Allegorical Figures and Virtues

Artworks featuring allegorical figures representing strength, chastity, and other virtues, showcasing a mix of etchings and prints from various artists.

Harold. Dans les montagnes , Fictitious characters, Cliffs, Berlioz, Hector, 1803-1869. Harold en Italie. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Jacques-Louis David, A Distraught Woman with Her Head Thrown Back, French, 1748 - 1825, 1775-80, pen and black ink with gray wash over black chalk on laid paper

Photograph of painting: Monosilio, Salvatore (1715-1776), St. Mary Magdalene, painting at the Cathedral Gallery in Kraków. Krieger, Ignacy (Kraków ; zakład fotograficzny ; 1860-1926), photo studio

Polyhymnia, Anonymous, after Pierre Prud'hon, 1824 - 1856 print paper Polyhymnia (one of the Muses); 'Polinnia' (Ripa)

Chalk and feather study by Giovanni Battista Crosato showing a floating angel in view, executed with wash.

La lithographie , Printmaking. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

La Résistance statue (resistance) from Alexandre Falguière and soldiers during Siege of Paris; La Resistance; Siège de Paris and 1870. Statue of naked woman sitting on gun with arms crossed (La Resistance) as a symbol for the opposite of the French soldiers against the Prussia that in 1870-1871 Paris. During the siege, the image was manufactured by Alexandre Falguière.

Two children with curls, Samuel Cousins, After Thomas Lawrence, 1835 print London paper etching child

Verdriet, Jean Audran, After Charles Le Brun, 1727 print Paris paper etching morphology of facial expression. Pain, Sorrow, Sadness; 'Dolore', 'Dolore di Zeusi' (Ripa)

Artist: Johann Heinrich Lips, Swiss, 1758-1817, Marie Soeur deMathe, Engraving and stipple, platemark: 26 × 19.7 cm (10 1/4 × 7 3/4 in.), Made in Switzerland, Swiss, 18thcentury, Works on Paper -Prints

Vénus et l'Amour (petite planche) , Goddesses, Gods, Venus Roman deity, Cupid Roman deity. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Pencil drawing by Carl Pischinger depicting a woman with a spinning rock, created in 1868, focusing on posture and gesture.

Heads of different characters according to Greuze (6 � number of a sequence of 6 pieces; Portalis-Beraldi t. II, p.84) Charles-Fran�ois Le Tellier (1743-1800). Heads of different characters according to Greuze (6 � number of a sequence of 6 pieces; Portalis-Beraldi t. II, p. 684). Burin.

Allegorical female figure with a spring and a wreath, Isaac Weissenbruch, 1836 - 1912 print Netherlands paper

Sculpture in the Kloostergang van de Dom van Bamberg, Anonymous, 1900 - c. 1920 photograph This photo is part of an album. Bamberg baryta paper gelatin silver print interior of church Bamberg stupid

Ève , Nudes. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Alexandre Bida, Mother and Child, 1888 Mother and Child

Pietà. Attributed to Luca Cambiaso; Italian, 1527-1585. Date: 1567-1585. Dimensions: 258 x 195 mm (max.). Pen and brown ink with brush and brown wash, heightened with lead white, on blue wove paper, laid down on ivory wove paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

The Magdalene kneeling, from 'Recueil d'estampes d'après les plus célèbres tableaux de la Galerie Royale de Dresde'. Artist: After Jusepe de Ribera (called Lo Spagnoletto) (Spanish, Játiva 1591-1652 Naples); Intermediary draughtsman Pierre Hutin (French, Paris 1720-1763 Moscow). Dimensions: Plate: 18 1/8 × 12 15/16 in. (46 × 32.8 cm). Engraver: Marco Alvise Pitteri (Italian, Venice 1702-1786 Venice). Date: 1730-86. Museum: Metropolitan Museum of Art, New York, USA.

Symbolic representation of two angels, Arnoud Schaepkens, 1831 - 1904 print paper etching / drypoint angels

Print, Flora with Boys, ca. 1760-1770; Print Maker: Francesco Bartolozzi (Italian, 1727-1815); After Giovanni Francesco Barbieri (called Guercino) (Italian, 1591 - 1666); Italy; engraving in brown ink on white paper; 29.6 × 21.6 cm (11 5/8 × 8 1/2 in.); Bequest of George Campbell Cooper; 1896-3-292

Le Dessous de cartes d'une partie de Whist. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, 1886. Prints; etchings. Etching

Head of a woman with loose hair, Anton Maria I Zanetti, 1690 - 1757 print Italy paper etching head (human). adolescent, young woman, maiden

Archangel Michael with sword.

Evening; Le Soir; The four parts of the day. A sleeping woman on a bed. The print is part of a four-part series about the parts of the day.

Mythological scene (two women at the tomb); Reinhart, Johann Christian (1761-1847); 1786 (1786-00-00-1786-00-00);Schlesisches Museum der Bildenen Künste (Wrocław - 1880-1945) - collection, tombs, women, mythological scenes, tonda, death (symbol.)

Feeding the sacred ibis Poynter, Edward John, Sir, bart., 1836-1919. still image. Reproductive prints. 1880. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Women , Egypt, Hieroglyphics, Ibis, Architectural decorations & ornaments , Egypt, Animal feeding, Egyptians , To 499, Birds

Young Girl with a Boy and a Dog. Artist: François Boucher (French, Paris 1703-1770 Paris). Dimensions: 11 5/16 x 8 1/8in. (28.7 x 20.6cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA. Author: Francois Boucher.

Girl gives a kiss on the cheek of a girl sitting in a high chair, Albrecht de Vriendt, 1869 print The two girls are daughters of Guy (Guy) de Dampierre. The Flemish Lion is depicted on the girls' dresses. paper. ETCHING / ROUCH girl (child between toddler and youth) (+ two persons). embracing each other, kissing. chair

Beauty Diana.

Summer Made 1907 Sweden. Etching on ivory laid paper . Anders Zorn

Christ at the Kruis (1st prize 1784), Hendrik Louw, 1784 drawing paper. chalk standing figure (+ nude human being). specific types of crucified Christ (in non-narrative context)

A Victor Hugo , Authors, Fictitious characters, Crying, Hugo, Victor, 1802-1885. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Zittende figuur die haar arm uitstrekt.She supports her left arm on the floor. She has stretched her right arm to heaven. The sky is dark.

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

A drawing by Giovanni Biliverti showing the lost Magdalena seated before a cross, with a salt vessel, book, and skull at her feet, executed in chalk and red chalk on brownish paper.

Virgin head

Brabazon, Mary Elizabeth .

Copper engraving and etching by Albrecht Dürer, 1598, depicting a sloping-posed figure, highlighting posture, expression, and clothing details.

Summer according to K. Broża. A clipping probably from a Russian magazine. Berens, E. (N.N.), Bro, K. (N.N.)

Girl with Bare Waist Holding a Lamb, Girl with Lamb, print maker: Dirk Jurriaan Sluyter, (mentioned on object), Jean-Baptiste Greuze, (mentioned on object), publisher: Arie Cornelis Kruseman, (mentioned on object), print maker: Amsterdam, publisher: Haarlem, 1857, paper, etching, engraving, h 155 mm × w 95 mm

Saint John, Plate 4 from the series Christ, the Twelve Apostles, and Saint Paul, 1589, Hendrick Goltzius, Dutch, 1558-1617, 5 7/8 x 4 1/8 in. (14.92 x 10.48 cm) (sheet)12 1/2 x 9 1/8 in. (31.75 x 23.18 cm) (mount), Engraving, Netherlands, 16th century, The Dutch Mannerist Hendrik Goltzius was the leading printmaker of his time. A virtuoso engraver, innovative woodblock cutter, and superb draftsman, Goltzius continues to inspire awe with his wondrous technique and to convert even the most jaded art spectators to print enthusiasts. This print is from a series of fourteen engravings'Christ, the Twelve Apostles, and Paul'executed in 1589 when Goltzius was at the height of his powers. The series is a kind of demonstration piece displaying Goltzius's unrivaled technique and boundless imagination.

Réveil , Composers, Wagner, Richard, 1813-1883. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Reclining Girl Seen from the Back 1780 Switzerland. Etching on wove paper . Angelica Kauffmann

Allegory of nature, Christian Bernhard Rode, 1788 print paper etching 'Natura' (allegorical figure or scene; or as Diana of Ephesus, with many breasts); 'Natura' (Ripa)

Women's head with laurel wreath, 1732 - 1771 print paper etching head (human). adult woman (+ three-quarter view). crowning with laurel

Allegory of freedom and peace, Jurriaan Andriessen, c. 1752 - c. 1819 drawing Design for a room wall. prepared paper. deck paint. graphite (mineral) brush Freedom, Liberty; 'Libertà' (Ripa). symbols, allegories of peace, 'Pax'; 'Pace' (Ripa)

Ariane , Goddesses, Ariadne Greek mythological character. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Black and colored chalk drawing by Jan Toorop depicting a dreamer, showing facial expression and posture on green paper, 1897.

Gerhard Ludvig Lahde (1765-1833), Hermes, 1765 - 1833

Part of Promotion Print of Antoine Talon, Claude Mellan, 1608 - 1688 print paper engraving

Woman pulled into a chariot by a winged snake, 1813 The woman has a whip and rig in her hands. There is a lion on the chariot. Probably drawn to a classic example. Leaf 32 Recto from a sketchbook with 91 sheets. paper. pencil. ink pen ancient forms of military vehicles: chariot, battle wagon, etc.. snakes

Image of a woman, Theodor Matham, After Pietro Testa, 1640 print Statue of a woman. At the bottom of the coat of arms of Vincenzo Giustiniani. Print from a publication with reproduction prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving piece of sculpture, reproduction of a piece of sculpture

Portrait of William Cecil Esqr., John Smith (print maker/ publisher), after Willem Wissing, 1686 - 1725 print London paper historical persons. politician, e.g. party leader

The head of Mary Magdalene looking down to the right, in an oval frame, after Reni ca. 1745-1803 Engraved by Domenico Cunego Italian After a painting by Reni.. The head of Mary Magdalene looking down to the right, in an oval frame, after Reni 668755

Iphigenia 1872 Karl August Kräutle German This print was made to mark the acquisition of the related painting by Feuerbach by the Staatsgalerie in Stuttgart in 1872. Greek legend records how the goddess Artemis saved the princess Iphigenia from sacrificial death at the hands of her father Agamemnon, then transported her to the island of Taurus to become a priestess. The leading German neoclassical painter imagined Iphigenia's sadness and isolation, and posed his model Lucia Brunacci to echo an ancient statue, "searching for the land of the Greeks with her very soul.". Iphigenia 626359

Caricaturally presented a naked woman; Guercino (1591-1666); 1620-1640 (1600-00-00-1618-00-00);Bonola, Giorgio (1657-1700), Bonoli Code, Tyszkiewicz, Benedykt (1904-1956), Tyszkiewicz, Benedykt (1904-1956)-collections, acts, female acts, gift (provenance), caricatures, olive lamps, Italian drawings

Messidor (IT)

Réveil 1886 France. In this composition the winged figure of Glory descends from a starry sky. She holds a palm leaf, often associated with martyrdom and greatness, in one hand, and small flowers flow out of the other. In other versions of this print Fantin pays homage to Richard Wagner by including the composerís name on a gravestone below Gloryís feet. Such an image suggests the composerís immortality achieved through his masterful, enduring compositions.. Lithograph in black with scraping on stone on greyish-ivory laid china paper with visible brushmarks . Henri Fantin-Latour

Depicts 'Love' by Fritz Hegenbart around 1890 using etching, showing figures expressing affection in a composed scene.

Saint Mary Magdalen. Etching by B. Maura, 1875, after J. Ribera.

Dana. Draughtsman: Elias van Nijmegen. Dating: 1677 - 1755. Measurements: h 325 mm × w 207 mm. Museum: Rijksmuseum, Amsterdam.

Girl with Turban, Carel Christiaan Antony Last, 1835 - In or Before 1839 print The girl rests with her head on her hands. She wears a dress with bare shoulders. The Hague paper head-gear: cap (+ women's clothes). adolescent, young woman, maiden. head-gear: turban

Young girl in peasant dress with veil 1800-1825 baron Dominique Vivant Denon French. Young girl in peasant dress with veil. baron Dominique Vivant Denon (French, Givry 1747-1825 Paris). 1800-1825. Lithograph. Prints

Partially nude woman holding a pink drape, 1783, Paris, Publisher, Molini et de Lamy, Drapery in art

Eurypides Normand, Charles (1765 1840)

Lucrèce et les Burgraves. Honoré Daumier (1808-1879). Lithographs

Chaucer's 'Legend of Good Women' - Drapery Studies for Figure of Philomela. By: Edward Burne-Jones

Drawing, Architectural Details and Three heads; Designed by Filippo Marchionni (Italian, 1732-1805); Italy; black, red chalk, pen and ink, brush and gray watercolor on laid paper; 26.7 x 19.2 cm (10 1/2 x 7 9/16 in.)

The First Whisper of Love. Artist: After Sir Lawrence Alma-Tadema (British (born The Netherlands), Dronrijp 1836-1912 Wiesbaden). Dimensions: plate: 18 7/16 x 14 in. (46.8 x 35.6 cm)sheet: 19 1/4 x 15 5/16 in. (48.9 x 38.9 cm). Etcher: Leopold Löwenstam (Dutch, Düsseldorf 1842-1898 Woodcroft, Sussex). Publisher: Pilgeram & Lefèvre (London). Date: 1876.A young Roman man whispers into the ear of a young woman and clasps her hand. He sits on the edge of an elaborately carved table on which rests a flowering plant. Behind the couple is a cushioned bench and decorative inlaid panel. Based on an oil painting dated September 29, 1870 that the artist began in Brussels and completed after he settled in England (Opus LXXXII), commissioned by Ernest Gambart and first exhibited at the International Exhibition, London in 1872 (no.486). Museum: Metropolitan Museum of Art, New York, USA. Author: After Sir Lawrence Alma-Tadema.

Mliss (heroine of a short story by Francis Bret Harte). unknown, graphic artist, Long, Edwin Longsden (1829-1891), painter

The Viking's Daughter, Illustration for Harper's New Monthly Magazine (LXXVIII, No. CCCCLXIII, December 1888, p. 2), Kurtz, Printed in black ink on paper, In the center, a woman stands with long hair and dress billowing in the wind holding part of an arrow in her hand. On the upper left are multiple birds., USA, December 1888, ephemera, Ephemera, Ephemera

Luis Paret y Alcázar (Drafstman) / 'Citizen of Bilbao'. Ca. 1778. Black chalk, Red chalk on wove paper. Museum: Museo del Prado, Madrid, España.

Jeanne Antoinette Poisson, marquise de Pompadour after François Boucher after Jacques Guay, Bacchus enfant, published 1782 Bacchus enfant

Waiting according to Frederick's Morgana image. A clip from a Russian magazine Davis Devis (N.N.), Morgan, Frederick (1847 1927)

The directors of the two largest theaters in Vienna are looking for the Tingel-Tangel art, The directors of the two largest theater in Vienna are looking for the Tingel Tangel art to promote, Carl von Stur -, Caricaturist, Angerer , Göschl, Realization

Dido confesses her sister her love for Aeneas; History of Dido, presumably designs for illustrations for the Vergilius edition of Diderot from 1791. Possible design for a print.

Nuit d'extase | Library of Congress

Above, red-figured Greek wine-jug (oinochoe); below, detail of the decoration showing a woman holding a torch (most probably Demeter on her quest to find her daughter Persephone) and a satyr. Watercolour by A. Dahlstein, 1760/1780 ().

Pietro Antonio Novelli, The Attitudes of Lady Hamilton The Attitudes of Lady Hamilton

Ex Libris van Daniel Nicolaas Chodowiecki, Daniel Nikolaus Chodowiecki, 1777 print The winged genius of art leads the young artist to one of the many breasts of Natura. In the foreground a palette and a sheet of paper with a drawing marker. paper etching 'Natura' (allegorical figure or scene; or as Diana of Ephesus, with many breasts); 'Natura' (Ripa). palette. tools, implements of draughtsman

Évocation d'Erda (1re planche) , Gods, Goddesses, Odin Norse deity, Wagner, Richard, 1813-1883. Ring des Nibelungen. Siegfried. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Painter and cartoonist (according to Guido Reni) Normand, Charles Victor (1814 ), Reni, Guido (1575 1642)

Mercury; Paintings by Francesco Albani. The God Mercury with winged helmet, winged sandals and his Mercury staff. Decoration of a pendentive.

Woman sitting on her bed in a cell, Anonymous, 1700 - 1800 drawing paper. oil paint (paint) brush prisoner in cell or locked place

Théodore Chassériau, The Willow Song in Othello, 1841, graphite and chalk with stumping on buff wove paper.

Vignet met Minerva, Smeeton-Tilly, after I. Six, c. 1874 - 1881 print Minerva sitting with a marker in her right hand. Her helmet lies at her feet, her shield, her lance and an owl. Paris paper vignette. (story of) Minerva (Pallas, Athena). attributes of Minerva

And Lycius' Arms Were Empty of Delight 1885 United States. Brown and white gouache, over traces of black chalk, on cream wood-pulp laminate board . Will Hicock Low

Star Burlesk. Reginald Marsh; American, 1898-1954. Date: 1933. Dimensions: 302 x 227 mm (image); 370 x 272 mm (sheet). Etching on off-white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Madonna, print maker: Dirk Jurriaan Sluyter, 1826 - 1886

Mary with Christ Child, Cornelis Ploos van Amstel, After Abraham Bloemaert, 1769 print Maria with folded hands at the Christ child in a round, decorated with roses, frame. Amsterdam paper Madonna: i.e. Mary with the Christ-child. flowers: rose

One of the Horae, Greco-Roman goddesses of the seasons. Hora dancing among the stars. In nicolo. Une Delle Hore. In niccolo. Copperplate engraving by Giovanni Battista Galestruzzi after Leonardo Agostini from Gemmae et Sculpturae Antiquae Depicti ab Leonardo Augustino Senesi, Abraham Blooteling, Amsterdam, 1685.

Brown ink drawing with gray wash by Josef Winterhalder the Younger depicting two floating angels carrying a fruit basket above themselves.

Le Gray, Gustave. Murale paintings by Henri Lehmann, from the Hall of the Town Hall, 4th arrondissement, Paris. "Mathematics". Salted paper. in 1853-1853. Paris, Carnavalet museum. 156934-4

The comic opera, The Komische Oper in Vienna, before that a portrait of director Albin Swoboda caricature from Kikeriki , Friedrich Graetz Grätz -, Caricaturist, Carl Angerer - , realization

My Model and my Boat Made 1894 Sweden. Etching on ivory laid paper . Anders Zorn

Writing Putto, Jacob Ernst Marcus, 1784 - 1826 print A putto surrounded by books writes the name Marcus on a writing tablet. On the ground are etc., a Burin and a passer. Amsterdam paper etching cupids: 'amores', 'amoretti', 'putti'. writing tablets. book. tools, implements of graphic artist

Adelaide, Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after John H. Benwell, 1762-1785, 1798, Line engraving

Print made by Charles Howard Hodges, 1764-1837, British, Guardian Angels, 1786. Mezzotint (second state) on medium, slightly textured, cream laid paper.

Reason (IT)

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