19th Century Artistic Figures

A collection of historical prints featuring dramatic or mythological figures, musicians, and fashionable individuals, showcasing varied artistic styles and emotion.

Musicing company around a table, Jan van Somer, after Gerard Pietersz. van Zijl, 1655 - 1700 print A group of five people is making music around a table. There is singing, violin and lute. On the table booklets with sheet music. paper small group of musicians, chamber orchestra, jazz band. lute, and special forms of lute, e.g.: theorbo. vocal music, singing. violin, fiddle. printed edition of musical score

Louis XIV (King of France), Paris, Duchange, Gaspard, Picart, Bernard, Two Women Taking a Bath, verso - stamped, A woman descends from a ladder to take a bath with another woman. A man spies on them from behind a curtain. In the margin a six-line poem in French., print, prent, prints, prenten, height 91 mm, width 125 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, prentmaker, 1706 - 1706, first quarter 18th century, paper, papier, etching, etchings, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, Publication (Event), Publicatie, 1662-04 - 1757-01-06, publisher, uitgever, Frans, 1638-09-05 - 1715-09-01, verlener van privilege

Poèmes d'amour (1re planche) , Courtship. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

The Virgin with the infant Christ seated on a cushion and the young Saint John the Baptist at his feet, an oval composition. Artist: Guido Reni (Italian, Bologna 1575-1642 Bologna). Dimensions: Sheet (Trimmed to oval): 6 1/4 × 5 9/16 in. (15.8 × 14.1 cm). Date: ca. 1600-1640. Museum: Metropolitan Museum of Art, New York, USA.

Vertumnus et Pomona, Print made by Johann Jacobus Haid, 1704-1767, after Giuseppe Nogari, 1699-1763, Italian, undated, Mezzotint on moderately thick, slightly textured, cream laid paper, Sheet: 20 1/4 x 14 3/16 inches (51.5 x 36 cm), Plate: 16 5/16 x 11 inches (41.4 x 28 cm), and Image: 14 5/8 x 11 inches (37.1 x 28 cm), apples, dresses, figs, flowers (plants), forest, fruit, garden, gesturing, grapes, leaves, mythology, pears, putti, religious and mythological subject, smiling, Vertumnus, in the guise of an old woman, wooing Pomona, wings, women

Touch, Alexander van Haecken, T. Jefferys, W. Herbert, 1739

DOLCE FAR NIENTE. AFTER CHARLES LANDELLE

Print, A Bacchante; Italy; engraving on paper; 31.5 × 24.8 cm (12 3/8 × 9 3/4 in.); 1896-31-87

Mrs. Abington as Thalia, Print made by Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after Richard Cosway, 1742-1821, British, ca. 1783, Etching and stipple engraving, with hand colored ink on medium, slightly textured, cream laid paper, Sheet: 9 3/16 x 7 1/8 inches (23.4 x 18.1 cm) and Image: 9 1/8 x 6 3/4 inches (23.1 x 17.1 cm), actress, bust, crook, shepherd's, flowers (plants), garlands, hills, lyre, mask, monument, mythology, pearls, performance, pipes, religious and mythological subject, ribbon, roses (plant), sandals, sash, skirt, stage, stream, tambourine, theater (discipline), trees, woman, woman

JEANNE de St.REMY de VALOIS, COMTESSE DE LA MOTTE French adventuress who masterminded the Diamond Necklace Affair implicating Marie Antoinette and others. Date: 1756 - 1791

La fuite a dessein. Dated: 1783. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Charles François Adrien Macret and Jacques Couché after Jean-Honoré Fragonard.

Portrait of Maria II Stuart, Pieter Schenk (I), 1688 - 1711 print Portrait of Maria II. She is in a garden with a fruit in her right hand. A dark boy offers her more fruits. A castle in the background. Amsterdam paper

Brussels, Delabarre, Albert, Mlle Rousseil (L'idole), Portrait of Rosalia Rousseil in L'idole, recto - printed, photomechanical print, page, photos, photographically illustrated books, No 51., height 115 mm, width 86 mm, Belgian, 1809 - 1885, photographer, 1870 - 1875, paper, Woodbury type, cliché maker

Photo production of (presumably) An image of a mother who mimes about her died child.part or album with pictures of sights and landscapes in England and or art.

Paolo and Francesca. Jasiński, Feliks Stanisław (1862-1901), graphic artist, Arthur Tooth & Sons (Londyn, Paryż, Nowy Jork ; wydawnictwo ; fl. 1868-1901), publisher, The Fine Art Society (Londyn ; stowarzyszenie ; 1878- ), publisher, Rossetti, Dante Gabriel (1828-1882), painter

Depiction by Charles Benazech of a crying woman leaving a lock, comforted by two companions, executed in pencil, ink, and gray-brown washes.

Amfortas, Rogelio de Egusquiza, 1894 print Spain paper etching literary characters and objects. ruler, sovereign. forest, wood

French Art deco illustration depicting allegorical figures of trade and industry 1895

City Council of Amsterdam, Amsterdam, Schenk, Pieter (I), De Zoete Dienst, Woman shaving a man, verso - stamped, A young man is being shaved by a young woman. She holds the shaving bowl under his chin., print, prints, height 246 mm, width 186 mm, Northern Netherlands, 1660-12-26 - 1711, print maker, printmaker, 1670 - 1713, paper, papier, mezzotint, engraving, engraving (printing process), Publication (Event), Publication, publisher, uitgever, verlener, verlener van privilege

Hudlath de Wichelaar predicts a disaster, Karel Frederik Bombled, 1852 - 1902 print On the edge of the village is Hudlath de Wichelaar, an old druid with a wreath of oak leaf and an oak staff. Finkoma, the mother of Olwene faces him and hears his prediction. Illustration in the third singing of the epic praise Aeddon paper etching fringe, edge of the wood. extinct, 'historical' peoples: Gauls (+ men). druid (Celtic religious functionary). tales and fairy tales (AEDDON)

Amsterdam, Josi, Christiaan, London, Peace, Allegory of the Peace of Amiens, 1802, verso bottom center - stamped, on March 27, which ended the war between Great Britain and the French Republic, Spain and the Batavian Republic. In the center, Peace floats through the clouds with an olive branch in its hand. At the bottom, two putti (Commerce and Abundance) with a horn of plenty, on the right a city devastated by the war. In the caption, a four-line verse in English and the coat of arms of the foundation. The print comes with a statement., print, prints, Frederik Muller Historieplaten, height 590 mm, width 420 mm, Dutch, 1768 - 1828-11, print maker, printmaker, 1802-09-01 - 1802-09-01, paper, papier, stippelets, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, publisher

Amsterdam, Muller, Harmen Jansz, H. Agnes, verso - stamped, Saint Agnes with a palm branch in her hand and a lamb in front of her. In the upper right corner the sun with the tetragram., print, prent, prints, prenten, height 183 mm, width 123 mm, Dutch, 1540 - 1617-10-07, print maker, printmaker, 1590 - 1594, paper, papier, engraving, engraving (printing process), Publication (Event), Publicatie, publisher

Edward Fisher, 1722-1785, British, Hope Nursing Love, 1771. Mezzotint on moderately thick, slightly textured, beige laid paper.

Woman Playing with a Cat. Artist: After François Boucher (French, Paris 1703-1770 Paris). Dimensions: Sheet: 15 3/4 x 11 5/16 in. (40 x 28.7 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

The Holy Family, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and sepia on paper, Open country. The Virgin kneels toward the left, the Child stands beside her at left. She intends to lift him up. Behind the child is Joseph. Trees are in the background., Rome, Italy, 1820-1850, Drawing, Drawing

Study of a kneeling woman in a historical costume. Cegliński, Julian (1827-1910), draughtsman, cartoonist

De Orangiste, 1695, Cornelis Dusart, 1695 - 1704 print Dancing woman in hand an orangist pamphlet. Under the show a Latin title and a Dutch verse of six lines. The print is part of a series of eight prints made in response to the conquest of names by the Allies on 5 September 1695. paper engraving festivities on events of national importance Names (city)

Harp playing young woman; Mathilde. A young woman plays a harp, a landscape on the left in the background.

Shakspeare. King John, act IV, scene I : A prison : Arthur, Hubert & attendants , Castles & palaces, Interiors, Shakespeare, William, 1564-1616, Characters, Shakespeare, William, 1564-1616. King John. Thomas Pennant Barton Collection

Female personification of Hope looking up with hands held together and left shoulder exposed, in an oval frame, after Reni 1800-1900 Anonymous After a painting by Reni which at the time was in the church of San Domenico in Bologna. Verso is not visible as print is laid to another sheet of paper.. Female personification of Hope looking up with hands held together and left shoulder exposed, in an oval frame, after Reni 668772

Print made by John Dean, 1754-1798, British, Lady Elizabeth Herbert and Son, 1778. Mezzotint on medium, moderately textured, cream laid paper.

Ms, Pauline Freiin von Rahde, born Lucca from Bazar, Richard Brendamour -, Xylographer, after, Carl Rechlin son -, artist

Debut from "Paradise and the Peri" (3rdplate ). Dated: 1901. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HENRI FANTIN-LATOUR.

Antwerpen, Huys, Frans, Sibyls, Sibylla Persica, Persian Sibyl, Antwerp, The Persian Sibyl sitting with a book in her right hand. In the background a ruin and a city in a landscape. This print is part of an album., print, picture, album sheet, prints, pictures, height 195 mm, width 124 mm, 1522 - 1562, print maker, printmaker, 1546 - 1562, paper, papier, engraving, engraving (printing process)

The Eendracht.

The Feeling. A young woman feels with her index finger at the tip of an arrow, which she holds in her right hand. The print is part of a series with the five senses, Feeling Feeling (title on object) The five senses (series title), print maker: Alexander van Haecken, (mentioned on object), Jacopo Amigoni, (mentioned on object), publisher: T. Jefferys, (mentioned on object), London, 1739, paper, engraving, h 353 mm × w 253 mm

Print made by John Raphael Smith, 1752-1812, British, Serena, 1782. Mezzotint with hand coloring on moderately thick, moderately textured, cream, laid paper.

Design for a room piece: statue of sense taste, in addition a woman and parrot with fruits.design for a painting.

Mechthild of Magdeburg (1207-1282/1294). Medieval mystic. Engraving by C. Roberts. La Ilustracion Artistica, 1896.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), the Blessed Virgin kissing the Child Jesus, oval room. (A. de Vesme 8; Dutuit 151) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Winter looks over a sleeping woman resting in her lap Date: 1889

Engraving depicting Queen Victoria being urged to come back into the world after mourning the death of the Prince Consort. Illustrated by John Tenniel (1820-1914) an English illustrator, graphic humourist, and political cartoonist. Dated 19th century

Allegory on the Peace of Amiens, 1802, Christiaan Josi, 1802 print Allegory on the Peace of Amiens, on March 27, 1802, which put an end to the war between Great Britain and the French Republic, Spain and the Batavian Republic. Central floats through the clouds with an olive branch in hand. At the bottom two putti (commercial and abundance) with a horn of abundance. Netherlands paper symbols, allegories of peace, 'Pax'; 'Pace' (Ripa). 'Cornucopia', Horn of Plenty

Victory with Wings. Giorgio Ghisi (Italy, Mantua, 1520-1582). Italy, mid-1560s. Prints; engravings. Engraving

Print made by Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Girl with a Kitten, 1787. Stipple engraving (second state) on moderately thick, moderately textured, cream laid paper.

Miss Frances Lascelles, Print made by James Watson, 1740-1790, British, after Francis Cotes RA, 1726-1770, British, undated, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 13 5/16 × 9 1/8 inches (33.8 × 23.2 cm) and Image: 11 5/16 × 9 inches (28.7 × 22.9 cm)

Emine, Sultanine of Turkey.

A lovely print, showing a late 19th Century girl in a 'Celestial' pose. Date: 1895

John Raphael Smith, Mrs. Payne Galwey and Son, 1780, mezzotint on paper.

A fishmonger, carrying a basket filled with fish, offers fish to a woman. She stands behind an open window with a vine growing against it., Fish Seller, print maker: Jacob Hoolaart, J. D. Mony, (mentioned on object), Dordrecht, 1723 - 1789, paper, h 231 mm × w 182 mm

The Saint Cecilia, Anna Cecile Wilhelmina Jeanette Jacqueline Nahuys, 1841 - 1905

Print made by William Faithorne, 1656-ca. 1701, British, Vertumnus and Pomonae, between 1690 and 1703. Mezzotint with touches of gouache on medium, slightly textured, beige laid paper.

A friend in need : A feeling for fleas , Grooming, Fleas. Thomas Rowlandson (1756-1827). Prints and Drawings

Young woman visits an old sleeping woman, Reinier Vinkeles (I), 1806 print Amsterdam paper etching / engraving candle. picture, painting. sleeping in bed. bedroom

Portrait of a woman with a swan and a parrot in a garden, Mattheus Verheyden, 1710 - 1777 drawing paper. ink pen / brush anonymous historical person portrayed alone - BB - woman. ornamental birds: parrot. water-birds: swan

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Canopy project representing the Virgin Jean Gaspard Jules or Johann Caspar Julius Gsell (1814-1904). Verrière project representing the Virgin. Pencil, white rehabilitation.

Jean François Janinet after Jean Jacques François Le Barbier I, La Venus aux colombes La Venus aux colombes

Maitrank, woodcut from the yearbook Moderne Kunst in Meisterholzschnitten, Modern Art in Master Woodcuts, 1900

Marguerite Betrayed, from Goethe's Faust, Photogravure Print from the Original 1869 Painting by James Bertrand, The Masterpieces of French Art by Louis Viardot, Published by Gravure Goupil et Cie, Paris, 1882, Gebbie & Co., Philadelphia, 1883

Rijn, Rembrandt van, Kellen, David van der (1804-1879), Seated girl, recto - written, A girl wearing a beret sits in a chair, leaning her elbow on the table beside her., print, engraving, prints, engravings, verso - stamped, 7th, height 105 mm, width 99 mm, 1804-09-25 - 1879-03-30, print maker, printmaker, 1814 - 1859, paper, papier, etching, etchings, drypoint, dry needle, Work conception, Noord-Nederlands, 1606-07-15 - 1669-10-08

Saint John the Baptist as a child, seated, holding a cross, with a lamb. Etching by B. Maura after B.E. Murillo, 1876.

Theodor von Holst, 1810-1844, British, Faust and Margaret, undated. Graphite, watercolor and black chalk on medium, slightly textured, cream wove paper.

Two muses. Two standing women or muses, one with a roll of paper in the hands, the other with a tablet.

Tear of Memory, Jessie Macleod - Emotions

Portrait of a young man Pontius, Paul (1603 1658), Santi, Raffaello (1483 1520)

Dienstmeid in a kitchen a fish preparing, Louis Michel Halbou, after Coquelet, 1755 - 1782 print Paris paper etching / engraving kitchen-maid, kitchen servant. kitchen-interior

Müller, A., London, Bruckmann, Friedrich, Courtship, Photo reproduction of a drawing of a scene from Das Lied von der Glocke by Friedrich Schiller, by A. Müller, recto - printed, photograph, photo, reproduction, page, photos, photographically illustrated books, Registered., height 291 mm, width 227 mm, German, 1814 - 1898, photographer, 1870 - 1875, photographic paper, photo paper, albumen print, intermediary draughtsman

Portrait of a woman sitting on a chair Antoine Berjon (attributed to, 1754-1843). "Portrait of a woman sitting on a chair in front of an opening on a steep landscape, holding a letter, rectangular miniature in a frame with metal frame with cord pattern around 1800". Watercolor, gouache and oil on ivory. Paris, Cognacq-Jay Museum.

Nurse and Children in the Fields. Dated: 1791. Dimensions: plate: 55.4 x 40 cm (21 13/16 x 15 3/4 in.) sheet: 60.8 x 41.8 cm (23 15/16 x 16 7/16 in.). Medium: mezzotint on laid paper. Museum: National Gallery of Art, Washington DC. Author: George Keating after George Morland.

Two Ladies Making Music, Charles Howard Hodges, 1806, draughtsman: Charles Howard Hodges, 1806, paper, brush, h 403 mm × w 379 mm

Mrs. Abington, James Watson, 1740-1790, British, after Sir Joshua Reynolds RA, 1723-1792, British, undated, Mezzotint on moderately thick, slightly textured, blued white, laid paper, Sheet: 24 3/8 × 15 1/16 inches (61.9 × 38.3 cm), actress, performance, portrait, stage, theater (discipline), woman

Studies for the Angels in The Court of Death, George Frederick Watts, 1817-1904, British, undated, Black ink and brown ink and graphite on medium, slighlty textured, cream laid paper, Sheet: 9 × 7 1/8 inches (22.9 × 18.1 cm), angels, figure study, wings

Pamela and Philoclea, Print made by Valentine Green, 1739-1813, British, after Sir Peter Lely, 1618-1680, Dutch, active in England (from 1643), ca. 1777, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 8 3/4 x 8 inches (22.3 x 20.3 cm), Plate: 8 9/16 x 7 1/2 inches (21.7 x 19 cm), and Image: 8 5/16 x 7 1/2 inches (21.1 x 19 cm), bergère hat, dresses, flowers (plants), hats, literary theme, necklace, oval, pearls, shepherd's crook, shepherdesses, sisters, The Countess of Pembroke's Arcadia, women

Despair. Artist: After Ary Scheffer (Dutch, Dordrecht 1795-1858 Argenteuil (active France)). Dimensions: Sheet: 12 13/16 × 9 9/16 in. (32.5 × 24.3 cm)Image: 10 1/8 × 12 7/8 in. (25.7 × 32.7 cm). Lithographer: Zéphirin Belliard (French, 1798-1861). Printer: Bertauts. Date: 1830-58. Museum: Metropolitan Museum of Art, New York, USA. Author: After Ary Scheffer.

Miss Hill, John Dean, 1754-1798, British, after John Russell, 1745-1806, British, 1777, Mezzotint

Two Angels, Charles Howard Hodges, 1799 print paper etching angels

Reproduction of a painting: Henryk Siemiradzki (1843-1902), Mały Argonauta Little Argonaut; from: `Tygodnik Ilustrowany` 1897, no. 22 (May 29th), p. 431. Hanfstaengl, Franz Kunstverlag (Monachium ; firma wydawniczo-fotograficzna ; 1852-1980), photo studio, Brend`amour, Richard (1831-1915), graphic artist, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher

Print made by John Dixon, ca. 1740-1811, Irish, Miss Emma and Miss Elizabeth Crewe, ca. 1782. Mezzotint on medium, moderately textured, cream laid paper.

Flower saleswoman, standing in front of a column, Cornelis Kruseman, 1807 - 1857 drawing paper. pencil brush street-trader - BB - women engaged in trade and commerce. cut flowers; nosegay, bunch of flowers

James Gillray, 1757-1815, British, Going to London, through "Epping Forest", 1802. Engraving.

Women at a Well. William Morris Hunt (American, 1824-1879). Lithograph;

Robert Smirke, 1752-1845, British, She Never Told Her Love, But Sat Like Patience on a Monument, 1827. Brown ink with brown wash and gouache and oil on medium, smooth, beige wove paper.

Actress Catherine Clive in Rol of Phillida, Pieter Van Bleeck, 1735 - 1764 print Scene from the play "Damon and Phillida" with actress Catherine Clive in the role of Phillida. Phillida is approached by a shepherd in a mountain landscape. He put his hand around her waist. England paper engraving herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. group of actors, troupe; actors on the stage

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Jane, Countess of Harrington, Lord Viscount Petersham and the Honourable Lincoln Stanhope, 1789. Stipple engraving on medium, slightly textured, beige, wove paper.

Itha.. Artist: Paul Gavarni, French, 1804-1866

The Vain Woman, Giuseppe Maria Mitelli, 1675 print A vain woman (Donna Superba) looks at herself in the mirror, a peacock on the left. With two four -line verses in Italian. Numbered at the top right: 1. Part of the series 'The twenty -four hours of human happiness'. paper etching / engraving personifications ~ the life of man. the 24 hours of day and night. scenes symbolizing 'Vanitas'. Pride; 'Superbia' (Ripa) ~ personification of one of the Seven Deadly Sins. looking in the mirror; (possibly: contemplation of own beauty - AA - (for) women). ornamental birds: peacock

GOYA Y LUCIENTES, Francisco de (1746-1828). Because she was susceptible. 1799. Plate 32 of 'Los Caprichos', etching. Romanticism. Engraving. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. National Library.

Mother with Two Children, 1788. Henri Chevaux (French, 1723-1789). Watercolor with black ink underdrawing; sheet: 24.5 x 17.9 cm (9 5/8 x 7 1/16 in.).

The girl is resting her head on her hands. She wears a dress with bare shoulders, Girl with Turban, print maker: Carel Christiaan Antony Last, (mentioned on object), Carel Christiaan Antony Last, (mentioned on object), print maker: Salomon de Visser, (mentioned on object), The Hague, 1835 - in or before 1839, paper, h 240 mm × w 297 mm

A Turkish girl playing a cannon, created by Jean-Baptiste Vanmour in 1714, published by L. Cars in Paris. The artwork features themes of clothing and dress in Turkey, alongside musical instruments and representations of women

Thomas Ryder, Queen Charlotte-Sophia of Mecklemburg-Strelitz, Wife of George III of England (1744-1818), 1804, stipple engraving on paper.

Dar-Thula by Henry Tidey

John Samuel Agar, ca. 1773-1858, British, Lady Katherine Sophia (née Manners) Heathcote, 1812. Stipple engraving on moderately thick, slightly textured, cream, wove paper, with cream, chine collé.

Bacchus' priestesses: the woman on the left is holding a stick and a basin; the one in the middle, a cymbal and a candelabra; the one on the right is holding two cymbals, Herculaneum, Campania, Italy, engraving by Filippo Morghen from a drawing by G E Morghen, from Le antichita di Ercolano esposte (The antiquities of Herculaneum exposed), Vv.Aa., volume V, plate 44, 1757-1787, Naples.

Female - Study of a Girl eating Cherries. Date/Period: 1870. Pen and ink with ink wash, on two sheets of laid paper. Width: 149 mm. Height: 164 mm. Author: Dante Gabriel Rossetti.

Rôle de Jenny dans le ballet de Jenny, 1840 - 1850. Lithograph, colored, 21 x 20 cm. Issued in Paris. Depicts a scene from the ballet 'Jenny; ou Le mariage secret' (Choreographic work Aumer). Graphics related to 19th-century ballet in France

Girl with bird cage; Leonora. A girl with a bird cage in her right hand.

The Flower Book - Wall Tryst. From The Flower Book, 1905. Sir Edward Burne-Jones .

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