Allegorical Prints and Imagery

Symbolic prints displaying historical figures in ornate settings, capturing themes of power, virtue, and classical mythology.

Allegorical performance on the occasion of the silver marriage of Jan van Vollenhove and Maria Palm, Bernard Picart, 1715 print Jan van Vollenhove and Maria Palm are sitting under a canopy, while holding each other's right hand. With them the wedding god Hymen is standing with a torch. A garden in the background. The performance is caught in an ornamental list of right and bottom left a nereid and triton. The list is crowned by a black woman with a fee and lady Fortuna. In the middle of a cartouche with the motto: Nova Gaudia Surgunt. Print made on the occasion of the silver marriage of Jan van Vollenhove and Maria Palm in 1715. Amsterdam paper etching / engraving Marriage, Married Couple, 'Matrimonium'. (Story of) Cupid, Amor (Eros). Luck, Fortune, Lot; 'Fato', 'Fortuna', 'Aurea fortune', 'Good luck', 'peaceful luck overo Clemente', 'fate' (Ripa). Nereids, Daughters of Nereus; Sea-Nymphs. Triton (S)

Amsterdam, Huyssteen, Arend van, Damme, Andries van, Abeele, Pieter van, Goeree, Jan, Two representations on a coin box: donation of the new coat of arms of Amsterdam, 1342; addition of the imperial crown, 1489, Two representations on a coin box commemorating the new coat of arms in 1342 and the addition of the imperial crown to the coat of arms of Amsterdam in 1489. Coin box, consisting of two silver plaques that can be screwed together. Above: Count Willem sitting on throne, surrounded by courtiers and warriors, gives the coat of arms to a group of citizens above inscription within decorative border. Below: emperor Maximilian standing amidst a group of courtiers and warriors, places imperial crown above coat of arms that someone from a group of citizens holds up to him above inscription within decorative border. Box in which the medal struck by the city of Amsterdam on the Peace of Breda (NG-VG-1-1016) was presented., print, engraving, historical print, historical object representati

. The stained glass window in the Sint-Janskerk in Gouda with the performance: freedom of conscience triumphs over the tyranny. The Dutch government is on a chariot in the form of minerva and freedom of conscience. They transfer the tyranny. The chariot is drawn by the personnifications of steadfastness, love, unemtra, justice and loyalty. The show is surrounded by the weapons of cities in the Zuiderkwartier of the States of Holland. These cities are the donors of the glass window to the city of Gouda. At the bottom of a cartouche with a tuner text in Dutch. Glass window through Glazier Adriaan Gerritsz. The free to design by WTewael from 1595-1596 and placed in 1597.

After the departure of the French from Utrecht, the members of the Members are sent out of the avenue, 1673; The shading of reigning lords; Series of five prints about the events happened in Utrecht over the period 1672-74; Uytrechts changes have happened in the years 1672, 73 and 74. After the departure of the French's from Utrecht in 1673, Willem Adriaan sends the members of the Members of the Graaf van Hornes de lane. Above this performance, it is recalled how the city council had handed over the keys from the city to Louis XIV. Two two-year verses in Dutch. Fourth in a series of five prints about the events happened in Utrecht over the period 1672-74.

Allegory in Odoratus. L'odorat, from the series "Pi senses"; Bosse, Abraham (1602-1676), Tavernier, Melchior (CA 1564-1641); around 1638 (1650-00-00-1675-00-00);Magdalenaea (collection), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, 17th century (costume.), Lady, French (culture), flowers, gardens, palaces, dogs, smell (allegories), senses (senses allegory)

Cartoon on the defeat of Frederik van Bohemen in the Battle of the Witte Berg near Prague, 1620, 1621 print The Calvinist Roffelpot. Cartoon on the defeat of Frederik van Bohemen in the Battle of the Witte Berg near Prague, 8-9 November 1620. The German eagle gets his feathers back from Spinola and now has the Palatsgraaf Frederik in the claws. In the middle, Frederik rides on the Heidelberger Vat accompanied by begging German Protestants and Dutch Calvinists. Preachers and Staatse Ruiters driven into the background. The print includes a text sheet with the consultation between two skippers and a Kramer. Counterpart of the Roman Roffelpot (FMH 1422-1423). print maker: Low Countriespublisher: Antwerp paper etching political caricatures and satires

Brinno chosen the leader of the North Hollanders and elevated on a shield, 69-70, 1768-1770 print Brinno chosen and elevated to the leader of the North Hollanders. Print 5 in a series about the Batavian rebellion, copied to the Batavorum Cum Romanis Bellum series of Antonio Tempesta (Otto Vaenius, Antwerp 1612). Illustration for: Marquis de St. Simon, Histoire de la Guerre des Bataves et des Romains, d'Aperrès César; Corneille Tacite, Aux Dépens de Marc-Michel Rey, Amsterdam 1770. Prints printed in a large ornamental frame in which a cut out title and at the bottom a caption is stuck in French. Printed on the back of planche IV. paper etching / engraving extinct, 'historical' peoples (with NAME). extinct, 'historical' peoples (with NAME). extinct, 'historical' peoples (with NAME) Netherlands

Artist: Hans Springinklee, German, ca. 1495-after 1522, The Virgin with the Patron Saints ofMaximilian, Woodcut, sheet (trimmed within platemark): 38 × 25.6 cm (14 15/16 × 10 1/16in.), Made in Germany, German, 16thcentury, Works on Paper -Prints

. Monument with the weapon of Holland, flanked by traders and Mercury. In the background camels and a ship. In the foreground sheep, a ton and other merchandise. Trade label for Ter Borch & du Sart in Amsterdam.

Anjou explains the oath to the city of Antwerp, 1582; Series 8: Dutch events, 1577-1583. Festive entry from Anjou in Antwerp, February 22, 1582. On a stage for the town hall, the Duke deducts the oath to the city of Antwerp. On the square a float with allegorical figures. With caption of 10 lines in German and 2 rules in French. Numbered: 48.

May tree planted by the Hague Schutterij, 1757; 8 Image of the May trees, planted by the Schutterye, in 's Gravenhage 1757. The eight allegorical representations or emblems of the May tree planted by the Schutterij in The Hague in the year 1757.

Trajan, in the attire of a priest, offers a suovetaurilia to purify the Roman army still image. 1700. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Bulls, Trajan, Emperor of Rome, 53-117, Trajan's Column (Rome, Italy), Military camps , Roman+ , To 499, Sacrifices , Rome , To 499, Rites & ceremonies , Rome , To 499, Rome , Religion

Title Page Design with the Gathering of the Manna, Gerbrand van den Eeckhout, 1667 - 1669, Design for a title page., draughtsman: Gerbrand van den Eeckhout, 1667 - 1669, paper, pen, brush, h 173 mm × w 80 mm

Third span of four horses, 1537 print Third span of four horses for the triumph wagon. At the top of the inscription held in a laurel wreath by two angels with the two columns of Hercules. Fifth plate in the triumphal procession of Emperor Charles V, 1537. Germany paper chariot, triumphal car

Blowing-up the Pic-Nic's;-or-Harlequin Quixote Attacking the Puppets, vide Tottenham Street Pantomime April 2, 1802 James Gillray British. Blowing-up the Pic-Nic's;-or-Harlequin Quixote Attacking the Puppets, vide Tottenham Street Pantomime 391804

Illustration at Canto X from Tasso's 'Gerusalemme Liberata', Antonio Tempesta, 1565 - 1630 print Ismeno and Soliman step out of a carriage. In the background Jerusalem, and the dead bodies of soldiers in the landscape for the city where a battle took place. Tent camps with soldiers on the right. Italian verses by Tasso in two columns in Submarge. print maker: Italyafter own design by: ItalyVaticaanstadItaly paper etching (scenes from) specific works of literature: Tasso, Gerusalemme Liberata. knight. militant proselytizing: religious war, crusade, etc. Jerusalem

Soldiers plunder a farm, Jacques Callot, 1633 print Soldiers torture, rap and kill the inhabitants of a farm, and rob their goods and food. Under the show a six -line French verse. This print is part of a series of 17 (18 incl. Title print) prints with performances of various types of misery that warfare entails. print maker: Nancypublisher: Paris paper etching farm (building) - AA - civic architecture: inside. fighting. soldiers and civilians. plundering ~ soldiers

Story of Joseph, Plate 85 Georg Philipp Rugendas I (German, 1666-1742). Story of Joseph, Plate 85. Mezzotint in blue ink, 10 1/2 × 14 3/4 in. (26.7 × 37.5 cm). European Art

Allegorical representation about the coronation of Joseph I as king of Hungary, Justus van den Nijpoort, 1687 print Allegorical representation on the coronation of Joseph I, German emperor, to King of Hungary in 1687. There are three men who stop a medallion with the portrait of Leopold I, Emperor of Germany and the father of Joseph I. Leopold I holds A scepter and a government apple in his hands and is crowned by Victoria with a laurel wreath. On the other basement, Putti wear the medallion with the portrait of Joseph I. He also keeps the scepter and government apple in his hands and is crowned by eternity. In the middle, a putto carries Hungary's coat of arms. On the left is Cybele with the wall crown on her head and one of her lions next to her, while she points out the Stedapest of Budapest to Leopold I. On the right Mercury with the Caduceus points to the portrait of Joseph I. In the background a landscape with an army and army and The city of Budapest. Vienna paper etching / engr

Up and down and downfall of the Actionists, 1720, 1720 Up and down and downfall of the actionists. Leaf with different representations about the unrest as a result of the Windhandel of 1720. Centrally at the bottom of Quinquempoix: a crowd of victims of the wind trade collected on Dam Square at Kalverstraat, above that the Thuillerie Hof: Panic in the Paris Tuileries. At the top a portrait of John Law a note with Mississippi in hand, with a monkey and a wolf that bites a sheep. At the top left, top right excavation work for the Utrecht canal. In the caption a verse in seven columns. Print in the bound first edition (304 B 11) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. Northern Netherlands paper etching Jardin Des Tuileries. Dam. Constainting util Up and down and downfall of the actionists. Leaf with different representations about the unrest as a result of the Windhandel of 1720. Centrally at the bottom of Quinquempoix: a crowd of victim

Cartoon on the peace of Utrecht, 1713, 1713 print Cartoon on the Peace of Utrecht and the disputes between the Tories and the Whigs in England, 1713. Kraamkamer with the mother in bed, with doctors and visitors. Years in the medallions in the background with pen made illegible. In the plate inscriptions and verses in Dutch and French. Part of a group of 28 new and old records adapted to illustrate the Peace of Utrecht in 1713. Part of the print work published under the collection title 't Lust-Hof of Momus with the bundled series of cartoons during the years 1701-1713 of the Spanish Succession War. print maker: Northern Netherlandspublisher: Amsterdam paper etching political caricatures and satires

Fireworks and triumphal arch erected in Buda to celebrate the expulsion of the Turks, September 1686. Artist: Anonymous. Dimensions: Sheet: 12 15/16 in. × 8 in. (32.8 × 20.3 cm). Date: 1686.Double-headed eagle above crescent. Museum: Metropolitan Museum of Art, New York, USA.

Round frame depicting a winter scene in the city. January is the month of ice. Epiphany is celebrated. At the top center is the constellation Aquarius. The print is part of a twelve-part series on the twelve months, January Ianvarivs The twelve months (series title), print maker: Adriaen Collaert, (mentioned on object), Hans Bol, (mentioned on object), publisher: Claes Jansz. Visscher (II), (mentioned on object), print maker: Antwerp, Antwerp, publisher: Amsterdam, 1578 - 1582, paper, engraving, h 144 mm × w 145 mm

A scene at the royal court of Tsar Alexis Mikhailovich by Hooghe, Romeyn de (1645-1708) Private Collection 1677 Holland Etching Graphic arts History

Allegorical performance with the days, months, seasons, celestial bodies, elements and all kinds of personifications, grouped around a large thermometer. In two blades above each other.

Fontein der jeugd.A bathhouse with bathing men and women and, on the "roof terrace", ministers and musicing people. On the right the fountain of the youth, in which old and defective are immersed. They come out to emphasize. Right rear is a rejuvenated woman in a fire in which crutches and sticks burn. Three naked men around it. A jester, on the terrace, mock the whole.

Hans Burgkmair, known as the old (1473-1531). The triumph of the Emperor Maximilien I: one hundred and third board (Dornik-Eger 36, Bartsch 81). Xylography, 1512-1519. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, Germanic emperor, glory, glorious memory, glorifying, glorific, history, illustration, historical book, memory, narration, drawing, triumph, 16th 16th 16th 16th 16th 16th century, engraving

Schouwburg with stage decor: Zonnehof; Zonnehof; Theater decors of the Amsterdamse Schouwburg, approx. 1760. Theater performance in the Amsterdamse Schouwburg on the Keizersgracht with the Coulissenecor Zonnehof with scene from: The century of the Amsteldamschen Schouwburg. The decor printed from a separate plate within a passe-partout with the hall, side logs, orchestra and the facade of the stage with columns, garlands and chandeliers. The title and a four-line verse also printed from a separate plate. Part of a series of twelve stage decorors.

Vignette with the coronation of Frans I Stefan to Emperor, 1745, 1746 print Vignette with the coronation of Frans I Stefan as Emperor on 4-6 October 1745 in Frankfurt. In the peripheral work the allegorical figures of faith, hope and love and wisdom, justice and caution, the imperial weapon and rocailles. paper etching / engraving during the coronation. 'Sapientia' and the Seven Virtues, i.e. the Three Theological and the Four Cardinal Virtues

Triumph procession with wagons with war bounce under a triumphal arch; Nomina Ex Quumbus EA Desumpta Est Dionisius Libro Quinto; Roman triumphs; Amplissimi Ornatißimiq Triumphi, Uti. L. Pavlvs de Rege Macedonum Perse Capto, P. Africanus Aemilianus de Carthage: Nensibus Excisis. C N. Pompeius Magnus Ex Oriente, Julius August: Tus, Vespasian (...). Procession of wagons with war bounce that are being pulled by horses. The procession continues under a triumphal arch. Title in Latin in undermarge. Print is part of an album.

John Law in a hoping chair for the Lazarus house, 1720; The large scene of foolishness (extra pieces). John Law seated in a hoping chair for the Lazarus house gets from jogged bombario food and drink. In the foreground a monkey shares shares, right children with a mill, left a desperate windmill. In the background a crazy promotionist is taken to the madhouse. Design drawing for a not executed print in a series about the rise and fall of Quincampoix (John Law). The drawing includes an explanation. Belongs to the group of drawings added to the scene of scene of foolishness with cartring prints at the 1820 wind trade.

S. Edmond, évêque (St. Edmond, Bishop), November 16th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year) 1636 Jacques Callot French This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.. S. Edmond, évêque (St. Edmond, Bishop), November 16th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year). Les Images De Tous Les Saincts et Saintes de L'Année. Jacques Callot (French, Nancy 1592-1635 Nancy). 1636. Etching; second state of two (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

Decadary / for the year 5th of the Republic (IT)

Beusekom, Francoys van, Noordelijke Nederlanden, Het droevich Schou-tonneel van de cruele doot en onthoofdinge van den great powerful king Carel Stuart den 10 February 1649, Onthoofding van Karel I, 1649, Northern Netherlands, Beheading of the English king Charles I, in front of the palace of Whitehall in London on 30 January 1649. At the top the state bed of the king with on either side two rows of standing European monarchs marked ar. Above the bed a portrait of the king flanked by the portraits of Thomas Fairfax and Oliver Cromwell. At the bottom the execution in front of the public, on either side 4 small scenes of his last days., print, prent, nieuwsprent, prints, prenten, Frederik Muller Historieplaten, height 420 mm, width 520 mm, print maker, prentmaker, 1649 - 1649, second quarter 17th century, tweede kwart 17e eeuw, paper, papier, engraving, engraving (drukprocedé), Publication (Event), Publicatie, Gestel, Leo, Portrait of an unknown woman, verso - stamped, height 190 mm, wid

Pythagoras, Balthasar Sigmund Setletzky, After Johann Esiah Nilson, 1731 - 1771 print On the left in a space illuminated by candles, Pythagoras leans on a globe. On the right, four young figures listen to him. Around the show a rocaille frame with skull, flames and smoke. Twice a four -line German and Latin text in the lower margin. Publishing number 25. Augsburg paper etching / engraving Pythagoras, the philosopher. teacher and pupil. globe

Figure of five Sinnen, Anonymous, After Ambrosius Francken (i), 1850 - 1879 print Five putti play with allegorical objects that represent the five senses, including a drum for hearing, seeing a mirror, smell flowers, fruit for tasting and feeling the fur of an animal. Netherlands paper photolithography the (five) senses. cupids: 'amores', 'amoretti', 'putti'. drum (musical instrument). mirror. flowers. fruits

Julius Caesar Tronend on a Pieth stable, Cornelis Galle (I), After Peter Paul Rubens, 1645 print Julius Caesar is on a pedestal with a picture of the victory in his right hand, a globe in his left hand. On the left Keizer Constantijn with Globe and a banner with the Chi-Rho symbol. On the right Emperor Rudolf I with sword and rich apple. The weapon of the Habsburg house is next to his feet. Antwerp paper engraving historical persons (portraits and scenes from the life). symbols, allegories of war; 'Guerra' (Ripa) (+ warfare in built-up area)

Amsterdam, Visser & Comp., JG, Visser, Jan Gerritsz., Netherlands, Bataafsche Vryheid, Temple of the Batavian Freedom, 1795, verso - stamped, Allegory of Freedom, 1795. The Batavian Freedom steps out of an open temple to welcome the French troops arriving over the ice. Portraits of meritorious Patriots hang from the pillars of the temple. The seat of the National Convention is empty. On the right, the pillar with a knight indicated as 'Old Constitution Nobility' is struck by lightning and falls over. Slavery, Pride, Avarice and Falsehood flee. The print comes with an explanation., print, prints, Frederik Muller Historieplaten, height 530 mm, width 690 mm, Noord-Nederlands, 1765 - 1821-05-08, print maker, printmaker, 1795 - 1795, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, Dutch, publisher

Persons of summer and winter at a bow with constellations; The twelve months; Duodecim Anni Mensium. Summer's personification (left) and winter (right), with food and attributes that belong to them. With the young woman, presenting summer (aestas) a lute, flowers and plants. With the old woman, presenting winter (Hyems) skating a footstew and a warm pot in her hands. In the middle grapes, pumpkins and waffles. Behind it a bow on which the symbols of the constellations and in the middle the title. Title print for a series of twelve months.

Asclepius, François van Bleyijck, 1770 print Image of Asclepius on a pedestal with title. He holds an escula monkey in his left hand. Above him two putti with the weapon of Leiden. In the background the interior of a pharmacy. paper etching / engraving (story of) Aesculapius (Asclepius). pharmacy, pharmaceutics Leiden

Meeting between King Charles V and Emperor Charles IV, 1378, Anonymous, 1650 - 1799 print Meeting between the French king Charles V and Roman-German Keizer Karel IV, 1378. Print to a painted miniature in a book. At the top right marked: x pl. Tom III. P. 40. paper etching introducing. shaking hands, 'dextrarum junctio' Westrozebeke

Title page for the leaflet: Samenpage between wichelstok, melting pot and the sample roller, 1701; Samenpage between wichelstok, melting pot and the sample roller; Esopus in Europe. Table with a melting pot, money pouch, paper role and a wilder rod. On the ground an empty treasure chest. Cartoon on the bad state of the French finances and the melting of church treasures and private rigging. Title is on separate text sheet.

Cologne, Hogenberg, French, Series 10: Dutch and Foreign Events, 1587-1612, Portrait of Thomas Percy, November 15, 1605. Half-length portrait to the left, in oval, at the bottom two medallions with scenes of the capture of himself and his servant for the Gunpowder treason. In between three cartouches with texts in German and Latin. Numbered lower left: 356. The print is part of an album., print, prent, news print, album sheet, prints, Frederik Muller Historieplaten, height 170 mm, width 200 mm, Dutch, German, 1540 - 1590, print maker, printmaker, 1605 - 1607, first quarter 17th century, paper, papier, engraving, engraving (printing process)

Gonzalo Gomez excels in the game and Doña Lambra insults Lara and her sons; Historia Septem Infantium de Lara / Historia de los Siete Infantes de Lara; The seven infants of Lara. Explanatory numbers in the show. Caption in Spanish and Latin.

William Hogarth, 1697-1764, British, A Consultation of Physicians, 1736. Engraving.

Allegorical Portrait of Bartholomeus Spranger and his wife Christina Muller, Aegidius Sadeler (II), 1600 print Memorial print for the deceased wife of the painter Batholomeus Spranger. On the left Bartholomeus Spranger and on the right his wife Christina Muller. The two portraits are surrounded by the personifications of the free arts, the faith, time, death and fame. Prague paper engraving Father Time, man with wings and scythe. (story of) Minerva (Pallas, Athena). Fame; 'Fama', 'Fama buona', 'Fama chiara' (Ripa). Death as skeleton. tools, implements of painter. Faith, 'Fides'; 'Fede', 'Fede catholica', 'Fede christiana', 'Fede christiana catholica' (Ripa) ~ one of the Three Theological Virtues. ornament ~ festoon, garland

Peter is liberated from prison by the angel, Philips Galle, After Jan van der Straet, 1582 print Peter is awakened in prison by an angel (left). The angel freed him and leads him from prison, past the sleeping soldiers. The print has a Latin caption and is part of a 34-part series on the subject of the actions of the apostles. print maker: Antwerpafter design by: Florencepublisher: Antwerp paper engraving the angel leads Peter past the sleeping guards

Buys, Jacobus, Noordelijke Nederlanden, Vinkeles, Reinier (I), Inleiding van Felix Meritis, 1788, Northern Netherlands, verso - stamped, Inleiding van het gebouw van de maatschappij Felix Meritis te Amsterdam, 1789. Professor Andreas Bonn speaks in the Concert Hall., print, picture, history print, book illustration, prints, pictures, Frederik Muller History plates, Inauguration of the building of the Felix Meritis society in Amsterdam, October 31, 1788. Professor Jan Hendrik van Swinden speaks in the Concert Hall., height 242 mm, width 149 mm, 1741-06-19 - 1816-01-30, print maker, printmaker, 1799 - 1799, paper, papier, etching, engraving, engraving (printing process), 1724-11-19 - 1801-04-07, intermediary draughtsman

. Memorial for Hendrik Hooft Danielsz., Mayor of Amsterdam. His portrait is on the monument, which is acclaimed by Minerva. She holds a lance with the freedom hat in her other hand. On the left play three putti with the portrait of Cicero. In the middle of the alloy of God. At the bottom of the margin a text in Dutch.

The Spirit of Gustaaf II Adolf appears on the Bed of the Keurvorst of Saxony, 1635; Dream Spoock, ORTE des Konighs from Swedens Speens Aen-Spraeck Aen Den Ceur-prince from Sacxen, from roads The Verbondts-Breeckinghe, des Iaes 1635. Den 20. Mey. The Spirit of Gustaaf II Adolf appears with burning torch at the Bed of Johan Georg I, Keurvorst van Saxes. Allegory on the Prague Convention, the peace closed on May 30, 1635 between the Protestant princes, including the Keurvorst of Saxony, and the Emperor Ferdinand II. To the bed and sitting on the foreground with a book The two Keurvorst Raadsheels Dr. Turing and Dr. Hoy. On the floor a print of the last Swedish victory at Havelsberg (7-11 December 1635). Taked on the underside of print is a sheet with text in 3 columns in Dutch.

Charles XII of Sweden in chambel by Petrus Schenk, etching, 1721, 18th century, Russia, St. Petersburg, State Hermitage, 17, 7x19, 1

The funeral procession of Frederik Hendrik (plate no. 30), 1647; The funeral procession of Stadholder Frederik Hendrik in 's-Gravenhage in 1647; Begreijdisse van Syne Hoogheyt Frederick Henrick, by der Gratien God's Prince of Orange, Grave of Nassau & C.The funeral procession of Stadholder Frederik Hendrik in 's-Gravenhage on 10 May 1647. Plate no. 30 with the last part of the procession with some pastors , a grave monument and construction drawings of the crew. Part of a series of 30 plates and 20 text sheets, intended to be stuck together.

William III attends a session of parliament as king, 1689, Jan Luyken, 1689 print Leaf with five performances of the revolution in England in the years 1688-1689, Central King William III who attends a session of the parliament. Amsterdam paper etching title-page. Lower House, Parliament, Chamber Houses of Parliament

Comoediae. Dated: published August 29, 1493. Dimensions: book: 25.4 x 18 x 6 cm (10 x 7 1/16 x 2 3/8 in.) page size: 24 x 16 cm (9 7/16 x 6 5/16 in.). Medium: bound volume with 161 woodcut illustrations (159 woodblocks, 8 repeats, 1 woodcut titlepage showing the author in his study and 1 full-page woodcut of an antique theater a4v). Museum: National Gallery of Art, Washington DC. Author: Terence Publius Terentius Afer (author), German 15th Century (artist) Johann Trechsel (publisher).

Triumphocht van Constantijn, Gérard Audran, After Charles Le Brun, 1666 print paper etching / engraving the Roman emperor Constantine the Great; possible attributes: crown, sceptre, standard (labarum) with chi-rho monogram or cross - apotheosis, glory, triumph of male saint

Cartoon at Louis XIV and the prosecution of the Protestants in France, 1689; La Belle Constance Dragonée Par Arlequin Doodat; Cartoon on Jacobus II and Louis XIV and the events in the years 1688-1689. Cartoon at Louis XIV and the prosecution of the Protestants in France, 1689. La Belle Constance (the French Protestants) the Court is made by Louis XIV, Jesuits and soldiers. At the group right with King Jacobus II and the queen with the poor child, she cannot find safety. Under the show a verse in 2 columns in Dutch.

Wood engraving, England, by Thomas Bewick.

Cornelis de Witt accused conspiracy against the life of the prince, 1672; Corneelis de Wit Uyt Dordrecht brought on the Castelenye, by Tichelaer accused by admission to 'Life of Syn Hoogheyt and Ghepynicht.Cornelis de Witt. Frosted and Accused of Conspiracy Against The Lives of the Prince Willem III, August 1672. Fragment of the great print on the De Witt Brothers: Witten Wonder Mirror (1675).

Marriage of Henry II and Catherine de' Medici, The Dowry 1557-1567 France. Pen and brown ink, with brush and brown wash, heightened with lead-white gouache, on tan laid paper, laid down on cream wove paper . Antoine Caron

Foolishness of worldly goods, 1787 - 1790 print Allegory with masked woman world in junk suit. On her head there is a fool with scales in which worldly goods outweigh a crucifix and a law book. On the left a soul is led to heaven, on the right pouring devils into hell. Numbered at the top right: 29. With verse of eight lines in French under the performance. Part of a large group of prints relating to the events of the Brabant Revolution and the period 1787-1790. Southern Netherlands paper engraving 'Frau Welt'. court jester, court fool. scales. psychostasis, the Archangel Michael weighing the souls in the scales (and stabbing the devil) Brabant

Entrance to Queen Isabelle, Charles VI Woman in 1389. (TF)

Trophy by Marius, Anonymous, c. 1550 print Trophy of the Roman army commander Marius on the Capitol in Rome. Print is part of an album. paper engraving trophy ~ battle, war. piece of sculpture, reproduction of a piece of sculpture. armour. cupids: 'amores', 'amoretti', 'putti'

Meeting, Hendrik Numan, 1746 - 1788 print Dozens of men stand around a table with a number of objects. Haarlem paper

Architectural niche in which the coat of arms of the Turkish empire on a base. History shows a Turk the map of the Turkish empire. In the foreground antique antiquities. On a Piothing the title in Dutch. In the background a landscape with pyramids.

Odijk hands out money to the farmers, 1672, 1764 - 1766 print Odijk, representative of the first noble of Zeeland, distributes money in vain to the rebellious farmers, 1672. With caption of two lines. Illustration no. VI in a poem by Petrus Johannes Bernicius about the rebellious Zeeland farmers and the tumult in Middelburg around Mayor Philip van den Brande on July 21, 1672. Northern Netherlands paper etching Middelburg

The butifyer. A touch upon The Times plate I. British Cartoon Prints Collection , NOS, PC 1 - 3971A, 05-2006. Bute, John Stuart,Earl of,1713-1792. , Hogarth, William,1697-1764.

Title Print for Germania Inferior. Title Print for 'Germania Inferior' with a triumphal arch in the middle, flanked by two women. The woman right holds a broom and a plate with 'ratio' in her hands and the woman on the left has a palm branch and an olive branch. The bow is decorated with the weapons of 'the seventeen provinces'. On the bow is a richly dressed woman on a lion. She is surrounded by attributes that represent the prosperity of the provinces, such as the Mercury staff, a boat and the armillaire on her lap. On the right next to her is Mercury and left behind her likes Neptunus the boat. The three is flanked by a personification of the invention of the letterpress, links, and a personification of the discovery of the compass, right. In the foreground are a poor man and woman and two noble couples. Text is in the arc.

Civilis and Cerialis negotiate on the broken bridge, 69-70; Civilis makes peace with the Romans on the broken bridge. Civilis and Cerialis negotiate and close peace on the broken bridge.

The Removal and Destruction of the Chariot and the Horses of the Sun Publisher Claes Jansz. Visscher Dutch Copies after Philips Galle Netherlandish After designs by Maarten van Heemskerck Netherlandish published 1643/1646 View more. The Removal and Destruction of the Chariot and the Horses of the Sun. Copies after Philips Galle (Netherlandish, Haarlem 1537-1612 Antwerp). published 1643/1646. Engraving. Claes Jansz. Visscher (Dutch, Amsterdam 1586-1652 Amsterdam). Prints

Allegory in Ottoman Empire, Simon Fokke, 1783 print A sultan stands on a pedestal with a sword and a card in his hand. There are kneeling figures around him. Right weapons and a map of Turkey. At the top of the clouds, Fama blows with two trumpets. In the background the city of Constantinople. paper etching / engraving personifications of countries, nations, states, districts, etc. Ottoman Empire. Turkey. Constantinople

Friedrich V., King of Denmark.

Cityscape with Domkerk in Utrecht and allegory with three scholars, François van Bleyswijck, 1681 - 1746 print A cityscape with Domkerk in Utrecht is central to frame with three scholars who are working on their work. A botanicus studies a plant and a surgeon with auger and powders looks at the contents of a bottle. A scholar with a bladder ballg heats the contents of an ampoule on a stove. The cityscape is framed by curly leaf work and putti with objects: an anatomical model and a plate with medical instruments. On top of the list is a round shield with the motto from the University of Utrecht. print maker: Leidenpublisher: Utrecht paper etching scholar, philosopher. botanizing. examination of urine. botany (+ scholar, scientist (at work)). physician, doctor (+ scholar, scientist (at work)). chemistry (+ scholar, scientist (at work)) Utrecht

Tuman Bay II, Sultan van Egypt, hung above the city gate of Istanbul, 1517, Jan Luyken, 1698 print Tuman Bay II, Sultan van Egypt, hung on a hook above the city gate of Istanbul, 1517. paper etching violent death by hanging. city-gate Istanbul

The king of Nineveh doing fine, Crispijn van de Passe (I), Philips Galle, 1580 - 1588

Umbria Perugia Norcia Palazzo Comunale5. Hutzel, Max 1960-1990 Six exterior views; remaining views are of the art objects housed in the structure. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Jacques Callot, First Intermezzo, 1617 First Intermezzo

Painter at work, Conrad Meyer, 1675 print Zurich (Stad) paper etching human life and its ages (young, adult, old, etc.). family life at home. working situations ~ painter. lute, and special forms of lute, e.g.: theorbo

ERESET INTEREMIZE: DE REUS TYPHEUS (Typhon) BERDER BERDER BERGE BERER BERGO, Jacques Callof, AfteroGo, After Giulio Paris, 1617 print View of the Sala delle commed in the Uffizi, as if the viewer looks from a large window or a gallery with open curtains. Many beautifully dressed spectators are in stands along the walls of the room and stand on the floor in a semicircle, around a few dancers in the middle. In the background a raised stage showing a large rock in the midst of many trees. Above the performance the weapon of Florence. Under the show some lines of Italian text. This print is part of a series of three performances by Intermezzi in the play 'La Liberazione di Tirenno, e d'Arnea' by Andrea Salvadori, as it was performed during the carnival party in Florence in 1616. Florence paper etching Typhon buried beneath Mount Etna on Sicily. armorial bearing, heraldry. theatre, theatrical performance Florence

The Parties are fighting Castile, 1706; Castilien Reformed / Castille Reformée; Royal Almanach from 1701 / 't Lusthof from MoMus. Cartoon on the parties fighting to Castile, 1706. On top of a castle sitting Charles III, the Keurvorst of Bavaria and Louis XIV. Others try to climb on the tower. In the caption verses in Dutch and French. Part of a series of 19 cartoons on the French and allies from the year 1706.

Theatrum Anatomicum of Leidse Academy, 1609; Amphitheatrum Anatomicum Luduno Batavorum. Theatrum anatomicum, anatomical theater of the University of Leiden, 1609. In the middle a professor (Petrus Paaw) That anatomical lesson gives standing behind a table on which a dissected human body; His is amanuensis. In the entire amphitheater between the spectators present, all kinds of weatherproof and skeletons of people and animals are drawn up. Behind the professor a cupboard with medical instruments, on which the inscription Archium Instrumentorum Anatomicum. In the upper part in the middle a cartouche Leiden with a face on the city. At the top Allegorical figures of a man blowing bubbles and a lying woman; Both symbolize the transience. This copy without the captions.

LUIDAARDS, Frans Huys, After Jheronimus Bosch, After Cornelis Massijs, 1546 - 1562 print Village with the portrayal of Flemish proverbs about the laziness. On the left a house with the weapon of the Sint Lucasgilde. In the window people who fled flies. In the upper window a painter with a painter and palette, who looks at the stork. At an inn a man and a woman who also look at the stork. In the foreground a man who is walking with a rooster. A woman sows the street with rigs, which means that she strolls along the street. On the right in the foreground a woman who flows the dog. Rear right a woman who plays with a cat behind a spider wheel and a woman with a spoon in front of a home. A man and a woman at a table are referred to as the regulars of the lazy guild. Fishermen on the water in the background. Explanating texts in the show in Dutch and French. Under three verses in Dutch. Antwerp paper engraving sluggard. Sluggishness, Inertia; 'Dapocaggine', 'Pigritia' (Ripa). proverbs, sayi

Prima Parte di Architetture e Prospettive. Giovanni Battista Piranesi (Italy, Mogliano, 1720-1778). Italy, circa 1743. Prints; engravings. Etching with engraving and drypoint

Jacques Callot (1592-1635). "The life of the Blessed Virgin, the birth of Jesus: seventh number of a series of 14 pieces" (Lieure 1363, Meaume 82). Etching. 1631. Museum of Fine Arts of the City of Paris, Petit Palais. 99591-8 Etching, engraving

Bliżej Kultury Unknown, Saint Luke Society in Krakow, Miłkowski, Władysław (1847 1928)

Commissioned by Doña Lambra, a villager Gonzalo Gomez hits with a cucumber baptized in blood, Antonio Tempesta, After Otto van Veen, 1612 print Explanatory numbers in the show. Caption in Spanish and Latin. print maker: Italypublisher: Antwerp paper etching garden fountain. surprise attack (from ambush). tales and fairy tales

This copper engraving by Goltzius depicts the allegory of the effort involved in a legal dispute, showing figures, courtroom elements, gestures, and symbolic objects.

Tokens on the occasion of the third century festival of the invention of book printing in 1740, 1738 - 1740 print Two tokens, front and back, beaten in 1740 on the occasion of the third century festival of the invention of book printing. Images of Laurens Jansz. Coster and allegories on book printing. Northern Netherlands paper etching printer. medal (considered as a piece of sculpture, regardless of its specific function) Haarlem

Allegory on Vienna as imperial central government and residential city, Hieronymus Sperling, after Johann Andreas Thelott, 1711 - 1777 print Augsburg (possibly) paper engraving / etching emperor. knighthood order of the Golden Fleece - insignia of a knighthood order, e.g.: badge, chain (with NAME of order). Fama as Roman personification. personifications of countries, nations, states, districts, etc.. city-crown, mural crown. (story of) Flora. Fides (faith) as Roman personification. (story of) Minerva (Pallas, Athena). Prudentia (Prudence) as Roman personification. Justitia (justice) as Roman personification. caryatids ~ architecture

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo04. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

The blue Huyck (leaf 3). The blue Huyck (leaf 3). Different proverbs on a magazine: Lo: Dese Siet Doer De Vingeren / RO: That Gelijck Ee N Tanghe on a RB: Dese Schert Den Geck / MB: Wait You Enter the Catzes, who lecken, and behind Kratzen .

Murder of the Protestants in Cahors, 1561, 1570 print Murder of the Protestants in Cahors, November 19, 1561. The house in which a meeting takes place is set on fire and the fleeing Protestants are killed. In the caption De Legenda A-F in German. Unnumbered. France paper letterpress printing massacre ~ war Cahors

Jacques Callot (1592-1635). "The life of the Blessed Virgin, the Virgin Mary is presented at the temple: third issue of a series of 14 pieces" (Lieure 1359, Meaume 78). Etching. 1631. Museum of Fine Arts of the City of Paris, Petit Palais. 99590-31 Etching, engraving

It's a Paasch party, that is located to notice, / there Jannetje the shopping woman Zeit (...). Leaf with a large representation of a street saleswoman selling palm easter sticks. In the bottom margin a verse in three columns. Numbered at the top right: No. 183.

Johan Casimir, Paltsgraaf on the Rhine, in his coffin, Philipp Uffenbach (Possible), 1592 - 1594 print Germany paper etching coffin. the corpse

Laocoon and his Sons Edward Francis Burney (British, 1760-1848). Laocoon and his Sons. Pen and ink and sepia wash on wove paper, 3 1/8 x 4 3/16 in. (7.9 x 10.7 cm). European Art

tile manufacturer: atelier J. Aalmis, Verwijk (1790 - 1843), Purple tile picture in metal frame, man (Abraham), wife (Hagar) and child (Ishmael) in front of house, the rejection of Hagar, tile picture material ceramic earthenware glaze metal, baked 2x glazed painted Eight high four broad with edge tile on all sides Yellow shard Aalmis Aelmis Barendrecht religion bible Old testament Genesis 21:14 rococo Originating from farmhouse in Barendrecht.

Jacques Callot (1592-1635). "The little passion, Jesus is pierced with a spear: twelfth number of a series of 12 pieces" (Lieure 548, Meaume 30). Etching. 1624-1625. Museum of Fine Arts of the City of Paris, Petit Palais. 99589-25 Etching, engraving

Jugement après la mort , Kings, Politicians, Dramatists, Poets, Louis Philippe, King of the French, 1773-1850, Viennet, Jean-Pons-Guillaume, 1777-1868. Honoré Daumier (1808-1879). Lithographs

Je voudrais pouvoir me faire promener, from En Chine, published in Le Charivari, January 22, 1859 January 22, 1859 Honoré Daumier. Je voudrais pouvoir me faire promener, from En Chine, published in Le Charivari, January 22, 1859. En Chine. Honoré Daumier (French, Marseilles 1808-1879 Valmondois). January 22, 1859. Lithograph on newsprint; second state of two (Delteil). Aaron Martinet (French, 1762-1841). Prints

First page of a book. On the right side of the print, a king sits on a throne. He is dejected. In front of him is a jurist reading from a book and holding up his right hand in a rhetorical gesture. The allegorical representation of Justice stands beside him. Through the air fly two eagles and the allegorical personification of Fame. Roem blows his trumpet. the eagles hold a banderole with the title of the book., Disputations of Reinhard Bachow von Echt and Hieronymus Treutler, print maker: Frederik Bouttats (I), (mentioned on object), publisher: Andreae Bingen, (mentioned on object), print maker: Antwerp, publisher: Cologne, 1653, paper, engraving, h 196 mm × w 140 mm

Symbols staged on the dam in honor of the Munster peace, 1648; The impressions, did within Amsterdam, on eternal peace. Den 5. Iunii, 1648. Sheet with three of the six solicitous displays raised on Dam Square in honor of the Peace of Munster on June 5, 1648. All six tableaux can be seen on this one, with the flaps under which The other three scenes are. Printed from three plates with descriptions of the historical and allegorical representations under the show in three columns shown on the six tonels.

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