Allegorical and Mythical Scenes

Engravings featuring allegorical figures and themes from folklore, history, and mythology, often with elaborate surroundings.

Four figures around the framework with a face on Dordrecht, Jan de Jonge, 1701 print Four figures around a frame on which a coat of arms, a face on the city of Dordrecht and figures in the water. In addition, two angels with banderol in which the title. In a cartouche the name of the bookseller. Print Maker: Middelburg Publisher: Amsterdam paper etching Dordrecht

Minerva with the portrait of an unknown man. Minerva is sitting on a throne. In her left hand a portrait of an unknown man in an oval list. The man carries an 18th-century wig and is depicted with bust to the left. In the background classic-Roman architecture.

Rotterdam, Groenewoud, J., Berg, Gijsbertus Johannus van den, Snoek, Jeremias, Verbindtenis der Fransche en Bataafsche Gemeenebesten, Allegory of the Alliance with France, 1795, verso - stamped, Allegory of the Alliance concluded between the Batavian Republic and France, 1795. Liberty sitting on a throne, Religion on the left, Equality on the right. On the stairs on the left three children as the Arts and Sciences, on the right two children as the Brotherhood. In the clouds Fame with the French and Dutch coats of arms. An explanation belongs to the print., print, prent, prints, Frederik Muller Historieplaten, height 508 mm, width 602 mm, print maker, prentmaker, 1796 - 1796, paper, papier, stippelets, 1769-11-01 - 1817-09-04, intermediary draughtsman, after a drawing by, Publication (Event), Publication, Dutch, publisher

Vatican City, Clement VIII, Italy, Vaccari, Andrea, Vanni, Francesco, Saints' Lives, Life of Saint Augustine of Hippo, verso - stamped, Saint Augustine of Hippo standing with a book and a quill in his hands. Beside him on the ground sits an angel. Around this representation thirteen smaller representations with scenes from the life of Augustine., print, prent, prints, height 492 mm, width 377 mm, print maker, printmaker, 1604 - 1604, paper, engraving, engraving (printing process), etching, plate tone, Work conception, Italian, 1563 - 1610-10-26, after a design by, Publication (Event), Publication, Italian - 1627, publisher, 1536 - 1605, granter of privilege

Wszyscy Święci w MNK Giardoni, Alessio (fl. Ca 1760 1791)

unknown, Terzio, Francesco, Italy, Oselli, Gaspare, Austriacae gentis imaginum, Portraits of members of the Austrian House, Portrait of Chlotarius I, King of the Franks, verso - stamped, print, prints, height 515 mm, width 351 mm, Italian, 1536, print maker, printmaker, 1569 - 1569, paper, engraving, engraving (printing process), 1523 - 1591, intermediary draughtsman, after a drawing by, after an image of, granter of privilege

Nar with jug on the head, Jacques de Gheyn (II) (workshop of), after Jacques de Gheyn (II), 1596 print A fool, half -shaped, in oval -shaped frame, with a fool of the head on the head and a marot (club with a bust of itself at the end) in the hands. This object is the left part of a print of two fools in oval accompaniment, with a Lartinian inscription and the Dutch translation thereof between the ovals. print maker: Leidenprint maker: Netherlandspublisher: Leiden paper engraving court jester, court fool

A woman lies in bed, lovesick (representing the Netherlands); attendants try to raise her spirits by showing her a portrait of the newly appointed Stadholder, William III Prince of Orange (subsequently William III King of England). Engraving, ca. 1672.

Struve, Georg Adam 1680 / 1700

Cherubs and demons hold up pictures in front of a youth; a woman embroiders; representing the age of twenty. Engraving by Conrad Meyer, 16---.

Part of the procession, no. 26; Funeral procession of Emperor Charles V, 1558; La Magnifique, et sumptuous Pompe funebre, Faite Aus Obseques & Funerailles du Tres-Grand & Tres-Victory Empereur Charles Cinquième, Celebrées and La Vile de Bruxelles Le XXIX. Iour du mois de decembre m.d.lviii. Par Philippes Roy Catholique d'Espaignes Son Fils .. Two participants in the procession and a horse decorated with the imperial weapon. Part of the printer of the funeral procession of Emperor Charles V on December 29, 1558 in Brussels.

Allegory on the writing art of Rabelais. A raised angel sits with a book on shot and a writing spring in hand. She has focused her gaze on the bust of Rabelais that is on a base behind her and is raised by a figure with mask. Left in the air Flys the father's time that holds a cloth. Under the bust of the bust of angel with attributes of the muses, in the foreground they study text sheets written by the raised author.

Bose, Regina Elisabeth .

Children's Games (Jeux des Enfants) 1731 Bernard Lepicié. Children's Games (Jeux des Enfants). Bernard Lepicié (French, Paris 1698-1755 Paris). 1731. Etching and engraving. Prints

Marriage of Prince Willem II and Maria Stuart, 1641, Reinier van Persijn, after Isaac Isaacsz, 1641 print The marriage of Prince Willem II and Princess Maria Stuart, 2 May 1641. On the left the parents of the bride: the English king Charles I and his wife Henrietta Maria. On the right the parents of the groom: Frederik Hendrik and Amalia van Solms. In the background allegorical figures of love and hope and justice and the Dutch lion in the Dutch garden. Above the couple the pigeon of the Holy Spirit and putti with laurel wreaths. Under the performance 4 verses of 4 lines in Latin. print maker: Northern Netherlandspublisher: Amsterdam paper engraving marriage, married couple, 'matrimonium'

Allegory on the events in 1689 with Willem III and Maria on the throne (left half). Allegory on the events in 1689 with the Stadholder-King Willem III and Queen Maria on the throne. Left half of two blades that together form one show. For Willem and Maria, the Duke of Schomberg stands with two kneeling overcome Irish generals to whom the king and queen grace is granted. On the left front three captured personifications of betrayal, rebellion and desertie. On the right half of a pyramid with the events of the first six months. Jacobus II falls from the pyramid at the top. Some elements in the show indicated with numbers.

Ferdinand III., Roman-German Kaiser.

Hercules and Minerva standing on either side of cartouche with title, crowned with coats of arms, globe and bazuinen; Title page for: stage of the Keyseren and convingen of Christenryck, Delft 1615. Cartouche with title, flanked by Hercules with Hemelglobe and Minerva. Above coats of arms, globe and bazuinen.

Hudibras Frontspiece Samuel Butler 1612 to 1680 English poet Engraved by C Armstrong after Hogarth from The Works of Hogarth published London 1833

Illustration for 'History of the First Crusades'. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1800. Prints; etchings. Etching

Schöpf, Johann Adam.

Portrait of Frederik V van Bohemen, his wife Elisabeth Stuart and their five children, Willem van de Passe, 1621 print Portrait of Frederik V, his wife Elisabeth Stuart, King and Queen of Bohemen, and their five children: Hendrik Frederik, Karel I Lodewijk, Elisabeth, Ruprecht and Maurits van de Palats. In heaven the tetragram with the name of God and a two -line Bible quotation from PS. 132 in English. In the margin the names and function of the portrayed people in English. Under the print a forty -line poem, in two columns, in Dutch. London paper engraving / letterpress printing tetragram (in Hebrew script) ~ Jewish religion

Allegorical performance with Prinsen van Oranje Willem I and Maurits, Jacob van Meurs, 1651 print Prinsen of Oranje Willem I with Oranjeboom and Vrijheidshood and Maurits with sword flanks the personification of the Netherlands. Around soldiers and men with high hats. Left in the foreground two men and weapons. In the background, on the left executions take place, a battle on the right. paper engraving historical events and situations; historical persons. personifications of countries, nations, states, districts, etc.

Relief with a Roman emperor after the lion hunt, François Perrier, 1645 print Relief with a Roman emperor and three hunters with a dead lion. Text in Latin in STUDMARGE. Print is part of an album. paper etching piece of sculpture, reproduction of a piece of sculpture. ruler, sovereign. hunter. lion hunt Arch of Constantine

An emperor leans on a cartouche on which the title in Latin. A marriage is closed in the background. At the top of a clerk that the emperor and his wife offers a bowl. In the background a soldier who stated himself with his sword. At the bottom of a cartouche an imprint in Latin.

Civil trial of Charles de Bourbon, Constable of France born 1490 died 1527 before the Peers of France 1523. 19th century reproduction of engraving in La Monarchie Francoise of Montfaucon

Altar with female personification of the juvenile soul; Dasenkenken der merit. A female personification is for an altar and covered her eyes with her one hand and extends the other. Naked putti wear wreaths, ears of corn and a hat as offering. On the left a putto with a trumpet. New Year's passage of the Burger Library in Zurich 1758.

Two Hermen of Hercules, Master of the Dice (Possibly), After Agostino Veneziano, 1536 - c. 1570 print Two Hermen (square pillar with human bust or upper body) from Hercules. The left is the upper body and genitals of Hercules, the lion skin with head and legs over his head and shoulders. The judge has the upper body of Hercules with his club in his hand. The Hermen are on an elevation with a two -line text in Latin. paper engraving constructive (architectural) parts ~ human beings. (story of) Hercules (Heracles)

Miss Ann Brown and Mr. George Mattocks in the characters of Miranda and Ferdinand in an operatic version of William Shakespeares The Tempest, Covent Garden Theatre, 1776. George Mattocks was an actor, singer and dancer, 1735-1804. Ann Brown, later Mrs. Ann Cargill, was a British opera diva who died in the shipwreck of the Nancy in 1784. Copperplate engraving by Charles Grignion after an illustration drawn from life by Robert Dighton published in The Universal Magazine, J. Wright, London, 1777.

Titelpagina voor Jacob van der Gracht, Anatomie der uiterlijke deelen van het menschelijk Lichaam, 1634; Anatomielessen door Jacob van der Gracht.A study room with listeners. In the middle a corpse on a stone block on which the title of the book work. The corpse is hung on the right arm. The shaded left arm is held by the painter Jacob van der Gracht. He points to a muscle in the forearm with a stick. The personal art and sculpture personnifications are in the foreground.

Lucas van Leyden, The Scoffing of Christ, 1509 The Scoffing of Christ

Alva claims the tenth medal, 1569, 1779 print The Duke of Alva claims the tenth medal in a meeting of the States, 1569. Fourth Singing. Northern Netherlands paper etching

Hans Burgkmair, known as the old (1473-1531). The triumph of the Emperor Maximilien I: ninety-two board (Dornik-Eger 36, Bartsch 81). Xylography, 1512-1519. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, Germanic emperor, glory, glorious memory, glorifying, glorific, history, illustration, historical book, memory, narration, drawing, triumph, 16th 16th 16th 16th 16th 16th century, engraving

Hondius, Hendrick (I), Cock, Hieronymus, Southern Netherlands, Doetechum, Lucas van, Joannes van (I), Funeral procession of Emperor Charles V, 1558, Part of the procession, no. 22, Four participants in the procession, horses and an imperial banner. Part of the series of prints of the Funeral Procession of Emperor Charles V on 29 December 1558 in Brussels., print, prints, Frederik Muller Historieplaten, height 241 mm, width 347 mm, Northern Netherlands, 1530 - 1605, print maker, printmaker, 1559 - 1559, third quarter 16th century, first quarter 17th century, paper, papier, etching, engraving, engraving (printing process), - 1589, 1518 - 1570-03-10, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1573-06-09 - 1650-10-25, publisher

Large Choirstall with Christ Blessing the Virgin. Artist: Daniel Hopfer (German, Kaufbeuren 1471-1536 Augsburg). Dimensions: sheet: 11 1/2 x 17 5/16 in. (29.2 x 44 cm) (all three plates). Date: ca. 1518-20. Museum: Metropolitan Museum of Art, New York, USA.

Hooghe, Romeyn de, Haarlem, Hollands Heyll en Rampen, Title print for Hollands heyll en rampen ofte desselfs gelukk 'en ongelukken, : tegens malkanderen toont' by Dionisius du Toict, verso middle bottom - stamped, On a dais sits a lady (the Dutch maiden) with a crown on her head from which a lion appears, money and a large book (among others) on her lap. She tramples a club and a snake, and she leans on a shield with a lion. Above her on the right the goddess of strife, on the right at her feet a man with a spear. Left of her, Lady Fortuna with a billowing sail., print, engraving, book illustration, title print, prints, engravings, height 172 mm, width 134 mm, Northern Netherlands, 1645-09-10 - 1708-06-15, print maker, printmaker, 1686 - 1686, fourth quarter 17th century, paper, etching, etchings, Work conception, after own design by

Title page for the tragedy 'Il Solimano'. Sultan Suleyman stands between two pedestals with weaponry, a shield with Italian text in hand. Above his head the weapon of the medici; In the background war scenes.

Apelles .

Vignet op het overlijden van prins Willem IV, 1751.Allegoric vignette on the death of Stadholder Willem IV on October 22, 1751. Grafmonument with the grieving religion and science on either side. On the tomb, a portrait medallion of the Stadholder.

Saints Nicholas, Ulrich and Erasmus. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 8 3/8 x 5 11/16 in. (21.3 x 14.4 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

unknown, The Hague, Hondius, Hendrick (I), Bril, Matthijs, Northern Netherlands, Frisius, Simon, Topographia variarum regionum, Southern European landscapes, Diana and Apollo on either side of a cartouche, verso lower left - stamped, Diana carries a spear and is accompanied by a dog, which lies at her feet. The naked Apollo holds a laurel wreath and a bow and arrow., print, engraving, title print, prints, engravings, height 106 mm, width 154 mm, 1575 - 1628, print maker, printmaker, 1611 - 1611, paper, papier, etching, etchings, Work conception, 1550 - 1583-06-08, after a design by, Publication (Event), Publication, Noord-Nederlands, 1573-06-09 - 1650-10-25, publisher, uitgever van privilege

After Albrecht Dürer, Saints Stephen, Sixtus and Lawrence, 1514, engraving and etching on paper.

Salomon and Theophastus; Title page for: Gandavense anti-potaron. Ghent, 1663. The city of Ghent can be seen behind a stone wall. Pots with different exotic plants on and for the wall. On either side of a canvas with the title of the book stand King Salomon and the learned Theophastus. Above the canvas in the Ghent urban armchair with a lion. Salomon and Theophastus are on a base in which an image of a pharmacy has been processed.

Frontispiece of the Arithmetic by Leonty Magnitsky by Karnovsky, Mikhail Dmitrievich (active 1701-1710) / Private Collection / 1703 / Russia / Etching / Mythology, Allegory and Literature,History / 30,3x19,5 / Russian Art of 18th cen.

Henrietta Maria van Bourbon, Queen of England, Wenceslaus Hollar, 1639 print Henrietta Maria van Bourbon, Queen of England, stood by Minerva. London paper etching (story of) Minerva (Pallas, Athena). throne - BB - female ruler

Portrait of Henry VII, Elizabeth van York, Hendrik VIII and Jane Seymour, George Vertue, 1743 print London paper etching / engraving historical persons. king. queen. balustrade. pearl; pearl necklace

Personifications of Faam en Kunst, Anonymous, After Willem van Nieulandt (II), 1594 - 1685 print The winged fame, with two trumpets at the feet, and the personification of art, with palette, brushes and painting stick at the feet, hold a cloth with the title of the press series. Title print of a series of Roman ruins, consisting of copies to a press series by Willem van Nieulandt. paper engraving Hunger; 'Fama', 'Good fame', 'Chiara fame' (Ripa). Symbolic Represementions, Allegories and Emblems ~ Art; 'Arte' (Ripa)

Lucas van Leyden, Christ before Annas, 1509 Christ before Annas

Conrad Meyer, Allegory of Poverty and Wealth Allegory of Poverty and Wealth

Sadeler, Johann (I), Vos, Maerten de, Antwerpen, Bonorvm et Malorvm consensio, Bonorum et Malorum consensio, History of the family of Set, On judging good and bad, Ornamental frame with Noah and his wife, Antwerp, verso bottom center - stamped, Title in an ornamental frame made up of two horns of plenty, agricultural implements and on the left and right the skeletons of Adam and Eve. Eve (left) looks at the apple that caused the Fall. Adam looks at a leaf with the quote 'Dust you are, to dust you return' in Latin. At the top centre the coat of arms of Ferdinand II of Tyrol, held by Noah and his wife., print, prent, titelprent, prints, engravings, height 207 mm, width 280 mm, Zuid-Nederlands, 1550 - 1600-08, print maker, printmaker, 1586 - 1586, paper, papier, engraving, engraving (printing process), 1532 - 1603-12-04, intermediary draughtsman, after a drawing by, Work conception, after a design by, writer

Maximilian I., Roman-German Kaiser 1601/1750

Title print with Hercules and Personification of History, Pieter de Jode (II), After Erasmus Quellinus (II), c. 1650 print Title print entitled in Latin on a piercing stable, flanked by the personification of history and Hercules. Above the Pieth stable a globe with trumpets, sword and a belt. In a cartouche under the Pieth stable a medallion with Zeus and Europe. Title print for a series with portraits. Antwerp paper engraving / etching (story of) Hercules (Heracles). 'Historia'; 'Historia' (Ripa). Jupiter, usually in the shape of a white bull, abducts Europa and carries her across the water

Sailing car from Simon Stevin (right plate), 1602; Currus Veliferi Illustrissimi Principis Mauritii Volitantes Duabus Horis Scheverina Pettemum Ad Quatuordecim Milliaria Hollandica, Quae Singula Iustae Horae Iter Exceason. The sailing car from Simon Stevin (right plate), 1602. Prince Maurits makes a journey over the beach of Scheveningen to Petten in the sailing car with a group of friends by Simon Stevin, April-May 1602. A small sailing car, probably a prototype, with Some people on board. On the beach elegant spectators and some fishermen. On the cartouche at the top of a text in French. Right plate (numbered (c) of a large representation consisting of three parts.

Mercury leads Mars to Peace Title page for: European Mercury, Twelfth Piece, First Volume: Covering the ses First Maiden of the Jaer 1701, Mercury leads Mars to the personification of Peace. Above this performance two scenes depicting the arrival of horsemen at an army camp (left) and the erection of defenses (right). At the bottom two fleets at sea, (story of) Mercury (Hermes), (story of) Mars (Ares), symbols, allegories of peace, 'Pax', 'Pace' (Ripa), defensive measures (military), ships (in general) - CC - more than one ship, (military) camp with tents, Jan Luyken (mentioned on object), Amsterdam, 1701, paper, etching, h 159 mm × w 133 mm

Youth and Old Age Made 1591-1601 France. Engraving with etching in black on ivory laid paper . Matthäus Greuter

Mercy, Henri Baron de.

Allegorical portrait of the historian and poet Matthew Brourius van Nidek. Next to the portrait are Mercury and a personification of Historia. The latter extends to him the laurel wreath. Portrait of Matthew Brourius of Nidek, print maker: Arnoud van Halen, (mentioned on object), Amsterdam, 1673 - 1732, paper, engraving, h 185 mm × w 129 mm

Garrick in the Role of Richard III. Dated: 1746. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth and Charles Grignion.

Marot, Daniël (I), Gole, Jacob, Het grote bal te Den Haag bij de geboorte van de prins van Oranje, 1686, print, prent, prints, prenten, height mm, width mm, 1663 - 1752-06-04, print maker, prentmaker, paper, papier, etching, engraving, engraving (printing process), Publication (Event), Publication, Northern Netherlands, 1660 - 1724, publisher, intermediary draughtsman, after a drawing by

Utrecht, Charlois, Melchior Leonard, Poolsum, Jacob van, Leiden, Damme, Hendrik van (II), Elandt, Hendrik, Title page for: NNRG, Justiniani imperatoris Istitutiones sive elementa juris: That is the teachings or principles of law Of the Emperor Justinian, 1728, The rights of the Emperor Justinian in four Books, Justinian surrounded by four continents, verso - stamped, Emperor Justinian standing on a pedestal, with scales and lance in his hands and a dog at his feet. He is surrounded by personifications of the continents Europe, Africa, Asia and America. At the bottom lies a naked man in chains, wearing a winged crown and an animal on his leg., print, engraving, title page, prints, engravings, height 147 mm, width 87 mm, - 1705-09-21, print maker, printmaker, 1728 - 1728, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publicatie, publisher, uitgever, Publication

Vernois, Pierre de, Plantijn, Christoffel, Cock, Hieronymus, Southern Netherlands, Doetechum, Lucas van, Joannes van (I), The magnificent and sumptuous Pompe Funebre, made from the Obseques & Funerailles of the very great & very victorious Emperor Charles V, Celebrities in the City of Brussels the XXIX. Iour du Mois de Decembre MDLVIII. by Philippes Roy Catholique d'Espaignes son Fils., Funeral procession of Emperor Charles V, 1558, Part of the procession, no. 22-23, Four participants in the procession, a horse and the imperial banners. Part of the series of prints of the Funeral procession of Emperor Charles V on 29 December 1558 in Brussels. Print no. 22 is glued to print no. 23., print, prints, Frederik Muller Historical plates, height 237 mm, width 419 mm, Northern Netherlands, 1530 - 1605, print maker, printmaker, 1559 - 1559, third quarter 16th century, paper, etching, engraving, engraving (printing process), - 1589, 1518 - 1570-03-10, intermediary draughtsman, after a drawing by

Judit with the head of Holofernes, Jan Saenredam, After Lucas van Leyden, 1589 - 1607 print Judit and her servant puts the head of Holofernes in a case. His sword lies at her feet. Behind her is the body of Holofernes in bed. A shield with a man's face hangs above him. Left behind a castle. Under the show a two -line, Latin text with comments on the show and a text with an assignment. paper engraving Judith and her maidservant put Holofernes' head in a sack

Double portrait of Margaretha of Austria and Cunigonde of Austria; Portraits of members of the Austrian home; Austriacae Gentis Imaginum. .

Funeral Card of Sir Joshua Reynolds, Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after Edward Francis Burney, 1760-1848, British, 1792, Etching and line engraving on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/4 x 9 1/8 inches (18.4 x 23.2 cm), Plate: 5 1/2 x 7 3/8 inches (14 x 18.7 cm), and Image: 5 x 6 7/8 inches (12.7 x 17.5 cm)

Amsterdam, Honoré, François L', Chatelain, Zacharias (II), Lairesse, Gerard de, Munnickhuysen, Johannes Willemsz., Title page for: Jean le Clerc, Histoire des Provinces-Unies des Pays-Bas, Tom. II, 1730, Histoire des provinces unies des Païs Bas, Dutch virgin flanked by Mars and Mercury, verso - stamped, Dutch virgin with sheaves of arrows on her throne, on either side Mars and Mercury. At her feet lies the Dutch lion., print, engraving, etching, height 294 mm, width 186 mm, Northern Netherlands, 1654 - 1701, print maker, printmaker, 1730 - 1730, paper, engraving (printing process), Work conception, 1641 - 1711, after a design by, Publication (Event), Publication, 1690 - 1754, publisher

Judit with the head of Holofernes, Jan Saenredam, After Lucas van Leyden, 1589 - 1607 print Judit and her servant puts the head of Holofernes in a case. His sword lies at her feet. Behind her is the body of Holofernes in bed. A shield with a man's face hangs above him. Left behind a castle. Under the show a two -line, Latin text with comments on the show and a text with an assignment. paper engraving Judith and her maidservant put Holofernes' head in a sack

Excavating the strongholds by the Antwerpen, 1577; Medallions with the conquest of the Citadel of Antwerp in 1577. Daughter the strongholds by the Antwerpen, August 23, 1577. Procession of residents of Antwerp armed with spades and baskets on the way to the citadel. In the background demolishing and excavating the fortress. Presentation in a round medallion with ornamental allegorical frame with the sitting female Personifications of Vlijt (Diligentia) and Freedom (Libertas). At the bottom of a cartouche with 2 verses of 6 rules each in French and Dutch.

Allegorical monument to Isaak van Goedoever, died September 11, 1793. Portrait of Goudoever in oak wreath on broken column, on right an allegorical female figure, Liberty or Peace, holding her hand with sword in fire. On the left, cannons, drums, banners and weapons. In the foreground the family coat of arms and an open book with the charters of Amsterdam, Monument to Isaak van Goudoever, 1793 On the memory of the noble sir Isaac van Oudoever, oldest colonel of the Amsterdam militia in the year 1787. Died the 11th of September 1793 in the age of 81 years and 13 days , print maker: François Joseph Pfeiffer (I), (mentioned on object), Northern Netherlands, 1793, paper, h 311 mm × w 225 mm

View of the palace at the Koudenberg in Brussels, Abraham Dircksz. Santvoort, After Nicolaas van der Horst, 1640 print View of the palace on the Koudenberg in Brussels. Knights and well -to -do women relax for the palace. At the bottom of a two -line, Latin text. The performance has an ornament frame with two eagles. Brussels paper etching city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage). predatory birds: eagle (+ animals used symbolically) Palace on the Koudenberg

Harsdoerffer, Georg Philipp .

Rome, Duchet, Claude, Italy, Speculum Romanae Magnificentiae, Trophea Marii de bello Cymbr. putat. ad aed. D.Euseb. Romae, War Trophies, verso - stamped, including shields, helmets and weapons, carried by three putti. In the background a landscape., print, prints, height 376 mm, width 236 mm, print maker, 1572 - 1585, paper, engraving, engraving (printing process), Publication (Event), Publication, French - 1585, publisher

Figures at a cloth with a head of a Sater; Landscapes; Amenissimae Aliquot Requculae. Two seated farmers and two elegantly dressed couples at a cloth with a cup of a sater on which the title. Title print of part four of a series of sixty prints with landscapes, divided into five parts of each twelve prints.

Allegory of marriage, print maker: Gillis van Breen, Cornelis Cussens, Theodorus Schrevelius, c. 1595 - c. 1610

Paolo and Francesca according to the Italian sculpture. A clipping of ears 1873 (2) 297 unknown

History shows a map of the Turkish Empire, Jan Caspar Philips, 1733 print Architectural niche in which the coat of arms of the Turkish Empire on a pedestal. History shows a Turk the map of the Turkish Empire. In the foreground antique antiquities. The title in Dutch on a Pieth stable. In the background a landscape with pyramids. Amsterdam paper etching / engraving Asiatic races and peoples: Turks. pyramid (historical grave form). coat of arms (as symbol of the state, etc.). maps, atlases. 'Historia'; 'Historia' (Ripa)

Eybel, Josef Valentin .

A 1572 gray ink drawing by Hieronymus Lang depicting the coat of arms of Hieronymus Fickler, detailed on a paper strip.

Borghese, Marco Antonio.

. Three scholars around a table on which a opened book and a bottle, surrounded by the sick; On the right a woman with toothache and a seated man who is felt to his wrist. On the left a woman with an arm in a mitella.

Kaiser Maximilians I. Triumph

Double portrait of Bianca Maria Sforza and Maria van Bourgondia, Gaspare Oselli, After Francesco Terzio, After Anonymous, 1569 print Italy paper engraving historical persons - BB - woman. ruler, sovereign - BB - female ruler

Sts Paul and Peter with the Vernicle, 1517, Netherlands, by Lucas van Leyden. Gift of Bishop Monrad, 1869.

Schön Neues Modelbuch (Title Page, 1 recto). Designer: Johann Sibmacher (German, active 1590-1611). Dimensions: Overall: 6 1/8 x 7 13/16 in. (15.5 x 19.8 cm). Publisher: Balthasar Caymox (German, Bersse () 1561-1635 Nuremberg). Date: 1597.Designed by Johann Sibmacher, German, active 1590-1611, published by Caimox, Nürmberg.Illustrated title signed CM and Jo. Sibmacher, 7 pages of text surrounded by decorative borders, and 35 pages of designs for weaving, embroidery, and cut-linen. Museum: Metropolitan Museum of Art, New York, USA.

Antwerp, Moretus, Balthasar (I), Plantiniana, Officina, Rubens, Peter Paul, Quellinus, Erasmus (II), Galle, Cornelis (II), Title page for: B. de los Rios, De hierarchia Mariana libri sex, Antwerp: 1641, Enthroned Virgin and Child, verso - stamped, Virgin and Child enthroned on a pedestal. On the left Augustine with the burning heart in his hand. On the right kneels King Philip IV of Spain. On the pedestal a group of ecclesiastical and secular leaders in chains, kneeling before Mary. The chained men refer to the Spanish religious order of the Slaves of Mary., print, engraving, title page, prints, height 278 mm, width 182 mm, South Netherlands, 1615 - 1678-10-18, print maker, printmaker, 1640 - 1640, paper, engraving (printing process), 1607-11-19 - 1678-11-07, intermediary draughtsman, after a drawing by, Work conception, 1577-06-28 - 1640-05-30, after a design by, Publication (Event), Publication, publisher, Flemish, 1574-07-23 - 1641-07-08

Design for a Trade Card mid-18th century Pietro Antonio Novelli Italian. Design for a Trade Card. Pietro Antonio Novelli (Italian, Venice 1729-1804 Venice). mid-18th century. Pen and brown ink, gray wash. Drawings

Portrait of Enno Lodewijk, count of East Friesland, and Henriëtte Catharina, princess of Orange, Anonymous, c. 1645 - 1652 print Portrait of Enno Lodewijk and Henriëtte Catharina. They stand on a balcony, a castle in the background. A hat in his left hand. In her right hand an orange branch and a fan in her left hand. In the lower margin two columns with five lines each Latin text and two columns with five lines each Dutch text. print maker: Low Countriespublisher: Amsterdam paper engraving / etching

Rubens' family; Rubens's family. Four children and two young women for a covered bow. One of the children entertaint with a hobby.

Judit, Philips Galle, After Maarten van Heemskerck, c. 1560 - c. 1570 print Judit with the head of Holofernes, standing in front of the Holofernes tent. Fourth print from a series of eight prints with famous women from the old and New Testament. print maker: Haarlempublisher: Antwerp paper engraving female persons from the Old Testament (with NAME) (not in biblical context)

Abruzzo Teramo Tossicia S. Maria Assunta2. Hutzel, Max 1960-1990 External views of church and facade with its carved human heads, although in most part rather rustic. Photos of late Renaissance interior (1570) with its curved moldings and ornamentation in the time between the Renaissance and Baroque. It is not as ornate as later Baroque interiors. There are details of a painting of the Assumption, the pulpit and the ornate high altar of wood decorated with gold. There are also a few photos of restoration taking place. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by pro

François Mauriceau. Line engraving by J. L. Durant, 1680.

Noordelijke Nederlanden, Allegory in which Willem V gives his proposition to the States, 1793, Northern Netherlands, verso - stamped, Allegory in which stadtholder Willem V gives his proposition to the three representatives of the States General gives, February 28, 1793. Stadtholder William V stands, accompanied by two boys (his sons), at the tomb of William of Orange. On the left, Father Time fights the monster of the Slander, on the right a monument with portraits of the predecessors of William V. In the background massacres committed among the Dutch by the French under the guise of Freedom and Equality. On the sheet below the plate an explanation of the representation., print, prent, prints, Frederik Muller Historieplaten, height 329 mm, width 423 mm, print maker, printmaker, 1793 - 1793, paper, papier, etching, engraving, engraving (printing process), letterpress printing, letterpress

Title page for the series Trophaeum Vitae Solitariae (MaleHermits). Publisher: Rafael Sadeler I, Flemish, 1560-1628 After: Maarten de Vos, Flemish, 1532-1603 Publisher: Johann Sadeler I, Flemish, 1550-1600

Double portrait of Johanna and Elisabeth van Habsburg; Portraits of members of the Austrian home; Austriacae Gentis Imaginum. .

Leeuwarden, Halma, Hendrik, Goeree, Jan, Northern Netherlands, Gouwen, Gilliam van der, Francois Halma's 'Tooneel der Vereenighde Nederlanden en onderhorige landschap', Title page for François Halma's 'Theatre of the United Netherlands and its dependent landscapes'. Allegorical representation with the personification of the country sitting on a raised throne surrounded by the personifications of the seven provinces., print, engraving, frontispiece, Frederik Muller Historieplaten, height 335 mm, width 212 mm, Zuid-Nederlands - 1740, print maker, printmaker, 1725 - 1725, second quarter 18th century, paper, papier, etching, etchings, engraving (printing process), 1670-10-20 - 1731-01-04, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

Ester, Philips Galle, After Maarten van Heemskerck, c. 1560 - c. 1570 print Ester, dressed as queen, is in a column gallery with a scepter and an open book in her hands. Rear rear Ester for Ahasveros. Fifth print from a series of eight prints with famous women from the old and New Testament. print maker: Haarlempublisher: Antwerp paper engraving female persons from the Old Testament (with NAME) (not in biblical context). Esther (one of the nine worthiest women)

Attributed to Daniel Lysons, 1762-1834, British, Brass Plate for George Ray from Hornsey Church, between 1796 and 1811. Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper.

Emperor Matthias von Habsburg and Empress Anna, historical illustration

Helmet crowned with sitting lion, 1651 print De Leeuw has plumes on his back. From series of title page and five magazines. print maker: France (possibly)publisher: Paris paper engraving beasts of prey, predatory animals: lion. helmet

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