18th Century Sketches and Etchings

Drawings and etchings featuring whimsical scenes and figures, combining elements of comedy and drama in a loose, expressive style.

Dido's death, draughtsman: Pietro Testa, 1622 - 1650, paper, pen, h 237 mm × w 302 mm

The Lost Son wasted his legacy, Frans Francken (III), After Frans Francken (II), 1617 - 1667 print The lost son sits with prostitutes at the table in an inn and looks at the musicians playing their instruments. The table is full of food and drink, playing cards on the floor. paper etching the prodigal son in the midst of prostitutes feasting and dissipating his patrimony, usually in a brothel or inn. playing-cards. indoor recreation. popular music, street music

Sketchbook Page with Cyclops, Jan van der Straet, called Stradanus, Flemish, 1523-1605, Pen and ink, brush and gray wash on paper, Vertical rectangle. Verso, top: Cyclops, left, attacking the ships of the Argonauts with stones; below - amphitheatre, with figures in foreground. Recto, top: Odysseys and Circe. Left, Circes, offers drink to Odysseus. He draws his sword; right, his companions turned into swine. Inscription below., Netherlands, ca. 1590, figures, Drawing, Drawing

Christ Carrying the Cross. Artist: Circle of () Wolfgang Huber (German, Feldkirch/Vorarlberg ca. 1485/90-1553 Passau). Dimensions: 7 3/4 x 5 15/16 in. (19.7 x 15.1 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Abraham van Diepenbeeck depicts Athene reflecting on her earlier appearance, executed in black chalk, showing details of figure, expression, and posture.

Francisco de Goya y Lucientes / 'Wounded being evacuated from the battlefield'. 1810 - 1814. Red chalk, Conté crayon on ivory laid paper. Museum: Museo del Prado, Madrid, España.

A brown pen and gray wash drawing by François Verdier depicting the women of the Cicons slaying Orpheus, with chalk designation, white highlights, and reddish traces.

Allegory on marriage (in box with 43 drawings) ..

Isaac Cruikshank, 1756-1810, British, Royal Recreation, 1795. Etching.

Groep figuren aan een cafétafel.Figure studies of café visitors and waiters. Page 79 From a sketchbook with 58 sheets.

Fight at a procession in Pressburg between the residents of Mantua and Genoa. Possible design for a print, Fight between the residents of Mantua and Genoa., draughtsman: Jan Luyken, 1696 - 1698, paper, pen, h 105 mm × w 149 mm

Multiplication of the loaves and fishes, Anonymous, 1600 - 1700.

Dina overwhelmed and raped by Sichem; History of Dina and Sichem; Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae. Left is Dina, with flowers in her hand, while watching the dancing men and women in the city of Sichem. On the right, Sichem takes Dina and drags her inside. At the top right, Dina is raped by him. At the bottom of the margin a reference in Latin to the Bible text in Gen. 34: 1. This print is part of an album.

Market vendor with elegant audience. Draughtsman: Jacob Perkois. Dating: 1766 - 1804. Measurements: h 136 mm × w 95 mm. Museum: Rijksmuseum, Amsterdam.

Punchinellos Outside a Circus. Artist: Giovanni Domenico Tiepolo (Italian, Venice 1727-1804 Venice). Dimensions: 13 3/4 x 18 1/4 in. (34.9 x 46.4 cm). Date: late 18th-early 19th century. Museum: Metropolitan Museum of Art, New York, USA. Author: Giovanni Domenico Tiepolo.

Expulsion of Hagar and Ishmael, draughtsman: Rembrandt van Rijn, Amsterdam, c. 1650, paper, pen, h 171 mm × w 224 mm

Drawing, Two Attendants with the Heavenly Horseman; Designed by Felice Giani (Italian, 1758-1823); After Raphael (Italian, 1483 - 1520); Italy; pen and brown ink, brush and sepia wash over black chalk on off white laid paper; 20.5 x 27.6 cm (8 1/16 x 10 7/8 in.)

The Burial of Punchinello ca. 1800 Giovanni Domenico Tiepolo Italian Domenico Tiepolo's 104 drawings illustrating the life of Punchinello trace in amusing and elaborate detail the story of this popular commedia dell'arte character, from his parentage, birth, and childhood, to his diversions and adventures in near and distant lands, to his illness, death, and the apparition of his ghost.Nine sheets from the series are in the Robert Lehman Collection. This example shows the deceased Punchinello being lowered into the ground before a group of bystanders. Both subject and composition allude to representations of saints' burials, imparting sacred overtones to the scene and emphasizing Punchinello's role as a secular everyman.. The Burial of Punchinello 459187

Paris - Republicans girls Republican Festival (La Patrie In danger), 18th century, revolution period. Anonymous, feather and wash drawing.

Decapitation of Saint Dorothy, draughtsman: Joos van Cleve, (attributed to), 1510 - 1555, paper, pen, h 210 mm × w 145 mm

Saint Homobono. Dimensions: overall: 14.4 x 18.3 cm (5 11/16 x 7 3/16 in.). Medium: pen and brown ink with brown wash and white heightening. Museum: National Gallery of Art, Washington DC. Author: Attributed to Avanzino Nucci.

Alois Petrak, Judgement of Paris, 1787-1887, engraving on paper.

Designs for a Church Wall, Francesco Manno, Italian, 1754 - 1831, Brush and gray wash, pen and brown ink, black chalk on paper, Recto: Studies of wall designs, Verso: Wall elevations with Studies for a Nativity, and three studies of a Reception and a Sacrifice, possibly studies for the compositions of Alexander and Iadda., Rome (), Italy, 1754-1831, interiors, Drawing, Drawing

Design for a Monument 18th century attributed to Gabriel de Saint-Aubin French. Design for a Monument 338329

Christ Appearing to the Apostles, 1656. Rembrandt van Rijn (Dutch, 1606-1669). Etching; sheet: 16.3 x 21.1 cm (6 7/16 x 8 5/16 in.); platemark: 16.3 x 21 cm (6 7/16 x 8 1/4 in.).

This drawing by Karl Rahl the Older depicts a marriage scene, executed in pencil and brown pen, emphasizing figures, interaction, and ceremonial composition.

The Beeceheading of St John the Baptist, Rembrandt van Rijn, 1640 print paper etching / drypoint the beheading of John the Baptist

The Flight Into Egypt 1725-1740 Italy. Pen and brown ink, brush and brown wash, over black chalk, on off-white laid paper . Giambattista Tiepolo

This lithograph from circa 1890 depicts an Indian attack on a settlers house, showing figures, horses, and the architectural elements of a frontier home.

Street Singers, Christiaan Meijer, 1803 - 1808.

A Fellow of Maudlin. Dated: 1784. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Lydia Bates.

. Cartoon on the English, Wufheid and Eerciable of the Young Holland, 1780. A young rich holelander seated on a money box indicates the stall with the Dutch washed goods and gets to the English stall and the French stall with the modes the Paris ride. See also the pendant. At the print, a separate printed explanation (lack here).

Sitting and standing couple in conversation. Draughtsman: anonymous. Dating: 1700 - 1800. Measurements: h 218 mm × w 280 mm. Museum: Rijksmuseum, Amsterdam.

Market Scene 16th century Anonymous, Netherlandish, 16th century Netherlandish. Market Scene 335875

Lord kneeling for a lady. A kneeling gentleman for a lady, accompanied by a cupid and a jumping deer.

Rembrandt van Rijn (1606-1669), Christ Omskaeres (I stable), 1654

Drawing, Marriage at Cana; Jan van der Straet, called Stradanus (Flemish, 1523-1605); Netherlands; pen and ink, brush and brown and gray wash on paper, over black chalk on laid paper

A man kneels before a monarch. The monarch is seated on a throne under a canopy supported by columns and surrounded by courtiers., Kneeling man before a monarch, print maker: Jean Zacherie Mazel, intermediary draughtsman: Rembrandt van Rijn, (possibly), Netherlands, 1802 - 1884, paper, etching, h 135 mm × w 88 mm

Auguste Brouet, Frattelini Circus, 1923 Frattelini Circus

Study for Vignette in Jean François Marmontel's "Contes Moraux". Hubert François Gravelot; French, 1699-1773. Date: 1753-1773. Dimensions: 129 × 74 mm. Pen and black ink over black chalk, on gray laid paper, laid down on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

Three women and a boy. Draughtsman: Harmen ter Borch (mentioned on object). Dating: c. 1650. Place: Zwolle. Measurements: h 170 mm × w 295 mm. Museum: Rijksmuseum, Amsterdam.

Saint Louis carrying the crown of thorns through the streets of Sens. Pencil drawing after B. Gaillot, 1824.

An anonymous ink and feather drawing depicts a city with smoke rising from a castle, with two male figures conversing in the foreground and a dog at the corner, showing urban and landscape elements.

Apostel en Drie Engelen, Giovanni Battista Vanni, After Correggio, 1609 - 1660 print An apostle for and three naked figures (possibly angels) on a wall. print maker: Italyafter painting by: Parmapublisher: Rome paper etching angels. (single) apostle, unspecified

Two standing figures, Anonymous, After Gerard de Lairesse, 1651 - 1761 drawing paper. pencil brush

Market vendor with elegant audience. Draughtsman: Jacob Perkois. Dating: 1766 - 1804. Measurements: h 140 mm × w 99 mm. Museum: Rijksmuseum, Amsterdam.

Jean de Polrot Gesis divisions, 1563. Jean de Polrot in Paris Fine divisions, 18 March 1563. Without texts, unnumbered.

Leonard Bramer, Stellio Changed into a Lizard by Ceres Stellio Changed into a Lizard by Ceres

"The lavatory" Antoni Viladomat sketch. 18th. Museum: Museu Nacional d'Art de Catalunya (MNAC), Barcelona, SPAIN.

View in a Cave and View of a Classical Ruin, Guilliam du Gardijn, c. 1620 - c. 1625, draughtsman: Guilliam du Gardijn, draughtsman: Karel du Jardin, (rejected attribution), Rome, (possibly), c. 1620 - c. 1625, paper, brush, h 410 mm × w 552 mm

Saladin monitors how the Christian women leave Jerusalem, Daniel Nikolaus Chodowiecki, 1781 print paper etching adult woman. city-gate. militant proselytizing: religious war, crusade, etc. Jerusalem

. Etching in brown-black on paper . Christian Bernhard Rode

El vito (The Andalusian dance). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: sheet: 9 3/4 x 11 3/4 in. (24.7 x 29.8 cm)image: 7 1/16 x 7 1/8 in. (18 x 18.1 cm). Date: ca. 1820. Museum: Metropolitan Museum of Art, New York, USA.

"Brown feder drawing by Baccio Bandinelli showing six figures arranged in a frieze-like composition, emphasizing posture, spacing, and interaction, circa 1520-1525."

Bail yaw leaves the cow rinsed; The case law of Graaf Willem III the good, second series ..

An Old Man Murdered by Three Younger Men; Johann Heinrich Fuseli, Swiss, 1741 - 1825; early 1770s; Pen and black ink and gray wash; 42.2 x 47.6 cm (16 5/8 x 18 3/4 in.)

Drawing (Italy)

Gray ink drawing by Melchior Michael Steidl titled 'The Lucky Harbor', depicting maritime scenery with ships and harbor structures.

An Artist Drawing on Wall of a Church Watched by a Crowd (in Sketch Book With Drawings on Twenty-six Leaves) Frederic, Lord Leighton British ca. 1849

Puzzling card players. In a inn, a man spends a stool and swings threatening with a knife. The man opposite him denin spranked back. A seated man tries to calm the angry man and a woman strikes a arm around the child on her lap. There is a card game on the ton. This print is part of an album.

Drawing, Piety; Jan van der Straet, called Stradanus (Flemish, 1523-1605); Dedicatee: Charles Emmanuel I, Duke of Savoy (French, 1562 - 1630), Catherine Michelle of Spain, Duchess of Savoy (Spanish, 1567 - 1597); Netherlands; pen and ink, brush and brown wash on laid paper

Bartolomé Carducho / 'A King and a bishop preside over the opening of a tomb'. XVI century. Yellow wash, Grey-brown wash, White lead, Ink on laid paper, yellow prepared paper. Museum: Museo del Prado, Madrid, España.

Andries Both, An Artist Seated at His Easel (recto), possibly c 1634 An Artist Seated at His Easel recto

Photo production of drawing Raphael from Windsor Castle, wise men in heaven and on earth.

The Nauwerk Family. Dated: 1819. Dimensions: overall: 16 x 19.4 cm (6 5/16 x 7 5/8 in.). Medium: pen and brown ink over graphite on laid paper. Museum: National Gallery of Art, Washington DC. Author: JOHAN CHRISTIAN DAHL.

Drawing, Christ before Caiphas; Jan van der Straet, called Stradanus (Flemish, 1523-1605); Netherlands; red crayon, brush and bistre wash on paper; 9.4 × 12.5 cm (3 11/16 × 4 15/16 in.)

Above a man on horseback, under a man and a woman. Artist: Jan Saenredam. Artist: Johann Theodor de Bry (possibly). Artist: Michiel le Blon. Draughtsman: Hendrik Abraham Klinkhamer. Dating: 1820 - 1872. Measurements: h 270 mm × w 206 mm. Museum: Rijksmuseum, Amsterdam.

Judas Leaving the High Priest. Dimensions: overall: 17.7 x 23.2 cm (6 15/16 x 9 1/8 in.). Medium: pen and brown ink with brown and gray wash on laid paper. Museum: National Gallery of Art, Washington DC. Author: Style of Rembrandt van Rijn.

Depicts the biblical story of the discovery of the infant Moses, created by Augustin Hirschvogel in 1548 using etching. The composition shows Moses in a basket and figures observing.

Workshop of Valentijn van Orley, The Four Latin Fathers of the Church, 1510 1515 The Four Latin Fathers of the Church

Study for a stained glass project: stage of the life of Saint Benoît. (Dummy title)

Study of Figure Group, with Detail of Grenadier's Head 1818-1824 France. Graphite, on cream wove paper, perimeter mounted on cream wove paper . Jean Louis André Théodore Géricault

Compositional drawing for Entrance to the Jardin Turc; Louis-Léopold Boilly (French, 1761 - 1845); France; about 1810 - 1812; Brown ink and graphite; 27.9 x 38.1 cm (11 x 15 in.)

Diplomats from Naples, Dominique Vivant Denon (Baron), 1784 print paper etching diplomacy, diplomat

Birth of the Virgin. Attributed to Francesco Allegrini; Italian, 1587-1684. Date: 1607-1684. Dimensions: 109 x 115 mm. Pen and brown ink with brush and brown wash, over traces of graphite, on ivory laid paper, tipped onto ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Study for a Title Page 1809-65 Carl Alexander von Heideloff German. Study for a Title Page 335346

Origenes in prison with fire tortured, Jan Luyken, 1683 - 1685 drawing Design for a print. paper. ink pen / brush historical events and situations. historical persons. torture. violent death by having part of the body tortured with fire

Five men pulling a heavy object from a cellar, Gerard ter Borch (II), 1633, draughtsman: Gerard ter Borch (II), Zwolle, (possibly), 30-Oct-1633, paper, brush, h 107 mm × w 163 mm

Red chalk drawing by Antonio Viviani showing the Madonna with the Christ child and John the Baptist, with Saint Elisabeth on the left, executed with feather, laved, and whitewashed techniques.

EL CAFE DE LEVANTE - DIBUJO SIGLO XIX. Author: LEONARDO ALENZA. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

Forgers at the Convention at the Festival of Salpeter, 30 Vent�me An 11 (February 20, 1794) Fulchran-Jean Harrieret (1765-1805). The forrengons to the cerentre at Basilica of Street with Excess, 20.04 (Revrivi). Drawing.

Medieval Figures in a Crypt, James Pattison Cockburn, 1778-1847, British, undated, Pen and brown ink and brown wash on moderately thick, moderately textured, brown wove paper, Sheet: 4 1/4 × 6 inches (10.8 × 15.2 cm), arch, arches, columns, crypt, genre subject, Medieval, turban

Company on a terrace. Draughtsman: Gesina ter Borch. Dating: c. 1660 - c. 1661. Place: Zwolle. Measurements: h 204 mm × w 310 mm. Museum: Rijksmuseum, Amsterdam.

Two Bohemian Peasants in Half-Length, c. 1605-1610. Roelant Savery (Flemish, 1576-1639). Pen and brown ink and black chalk; framing lines in brown ink; sheet: 15.1 x 18.8 cm (5 15/16 x 7 3/8 in.).

A pencil drawing by Leopold Carl Müller depicting studies of Oriental subjects, showing figures, attire, and architectural elements.

'The Rest of the Flight into Egypt'. From the Album No 2 "Souveni d'Italie". 1785 - 1787. Dimensions: 26,4x38,2 cm. Museum: State Hermitage, St. Petersburg. Author: Jean François Thomas de Thomon.

Don't Take our Playground - Please! Norman Rockwell (1894-1978). Oil on canvas. 44.5 x 42cm. This drawing is a sketch for the cover of the Saturday Evening Post, August 21, 1954

Gravelot (Hubert-Franáois Bourguignon, dit) (n.1699-03-26-D.1773-03-19), what is approaching! and that I líembrasse. Second thought for the illustration of chapter VII of the Bèlisaire by Jean-Franáois Marmontel (main title), 1767. Sanguine, pen and black ink on paper. Petit Palais, Musèe des Beaux-Arts in the city of Paris.

Christ Driving the Money Changers from the Temple; Jacopo Bassano, Italian, about 1510 or 1515 - 1592; Italy, Europe; about 1570; Black and colored chalks on blue paper; 43.6 x 54.3 cm (17 3/16 x 21 3/8 in.)

An etching and copper engraving by Rembrandt van Rijn created in 1659 depicting Peter and Johannes at the gate of the temple, showing detailed figures, composition, and Dutch Golden Age printmaking techniques.

A Bearded Monk Showing a Portable Altar to a Praying Child, with an Old Woman Kneeling. Artist: Pietro Antonio Novelli (Italian, Venice 1729-1804 Venice). Dimensions: 10 1/4 x 7 11/16 in. (26 x 19.5 cm). Date: mid-18th-early 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Job and his Friends. Draughtsman: Aert de Gelder. Draughtsman: Rembrandt van Rijn (rejected attribution). Draughtsman: Willem Drost (rejected attribution). Dating: 1640 - 1690. Measurements: h 178 mm × w 166 mm. Museum: Rijksmuseum, Amsterdam.

The Holy Family Passing under an Arch, Leaving by a City Gate, from the series Idee pittoresche sopra la fuga in Egitto (Flight intoEgypt). Artist: Giovanni Domenico Tiepolo, Italian, Venice, 1727-1804

Marillier, C. P., The reading lesson. (Factical title), 1779. Carnavalet Museum, History of Paris.

Marriage A-la-Mode, plate IV (reverse copy). Artist: Copy after William Hogarth (British, London 1697-1764 London). Dimensions: Sheet: 19 5/8 x 24 7/8 in. (49.8 x 63.2 cm). Date: 18th-19th century. Museum: Metropolitan Museum of Art, New York, USA.

In front of the inn. Kostrzewski, Franciszek (1826-1911), draughtsman, cartoonist

Five men around a table, presumably in a tavern, 1696 Probably drawn to a print. Page 25 Recto from a sketchbook with 30 sheets. paper. chalk table. inn, coffee-house, public house, etc.

Ruth, Boaz and a supervisor on the land, Ernst Willem Jan Bagelaar, after Jan Luyken, 1798 - 1837 print Netherlands paper etching Boaz questions his servant concerning Ruth

A procession of riders on horseback in a square. In the foreground and background, people in oriental dress look on. Parade of Horsemen, print maker: Marius Bauer, (signed by artist), 1888, paper, etching, h 147 mm - w 124 mm

The incorruptible judge. The judge or bailiff with staff is on a couch; Left a rich man who offers him money; On the right kneel a poor farmer. Design for a glass panel.

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