stick, Reinier Vinkeles (I), 1787 print Amsterdam paper etching / engraving walking-stick, staff. taking leave. handkerchief

Sickbed, A doctor visits a sick woman on her sickbed. There is a pot next to the bed. A dog barks at the doctor. Behind him are four people, one of whom looks into a glass, sick-bed, physician, doctor, dog, Abraham de Blois (mentioned on object), Amsterdam, 1679 - 1726, paper, engraving, h 345 mm × w 285 mm

Singing Quartet, Richard Earlom, After Godfried Schalcken, 1770 print London paper small group of musicians, chamber orchestra, jazz band. vocal music, singing. teacher and pupil

The Internment of Mary, Queen of Scots May 1, 1791 William Nelson Gardiner British This print reproduces one of a set of designs commissioned from Rigaud in 1789 by the 4th Early of Abingdon to complement a musical piece he had written on Mary's final hours and death. Rigaud's drawing for the print was exhibited at the Royal Academy, London in 1791 and is now unlocated.. The Internment of Mary, Queen of Scots. L'Execution de Marie Stuart, reine d'Ecosse, en sept estampes (The Execution of Mary Queen of Scots, in seven prints). William Nelson Gardiner (British, Dublin 1766-1814 London). May 1, 1791. Stipple engraving. Tebaldo Monzani , London. Mary, Queen of Scots (British, Linlithgow 1542-1587 Fotheringhay). Prints

Blindemannetje, Pierre Filloeul, after Jean Baptiste François Pater, 1738 print publisher: ParisFrance paper etching / engraving youth, adolescent. blind-man's buff

Dispute between three figures in a departure, Reinier Vinkeles (I), 1780 print Amsterdam paper etching / engraving aggressive relationships, enmity, animosity

Collection of Johan van Oldenbarnevelt, 1618, 1858 - 1860 print Collection of Johan van Oldenbarnevelt, August 29, 1618. The council pensioner is arrested by two soldiers. Netherlands paper steel engraving arrest (of criminal)

Opwekking of Jaïrus's daughter, Gabriel Huquier, After Claude Gillot, 1705 - in Or Before 1732 print print maker: Parisprint maker: Franceafter design by: Francepublisher: Parispublisher: ParisFrance paper etching raising of the daughter of Jairus, who is lying in bed (Matthew 9:18-19, 9:23-26; Mark 5:21-24, 5:35-43; Luke 8:40-42, 8:49-56)

Le Couronnement d'Épines (The Crowning with Thornes), from La Petite Passion (The Little Passion) 1624-25 Jacques Callot French. Le Couronnement d'Épines (The Crowning with Thornes), from La Petite Passion (The Little Passion). La Petite Passion. Jacques Callot (French, Nancy 1592-1635 Nancy). 1624-25. Etching; first state of two (Lieure). Prints

Scene from Lubbert Lubbertse, or the advanced farmer, Jacobus Buys, 1766 drawing Scene from: Lubbert Lubbertse, or the advanced farmer, play by N. van Breda, 1686. paper. ink pen / brush theatre, theatrical performance. (scenes from) specific works of literature (with AUTHOR, Title)

"Copper engraving by Hans Brosamer from 1544 depicting the Judgment of Paris, showing mythological figures, gestures, and detailed scene composition."

Mary Stuart Listening to the Order of Her Execution. Artist: After Karl Theodor von Piloty (German, Munich 1826-1886 Ambach bei Munich). Dimensions: Image: 7 7/8 × 10 13/16 in. (20 × 27.4 cm)Sheet: 9 1/8 × 12 3/8 in. (23.2 × 31.5 cm). Engraver: Doris Raab (German, Nuremburg 1851-before 1933). Publisher: Probably published by D. Appleton & Co. (New York, NY). Subject: Mary, Queen of Scots (Linlithgow 1542-1587 Fotheringhay, England). Date: 1878 ().This is likely a state before letters of a print published as the frontispiece for Appleton and Co.'s New York "Art Journal" in 1878. In the periodical, a title was added and the artists identified within the text. Doris Raab, a skilled woman engraver, based the image on a painting by a fellow German artist Piloty. The latter selected an intense emotional moment when Mary Queen of Scots learns that she had been condemned to death by Queen Elizabeth I. Museum: Metropolitan Museum of Art, New York, USA.

Moses Brought to Pharaoh's Daughter February 5, 1752 William Hogarth British. Moses Brought to Pharaoh's Daughter 404790

The Expulsion from the Temple, plate 26. Giotto, 1266-1337. Ruskin, John, 1819-1900. Prints. 1860. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Giotto, 1266-1337, Cappella degli Scrovegni nell'Arena (Padua, Italy), Architectural decorations & ornaments, Mural painting and decoration, Italian

Copper engraving by Jacob Houbraken titled 'Captain Ulrich or The Cheated Greed', created with etching around 1778.

The title figure to the emotional husband of H. Mackenzie Mr. Harley in the London house for insane Chodowiecki, Daniel Nikolaus (1726 1801)

Herfst, Nicolas de Larmessin (III), After Nicolas Lancret, 1745 print The wine harvest: harvesting the grapes. In the foreground a man trying to hug a woman. publisher: ParisFrance paper etching / engraving Autumn, Fall, 'autumn'; "Autumn" (bank). Vintage, Grape Harvest. Rejection

Possible design for a print, Scene from the Eighty Years' War, draughtsman: Johannes Christiaan d'Arnaud Gerkens, 1833 - 1892, paper, pen, brush, h 126 mm × w 92 mm

Le dejeuner anglais. Medium: aquatint and etching. Museum: National Gallery of Art, Washington DC. Author: Geraud Vidal after Nicolas Lavreince.

Do you want to finish well ... Vieu ScEr�rat! ... / No. 4. (Registered title) | Ninth album 1829 (IFF 54) (set of all)

Deceased man on his death bed, Vincent Laurensz. van der Vinne (II), 1758 print A woman and a child are at the bed of a deceased man. A coffin is gathered through the doorway. Haarlem paper etching deathbed. coffin. weeping

L'Armoire 1778 Jean Honoré Fragonard French. L'Armoire 369381

Two performances from Herrmann Lange from August Lafontaine, Daniel Nikolaus Chodowiecki, 1799 print Different figures are etched in the margin in a sketchy way. Berlin paper etching conversation, dialogue; conversation piece. picnic, alfresco, 'déjeuner sur l'herbe'. embracing each other, kissing. deathbed

Sigismond 1 (1466 1548) W: La Vieille Poland, historic and poetic album, composed of songs and legends of M. J. U. Niemcewicz, translated and put into verse by the most colebles French poets. Orne of 36 drawings by Charles Forster, Paris 1833 Lithography Villain, Lafosse, Adolphe (CA 1810 1879), Forster, Karol (1800 1879)

De Geboorten, Print made by Frederik Christiaan Bierweiler, active 1800-1831, Dutch, after Sir Peter Paul Rubens, 1577-1640, Flemish, Published by J. Groenewoud, active 1795-1815, Dutch, ca. 1820, Mezzotint and etching on moderately thick, slightly textured, cream laid paper, Sheet: 26 1/4 × 20 7/8 inches (66.7 × 53 cm), Plate: 24 1/4 × 17 inches (61.6 × 43.2 cm), and Image: 23 × 17 inches (58.4 × 43.2 cm), adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh), archway, awe, baby, birth, Christianity, gifts, halo, Holy Family, and derived representations, manger, New Testament, religious and mythological subject, soldiers, spears, turban

Liddy tells Fazir about her future marriage to Kaberdar, Daniel Nikolaus Chodowiecki, 1790 print Numbered at the top right: 7. With caption and page reference in German. print maker: Berlinpublisher: Lauenburg paper etching Literature

Discovery of a lover The discovered sham virtue, Interior with a kneeling woman, the character Geertruy, who begs her husband, Filibert, for forgiveness after her lover was discovered in the basket in the background. Scene from the comedy The discovered virtue of David Lingelbach from 1687., kneeling on both knees - AA - female human figure (relations with sad character (expressive connotations)), hidden love discovered, hiding, hiding oneself, container made of plant material other than wood: basket, Jacob Houbraken, Amsterdam, 1754 - 1764, paper, engraving, h 404 mm × w 293 mm

Sara introduces Hagar to Abraham, Johann Georg Wille, after Christian Wilhelm Ernst Dietrich, 1775 print Paris paper engraving / etching Sarah brings Hagar to Abraham, who is usually shown lying in bed. armorial bearing, heraldry

Hero and Ursula are intercepted by Beatrice, John Jones, after Johann Heinrich Füssli, 1791 print Deed 3, scene 1, written from the play by William Shakespeare entitled 'Much Ado About Nothing'. London paper Beatrice. (SHAKESPEARE, MUCH ADO ABOUT NOTHING) specific works of literature (with AUTHOR, Title)

The Garden Party, c. 1880-1923. Samuel Arlent-Edwards (American, 1862-1938), after Nicolas Lancret (French, 1690-1743). Mezzotint;

An old woman sits in a chair after one of her turns, while a younger woman pours her medication. Mezzotint by J. Bromley, 1833, after H. Liverseege.

Jupiter turns King Lycaon into a wolf, c. 1636 - 1670 print Lycaon tried to cheat Jupiter by slaughtering his son Arcas and offering him as a supper, after which Jupiter turns him into a wolf. In the background, the king's palace is hit by lightning. paper engraving Lycaon changed into a wolf: Jupiter changes Lycaon into a wolf as punishment for offering the god, who is sitting at table, human flesh to eat; Lycaon's house is struck with lightning (Ovid, Metamorphoses I 237)

Print made by Jean B. Michel, active 1803, King Henry VI, Part III: Act V, Scene VII (Queen Bess Presenting King Edward.. with Their Infant Son), 1791. Etching and line engraving on medium, slightly textured, cream laid paper.

Card players, Claude Lucas, after Gerard ter Borch (II), c. 1740 - c. 1765 print A man and woman sit at a table, another man helps the woman choose a card. Paris paper etching / engraving playing-cards

Outkin, Nicolai Ivanovitch (n.1780-05-19-D.1868-03-17), Saint Basile le Grand after Chebouef Vassili Chebouev) (main title), 1843. Churin on applied China. Petit Palais, Museum of Fine Arts of the City of Paris.

Costumed ball, Charles Louis Malapeau, 1839 print Paris paper letterpress printing masquerade, masked ball Paris

The Hague, Johnson, T., Amsterdam, Picart, Bernard, Title page for: Journal literatuur, 1713, Minerva in een bibliotheek, verso lower right - stamped, Minerva sits in a library, at her feet her attribute the owl. She is accompanied by putti with attributes symbolizing the arts and sciences. Behind them a tree in a pot with the title in French., print, engraving, title page, prints, height 145 mm, width 92 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1713 - 1713, first quarter 18th century, paper, papier, etching, etchings, engraving (printing process), intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

Dutch merchants, Princess Anna hand over a complaint about the English attacks, 1758, Reinier Vinkeles (I), after Jacobus Buys, 1788 print A delegation of Dutch merchants hands over to the Gouvernante (Princess Anna van Hannover) a complaint about the English attacks, December 7, 1758. Probably in response to robberies by the English on Dutch ships in the Antilles. paper etching / engraving visiting; receiving guests; elegant company The Hague

Illustration for Hamlet: Hamlet and the Queen (III,4), Eugène Delacroix, French, 1798 - 1863, Lithograph on paper, Hamlet and the Queen (III,4), France, 1834, Print, Print

Artist and his model do a card game, Paul Gavarni, 1838 print The artist calls his opponent 'Saint Peter', after the saint in the painting for whom the man is model. Paris paper painter in non-work situation. artist's model, sitter. card games

Life of Saint Philip of Jesus (Vida de San Felipe de Jesus) José Montes de Oca (Mexican, active ca. 1788-1820). Life of Saint Philip of Jesus (Vida de San Felipe de Jesus), 1801. Engraved prints on white antique laid paper, modern binding, size of cover: 9 1/8 x 6 7/16 in. (23.2 x 16.4 cm). These three objects tell a story of Mexicos early nineteenth-century Creole patriotism. The Mexican independence movement was fueled by Creoles, who were often denied a voice in colonial government. The 1821 Act of Independence formalized the independence that had been declared in 1810 and was signed by many Creole aristocrats, among them Don José María Gómez de Cervantes, whose portrait is on view nearby. New World figures like the Virgin of Guadalupe, who miraculously appeared to the Indian Juan Diego in 1521, and Saint Felipe de Jesús, the first Mexican-born saint, became important nationalist symbols, supporting the idea that the independence of Mexico was divinely ordained. Estos tres objetos

Family crest, possibly from the Goll van Frankenstein family, flanked by two putti, Reinier Vinkeles (I), 1773 print Amsterdam paper etching / engraving attributes of Mercury. compasses. cupids: 'amores', 'amoretti', 'putti'

Tartuffe or the hypocritical deceiver. Interior with a lady, Elmire and a Lord, Tartuffe. In the background is under a table a second man, Orgon. Scene from the play of Tartuffe van Molière from 1664: the lady, Elmire, dressed in a dress with deep cleavage sits on a chair, her right arm leaning on a thick book on a table. Behind her is the character Tartuffe, who tries to seduce her. In the background you can see how under a table her husband Orgon the two gade hits. Elmire convinces her husband through this list that his blind confidence in Tartuffe, a faith fanatic is being abused.

Man at the age of ten; Ten ages of man. A boy, on a goat, and a girl with a doll in hand, looking at a monkey sitting on a base. Various games are played in the background. In the frame a peripheral in Latin. First print from a series of ten with the ten ages of man.

Summer, Print made by John Simon, 1675-1755, French, after Nicolas Lancret, 1690-1743, French, 1758, Mezzotint on moderately thick, moderately textured, blued white, laid paper, Sheet: 10 3/8 × 14 1/2 inches (26.4 × 36.8 cm), Plate: 10 × 14 inches (25.4 × 35.6 cm), and Image: 9 5/16 × 13 15/16 inches (23.7 × 35.4 cm)

The face; Dissicht / La Veue; The five senses, represented by elegant pairs of ladies and gentlemen. A young woman looks at herself in the mirror. A young man looks from the doorway. The print is part of a series of the five senses.

Doctor feels pulse of sick woman in sleeping room; Jan Steen ..

The Hair-Do, Illustration for 'Königl: Grosbrit anische Genealogischer Kalender auf das 1780 Jahr Lauenberg bey J.G. Berenberg', Daniel Nikolaus Chodowiecki, German, 1726 - 1801, Stipple and line engraving on paper, A girl gets her hair dresse whiel she reads a book. The poem reads that one can see how Truth and Virtue find their opportunities of being heard, even with youth. Someone has to introduce them, though it may even be the hairdresser., Germany, 1779, Print, Print

Un Thé de Douairières (The Dowagers' Tea Party). Dated: 1879/1880. Dimensions: plate: 17.5 x 11.4 cm (6 7/8 x 4 1/2 in.) sheet: 23.7 x 16.5 cm (9 5/16 x 6 1/2 in.). Medium: etching, drypoint, and aquatint (dust ground and spirit ground) in black on Japanese paper. Museum: National Gallery of Art, Washington DC. Author: Félix-Hilaire Buhot.

The skeleton of Death and the quack doctor. Death enters the room with bottle of medicine as the mountebank takes the pulse of a sick man in a chair with a footrest. A scroll with The Only Infallible Remedy on the chair. The empiric. Illustration drawn and engraved on steel by Richard Dagley from his own Deaths Doings, Consisting of Numerous Original Compositions in Verse and Prose, J. Andrews, London, 1827. Dagley (1761-1841) was an English painter, illustrator and engraver.

Christian receives the Fet Brief, Christian Gottfried Zschoch, after Johann David Schubert, 1785 - 1833 print Numbered at the top right: 6. Germany paper etching letter, envelope. ruler, sovereign. writing-table, writing-desk

The Polish Dwarf Performing Before the Grand Seignior March 8, 1786 Thomas Rowlandson. The Polish Dwarf Performing Before the Grand Seignior. Thomas Rowlandson (British, London 1757-1827 London). March 8, 1786. Hand-colored etching and aquatint. Elizabeth Jackson (British, active 1785-87). Prints

Hendrik van Arkel says Betje Vaarwel, Reinier Vinkeles (I), 1804 - 1805 print Night face at a church. Hendrik van Arkel says goodbye to Betje. Illustration with the story Hendrik van Arkel. Amsterdam paper etching / engraving night. church (exterior). reaching for something

Netscher, Caspar .

SIRE! You are an august monarch have pity on a poor honest man. (registered title)

Death of Archimedes, Ludwig Gottlieb Portman, After Jacobus Buys, 1795 print At the intake of Syracuse, Archimedes is killed by a Roman soldier. Archimes is in his study and draws a mathematical pie chart. The Roman soldier who comes in kills him with his sword. Amsterdam paper etching death of Archimedes: the mathematician is killed by a soldier while drawing a diagram in the sand; 'Noli turbare circulos meos'. production of printed matter, book-production

Three young clothing and a woman opposes dead Girls - According to the poem, "daughter of the hostess" (der Wirtin Töchterlein) Ludwig Uhland; Scholtz, Julius (1825-1893); 1854 (1854-00-00-1854-00-00);

Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1795 print Different figures are etched in the margin in a sketchy way. With page reference above the performance. Berlin paper etching Literature. sick-bed. kneeling figure

Four actresses dressing and adorning themselves before their performance, Herculaneum, Campania, Italy, engraving by Francesco Cepparoli from a drawing by G E Morghen, from Le antichita di Ercolano esposte (The antiquities of Herculaneum exposed), Vv.Aa., volume IV, plate 43, 1757-1787, Naples.

The Presentation in the Temple in the Dark Manner ca. 1654 Rembrandt (Rembrandt van Rijn) Dutch. The Presentation in the Temple in the Dark Manner 360067

Nous Voila Donc Reunies, from Les Bas Bleus. Artist: Honoré Daumier, French, 1808-1879

Copper engraving by Pierre Drevet depicting King Louis XIV of France in formal royal attire, created in 1712, exemplifying 18th-century French royal portraiture.

Portrait of Jan Wagenaar with allegorical figures; Title page for: J. Wagenaar, Patriotic History, 1790. History writes surrounded by truth, freedom and minerva. Behind them a column with the portrait of the writer Jan Wagenaar.

Scene from Antony and Cleopatra, at the Princess's Theatre, for "Illustrated London News". Artist: after Arthur Hopkins (British, London 1848-1930). Dimensions: Sheet: 6 7/8 × 9 5/8 in. (17.5 × 24.5 cm). Subject: William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon). Date: June 8, 1867. Museum: Metropolitan Museum of Art, New York, USA.

LUIS XV (Versalles,1710-Versalles,1774). Rey de Francia (1715-1774), bisnieto de Luis XIV. Durante su minoría de edad desempeñó la regencia Felipe de Orleans (1715-1723). Durante su largo reinado se fue convirtiendo en un monarca impopular. "El Regente Felipe de Orlenas con Luis XV de niño, en el Parlamento". Grabado.

Portret van William, John en George Smith of Chichester, William Pether, 1765 print paper historical persons. portrait, self-portrait of painter. brothers (second degree family relationships)

Coavinses. Illustration by Phiz (Hablot Knight Browne) 1815-1882. From the book ""Bleak House"" by Charles Dickens. Published London 1853.

Dutch linen masters wardrobe (series title), Interior with two women for an opened linen cupboard. In the doorway, a child plays with a butt stick and a ball. The print is part of a series of 25 prints based on Dutch masters. Above the image: PL IX., Interior of the house, care and laundering of clothes, home sewing, Johann Wilhelm Kaiser (I) (mentioned on object), 1823 - 1900, paper, etching

The Cully Flaugd, c. 1680 - c. 1700 print A woman with a suspended skirt hits a man with glasses on who kneels half undressed on a fallen chair. Under the image an English poem of four lines. paper

Widow gives a gift, Albrecht de Vriendt, 1871 print paper. ETCHING / ROUCH widow. offertory-box, offertory-bag

S. Francisco di Paolo, ispirato da spirito profetico.... Nogari, Paris (Italian painter, printmaker, ca.1536-1601). 1801 - 1835. Pinelli, Bartolomeo, 1781-1835. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Engraving by James McArdell from 1740-1765 depicting John and Bernard Stuart, highlighting facial features, attire, and 18th-century portrait composition.

The genre and satirical scene at Szewc / The Modern Beau in Distress. unknown

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