18th Century Portraits and Virtues

Copper engravings and etchings showcasing 18th-century portrait studies and the depiction of virtues, with intricate details and symbolic elements.

Copper engraving and etching by an unknown artist depicting Mars resting with Venus, created between 1590 and 1700, showing mythological figures in a reclining pose.

Etching by Moyses van Uyttenbroeck depicting the biblical story of Agar, created between 1610 and 1648, showing interactions between Agar and Abraham in a narrative scene.

Copper engraving and etching by Maurice Blot depicting the Virgin holding candelabras, created between 1770 and 1818.

Copper engraving by Jan Wierix depicting Susanna in the bath and Judith, created between 1570 and 1599, illustrating biblical stories and female figures.

Etching by Julius Quinkhard depicting Ms. Sales with herring, created in 1757, showing figure, gesture, and objects related to fish.

Etching by Jean Pesne created between 1643 and 1700, showing the biblical scene of the Baptism of Christ with Christ and John the Baptist.

Copper engraving and etching by Pieter van Gunst showing Vulcan and Ceres, created between 1674 and 1732, illustrating the Roman gods of fire and agriculture.

A copper engraving by Cornelis Cort depicting the mythological figures Vertumnus and Tiptolemus, created in 1565.

Etching published by Pierre François Basan depicting men playing cards with musical instruments such as the fidel, created between 1723 and 1797.

A copper engraving and etching by François de Poilly the Elder created between 1640 and 1693 depicting the Holy Family at the cradle, showing figures and infant.

Etching by Jean Le Pautre from 1625-1682 depicting Joseph standing before the Pharaoh, including detailed figures, attire, and architectural setting.

Etching by Antoine Cardon depicting the Comic and Tragic Muses alongside Flora and Ceres, created in 1797 using puncture technique.

Prophet Jona; Ionas; Paintings in the Sixtin Chapel. The prophet Jonah sitting with the fish and two small figures on the right. One of the prophets of Michelangelo's ceiling painting. Title in Lower margin and numbered at the bottom right: 33. The print is part of an album.

A lithography by Frans van Mieris the Elder depicting an oyster meal, created in 1818.

Print (France)

Etching and copper engraving by Nicolas Vienot depicting artists in rags working before an easel with assistance, showing figures, gestures, clothing, and interior elements, created between 1670 and 1720.

Copper engraving and etching by Daniel Berger depicting Orion following a nymph of Diana, showing mythological figures, gestures, and outdoor landscape, created in 1766.

Woman with spinning skirts and two children, c. 1585 Figures from Michelangelo's ceiling painting. Numbered below: 67. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving Figures from Michelangelo's ceiling painting. Numbered below: 67. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving

Cornelis van Noorde engraved a portrait of Abraham Rademaker in 1755, depicting facial features, upper body, clothing details, and posture in etching format.

Etching by Pietro del Pò showing St. Andreas based on a sculpture in St. Peter's Basilica, Rome, created between 1650 and 1663, depicting the saint with his attributes.

Copper engraving by Johann Sadeler the Elder, created between 1570 and 1600, depicting Hyacinth of Poland, a Christian saint shown in religious iconography.

Etching by Léon Davent from 1547 depicting the allegorical figure of Justice, including symbolic elements such as scales and sword, with human figures in a classical composition.

Copper engraving by Jan Harmensz. Muller titled First Day; Second Day, produced around 1589, illustrating narrative sequence and Baroque engraving techniques.

Etching by Pietro Faccini depicting a blind beggar, created between 1580 and 1602, showing a figure in a detailed observational scene.

Copper engraving by Jacob Matham created around 1590 depicting Diana discovering Callisto's pregnancy, showing mythological figures, gestures, and classical composition.

Etching by Charles-Emmanuel Patas depicting Venus and Adonis, produced between 1760-1802.

Etching by Battista Agnolo del Moro showing a pagan victim of a bull sacrifice, produced between 1515 and 1573.

Etching and copper engraving by Laurent Cars between 1719 and 1771 depicting an allegory where Time reveals truth and overcomes falsehood.

Etching by Léon Davent from 1542-1548 showing two elderly figures exiting a temple, depicting human figures, gestures, and architectural elements.

Ah! J'ai bien aimé le homard! ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Copper engraving by Cornelis Herricus van Meurs depicting a woman at a table reading to a man, produced in 1676.

Copper engraving print by Pietro Savorelli from 1805 depicting Asa from the Sistine Chapel, showing a standing biblical figure with architectural elements and classical drapery.

This 1762-1806 etching and copper engraving by Nicolas Joseph Voyez l'âiné represents Melpomene, muse of tragedy, with detailed figure rendering and classical form.

Engraving by Justus van den Nypoort showing a portrait of Leopold Philipp Fürst Montecuccoli, created between 1640 and 1692.

Copper engraving by Harmen Jansz. Muller depicting Dinah and Shechem, showing figures, village or palace setting, and 16th-century attire.

Etching by Lodovico Mattioli depicting Bertoldo with Bertoldino and Cacasenno, created around 1710.

Copper engraving by Hendrick Goltzius, created between 1580 and 1617, depicting the biblical story of Susanna and the two elders, showing figures and narrative elements.

Copper engraving by René Boyvin, created between 1540 and 1600, depicting Jupiter disguised as Diana seducing the nymph Kallisto, showing mythological figures in classical composition.

Etching by Wenzel Hollar showing children in a bacchanal scene, with dancing, musical instruments, and playful interaction, reflecting 17th-century festive imagery.

Dancing Women, Antoinette Cécile Hortense Haudebourt -Lescot, 1818 - 1819 print Print is part of an album. paper dancing

Copper engraving by Adamo Scultori dated 1547-1587 depicting various figures from the Sistine Chapel, showing gestures, postures, and facial features.

Etching by Annibale Carracci depicting the lost Maria Magdalena, created between 1580 and 1609, showing her in a contemplative religious scene.

Copper engraving and etching by Isidore Stanislas Henri Helman, created in 1780, depicting the biblical scene of Suzanne and the elders.

Copper engraving by Abraham Blooteling, 1660-1724, illustrating the adoration by the shepherds with figures, animals, and a biblical setting.

Copper engraving by Michel Natalis depicting Alfonso D'Alfonos, created between 1616 and 1668, showing facial features, attire, and compositional elements.

An etching by Francesco Antonio Meloni titled 'The Sleep,' created between 1696 and 1713, showing a reclining figure in a resting pose within an interior or natural setting.

Painting by Caspar Netscher from 1680-1730 depicting Duchess Mazarin and Count Colbert as Vertumnus and Pomona, showing costume, posture, and allegorical theme.

Copper engraving and etching by Jean Dughet between 1640-1678 depicting the Holy Family with young John the Baptist, showing devotional composition.

Copper engraving and etching by Pieter Tanjé showing Joseph and the wife of Potiphar, created 1726-1761.

Copper engraving by Antonie Wierix II, 1588, showing Maria with the Christ child and John the Baptist as a boy, with detailed figures in a religious composition.

Copper engraving and etching by Luca Ciamberlano dated 1600-1640 depicting the biblical scenes of Jonah and the whale and Christ on the Mount of Olives.

A copper engraving by Jan Harmensz. Muller circa 1597 depicting the allegorical figure of Prudence, showing symbolic elements and classical representation.

Copper engraving by François Ragot from 1650-1670 depicting the concept of Compassion, showing figures, gestures, and religious context.

Horace; Orazio Che Scrive. Horace, writing. PRENT Nr. 11 on Leaf 7 in the album 'Raccolta di Soggetti Pittorici', a print album with 42 numbered etchings on 28 pages of Luigi Sabatelli (i) itself and from students to his design.

Copper engraving and etching by Jean Baptiste Wicar circa 1800 depicting relief figures and Kameen as classical ornamental motifs.

Etching in crayon manner by Johann Adam von Bartsch from 1785 showing a mask representing Jupiter, focusing on facial features and stylized design elements.

Etching by Francesco Amato depicting Saint Jerome, created between 1610 and 1640.

Copper engraving and etching by Auguste de Saint Aubin around 1778 depicting a scene titled 'yy that meets them twits,' showing detailed figures and interaction within the composition.

Profeet Zacharia, c. 1585 The prophet Zacharia sitting with a book in his hands. Two small figures behind the prophet. One of the prophets of Michelangelo's ceiling painting. Title in the lower margin and numbered bottom right: 27. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving The prophet Zacharia sitting with a book in his hands. Two small figures behind the prophet. One of the prophets of Michelangelo's ceiling painting. Title in the lower margin and numbered bottom right: 27. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving

An etching by Lorenzo Lolli created between 1630 and 1691 depicting the biblical scene of the Escape to Egypt, showing Mary, Joseph, and the infant Jesus.

Print (France)

An etching by Salomon Gessner from 1770 depicting a figure raising two girls and an eagle capturing Ganymed, showing mythological and human figures in a compositional landscape.

Copper engraving portrait by Heinrich Aldegrever from 1540 of Willhelm von Ravenstein, highlighting detailed features, attire, and 16th-century artistic style.

Copper engraving showing Peter and impure animals, depicting figures, gestures, and architectural details. Produced between 1605 and 1676, emphasizing biblical narrative and visual composition.

Engraving by Antoine Louis Romanet from 1803-1807 depicting Venus and Cupid, executed in copper engraving and etching, showing mythological figures and classical motifs.

Johann Gotthard von Müller engraved and etched a copper print in 1782 depicting Lot with his daughters, showing figures and a biblical narrative scene.

Copper engraving and etching by Dirck Volkertszoon Coornhert depicting the praise of a virtuous woman, created in 1555.

Copper engraving by Adamo Scultori dated 1547-1587 depicting various figures from the Sistine Chapel, showing gestures, postures, and facial features.

Print (France)

An etching and copper engraving by Johann Adam von Bartsch from 1796 depicting the personification of Fatum on clouds holding a scroll recording Archduke Alexander Leopold's death, and Pannonia as a seated woman with a flag beside his grave.

Copper engraving and etching by Bernard Baron depicting the death of Achilles, created in 1724, showing mythological hero and narrative scene.

Engraving by Jan van Somer depicting four peasants, created between 1670 and 1680.

Copper engraving and etching by Nicolas Delaunay around 1778 showing a young child.

Etching by Hubertus Quellinus from 1665 showing caryatids, classical sculpted female figures serving as architectural supports.

Copper engraving and etching by Jean-Baptiste Delafosse from 1762 depicting a figure in a landscape setting, showing attire, posture, and surrounding environment.

Copper engraving by Jan van der Straet depicting Saint James on horseback, created between 1557 and 1612. The print shows the saint mounted, carrying attributes associated with pilgrimage.

Etching and copper engraving depicting the life of farmers, showing rural labor, domestic activities, and animals, produced between 1630 and 1700.

Etching by Johann Leonhard Raab, 1881-1888, depicting a figure eating paste, showing human action and expression in detailed line work.

Bernard Lépicié's copper engraving (1715-1755) depicts Nicolas Bertin, showing facial features, attire, and formal posture in portrait composition.

Sitting naked; Paintings in the Sixtin Chapel. Seated naked man, partially turned to the side, with a garland of fucks. One of the 'Ignudi' (naked men) from Michelangelo's ceiling painting. Numbered at the bottom right: 9. The print is part of an album.

Etching by Pierre Dupin depicting a dance champestres, created between 1726 and 1735, illustrating figures dancing outdoors in a pastoral setting.

Copper engraving by Jan van der Straet, created around 1595, depicting the market launch of the Seidenrawe and the production of silk in Europe with detailed figures, machinery, and landscape.

Etching by multiple artists showing various scenes, depicting human figures, gestures, clothing, and 18th-century compositions.

Copper engraving by Pieter de Jode depicting mythological figures Juno with Merkur and Venus with Amor, showing classical narrative and gestures.

Jan van der Straet engraved 'The Last Four Things' around 1578, depicting death, judgment, heaven, and hell as allegorical figures in copper engraving format.

Copper engraving by Cherubino Alberti depicting a slave from the Sistine Chapel, created between 1570 and 1615, illustrating Renaissance figure study and engraving technique.

Prophet Ezekiel; Ezekiel; Paintings in the Sixtin Chapel. The prophet Ezekiel sitting with a scroll and two naked figures. One of the prophets of Michelangelo's ceiling painting. Title in undermarge and numbered at the bottom right: 30. The print is part of an album.

Etching by Tommaso Piroli from 1780-1800 depicting Erithraea in the Sistine Chapel, showing figure, gestures, posture, and classical composition in copper engraving.

Engraving by Jacob Gole depicting a sleeping Amor and two nymphs in a garden, created between 1680 and 1724, showing mythological figures and landscape elements.

Copper engraving by Pieter van Schuppen depicting Jules Mazarin with coat of arms, produced in 1660, showing detailed portraiture and Flemish engraving technique.

Copper engraving by Robert van Voerst, created between 1630 and 1636, depicting Inigo Jones with detailed facial features, posture, and formal attire.

Hendrick Goltzius produced a copper engraving in 1596 depicting Athene, showing the goddess with figures, gestures, and classical composition.

Etching by Alessandro Badiale depicting Maria with the child alongside Saints Antonius and Philipp Neri between 1640 and 1668, showing figures, gestures, and religious symbols.

Print, Livre d'Etude; Designed by François Boucher (French, 1703-1770); France

Annunciatie, John B. Skippe, after James Collins, 1782 print Annunciation. Part of an album with 26 pasted Clair-Obscur Houtcuts to Italian artists from the sixteenth century. paper. ink the Annunciation: Mary kneeling - AA - Mary to the left, the angel to the right

Un Chérubin - du 'Mariage de Figaro' ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Aquatinta and etching by Jean François Janinet from 1792 depicting the discovery of the Catilina conspiracy, showing figures, gestures, and historical setting.

Print, Diverses/Figures Chinoises; Designed by François Boucher (French, 1703-1770); France

Etching and copper engraving by Giovanni Battista Leonetti depicting the creation of Eve and the prohibition of the tree of knowledge, created in 1791, showing biblical figures and narrative.

A copper engraving and etching by Louis Surugue depicting America, created in 1720, showing geographic and cultural features.

Sitting woman with old man and child; Paintings in the Sixtin Chapel. Figures from Michelangelo's ceiling painting. Numbered at the bottom right: 66. The print is part of an album.

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