18th Century Social Commentary

Engravings illustrating social scenarios and interactions typical of the 18th century, infused with humor and moral undertones in domestic settings.

A Harlot's Progress, Plate 2 Quarrels with her Protector. 1732. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Hand -kissing man in a crying woman, Jacob Ernst Marcus, 1804 print In an interior at a doorway, a man kneels at an emotional woman and gives her a hand kiss. There are three more women and a man in the room. Scene from the play: the self -management of August Wilhelm Iefland. Marked at the bottom right: Ve. Bed. Xvie tone. Amsterdam paper etching kissing the hand (lovers) (+ variant). weeping

Painting woman behind a table, 1841 print A woman paints flowers on a piece of paper or textile, seated behind a round table with a palette and a vase with flowers. Next to her is a woman with a colored print in her hands. paper etching painting (including book-illumination, miniature-painting)

Eliza Branicka i Zygmunt Krasiński w dniu zaręczyn. Potocka, Katarzyna (1825-1907), amateur cartoonist

Sylvia and Valentine, from Act II, Scene i, Two Gentlemen ofVerona. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Drawing by Pieter Holsteyn the Younger showing the prodigal son in a house of revelry, executed in gray and black pen.

A meeting during a hunt, engraving. France, 18th Century

Talleyrands influence in the Julymonarchy

See, M. le Maréchal, I am Truly His Mother... Jean Henri Marlet; French, 1771-1847. Date: 1820-1822. Dimensions: 238 × 374 mm (image); 414 × 580 mm (sheet). Lithograph in black over fawn lithographic tint on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Copper engraving and etching by Johann Georg Wille depicting reciprocal offers, showing two figures interacting, with detailed posture, gesture, and facial expressions, created between 1730 and 1808.

Camille Desmoulins (1760-1794). French journalist and politician, prominent figure during the French Revolution. Despite his radicalism he criticised extreme violence during the Reign of Terror. Desmoulins was arrested on 31 March 1794 and imprisoned in Luxembourg Prison (Luxembourg Palace in Paris), sentenced to death by the Revolutionary Tribunal and executed by guillotine on 5 April. Camille Desmoulins with his wife Lucile (1770-1794). Drawing by Emile Bayard. Engraving by J. Ladmiral. History.

France, Paris, A curtsey engraving after a drawing by Jean-Honore Fragonard (1732-1806)

Mr. Garrick and Mrs. Pritchard, in the Tragedy of 'Macbeth.' Act II. Scene III., Valentine Green, 1739-1813, British, after Johan Joseph Zoffany RA, 1733-1810, German, active in Britain (from 1760), 1776, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 18 7/8 x 23 1/4 inches (47.9 x 59.1 cm), Plate: 18 x 21 3/4 inches (45.7 x 55.2 cm), and Image: 16 3/4 x 21 3/4 inches (42.5 x 55.2 cm), actors, buttons, coat, columns, daggers, doors, lightning, literary theme, Macbeth, play by William Shakespeare, man, plays by William Shakespeare, torches, windows, woman

Portrait of Charlotte van Mecklenburg-Strelitz and her daughter Charlotte, Valentine Green, After Benjamin West, 1778 print On the left is a bust of Minerva. London paper historical persons - BB - woman. sculpture. (story of) Minerva (Pallas, Athena)

Illustration for 'Becker's Almanac for 1800'. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, circa 1800. Prints; etchings. Etching

The Baron proposing Walstein to Carolina naar Th. Stothard.

Copper engraving and etching by Elisabeth Claire Tournay depicting the Lady of Charity, showing figures performing acts of charity, created between 1751 and 1797.

Hendrik van Arkel says Betje Vaarwel, Reinier Vinkeles (I), 1804 print Night face at a church. Hendrik van Arkel says goodbye to Betje. The print is part of an album. print maker: Amsterdampublisher: Haarlem paper etching / engraving night. church (exterior). reaching for something

Man with gun in a woman, Jacob Ernst Marcus, 1802 print In an interior, a man focuses his gun on a frightened woman. Scene from the play The conscience of August Wilhelm Iffland. Imagined at the bottom: IVE OLD. Xiie tone. Amsterdam paper etching aggressive relationships, enmity, animosity. firearms (with NAME). threatening behaviour, challenging

Bonnemain (family member) after Philibert Louis Debucourt, La Rose mal defendue (The Poorly Defended Rose), in or after 1791 La Rose mal defendue (The Poorly Defended Rose)

Print made by Johann Jacobus Haid, 1704-1767, La bonheur du Mariage, undated. Mezzotint with etching on moderately thick, moderately textured, cream laid paper.

Friederike (Wahrheit und Dichtung), Photo reproduction of a scene from Goethe's Wahrheit und Dichtung, verso - handwritten, Part of a cover with 21 plates., photograph, photo, reproduction, page, photos, photographically illustrated books, Kaulbach's Goethe-Gallerie Nr. 17, recto - printed, Vervielfältigung vorbeh. Déposé - Registered., Verlagsanstalt für Kunst und Wissenschaft formals Friedrich Bruckmann in Munich., Friedrich Bruckmann's Verlag, Munich, verso - stamped, 24.12.94, height 125 mm, width 95 mm, photographer, 1880 - 1885, photographic paper, photo paper, albumen print, Work conception

French Revolution: the farewell of Louis XVI to his family, on January 20, 1793. (TF)

An astrologer telling a lady's fortune. Lithography by J. Prat after C.C. Renoux.

Last gathering of Lodewijk XVI and his family, Luigi Schiavonetti, after Charles Benazech, 1794 print View in a room with Louis XVI who says goodbye to his grieving relatives. Text in English in STUDMARGE. print maker: Italypublisher: London paper ruler, sovereign. family, descendance

Haarlem, Kruseman, Arie Cornelis, unknown, Title page for: Arend Fokke Simonsz, De moderne Helicon en andere verhandelingen, 1852, Apollo toont dichter een kastvol tranen, verso - stamped, The god Apollo has opened a shop for poetry where poets can buy language and metaphors. Apollo shows a sensitive poet his assortment to tears., print, title page, prints, height 89 mm, width 57 mm, print maker, printmaker, 1852 - 1852, paper, steel engraving, Publication (Event), Publication, Dutch, 1818 - 1894, publisher

Lady Smith and her Children. Artist: After Sir Joshua Reynolds (British, Plympton 1723-1792 London); Francesco Bartolozzi (Italian, Florence 1728-1815 Lisbon). Dimensions: plate: 11 3/8 x 9 3/16 in. (28.9 x 23.3 cm). Sitter: Lady Charlotte Sophia Smith (British, died 1823). Date: March 15, 1789. Museum: Metropolitan Museum of Art, New York, USA.

Iffland, August Wilhelm .

Illustration for The Count of Valmont. Moreau, Jean Michel (1741 1814), Ghendt, Emmanuel Jean Népomucène de (1738 1815)

The port Van Margaret Bingham, James Watson (Prentmaker), After Angelica Kauffmann, 1775 print London paper historical persons - BB - woman. portrait, self-portrait of painter

The declaration of Damocles, from 'News of the day,' published in Le Charivari, March 25, 1870 March 25, 1870 Honoré Daumier. The declaration of Damocles, from 'News of the day,' published in Le Charivari, March 25, 1870. 'News of the day' (Actualités). Honoré Daumier (French, Marseilles 1808-1879 Valmondois). March 25, 1870. Lithograph on newsprint; second state of two (Delteil). Arnaud de Vresse. Prints

François Dequevauviller, Le Coucher des Ouvrières en Modes, 1755-1807, etching and engraving on paper.

Mlle. Salle. Dated: 1732. Medium: engraving and etching. Museum: National Gallery of Art, Washington DC. Author: Nicolas de Larmessin IV after Nicolas Lancret.

Hofmakerij Between Elegant Couple. Design for a book illustration.

Singing Quartet, Richard Earlom, After Godfried Schalcken, 1770 print London paper etching small group of musicians, chamber orchestra, jazz band. vocal music, singing. teacher and pupil

Little painters; Noël, Alphonse Léon (1807-1884), Lemercier, Rose Joseph (Paris; Litographic Plant; 1828-Post 1899), Jacquand, Claude (1803-1878), Jeannin, Henri Jules (Flow. Ca 1829-1854); 1837-1854 (1837-00-00-1854-00-00);

The Card Players 1780-1820 Anonymous, British, 19th century British This circular images of men and women playing cards by candlelight may be a design for a book illustration.. The Card Players 340877

Civility. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 9 3/4 x 13 5/8 in. (24.8 x 34.6 cm). Date: 1787. Museum: Metropolitan Museum of Art, New York, USA.

Taste in high life, Samuel Philip Lowe Phillips, after William Hogarth, 1808 Interior with elegant company, drinking tea, a reading monkey and a black boy as a servant. paper caricatures (human types). fashion. slavery; serfs and the enslaved. monkeys, apes. the rich

Hamlet: Polonius and Hamlet, 1834. Eugène Delacroix (French, 1798-1863). Lithograph;

De Beeldde Zieke, Robbert Muys, After Cornelis Troost, 1752 - 1800 print Helena and her covert lover Ferdinand nominate a shepherd -proof to each other, in which the characters express each other their love. Helena's father Manshart (the imagined sick person) and his doctor Narticoforus are sitting at the table. Behind the doctor is his son Bartrand, for whom Manshart has intended his daughter. Scene from the second company of the play The Big Sick Van Molière. Rotterdam paper etching / engraving hypochondriac. pharmacist, druggist, apothecary; pharmacy, drugstore, dispensing chemist. living-room, parlour, sitting-room. meeting. container of glass: bottle, jar, vase. comedy

Portrait of Jacobus Frans Eduard Stuart, John Smith (print maker/ publisher), after Gottfried Kneller, 1689 - 1742 print London paper historical persons. prince

Until the death, Francisco de Goya, 1797 - 1799 print A very old woman sits in front of her dressing table and looks at herself in the mirror. A young woman and two men laugh at her. Fifty -five print from the Los Caprichos series. Spain paper etching / drypoint old woman. (woman) looking in a mirror ~ scene symbolizing 'Vanitas'

Poisoning Queen Bona. Bonus of the Society of Estate Fine Arts in the Kingdom of Poland for 1862; Walkiewicz, W Adys Aw (Ca 1833-1900), Matejko, Jan (1838-1893), Dzwonkowski, Adam (Warsaw; Litographic Zak 1859-1872); 1862 (1862-00-00-1862-00-00);

Two women at a fortune teller, Pieter Bartholomeusz. Barbers, c. 1782 - c. 1837 drawing Possibly a design for a print. paper. graphite (mineral). chalk fortune-teller ~ pleasure fair and circus. divination ~ human corpse, necromancy

Print made by Adelaide Claxton, 1858-1905, British, February - Ladies Gallery House of Commons, undated. Wood-engraving.

Title Page to 'Westphal's Portrait'. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1781. Prints; etchings. Etching

Platonic Lovers. Artist: After George Moutard Woodward (British, ca. 1760-1809 London). Dimensions: Sheet: 10 3/4 × 7 7/8 in. (27.3 × 20 cm). Etcher: Thomas Rowlandson (British, London 1757-1827 London). Publisher: Henry Wigstead (British, 1745-1800 Margate); Samuel Hooper (British, active London, 1771-88). Date: August 1, 1797. Museum: Metropolitan Museum of Art, New York, USA.

Paris, Basan, Pierre François, Mieris, Frans van, France, Le lever hollandois, Hollandse ochtend, print, prent, prints, prenten, height 347 mm, width 237 mm, Frans, 1723-10-23 - 1797-01-12, print maker, printmaker, 1733 - 1797, paper, papier, etching, etchings, engraving, engraving (printing process), after, after painting by, Publication (Event), Publication, publisher

Varied alphabet: Letter S - Mrs. Achille Deréria. Achille Deveria (1800-1857) and Antoine Adolphe Catherine Fondia (1828-1855). Varied alphabet: Letter S - Mrs. Achille Deréria. Lithography.

Bliżej Kultury Hanfstaengl, Fr.

Man reads to a group in a richly decorated interior, Jean Baptiste Madou, 1835 - 1837 print publisher: Brusselspublisher: Parispublisher: Rotterdam paper. interior of the house. story teller; listening to story teller

French Revolution. Allegory of the nineteenth century. Appeal of Terror convicted in Saint-Lazare Prison, 7-9 Thermidor An II (1794). (TF)

Print made by John Faber the Younger, ca. 1695-1756, Netherlandish, active in Britain, The Choice, 1737. Mezzotint on moderately thick, slightly textured, cream laid paper.

The mother, wife and son of the Reinier van Oldenbarnevelt beped Maurits to grace, 1623; The widow of Oldenbarneveld at Prince Maurits grace asking for Haren Son. The mother, wife and son of Reinier van Oldenbarnevelt at Prince Maurits sat at a table begging to grace for Reinier van Oldenbarnevelt, one of the orders sent to death, March 1623.

A man and a woman having a quarrel. Engraving by J. Brain after F. P. Stephanoff.

Le Contrat n.d. After Jean Honoré Fragonard French. Le Contrat 369383

Do you want any Matches, Anthony Cardon, 1772-1813, Flemish, after Francis Wheatley, 1747-1801, British, 1794, Aquatint, Sheet: 17 x 13 3/8 inches (43.2 x 34 cm), Plate: 16 3/8 x 12 7/8 inches (41.6 x 32.7 cm), and Image: 14 1/8 x 11 1/8 inches (35.9 x 28.3 cm)

Repentance in marriage, Daniel Nikolaus Chodowiecki, 1788 print Berlin paper etching betrothal and marriage. Regret

Album-premium of illustrated chronicle / work is freedom.

Rubens, his wife Helena Fourment, and their Child ca. 1770 Charles Phillips British Rubens enjoyed a high reputation in Great Britain throughout the eighteenth century, and prints after his work were published in large numbers. This mezzotint by Phillips of Rubens's own family was the second of two such prints published in London after the charming domestic subject; the other was by James McArdell. The large full-length group portrait was first owned by John Churchill, 1st Duke of Marlborough (1650-1722), it then remained in the family through the late nineteenth century and is now in the Met's collection (1981.238). The artist, his wife Helena, and one of their sons appear within an idealized version of the garden at Rubens's mansion in Antwerp, which survives to this day.. Rubens, his wife Helena Fourment, and their Child 367745

Illustration to Becker's Pocketbook für 1799. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1799. Prints; etchings. Etching

Lady Anne Lambton and Family, Print made by John Young, 1755-1825, British, after John Hoppner, 1758-1810, British, Published by John Young, 1755-1825, British, 1799, Mezzotint (first state) on moderately thick, slightly textured, cream laid paper, Sheet: 27 1/4 × 21 1/2 inches (69.2 × 54.6 cm) and Image: 24 3/8 × 18 5/8 inches (61.9 × 47.3 cm)

Jean-Baptiste Mallet drawing depicting a figure engaged in reading, executed in gouache.

Travelers to the island of Cythere, Bernard Picart, 1708 print A richly dressed lady and gentleman for Bossage are depicted within an oval. The lady (Venus) comprises a staff with her left hand, here as the attribute of the pilgrim. She lifts the shell in her right hand like a glass. The man pours wine from a jug. For the love couple stands the half -naked Bacchus, god of wine, with a crown of wingerd leaves and in his hand a thyrsus, a staff with a button in the shape of a pine cone (an old fertility symbol). He also holds a torch with burning fire. Also in the foreground a small, sculpted representation of a Herme. Such a Herme was used in the "secret marriage ritual", connected to cleansing and fertility. In the background, boats and the island of Cythere, off the coast of Laconia in southern Greece, can be seen. The print refers to the theme "embarkation to Cythera": boys and girls from all positions and dressed as pilgrims make up to board a boat that will take them to the temple

Suffolk and Margaret (Shakespeare, King Henry VI, Part I, Act 5, Scene 3) 1825-40 Charles Heath, the elder. Suffolk and Margaret (Shakespeare, King Henry VI, Part I, Act 5, Scene 3). After John Massey Wright (British, London 1777-1866). 1825-40. Etching and engraving. Charles Heath, the elder (British, London 1785-1848 London). Prints

Rose Maylie and Oliver. 19th century illustration from Charles Dickens Oliver Twist. Illustration by George Cruishank (1792-1878)

Jan Claasz or De Wandende Maanvaag: the declaration of love of Reinier Adriaansz, Jan Punt, After Cornelis Troost, 1754 print Reinier Adriaansz explains Saartje Jansz. His love is in a living room. Saartje Jansz, however, rejects him. At the bottom of the margin a four -line verse in Dutch and French. Scene from the play Jan Claasz or the weeping maid, from Thomas Asselyn. Amsterdam paper etching / engraving being refused, the proposal rejected. living-room, parlour, sitting-room

Peter Paul Rubens (1577-1640). Flemish Baroque painter. Engraving after a painting by Rubens entitled ""Self-Portrait with his wife Elizabeth Brant"", 1609, during the first year of marriage. The Spanish and American Illustration (La Ilustracion Espanola y Americana), 1884.

Honoré Daumier, Marie Louise Charlotte Philippinepairie, 1834 Marie-Louise-Charlotte-Philippinepairie

The dying Wolfgang Amadeus MOZART, 1756-1791 Austrian composer, conducts a group of musicians performing his Requiem, 19th century engraving after painting by Baube

Sewing ladies, Daniel Nikolaus Chodowiecki, 1780 print In the top left numbered: 3. paper etching sewing

The beautiful harpist Marie de Saint-Aubin, "the beautiful harpist". Paris, Cognacq-Jay Museum.

Plate 2 for Schiller's 'Intrigue and Love'. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1785. Prints; etchings. Etching, laid down

Print, The Return of the Prodigal Son; engraving with etching on paper; 38.2 × 48.5 cm (15 1/16 × 19 1/8 in.); 1914-49-9

John Raphael Smith, 1752-1812, British, A Widow - Une Veuve, 1791. Colored stipple engraving on moderately thick, moderately textured, cream, laid paper.

SKATING, 1869

Eleven o'clock in the evening. (Letter registered (letter)) | Planche # 1 of the continuation a part of cards, 1824. (dummy title)

Romeo and Juliet at the Masquerade (Shakespeare, Romeo and Juliet, Act 1, Scene 5) June 15, 1785 Francesco Bartolozzi Italian Romeo and Juliet meet at a masked party given by her family, the Capulets. Based on a drawing by Hamilton, Bartolozzi's print shows Romeo dressed as a pilgrim, to echo the playful language of Shakespeare's text. Juliet's nurse, at right, is apprehensive about this intrusion by a Montague into the domain of their declared enemies, the Capulets.. Romeo and Juliet at the Masquerade (Shakespeare, Romeo and Juliet, Act 1, Scene 5) 376838

The Child restored.

Portrait of Willem II, Prince of Orange, and Maria Henrietta Stuart. .

Boydell, John, West, Benjamin, Green, Valentine, Charlotte, Queen of Great Britain, and the Princess Royal, print, prints, height mm, width mm, English, 1739-10-16 - 1813-06-29, print maker, printmaker, 1749 - 1813, paper, papier, mezzotint, American, 1738-10-10 - 1820-03-11, after, after painting by, Publication (Event), Publication, 1719 - 1804, publisher

The Golden Age Engraver Valentine Green British After Benjamin West American Publisher John Boydell British June 4, 1777 Wests "The Golden Age" imagines an ideal time when humans lived in peace and prosperity. Within a rural interior suggestive of the classical past, a mother sews and watches over her sleeping child, as its grandparents enjoy the sun and feed poultry by an open doorway. Outside, natures fertility is affirmed by a ploughman who guides oxen and symbolizes the pastoral ideal associated with the Golden Age, an ideal period described by ancient authors such as Hesiod and Ovid. Ironically, when this print appeared, Britain and America had just entered the Revolutionary War, a conflict that shattered societal serenity on both sides of the Atlantic. View more. The Golden Age. After Benjamin West (American, Swarthmore, Pennsylvania 1738-1820 London). June 4, 1777. Mezzotint. John Boydell (British, Dorrington, Shropshire 1720-1804 London). Valentine Green (British, Salford 1739-

Jean Francois Marmontel (1723-1799). French writer and historian. Moral Tales. The Scruple. Edition printed in Liege, 1777. Colored engraving. Library of Catalonia. Barcelona. Spain.

The Tale of Dick Whittington, circa 1900, by All British T Series.

'Les Bouquets, Ou La Fete De La Grand'Maman', 1788, (1913). Artist: Philibert Louis Debucourt.

Watercolor by Erzherzogin Marie Christine depicting Don Quichotte with the Duchess's girls, created in the second half of the 18th century.

The cunning freester or the outstanding guardian, Pieter Tanjé, After Cornelis Troost, 1757 print Ruffina secretly reaches the right hand her beloved Heerman, while she looks at her guardian Steiloor, with whom she comes from the notary. At the bottom of the margin a four -line verse in Dutch and French. Scene from the play De Lucentige Vryster, or the outstanding guardian, by Ysbrand Vincent. Amsterdam paper etching / engraving kissing the hand (lovers). index finger forwards, pointing, indicating. unequal couple, ill-matched couple. comedy

Joseph-Marie Vien (1716-1809). "The Sultan's caravan in Mecca. The great lord and the favorite sultana". Engraving (etching). 1748. Museum of Fine Arts in the city of Paris, Petit Palais. 71752-25 Costume, etching, fantasy, masquerade, character, lord, sultane, terrace, 18th 18th 18th 18th 18th 18th 18th century, couple, engraving, promenade

Marie Louise Petit at the Age of 105, with Her Young Nurse. Dated: 1765. Dimensions: sheet: 29.4 × 30.3 cm (11 9/16 × 11 15/16 in.) mount: 40.2 × 31.3 cm (15 13/16 × 12 5/16 in.). Medium: watercolor over black and red chalk, heightened with white chalk on cream laid paper (cut across the top and reattached), laid down. Museum: National Gallery of Art, Washington DC. Author: called Carmontelle Louis Carrogis.

Print made by Adelaide Claxton, 1858-1905, British, June - Society at the Drawing Room, undated. Wood-engraving.

Members of the travel group in conversation with the princess of Biscaris, 1778 drawing Drawing from the album 'Voyage and Italy, and Sicile et à Malte', 1778. paper. chalk. watercolor (paint) brush / pen

The character lesson.

Jane, Countess of Harrington and Her Children, 1789. Francesco Bartolozzi (British, 1727-1815), after Joshua Reynolds (British, 1723-1792). Stipple engraving and etching;

Malcho, Simon, Hickel, Anton, Princess of Lamballe, verso lower left, print, prints, height mm, width mm, 1745-02-15 - 1793, print maker, printmaker, 1755 - 1793, paper, papier, mezzotint, German, 1745 - 1798-10-30, after, after painting by, Publication (Event), Publication, publisher

Moreau, Jean Michel, Guttenberg, Carl Gottlieb, Le Monument du Costume. Seconde suite déstampes, pour servir à l'histoire des Modes et du Costume en France, Dans le dix-huitième siècle, Het bezoek aan Marly, Le Rendez-vous pour Marly, Céphise, a lady of standing, and her friend, the marquise, together with two children and a cavalier, under the trees in the Tuileries. They are about to leave for Marly, a country estate of the king, where only the king's intimates were received. In the background, the garden of Marly can be seen. The woman seen from the back is wearing a 'robe à la Polonaise' with 'manches en sabot'. From the series: Second suite déstampes, in which the life of Céphise, a young lady 'du bon ton', and the fashion of her time is depicted., costume print, prints, height 410 mm, width 318 mm, 1743-08-21 - 1790-05-20, print maker, printmaker, 1776 - 1777, fourth quarter 18th century, paper, etching, French, 1741-03-26 - 1814-11-30, intermediary draughtsman

Dress Completed, plate three of Progress of the Toilet. James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1810. Dimensions: 255 × 209 mm (image); 280 × 220 mm (plate); 305 × 260 mm (sheet). Hand-colored etching on cream wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Louise, Marie, si Vous Aimez un JourQuelqu’un…. Artist: Paul Gavarni, French, 1804-1866

Crying woman looks through a crack crack. A crying woman, with handkerchief in hand, looks down the curtain. On the wall the portrait of a man and below a chair.

Landscape with two women at a balustrade, 1666 The women are at the balustrade of a bridge and look out over the water. Page 1 recto from a sketchbook with 49 sheets. paper. chalk. ink pen / brush landscapes with waters, waterscapes, seascapes (in the temperate zone) (+ landscape with figures, staffage). balustrade

Louis Marin Bonnet, Le frère donne les étrennes à sa soeur, 1746-1793, colored aquatint on laid paper.

of 3