Allegorical Prints of the 17th-18th Century

A collection of detailed prints depicting allegorical themes, including Minerva, historical events, and cultural symbolism with intricate decorations and figures.

The holy church father John Chrysostomus, standing on a pedestal. On the obverse a scene in which Chrysostomus dies after being mistreated several times. Print marked top center: III. Part Pag. 557., St. John Chrysostomus, Church Father Chrysosthomus, Bishop of Constantinople Dies after several beatings, at Pitijus , print maker: Jan Luyken, (mentioned on object), print maker: Zacharias Chatelain (II), (mentioned on object), intermediary draughtsman: Jan Goeree, (mentioned on object), Amsterdam, 1698, paper, etching, engraving, h 272 mm × w 167 mm

First scene of the hunters, from the barrier of La Villette: Sunday / evening 23. (IT)

Netherlands, Salvtem et cives servare potens, Amsterdamse stedenmaagd, The city virgin carries the peace staff in her hand and sits between two lions., print, ornamental print, prints, ornamental prints, height 174 mm, width 136 mm, print maker, printmaker, 1600 - 1699, 17th century, 17e eeuw, paper, etching, etchings, Work conception, after a design by, Publication (Event), Publication, publisher

Crowned weapon of Anna van Austria between four virtues, François Chauueau, 1623 - 1676 print France paper engraving / etching armorial bearing, heraldry

Antwerp, Jode, Gerard de, Borcht, Pieter van der (I), Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, Historia Heliae et Helisei, History of Elijah and Elisha, Elijah strikes the water with his mantle and separates the water from the Jordan, The prophets Elijah and Elisha are traveling together. At the Jordan, Elijah strikes the water with his mantle, causing the water to flow away and allowing them both to cross without getting wet. On the left, the group of prophets follows them at a distance. On the other side, Elijah asks Elisha what he can do for him. Elisha asks to receive the spirit of Elijah. Oval representation in an ornamental frame. Print is part of an album., print, album page, prints, height 105 mm, width 159 mm, height 187 mm, width 246 mm, Work conception, South Netherlands, 1545 - 1608, after a design by, 1579 - 1579, paper, engraving, engraving (printing pr

Maximilian I., Roman-German Emperor.

Jacques Callot, Mathiae Appos., 1632, etching on paper.

Maria Josefa, Princess of Bavaria.

Paul V., Papa.

Design for a print, Vignette with inn scene, draughtsman: Jacob van der Schley, 1739, paper, pen, brush, h 54 mm × w 82 mm

The Triumph of Patience. Dated: 1559. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Dirck Volckertz Coornhert after Maerten van Heemskerck.

Abraham Bosse, Odoratus, L'Ordorat Odoratus, L'Ordorat

Personification of the city of Rome, Adriaen Schoonebeek, 1693 print With Roman buildings in the background, the personification of the city of Rome stands next to a pedestal. On her hand a small image of Victoria. With her other hand she holds a staff on which is a phoenix. paper etching personification of a city, town-patron(ess) Rome

Apollo, Jan Saenredam, after Hendrick Goltzius, 1596 print In the midst of different rulers, the naked Apollo is a ruler about the government's government on a pedestal. He holds an arrow and bowed in his hands and supports a trunk along which a snake winds up. Various rulers have gathered with their advisers around Apollo. There is a chained monkey in the middle of the foreground. On the right in the air the symbol of the constellation Leeuw. paper engraving (story of) Apollo (Phoebus). ruler with counsellor(s). monkeys, apes

Portrait of Ferdinand II. Allegorical portrait on the death of Ferdinand II.

Antwerp, Plantiniana, Officina, Rubens, Peter Paul, Southern Netherlands, Galle, Cornelis (I), Title page for: B. Cordier, Catena sexaginta quinque graecorum patrum in S. Lucam, Antwerp: 1628, Augustine and Athanasius with the four evangelist symbols, verso - stamped, The two church fathers Augustine (left) and Athanasius (right) next to an oxhide with the title of the book. The ox, the lion, the eagle and the angel symbolize the evangelists. The evangelist Luke sits above the ox head and receives a chain from the personification of Truth. Under the arms of Emperor Ferdinand II., print, title page, prints, height 315 mm, width 207 mm, 1576 - 1650-03-29, print maker, printmaker, 1628 - 1628, paper, engraving, engraving (printing process), Work conception, 1577-06-28 - 1640-05-30, after a design by, Publication (Event), Publication, publisher

Leopold II., Roman-German Emperor.

Franeker, Hagenaar, Hansonius, Amsterdam, Luyken, Jan, Title page for: LA Florus, Historia Romana, 1690, Rome surrounded by Europe, Africa and Asia, verso - stamped, The personification of the city of Rome sits on a dais with a small statue of Victoria in her hands. Around her are the personifications of Europe (with bull), Africa (with crocodile) and Asia (with lion). In the foreground lie a river god, Romulus and Remus with the she-wolf., print, title page, prints, height 178 mm, width 128 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1690 - 1690, paper, papier, etching, etchings, Publication (Event), Publication, publisher

William III on the throne and the ceremony with the royal camp fighter, 1689, 1689 print Leaf with two performances. Above King William III on the English throne, 1689. Under the ceremony in which the Royal Camp Veger on horseback and accompanied by two other riders challenges everyone who disputes the legality of the new king, April 21, 1689. marked: fol. 899. Northern Netherlands paper etching after the coronation London

Allegory of Mardi Grass, illustration by Mettais from L'Illustration, Journal Universel, No 731, Volume XXIX, February 28, 1857.

Amadis, 1701, Engraving, 18th century, 11 x 6.5 cm

Setting up the obelisk on St. Peter's Square. A crowd men and horses for the Sint-Pietersbasiliek is setting up the Vatican Obelisk (in 1586) on St. Peter's Square. At the bottom left of an explanatory list of numbers and letters and the portrait of Domenico Fontana, the architect who saw the entire trip and foundation of the obelisk. Presentation faced in a decorative frame.

Antwerp, Moretus, Balthasar (II), Plantiniana, Officina, Rubens, Peter Paul, Quellinus, Erasmus (II), Southern Netherlands, Galle, Cornelis (I), Title page for: H. Goltzius, Icones Imperatorum Romanum, Antwerp: 1645, Julius Caesar enthroned on a pedestal, verso - stamped, in his right hand a statue of Victory, in his left hand a globe. To his left is Emperor Constantine, also with a globe and with a banner with the chi-rho symbol. To the right is a statue of Emperor Rudolf I. The coat of arms of the House of Habsburg is next to his feet. He holds a sword and an orb., print, title page, prints, height 310 mm, width 205 mm, 1576 - 1650-03-29, print maker, printmaker, 1645 - 1645, paper, engraving, engraving (printing process), 1607-11-19 - 1678-11-07, intermediary draughtsman, after a drawing by, Work conception, 1577-06-28 - 1640-05-30, after a design by, Publication (Event), Publication, publisher, uitgever, Publicatie, Belgian, 1615 - 1674

Allegorical performance with philosophy and minerva; Title page for: René Descartes, Principia Philosophia or Principles of Wyssefeerte, 1690. Philosophy, in the form of a woman with a star on the head, sits at a table and writes in a book. For her there is a cellated woman, possibly Minerva and a boy looks at a poor. In the room there are books on a shelf and hangs a world map on the wall. In the foreground a globe and measuring instruments.

August, Duke of Saxony-Weissenfels "sublime and received", emblematic representation with portraits of the three younger electoral sons. Copper engraving by Georg Andreas Böckler, around 1660

Jacques Callot (1592-1635). "The great miseries of the war, the distribution of the awards. Eighteenth issue of a series of 18 pieces" (Lieure 1356, Meaume 581). Etching. 1633. Museum of Fine Arts of the City of Paris, Petit Palais. 99599-30 Etching, engraving

Almanac for 1687 Nicolas Larmessin (1638-1694). Almanac for 1687: the royal and magnificent audience given by Louis the Great to the Ambassadors of the King of Siam.

Frontispiece of 'Alice's Adventures in Wonderland,' created around 1866, featuring pencil works

Allegory on the establishment of the sincere Patriotic Society in Rotterdam, 1787, Mathias de Sallieth, after Gerrit Malleyn, 1787 print Allegory On the founding of the Orangist Society The Sincere Patriotic Society in Rotterdam, 7 or 18 January 1787. Interior with men sitting around a table, on the walls of the Union of Utrecht (1579) and the Dordtse Synod (1618-1619) . In the foreground, father lifts the curtain time and reveals images of religion, the freedom and of Hercules that the Hydra beats. In the background the portrait of Prince Willem V on the wall of the next room. The print includes a text sheet with an explanation. print maker: Northern Netherlandspublisher: Rotterdam paper etching / engraving learned society, academy of sciences. Father Time, man with wings and scythe. Freedom, Liberty; 'Libertí' (Ripa) (+ abstract concept represented by female figure). allegorical representations ~ religion; 'Religione', 'Religione de SS. Mauritio e Lazaro', 'Religione vera christiana'

Naval battle at Gibraltar on 21 March 1705 with a victory of the English fleet over the French fleet. This ended the siege of Gibraltar by the French and Spanish. Representation of the naval battle in a large ornamental frame with armorial trophies, cartouches with emblems, the English royal coat of arms and several figures. At the top a map of Gibraltar. Below a cartouche describing the battle in German, on the left fleeing soldiers, on the right a French officer submits to the Dutch Lion, Relief of Gibraltar, 1705 Die Glückliche Entsezung der Haupt Vestung Gibraltar , print maker: Johann Jakob Kleinschmidt, (mentioned on object), intermediary draughtsman: Paul Decker (I), (mentioned on object), intermediary draughtsman: Paul Decker (II), (mentioned on object), Augsburg, 1712 - 1715, paper, etching, engraving, h 440 mm × w 407 mm

Netherlands, Passe, Crispijn van de (I), Series of allegorical female figures in ornamental frames, Oval cartouches with female personifications in a frame of scrollwork, SEDVLITAS VIGEAT, ET OPVM SIC COPIA CRESCET MDCI, Cartouche in which the material wealth with spindle and distaff, verso below - stamped, On the cartouche sits both top left and top right a naked woman with the same attributes. Sheet from a series of 8 sheets with cartouches in a frame of scrollwork with grotesques, garlands and mascarons., print, ornamental print, prints, ornamental prints, height 96 mm, width 126 mm, print maker, printmaker, 1601 - 1601, first quarter 17th century, paper, engraving, engraving (printing process), Work conception, 1564 - 1637, after a design by, Publication (Event), Publication, publisher

The Oude Hof in the Hague and portrait of Willem V, ca. 1754-1755, Ernst Ludwig Creite, 1754 - 1755 print At the top of the portrait of Prince Willem V as a child. It is surrounded by cherubies. Central to the print Het Oude Hof in The Hague (the current Noordeinde Palace), which the Oranges in 1754 by Frederik 'Bought back'. Left and right of the image and the allegorical figures Fortuna and Neptune respectively. In the inscription Links, reference is made to Princess Anna van Hannover who turns the Oude Hof into a new court of Orange. At the bottom of the print the coat of arms and the motto of the Oranje-Nassau family. Around the shield weapon and ornaments. The print has several Dutch and German inscriptions print maker: The Hagueafter design by: The HagueNorthern Netherlands paper etching / engraving / letterpress printing Luck, Fortune, Lot; 'Fato', 'Fortuna', 'Aurea fortune', 'Good luck', 'peaceful luck overo Clemente', 'fate' (Ripa). (story of) Neptune (Poseidon) Noordeinde Pal

Hermanus Boerhaave teaches a group of students, Jacob Folkema, 1756 print Hermanus Boerhaave teaches a group of students about the medicinal power of herbs. Behind his back a book wall. In a niche in the room is an image of Apollo. On the right, through a large arch, a botanical garden can be seen. Above this performance an author's portrait. paper etching Botanic Garden, Garden Botanicus' (+ scholar, scientist (at work)). "Master with students' ~ university. Medicament, Medicine

Netherlands, Memorial to the peace of the mainland, Allegory of the Peace of Campo Formio, 1797, verso - stamped, 17 October 1797. The French Maid shakes hands with the Austrian Emperor. France is accompanied by the Maidens of Switzerland and the Batavian Republic and by Victory, who carries a shield with the portrait of Napoleon and holds the document of the peace treaty in her hand. The print comes with a sheet with an explanation of the representation., print, prints, Frederik Muller History plates, height 475 mm, width 532 mm, print maker, printmaker, 1797 - 1797, paper, papier, etching, engraving, engraving (printing process)

Allegorical dedicatory plate to King Ferdinand IV (1751-1825), engraving by Giovanni Volpato from a drawing by Fischetti, from Antichita di Pozzuoli - Puteolanae antiquitates (Antiquities of Pozzuoli), by Paolo Antonio Paoli, plate 3, 1768, Naples.

Representation of a sacred Isiac ceremony; in the lower painting, a dog running after a deer and a tiger in front of it, Herculaneum, Campania, Italy, engraving by Nicola Vanni from a drawing by Pozzi, from Le antichita di Ercolano esposte (The antiquities of Herculaneum exposed), Vv.Aa., volume II, plate 60, 1757-1787, Naples.

Title page for: Salomon van Rusting 'Nieuw-Bouw der Genegen-Konst', 1706, Jan Luyken, 1706 print Amsterdam paper etching physician, doctor. ward; room (in hospital)

Title page for Index Batavicus, or name role of the Batavise and Hollandse Schrijvers, Hillebrand van der Aa, after Willem van Mieris, 1701 print The Dutch Virgin is sitting on the Dutch Lion with a cat on her lap. Two banners with lion and cat. On the left in the background a bookcase with the weapons of the seven provinces, to the right view of a landscape with two villages by the sea. Leiden paper engraving / etching personifications of countries, nations, states, districts, etc. Netherlands

Chairman Midderigh of the National Assembly gives the French envoy de la Croix de Broederkus, 1798; The Chairman Midderigh gives the Franschen Heet de La Croix de Broederkus, den 21 Jan.ij 1798.in the Meeting Room of the National Assembly, Chairman Johannes Henricus Midderigh Gives The French Ambassador Charles Delacroix de Broederkus, January 21, 1798.

A newly married couple walks through a garden The man points to a flame referring to their love They are accompanied by the personified Duck Dynasty and a woman with a dove on her hand, referring to marital fidelity In the background a view of Dordrecht, the place where the couple married The representation is framed in a cartouche with the couple's arms and initials, Vignette on the marriage of Willem de Neve Abrahamsz and Geertruide de Bruin, print maker: Jan Caspar Philips, (mentioned on object), Jan Caspar Philips, (mentioned on object), Amsterdam, 1759, paper, etching, engraving, h 127 mm × w 150 mm

Raimund from Peñafort.

Visit to Hanover Sophia Dorothea baby bed; The maternity bed of the Queen of Pruyssen, who liked to be happy on November 9, 1723 of a princess that Anna Amalia is. Sophia Dorothea van Hannover, Koningin-Gemalin van Prussen, lies in the baby bed after the birth of Anna Amalia. On the left is a chamber of honor with the little princess on her lap. Different hovelings watch. Bottom left a three-legged text in Dutch with an explanation of the performance and the same explanation in Latin.

Tuscany Siena Poggibonsi S. Lucchese85. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

. Portrait of the Baptist Summer Bank. The portrait is surrounded by the paraphernalia of the Schutterij in Amsterdam, where he was Colonel.

Near Dordrecht; 2 States.

Mars with raised sword for a city on fire, Jan Luyken, 1691 print Mars with raised sword for a city on fire. Above this performance the display of the triumph gates on the Grote Markt and the place, prepared for the entry of King William III in The Hague. Under the triumph gate at the Buitenhof in The Hague. Amsterdam paper etching (story of) Mars (Ares). triumphal arch Large market. Buitenhof

The Mayor Citizen. (IT)

Philipp Maria Visconti, Duke of Milan.

Portray Van Oruç Fasting Hızir Reis (Horuccius en Hayreddin Barbarossa), Ignatius Lux, 1659 - 1713 print The Ouuç and Hizir Reis brothers, also known as Horuccius and Hayreddin Barbarossa, were rulers of Algiers, Admiralen and Cape Folders. Hizir also conquered Tunis. Amsterdam paper etching pirate, corsair, buccaneer. historical persons. commander-in-chief, admiral

Odijk deelt geld uit aan de boeren, 1672.Odijk, representative of the first noble of Zeeland, shares money in vain to the rebellious farmers, 1672. With caption of two rules. Illustration No. VI At a poem by Petrus Johannes Beronicius about the rebellious Zeeland farmers and the Tumult in Middelburg around Mayor Philip van den Brande on July 21, 1672.

Cornelis de Witt accused of conspiracy against the life of the prince, 1672, 1675 print Cornelis de Witt framed and accused of conspiracy against the life of the Prince William III, August 1672. Fragment of the great print about the De Witt brothers: Witten Wonder Spiegel (1675). Northern Netherlands paper etching The Hague

Cartoon on the interference of Louis XIV in the English throne follow-up, 1689; Arlequin deodat, et pamirge hypochondriaques; Le Doctuer Parlant à l'Assamblée / The Dutch Doctor, and the Forreigne Patient; Cartoon on Jacobus II and Louis XIV and the events in the years 1688-1689. Cartoon on the interference of Louis XIV in the English throne education, 1689. Maternity room in which Queen Maria of Modena is in bed and is visited by a German doctor who looks at her urine. In the middle an angry Louis XIV (Harlekijn) stopped by Willem III, left three algegrin or Turks. In the front floor on the left, Cardinal Von Fürstenburg gets a Lavement, on the right the child Jacobus Frans Eduard, the poor child (the Prince of Wales) with a mill with two minuses that take an oath of silence. With caption of 2 times 2 lines in Dutch and on blade under the show a 2 verses of 2 columns each with an explanation of the numbers 1-12 in French and English.

Wilhelm II, Prince of Orania, Count of Nassau Allegoric scene on his marriage with Maria Stuart, Princess of England (May 12, 1641): The newlyweds (he is fifteen, she is ten years old, but looks a bit older) in the Center on a two-stage, covered, with flowers scattered estrade standing, reaching each other the right hand; About the Holy Spirit in the form of a radiant pigeon and three winged genius floating; Two of them hold over the pair of two laurel wreaths; Maria stands on the right of Wilhelm, because her ranked as one of a kingdaughter of two stages higher than that of the groom, which comes from a small memorable-grievous family; Due to the marriage, Wilhelm may be on its level; The parent pairs of the bridal couple sit in lateral assignment to their children in the ranking of their time: the English Royal Pair of Karl I and Henriette under two-stage throne sky; Specially designed in front of them; Wilhelm's parents, excited, under colour; The held command and the helmet stored

Vignette with the city coat of arms of The Hague, David Coster, after Jan Baptist Xavery, c. 1700 - in or before 1752 print The crowned city coat of arms of The Hague, with justice and caution on either side. paper engraving Coat of Arms (Symbol of Sovereignet). Justice; 'Strength to the justice subject', 'justice', 'Recto justice', 'rigorous justice', 'pity and violence subject to justice' (Ripa). Prudence, 'Prudentia'; 'Prudence' (Ripa) ~ One of the Four Cardinal Virtues

Prince, was a counselor, palatine, or a Courtier and noblest of all; with additions and notes by their political Martin Neurath

Stair of the old age. A staircase of the age: a woman staircase. On the stairs of the stairs, in the form of a bridge, women are between 0 to 100 years. Under the bridge a representation of the last judgment. Left a putto and the front right. On either side of the show a tree. Under the show a 24-arrangy fresh in six columns. Left and top right and in the middle of cartouches with text. Numbered bottom left: 29.

A high plumed knight stands on a platform with the coat of arms of Jerusalem. He shakes hands with a man and woman, both dressed in rich garb. Behind the knight stands a bishop, in the background the embarkation of an army., Knight with the coat of arms of Jerusalem Title page for: Louis Maimbourg, Historie der kruisvaarders, tot de Verloss van't heilig land, 1683, print maker: Jan Luyken, (mentioned on object), publisher: Timotheus ten Hoorn, (mentioned on object), Amsterdam, 1683, paper, etching, h 185 mm × w 143 mm

Daniël condemns the elders, Abraham de Bruyn, 1570 print In the court, Daniël accuses the elders of Meineed and proves this by each questioning them separately. They are found guilty and taken along. The print has a Latin caption. The series depicts the story of Susanna (Daniël 13: 1-64). Antwerp paper engraving Daniel exposes the elders as deceivers

Diana returning from the chase, accompanied by dogs and her nymphs at left, two satyrs at right ca. 1808 Robert de Launay The print is incorrectly titled "Venus revenant de la chasse" (Venus returning from the chase) on the plate.. Diana returning from the chase, accompanied by dogs and her nymphs at left, two satyrs at right. Galerie du Palais Royal. Robert de Launay (French, Paris 1749-1814 Paris). ca. 1808. Engraving. Prints

Flood of the Rhine and De Waal, Adolf van der Laan, After Louis Fabritius Dubourg, 1734 print View of a flooded landscape where figures and animals float on rafts and boats in the water. The show is caught in an architectural accompaniment with the river gods of the Rhine and Waal on the left and right. paper etching flood. raft. river-gods

Venus complains to Jupiter about the fate of Aeneas. Venus with Cupid to her leg complains to Jupiter, standing on an eagle over Juno with links from him Mercury

St Bartholomew's Hospital, London: a stained-glass window showing Henry VIII. Stipple etching by W. P. Sherlock after himself.

. Leaf with five representations of the revolution in England in the years 1688-1689, centrally king William III who attached Parliament's session.

Fokke, Simon, Netherlands, Meer, Noach van der (II), The Petition of the Nobles delivered to the Governess of the Netherlands, in the year 1566, The presentation of the Petition to the Duchess of Parma, 1566, The presentation of the Petition by the league of nobles to the Governess, the Duchess of Parma, in the palace at Brussels, 5 April 1566., print, engraving, historical print, prints, Frederik Muller Historical plates, height 169 mm, width 193 mm, 1741-04-16 - 1822-02-20, print maker, printmaker, 1752 - 1822, third quarter 18th century, fourth quarter 18th century, first quarter 19th century, paper, papier, etching, etchings, Work conception, Northern Netherlands, 1712-09-01 - 1784-04-10

France, Paris, engraving to present first performance of Carmen at Opera Comique

Paris, Mariette, Pierre (II), France, Lepautre, Jean, Vases à la moderne, Jug turned to the left, recto upper right, outside the plate edge - handwritten in pen and brown ink, The foot of the jug consists of seahorses ridden by putti with tridents., print, engraving, ornament print, prints, engravings, ornament prints, 16, height 223 mm, width 150 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1659 - 1659, third quarter 17th century, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, 1634 - 1716, publisher

Louis XIV (king of France), Paris, Poilly, François de (I), France, Lepautre, Jean, Jugs, Jug with two satyrs, The jug stands on a balustrade of a balcony with people, the handle points to the left. From a series of 6 sheets, second edition., print, ornamental print, prints, ornamental prints, height 194 mm, width 130 mm, Work conception, French, 1618-06-28 - 1682-02-02, after a design by, 1669 - 1693, third quarter 17th century, fourth quarter 17th century, paper, papier, etching, etchings, print maker, printmaker, Publication (Event), Publication, 1623 - 1693-04-01, publisher, uitgever, 1638-09-05 - 1715-09-01, granter of privilege

Passe, Simon van de, unknown, Portrait of Anna Bille, Landscape with an altar with the portrait of Anna Bille. On the altar lie an open songbook and various musical instruments. Above them is the name of the person portrayed and the text in Latin. In the margin a two-line caption in memory of the portrayed person in Latin., print, prints, height 149 mm, width 96 mm, Noord-Nederlands, 1595 - 1647-05-06, print maker, printmaker, 1605 - 1647, paper, papier, engraving, engraving (printing process), Work conception, after own design by

Pilatus washes his hands in innocence, Antonie Wierix (II), After Maerten de Vos, 1582 - 1586 print Christ is sentenced to death and removed. Pilatus washes his hands in innocence. Before servants and soldiers, he washes his hands in a bowl of water. The show is caught in an ornamental frame that is decorated with animals and plants. print maker: Antwerppublisher: Amsterdam paper engraving Pilate washing his hands (in innocence). plants; vegetation. animals

Barbarigo, Giovanni Francesco, Audenaerd, Robert van, Rome, Numismata virorum illustrium ex Barbadica gente, Portraits of Andrea and Giorgio Barbarigo, with the Spanish king and the personification of Venice, verso - stamped, Pedestal in the form of a cartouche. On it a medallion with the portraits of Andrea and Giorgio Barbarigo on the front. They wear a cuirass or breastplate. On the back Victoria. The pedestal is surrounded by the Spanish king (Philip II), the pope and the female personification of Venice (as a dogana with a doge's hat). The king and the dogana shake hands. The print is part of an album., print, album leaf, prints, height 220 mm, width 236 mm, 1663 - 1743, print maker, printmaker, 1673 - 1743, paper, papier, engraving, engraving (printing process), Work conception, after own design by, Italian, 1658-04-29 - 1730-01-27, client

Harstall, Hans Wilhelm von.

Historical piece where we notice the King of Portugal and the deputies of Catalonia imploring the rescue of Louis XIII (IT)

Grand Cameo of France, with Emperor Tiberius in the center, cameo in onyx, circa 23 AD, illustration from Teatro universale, Raccolta enciclopedica e scenografica, No 527, August 17, 1844.

Amsterdam receives the Keizerskroon from Emperor Maximilian, 1636 - 1638 print Keizer Maximilian sitting on a throne puts the emperor crown on the weapon of Amsterdam in the hands of the city -killing of Amsterdam. Presentation from the entry of Maria de Medicis in Amsterdam in 1638. Northern Netherlands paper etching / engraving personification of a city, town-patron(ess) Amsterdam

States of Holland and West Friesland, Amsterdam, Allard, Carel, Northern Netherlands, Hooghe, Romeyn de, Wilhelmus Rex & Maria Regina, Allegory of the coronation of William and Mary as king and queen of Great Britain, 1689, 21 April 1689. The couple sitting in front of a draped curtain, sceptres in their hands. On the left some spectators, in the background the palace of Whitehall in London. At the bottom the coat of arms of Great Britain and medallions with portraits of previous English kings. On either side and below the representation the genealogies of the kings of England and Scotland and of the princes of Orange, in 6 columns in Dutch., print, propaganda print, prints, Frederik Muller Historieplaten, height 520 mm, width 605 mm, Noord-Nederlands, 1645-09-10 - 1708-06-15, print maker, printmaker, 1689 - 1689, fourth quarter 17th century, vier kwart 17e eeuw, paper, papier, etching, etchings, letterpress printing, boekdruk, Publication (Event), Publicatie, Nederlands, 1648-01-19 -

View of Utrecht with the Dom tower in the center Below are seated before a wall the four cardinal virtues Moderation, Strength, Justice and Prudence Behind them is the bust of Emperor Justinian I The whole is contained in an ornamental frame, crowned by the coat of arms and motto of Utrecht University, View of Utrecht and the four cardinal virtues, print maker: Noach van der Meer (I), (mentioned on object), publisher: Johannes Broedelet, (mentioned on object), Utrecht, 1745, paper, etching, engraving, h 229 mm × w 183 mm

Frontispiece for "The Calendar of Saints". Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Leicesters meal at the town hall in Amsterdam, October 4, 1587, Simon Fokke, 1722 - 1784 drawing Meal of the count of Leicester at the town hall in Amsterdam, where mayor P.C. Boom The attack by Leicester on the city Vijdelt, October 4, 1587. Design for a print. Northern Netherlands paper. ink. pencil pen / brush celebration meal, feast, banquet. historical events and situations City Hall of Amsterdam (14th century-1652). Amsterdam

Sadeler, Raphael (I), unknown, Venice, Johann (I), Florence, Straet, Jan van der, Schema, sev specvlvm principvm, seu speculum principum, Main activities of a prince, Frontispiece for a series on the qualities of a prince, Authority (Potestas), Prestige (Nobilitas) and Benevolence (Liberalitas), verso lower left - stamped, Frontispiece with the female personifications of three important qualities of a prince: Authority (Potestas), Prestige (Nobilitas) and Benevolence (Liberalitas). Potestas carries a palm branch and a scepter. Nobilitas sits on a throne with the coats of arms of the Duke of Savoy and the Habsburgs. Liberalitas holds a globe and empties a purse of money. The print has a Latin caption., print, title print, prints, height 222 mm, width 283 mm, South Netherlandish, 1550 - 1600-08, print maker, printmaker, 1597 - 1597, paper, papier, engraving, engraving (printing process), etching, 1523 - 1605-11-02, intermediary draughtsman, after a drawing by, Publication (Event), Public

Turnhout, Brepols, Philippus Jacobus, The stable of Bethlehem, or the birth of Jesus Christ, verso - stamped, The adoration by the shepherds. On the left a woman with a jug on her head. Text in letterpress in Dutch all around. Entirely surrounded by a decorative border. Numbered lower right: N. 12., print, prent, volksprent, prints, prenten, volksprenten, height 400 mm, width 344 mm, Publication (Event), Publicatie, Belgisch, 1778 - 1845, publisher, uitgever, 1800 - 1833, paper, papier, houtcut, kleuren, letterpress printing, boekdruk, print maker, prentmaker

Copper engraving print by Meister des Lebens Mariae und Christi depicting the triumph of fame, created between 1470 and 1490.

Antwerp, Aertssens, Hendrik, Quellinus, Erasmus (II), Jode, Pieter de, Title page for: Antonius Anselmus, Placards, ordinances, land charts, incomes, privileges, and instructions, 1648, Placards and ordinances of the dukes of Brabant, princes of these Netherlands, Duke with personification of a city, verso - stamped, A duke on a throne. On the canopy above the throne are various symbols. The duke is flanked by a statue of Justice (Justitia) and Prudence (Prudentia). With his right hand he hands a paper to a female personification of a city. She is crowned with a mural crown. A lion with the coat of arms of the dukes of Brabant lies at her feet., print, engraving, title page, prints, engravings, Bibliotheqe royale de Belgique, Double exchanged on sale, height 295 mm, width 175 mm, print maker, printmaker, 1648 - 1648, paper, papier, engraving (printing process), Work conception, South Netherlands, 1607-11-19 - 1678-11-07, after a design by, Publication (Event), Publication, 1622 - 1663,

Jacques Callot, Philippi Appos., 1632, etching on paper.

Train distance of Karel V, 1555, 1756 - 1758 print Charles V's abdication on October 25, 1555 in which he transfers the government of the Netherlands to his son Philip. Throne room with the emperor standing in front of the throne, with an arm leaning on the shoulder of young Willem van Oranje, in front of them is Philip. Northern Netherlands paper etching voluntary abdication (of a ruler) Palace on the Koudenberg

The happy childbirth of the Queen, of Monseigneur Le Dauphin, born October 22, 1781 Anonymous, at Basset. The happy childbirth of the Queen, of Monseigneur the Dauphin, born October 22, 1781. Etching.

Two gift jug; VASES OU BURETTES A LA ROMAINE. On the body of the pouring jet on the left is an oval medallion with a bust of Christ.

The Bench, William Hogarth, 1697-1764, British, 1758, Engraving on wove paper, Sheet: 12 3/8 x 8 1/4in. (31.4 x 21cm)

Troon distance by Charles V, 1555; Series 2: Events in the Netherlands, 1555-1558. Karel V Distance from the throne, October 25, 1555. In the throne room kneels Philip for his father. Links Granvelle, right Margaretha van Parma and Vliesridders. In front of a full meeting of the States General standing in front of wooden banks with cushions. The walls decorated with tapestries. With caption of 12 rules in German and 5 rules in French.

Deathbed of Frederik Hendrik, 1647, Cornelis van Dalen (I), After Adriaen Pietersz van de Venne, 1647 print The deathbed of Frederik Hendrik. The prince is comforted by the pastor J. Goethals in his last moments. The immediate family members of the prince and various drivers have gathered around the bed. They are indicated by figures in the show. In the Legenda 1-15 under the show are the corresponding names. paper engraving deathbed

Plate 1: a man sings and plays the hurdy gurdy, accompanied by a boy playing the triangle to right, a group of peasants dancing in a ring to left in background, title page for 'Diversi capricci' ca. 1644-47 Stefano della Bella Italian. Plate 1: a man sings and plays the hurdy gurdy, accompanied by a boy playing the triangle to right, a group of peasants dancing in a ring to left in background, title page for 'Diversi capricci' 409990

Dutch Virgin flanked by Mars and Mercury, print maker: Johannes Willemsz. Munnickhuysen, Gerard de Lairesse, Zacharias Chatelain I, 1677 and/or 1730

Keizer Augustus, Ceres, Cybele en twee riviergoden; Titelpagina voor: Vergilius en Joost van den Vondel, Publius Virgilius Maroos wercken, 1659.Emperor Augustus sitting on an eagle surrounded by soldiers. Byond the left ceres with corn sheaf, cornucopia and cattle, a cartouche in the middle with title and right cybele and wild animals. On the underside two river gods as a personification of the Xanthus and the tiber, the wolvin that suckles romulus and remus and a swan. Vergilius was also called the Mantuese swan, the story of Aeneas was his swans song.

Paris, Bonnemer, Marin, Seven liberal arts, Minerve, mere de tous les Artz. Grammar, Minerva and Grammar, verso - stamped, print, prints, height 385 mm, width 487 mm, print maker, printmaker, 1563 - 1573, paper, papier, houtsnede, Publication (Event), Publicatie, publisher

A shield containing a group portrait of various doctors and quacks, including Mrs Mapp, Dr. Joshua Ward and John Taylor. Etching by W. Hogarth, 1736, after himself.

Paris, Mariette, Pierre (II), France, Lepautre, Jean, Vases à la moderne, Jug turned to the left, recto upper right, outside the plate edge - handwritten in pen and brown ink, The jug has a foot in the shape of a young man sitting on a dragon., print, engraving, ornament print, prints, engravings, ornament prints, 14, height 219 mm, width 147 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1659 - 1659, third quarter 17th century, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, 1634 - 1716, publisher

Coat of arms of Johan Willem Friso with a crown Around it two allegorical figures with objects On a pedestal a line of Latin text, Coat of arms of Johan Willem Friso, prince of Orange-Nassau, print maker: Wouter Jongman, (mentioned on object), Gabriël François Louis Debrie, (mentioned on object), Amsterdam, 1712 - 1744, paper, engraving, etching, letterpress printing, h 69 mm × w 135 mm

Successeur de Charlemagne , Emperors, William I, German Emperor, 1797-1888. Honoré Daumier (1808-1879). Lithographs

Burgerwoman and Koppelaarster, 1641 Two performances on an album magazine. On the left the fictional portrait of a civilian woman from the street of S.D. In the background a church building, two talking women and a market stall. On the right a coupler (Jacquemijn Picard) with a basket around her arm and a rosary in her hand. A couple in love in the background. Among them two quatrains in Dutch. The print is part of an album. Amsterdam paper engraving / letterpress printing Two performances on an album magazine. On the left the fictional portrait of a civilian woman from the street of S.D. In the background a church building, two talking women and a market stall. On the right a coupler (Jacquemijn Picard) with a basket around her arm and a rosary in her hand. A couple in love in the background. Among them two quatrains in Dutch. The print is part of an album. Amsterdam paper engraving / letterpress printing

The Last Judgment. Dated: c. 1480/1490. Dimensions: sheet: 35.6 x 49 cm (14 x 19 5/16 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Francesco di Lorenzo Rosselli after Fra Angelico.

Genoa Obsesses. y ...

Lambert Suavius, The Blind Prince, c 1550 The Blind Prince

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