19th Century Illustrations

A series of lithographic illustrations depicting social scenes, with a humorous or dramatic flair, highlighting fashion and interaction.

Madame cherche un M'sieu - Deux M'sieux ,. Paul Gavarni (1804-1866). Lithographs and Other Works

LEtrangere. Artist: Paul Gavarni, French, 1804-1866

Cartoon in which the Dutch virgin tea clarifies for Japanese company, 1862. Cartoon in which the Dutch virgin tea ceases for Japanese company. Plate appeared at the Weekblad De Nederlandsche Spectator, no. 24, 14 June 1862.

The return of the National Guard, in October , After, Joseph Albrecht, Lithograph

Nest-ce pas, Mosieu Prudhomme, quil ne faut pas mettre…. Artist: Paul Gavarni, French, 1804-1866

So You Are Experienced 1897 France. Color lithographic reproduction of a photorelief print on grayish wove chine . Henri de Toulouse-Lautrec

Mayeux hate. ... / N ° 23. (registered title)

Mais si un homme avait ete pourmoi…. Artist: Paul Gavarni, French, 1804-1866

Voila la petite avec le brun qui lamane toujours…. Artist: Paul Gavarni, French, 1804-1866

Keizer Wilhelm in England, Johan Braakensiek, 1899 Amsterdam paper political caricatures and satires. historical persons. ruler, sovereign

The Engagement of an Artist - So you want an engagement in my theatre.... very well Mademoiselle..... since you are so pretty, it will be 1200 Francs... that's of course what you will be paying me each year! - I accept.. under the condition that I will not get a raise!,” plate 72 from Les Beaux Jours De La Vie 1845 France. Lithograph in black on white wove paper . Honoré-Victorin Daumier

La crinoline finissant par être soupçonnée, from Actualités, published in Le Charivari, July 4, 1857 Honoré Daumier French Printer Destouches French Publisher Aaron Martinet French July 4, 1857 View more. La crinoline finissant par être soupçonnée, from Actualités, published in Le Charivari, July 4, 1857. Actualités. Honoré Daumier (French, Marseilles 1808-1879 Valmondois). July 4, 1857. Lithograph on newsprint; second state of two (Delteil). Aaron Martinet (French, 1762-1841). Prints

The born of a modist, 1828: Chap. III: Will you be inexorable. Chap. III: Will you be inexorable

Les petits Barbazan. Honoré Daumier (1808-1879). Lithographs

Soins maternels, 11, Plate. Scheffer, Jean Gabriel, 1797-1876. Prints. 1800 - 1899. Jerome Robbins Dance Division. Dance , France, Caricatures and cartoons, Prints , 19th century

Rose DeTannebourg.. Artist: Paul Gavarni, French, 1804-1866

Caricatural scene with two boys; Plus the Bruit Que the mold. .

The penitent of 1830. (IT)

A Man Saved Against His Will - But I am telling you that I know how to swim and I could have pulled myself out of the water without the help of this gentleman! - That makes no difference... the law is quite clear.. you must pay 25 Francs to your rescuer... for example, if you had been dead, you would only have had to pay him 15 Francs,” plate 7 from Les Canotiers Parisiens 1843 France. Lithograph in black on ivory wove paper . Honoré-Victorin Daumier

Prom

Paul Gavarni, L'Artiste: Les Aprêts pour le Bal, 1814-1866, hand-colored lithograph on paper.

Marguerite, que fait ce militaire dans votre cuisine Madame, je prenais une leçon de macaroni, Il arrive d'Italie!. Cham (Count Amédée-Charles-Henry de Noé) (France, Paris, 1819-1879). France, 1865 (). Prints; lithographs. Lithograph

Monnier, Henry Bonaventure (n.1799-06-07-D.1877-01-03), the big genre-the extreme good tone. (Registered title (letter)), 1827. Maison de Balzac.

Spring Unknown. , ca. 1800. Hand-colored etching on white wove paper, image: 10 1/2 x 9 1/8 in. (26.7 x 23.2 cm). American Art ca. 1800

Va faire...admirer ta fureur.... Honoré Daumier (1808-1879). Lithographs

Thomas Hovenden, The Wedding Ring, 1885 The Wedding Ring

A German in Mabille

'Lady Jane Grey's Reluctance to Accept the Crown', (19th century). Artist: Herbert Bourne

I! I grove after those who do not give me anything ... / 2. (title registered) | The beggars. (Title of all)

The polka. W. Kohler.

The Hague, Nijhoff, Martinus, Arnhem, Thieme, Dirk Anthonie, Netherlands, Smits, HL, Schmidt Crans, Johan Michaël, A Letter Hero, Cartoon on the Literary Congress in Den Bosch, 1860, verso - stamped, Cartoon on the Literary Congress held in Den Bosch where a gunpowder explosion had recently taken place. A woman tries to stop her husband, a man of letters, from going to the congress. Plate published in the weekly De Nederlandsche Spectator, no. 6, February 11, 1860., print, picture, cartoon, prints, pictures, Frederik Muller Historieplaten, height 275 mm, width 215 mm, Dutch, 1830-04-30 - 1907-11-14, print maker, printmaker, 1860 - 1860, paper, papier, lithografie (techniek), printer, drukker, Publication (Event), Publicatie, 1830 - 1879, publisher, uitgever, 1826-12-26 - 1894-09-24

Inutile madame!.... Honoré Daumier (1808-1879). Lithographs

La peinture: Les Muses ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Honoré Daumier, Ce Journal trouve mon ouvrage pitoyable, 1844 Ce Journal trouve mon ouvrage pitoyable...

Tournaire ,- Mrs.

Illustration by Gustave Dore for 'Le Capitaine Fracasse' by Pierre Théophile Gautier (1811 - 1872)French, Writer, poet, painter, art critic. Gautier was a defender of Romanticism, Gautier's work is difficult to classify and remains a point of reference for many subsequent literary traditions such as Parnassianism, Symbolism, Decadence and Modernism. Captain Fracasse (Le Capitaine Fracasse) is an 1863 novel by the French writer Théophile Gautier. It is an adventure novel set in the seventeenth century.

La Mère de la chanteuse. Honoré Daumier (France, Marseilles, 1808-1879). France, 1856. Prints; lithographs. Lithograph

Fan leaf, Paper leaf with hand-colored etching, applied sequins, Unmounted pleated fan leaf, hand-colored etching on paper showing figures in mourning, scattered sequins., France, early 19th century, costume & accessories, Fan leaf

Caricature of a noble lady, Honoré Daumier, 1835 print Paris paper caricatures (human types). political caricatures and satires. nobility and patriciate; chivalry, knighthood

Fariboles 2 board 138 (registered title (letter))

The father and the girl Z cyklu: The mystery of Paris . David, Jules (1808 1892), bedografia: Fromentin Jeannin, zakład litograficzny: Fromentin Jeannin

Sleeping Tête à Tête, at a First Visit of Don Luigi's, from "Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802" June 1, 1815 Thomas Rowlandson. Sleeping Tête à Tête, at a First Visit of Don Luigi's, from "Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802". "Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802". Thomas Rowlandson (British, London 1757-1827 London). June 1, 1815. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794-1829). Prints

Artist: D. W. Kellogg & Co., active Hartford, Conn., 1830-1840, The Prodigal Son Revelling withHarlots, Lithograph, sheet: 43.5 × 33.5 cm (17 1/8 × 13 3/16in.), Made in United States, American, 19thcentury, Works on Paper -Prints

Jai ete bien calomniee, mon cher, mais on a fini par me rendre la justice… - Quon devait a ton mari.. Artist: Paul Gavarni, French, 1804-1866

Design for a print, Design for illustration for The Colossus of the Nineteenth Century by P.J. Andriessen (Textill., p. 120), scene from the life of Napoleon., draughtsman: George Lodewijk de Wetstein Pfister, 1877 - 1942, paper, pen, brush, h 201 mm × w 149 mm

J'ai eu beau le bercer, impossible de l'endormir. Honoré Daumier (1808-1879). Lithographs

Cartoon on the Dutch ministerial crisis of 1862.involving Johan Rudolph Thorbecke

- Difficult to imagine that in my days I also was an acclaimed Spanish dancer.. nowadays only my castanets are Spanish.. what a drag...,” plate 11 from Croquis Dramatiques 1857 France. Lithograph in black on ivory wove paper . Honoré-Victorin Daumier

De Guldenstrein, Alfred Ronner, 1893 drawing Illustration for 'Vluchtige sketches from folk life' by A.F.J. Heron. Design for a print. paper. ink pen Railway-Traffic. (Reiger, A.F.J., Volatile sketches from popular life) Specific Works of Literature (With Author, Title)

Soirée ,. Paul Gavarni (1804-1866). Lithographs and Other Works

France opening its Easter egg. (Registered title) | News. (Title of the whole)

Two sisters, Noah van der Meer (II), After Jacobus Buys, 1778 - 1785 print The sisters Catharyne and Carolyne standing in a room. The man who came in looks at the simple Carolyne instead of the clean Catharyne. Amsterdam paper etching sisters (second degree family relationships). love at first sight. Beauty; 'Bellezza' (Ripa)

Paris, Aubert & Cie., Aubert & Junca, Philipon, Charles, Daumier, Honoré, Caricaturana, Caricaturen, Macaire légataire universel, Robert Macaire with his dying uncle, recto - stamped, Robert Macaire claims to his uncle that he has changed his life., cartoon, prints, etchings, verso - stamped, Timbre Royal Seine, 3 c., height 291 mm, width 220 mm, French, 1808-02-26 - 1879-02-10, print maker, printmaker, 1837 - 1837, paper, lithography (technique), Work conception, 1806-04-19 - 1862-01-25, after a design by, printer, Publication (Event), Publication, publisher

Gottlob, Fernand-Louis (n.1873-02-23-D.1935-11-10), worker (title given by the author), 1908. Pierre Noire. Blue pencil and black ink on paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Déesse mais pas fière. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Un usage d'Inde. Honoré Daumier (1808-1879). Lithographs

Fariboles 2 1a (registered title (letter))

Man points woman to a rose bush, Adolphe Mouilleron, 1830 - 1880 print Paris paper. adult man. adult woman. shrubs: rose-bush. historical costume

Reception Chez Mme Due, 18 Feb 1848 ". Watercolor by Fritz von Dardel. Nordic

Bitte, bitte; 1860 - 1865; Albumen silver print

Un homme sensible à juste prix , Fictitious characters, Macaire, Robert. Honoré Daumier (1808-1879). Lithographs

The Hen Peckt Husband, Butler Clowes, active 1768, died 1782, British, after William Dawes, active 1760-1774, c. 1768, Mezzotint, Sheet: 15 7/8 x 20in. (40.3 x 50.8cm)

Design for illustration for the Colossus of the nineteenth century by P.J. Andriessen (Textill., P. 142); scene from the life of Napoleon, George Lodewijk de Wetstein Pfister, 1877 - 1942 drawing Design for a print. paper. ink. pencil pen / brush historical events and situations. (ANDRIESSEN, De Kolossus der Negentiende Eeuw) specific works of literature (with AUTHOR, Title). illustration ~ printed matter, book. historical persons

Finissez donc, je n'aime pas qu'on dise des bétises. Honoré Daumier (1808-1879). Lithographs

Lady and her gentleman caller writing and reading in a garden terrace, 19th century. She says, Farewell, I count on you giving us a few days. She thinks, I will tremble if he doesn't come. Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss artist Jean Gabriel Scheffer from Petites Scenes du Monde, Ce qu'on dit et ce qu'on pense, Gihaut Freres, Paris, 1829.

Little Red-Riding Hood's Meeting With the Wolf April 3, 1835 John Doyle. Little Red-Riding Hood's Meeting With the Wolf. HB Sketches, No. 385. John Doyle (Irish, Dublin 1797-1868 London). April 3, 1835. Lithograph. Thomas McLean (British, 1788-1875). Prints

Cossacks in good fortune. (IT)

L'Ami de L'Amant - est à l'amant ce que l'amant est au mari ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Cest un Peu Faible. Artist: Paul Gavarni, French, 1804-1866

François-Séraphin Delpech, La galope, 1788-1825, lithograph on wove paper.

A disgrace of Mr. Mahieu .... / No. 4. (registered title)

Une visite à l'atelier. Honoré Daumier (1808-1879). Lithographs

Les-Parents-Terribles series Don't you think, father... Made 1853 France. Lithograph in black on cream wove paper . Paul Gavarni

Discussion du budget ,. Paul Gavarni (1804-1866). Lithographs and Other Works

"- As you can see, Monsieur, I have enforced in my school perfectly good discipline. You cannot imagine to what extent I succeeded implanting in these young scholars a deep sentiment of respect towards their teacher," plate 23 from Professeurs Et Moutards. Honoré Victorin Daumier; French, 1808-1879. Date: 1846. Dimensions: 196 × 255 mm (image); 262 × 341 mm (sheet). Lithograph on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

"My sister was saying yesterday, she thinks you are just too ugly!," plate 37 from Croquis D 'expressions. Honoré Victorin Daumier; French, 1808-1879. Date: 1838. Dimensions: 183 × 230 mm (image); 213 × 241 mm (sheet). Lithograph in black on cream wove paper, with text added in another hand and letterpress verso, laid down on tan wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

A lithograph by Honoré Daumier from 1841 titled 'Macaire Héritier - Philantope', depicting characters in a narrative scene.

Print made by Luigi Schiavonetti, 1765-1810, Italian, Sweet China Oranges, Sweet China, 1794. Stipple engraving, printed in color.

Princes trop généreux. Honoré Daumier (1808-1879). Lithographs

Ah! Seductress you rubbed the bump in Mayieux. / No. 25. Charles Joseph Travies of Villers (said C. J. Traviès, 1804-1859). "Ah! Seductress you rubbed the bump in Mayieux". Color lithography.

A DRAWING-ROOM AT DUBLIN CASTLE

Mr. Guppy's entertainment. Illustration by Phiz (Hablot Knight Browne) 1815-1882. From the book ""Bleak House"" by Charles Dickens. Published London 1853.

Anna Paszkiewicz and Leokadia Łempicki at the painting school for women in Warsaw. Austen, Antoni Jan (1865-1938), draughtsman, cartoonist

Crinololinomania ./9./a the barrier. (Registered title (letter)) | Crinolinomania. (Title of all)

Octobre ,. Paul Gavarni (1804-1866). Lithographs and Other Works

She had made her door defend her, but the servants ...! / No. 2. (registered title) | The countermen. (title of all)

Philibert-Louis Debucourt, Modes et Manières No. 24: Prends vite (Coiffure en cheveus), 1800, hand-colored etching on paper.

Tiens, ma femme, v'là mon portrait.... Honoré Daumier (1808-1879). Lithographs

The quarter of the world. Planche N21 (registered title (letter))

Janet-Langge (1815-1872) and Charles Beyer (born in 1792). "La Skin de Chagrin", novel by Honoré de Balzac (1799-1850), illustrated edition. "Raphaël, Emile, Aquilina and Euphrasia". Steel engraving. Edition H. Delloye and Victor Lecou, 1838. Paris, Maison de Balzac. Steel engraving, illustration, the skin of sorrow, illustrious work, novel, litter work

Le Demi-Monde, by Alexandre Dumas, Act II, Theatre du Gymnase, Paris, France, illustration from L'Illustration, Journal Universel, No 631, Volume XXV, March 31, 1855.

L'Amour et les Graces Arrivant de Londres; Le Suprême Bon-Ton No. 24. Artist: Adrien Pierre Godefroy, Le Jeune (French, 1777-1865). Dimensions: sheet (inlaid): 8 1/8 x 10 11/16 in. (20.7 x 27.2 cm). Publisher: Published by Aaron Martinet (French, 1762-1841). Date: 1815. Museum: Metropolitan Museum of Art, New York, USA.

The death of the Patriot John Paul Marat MP for the Nation Convention. In 1792; born in Geneva

Le Jour de l'an. Dated: 1844. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Un propriétaire , Fictitious characters, Macaire, Robert. Honoré Daumier (1808-1879). Lithographs

Me it is at the Prado that I knew Henry, that evening she nose! God of God when I think about it! (Registered title (letter)) | The Grisettes of Paris. (Title of all)

David Copperfield, -I am the bearer of evil tidings

I have good tobacco in my snuff box; J'Ai du Bon Tabac Dance Ma Tabatière. A beautiful lady and an ugly older man in a garden with flowers. Under the show a French poem in four columns. Numbered at the top right: No. 57.

The cottage, now Ernest you have to go dancing Nicolas-Eustache Maurin (1799-1850). "The cottage, now Ernest you have to go dancing". Color lithography. At Bulla, St Jacques Street.

Buffet of the universe - nephew gusset.

Her Majesty at Windsor George Baxter (British, 1804-1867). , 19th century. Print glued on paper with printed gold frame, 5 7/8 x 4 3/4 in. (15 x 12 cm). European Art 19th century

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