Allegorical Prints of the Netherlands

Engravings depicting allegorical themes related to Dutch history, featuring figures like Neptune, Mercury, and representations of the Republic, emphasizing power and culture.

Antwerp, Rubens, Peter Paul, Eynhoudts, Remoldus, Mary with child and saints, verso - stamped, Mary shows her child to the surrounding saints, including Bonaventure, Mary Magdalene and George, with the dragon he defeated in the foreground. Hieronymus sits on a lion with a bible under his arm. In the air, putti hold a wreath of flowers above the Christ child., print, prent, prints, height 272 mm, width 219 mm, 1613 - 1680, print maker, printmaker, 1638 - 1680, paper, papier, counterproof, tegendruk, etching, etchings, Zuid-Nederlands, 1577-06-28 - 1640-05-30

Print made by Jacob Gole, 1660-1737, Dutch, Susanne, surprise dans le bain par les deux vieillards, undated. Mezzotint on medium, slightly textured, cream laid paper.

Wilhelm von Aquitaine, saint.

Esther faints before the fierceness of Ahasuerus. Engraving by J. Frey after D. Zampieri, il Domenichino, ca. 1628.

Dancing couple, Heinrich Aldegrever, 1551 print Man with raised arms and curved knees dancing next to a woman. He holds her hand. From a series of eight prints with dancing wedding guests. Germany paper engraving dancing at wedding feast. one pair dancing; man and woman dancing as a couple

Keizer Hadrianus in bad.Emperor Hadrian is taking a bath. Dozens of slaves take care of him. Hadrian meets an old soldier who tells him that he doesn't have slaves to scrub the back. He himself scrubs with his back against a stone to get it clean. Hadrian gives the old soldier slaves so that he no longer needs to scrub his back myself.

Wszyscy Święci w MNK unknown Italian artist

Flight to Egypt, Anonymous, After Lucas Vorsterman (I), After Peter Paul Rubens, 1620 - 1670 print paper engraving the flight into Egypt: Mary, Joseph, the child (and sometimes others) on their way; Mary usually riding on an ass

Flora stabbed by one. View in a garden at a palace. A group of figures under a tree. In the foreground is Flora, which has just been inserted by one. A swarm of bees flies from flora to the tree.

David with the Head of Goliath: David with the Head of Goliath, 1620s-1630s. Pieter Serwouters (Flemish, 1586-1657), after Lucas van Leyden (Dutch, 1494-1533). Engraving; sheet: 26.5 x 18.7 cm (10 7/16 x 7 3/8 in.); border: 25.9 x 18.4 cm (10 3/16 x 7 1/4 in.).

Title page by Jan Luijken 'The Educational House Council', 1711. A woman points to an open book in which home board is depicted. Another woman and three children listen to her.

Allegory of caution and innocence, Hieronymus Wierix, 1563 - Before 1573 print A woman is sitting on an elevation, a drapery is tense above her. There is a few pigeons on her lap (reference to virtue innocence) and in her hand she holds a number of snakes (reference to virtue of caution). A lawsuit is going on on the left in the background. In the margin a four -line caption, in two columns, in Latin. Antwerp paper engraving Prudence, 'Prudentia'; 'Prudenza' (Ripa) ~ one of the Four Cardinal Virtues. Innocence; 'Innocenza', 'Innocenza o purití' (Ripa). administration of justice, trial

Psyche is visited by her sisters, master of the dice, after Michiel Coxie (i), c. 1530 - c. 1560 print Psyche receives a visit from her two sisters. At the top right, the sisters for Zephyrus (the personification of the Westenwind) are brought to Psyche. Italian text in two cartouches in STUDMARGE. Twice numbered bottom left: 11. paper engraving Psyche's sisters are brought to her by Zephyrus

Spranger, Bartholomeus, Antwerp, Jode, Pieter de (I), Venus and Mercury, verso lower left - stamped, Mercury and Venus, in an embrace. Above them flies Amor. In the margin a two-line caption in Latin., print, prent, prints, prenten, height 171 mm, width 125 mm, Zuid-Nederlands, 1570 - 1634-08-09, print maker, prentmaker, 1590 - 1632, paper, papier, engraving, engraving (printing process), Work conception, 1546-03-21 - 1611-08

Gesprek bij een fontein.A young man and two young women are sitting under a balustrade in a garden. The man is sitting on the edge of a large fountain. The women sit with their back to a second fountain with a picture of Amor with bow and torch.

Title page for Hendrik van Halmael, generatively Zed's Saws, a few with two violin, Amsterdam, 1712, Pieter van den Berge, 1712 print A woman makes notes in a book. A string orchestra plays in the background, a number of female figures look down from the sky. Amsterdam paper etching / engraving small group of musicians, chamber orchestra, jazz band

Giorgio Ghisi after Francesco Primaticcio, Three Muses and a Gesturing Putto, 1560s Three Muses and a Gesturing Putto

Flight to Egypt. .

Connection Coring; Passeling story. Christ sitting on a stone sofa and surrounded by five men, gets a thorn crown pushed on his head. Seventh print from a series of twelve.

Saints Piotr and Paweł against the background of the landscape (two old people against the background of the landscape). Leyden, Lucas van (1494 1533)

Sadeler, Johannes (II), Johann (I), Italy, Carracci, Annibale, Brizio, Francesco, Reni, Guido, Maria met kussen, verso - stamped, Maria sits before a wall with a cushion on her lap. Next to her stands the young Christ. Christ Looking Down at a Crow., print, prints, height 150 mm, width 116 mm, Italian, 1575-11-04 - 1642-08-18, print maker, printmaker, 1585 - 1642, paper, papier, etching, etchings, 1574 - 1623, 1560-11-03 - 1609-07-15, Work conception, after a design by, Publication (Event), Publication, South Netherlands, 1550 - 1600-08, publisher, uitgever, Publicatie, - 1665

Hyrkanus cut off the ears in prison, Jan Luyken, 1704 print Amsterdam paper etching prison, jail. violent death by removal of parts of the body by cutting, sawing, tearing - EE - death not certain; wounded person

The Holy Family with the infant St John the Baptist at right 1650-57 Bartolomeo Biscaino Italian. The Holy Family with the infant St John the Baptist at right 399808

Pellegrino Tibaldi (Attributed to) / 'Woman at a Window, Pouring Water from a Jug onto the Head of a Bearded Elder, Who Holds an Open Book in Both Hands, which a Young Woman Tries to Seize'. Second half of the XVI century. Graphite on paper. Museum: Museo del Prado, Madrid, España.

Three Muses and a Gesturing Putto, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau 1560s Giorgio Ghisi Italian. Three Muses and a Gesturing Putto, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau 367603

Noli me tangere 1730-39 Pietro Monaco. Noli me tangere. After Francesco Solimena (Italian, Canale di Serino 1657-1747 Barra). 1730-39. Etching. Prints

. Standing woman as a personification of grammar with a writing tablet in her hands. Around her are five children to write, in the background an old man.

A half-naked woman is seated on an elevation holding a cross and an anchor. Around her are a number of putti working with a freedom hat, firewood and buoys. In front of the elevation there are a number of allegorical figures, Title card for part 1 of 'Historie der Reformatie, en en enre kerkelyke geschiedenissen, in en ontrent de Nederlanden' by Geeraert Brandt Historie der Reformatie , print maker: Romeyn de Hooghe, (mentioned on object), Romeyn de Hooghe, (mentioned on object), Amsterdam, 1671, paper, etching, h 172 mm × w 123 mm

Mercury seeks trade and shipping. From the air, Mercury watches the personal trade (caduceus) and shipping (sailing ship in minusatian) with a bazuin in his hands. A putto brings the trade a horn filled with coins, behind this looks a second putto packaged merchandise. Personified shipping is behind the trade and has put a hand on her shoulder. Behind this group of figures is on a high base a statue of the peace (olive branch), flanked by a trumpet blowing angel. On the right is in the foreground a large globe, behind this view of a port.

Print made by Adamo 'Ghisi' Scultori, ca.1530-1585, Abraham and Isaac, Ancestors of Christ, 1550 to 1585. Engraving on medium, slightly textured, cream laid paper.

Drawing by Benedetto Luti showing Maria and Joseph with three angels, created with chalk, gray lavated, and octagonally cropped.

Italy, Guercino, Amsterdam, Falck, Jeremias, Queen Semiramis receives news of the Babylonian revolt, verso - stamped, Queen Semiramis, holding a lock of hair in her hand, looks from her chair at a man pointing. Behind the queen is a lady-in-waiting with a comb in her hand. In the background is a mountain landscape., print, engraving, prints, height 298 mm, width 390 mm, 1609 - 1677-02-07, print maker, printmaker, 1655 - 1677, paper, papier, engraving (printing process), Italian, 1591-02-08 - 1666-12-22

Plate 12: Psyche's sisters persuade her a serpent is sleeping with her, from 'The Fable of Psyche' 1530-60 Master of the Die Italian. Plate 12: Psyche's sisters persuade her a serpent is sleeping with her, from 'The Fable of Psyche' 396421

Verona, Angolo del Moro, Battista, Madonna and child with saints, verso - stamped, Madonna and child with saints. In the background is Joseph pointing with his right hand., print, prent, prints, height 278 mm, width 203 mm, Italian, 1514 - 1575, print maker, printmaker, 1524 - 1575, paper, papier, etching, etchings

Triumphant David with the head of Goliat, Jan Saenredam, After Lucas van Leyden, 1600 print David is on the right with a large sword. Goliat's head is spied on the sword. There are some singing and musician women in front of him. Under the show a two -line, Latin text with a description of the scene from 1 Samuel 18. Print Maker: Northern Netherlands Figter Design by: Leiden paper engraving David's triumph: the women of Israel come out to welcome David, singing, dancing, and playing tambourines and lyres; David holding the head of Goliath

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Allegory at the death of Vice-Admiral Zoutman, 1793, Jan Kobell (I), 1793 print Allegory of the death of Vice-Admiraal J.A. Zoutman, 7 May 1793. The Dutch Virgin crying at a burial monument for Zoutman. On the monument a performance of the sea battle at Doggersbank against the English on 5 August 1781. With eight -line verse in caption. print maker: Northern Netherlandspublisher: Amsterdam paper etching / engraving grave-building, monumental tomb. personifications of countries, nations, states, districts, etc.. Freedom, Liberty; 'Libertí' (Ripa) (+ abstract concept represented by female figure). battle (+ naval force) Netherlands

Picart, Bernard, Amsterdam, Allegory of the French economy with the portrait of Philip II, Duke of Orléans, verso lower left - stamped, Portrait of Philip II, Duke of Orléans. On the left sits the sad personification of France, with an empty horn, bonds and promissory notes at her feet. Behind the portrait a winged woman with an hourglass, surrounded by clouds, who refers to the Wind Trade and the time that will come. Mercury points France to the portrait of the duke, who in 1716 gave the Scottish economist John Law permission to set up a bank to stimulate the French economy. Minerva points to a horn with money. Next to it sits an Indian with a map of Louisiana, where Law founded a company that operated the state bank. In the background on the right, soldiers are defending the French Banque Royale, which is being stormed by the people because of the unrest resulting from the Wind Trade of 1720., print, engraving, letterpress printing, book illustration, prints, height 125 mm, width 199

Who hits the pigs, has lost his pennings, before he knows it, Hendrick Goltzius (attributed to workshop or), after Karel van Mander (I), 1590 - 1594 print Two boys are about to break their piggy bank with a hammer. A poor old man who leans on a stick points out to them that they might be able to keep saving even better. Otherwise it is going to them as him. The man makes a gesture with three vast fingers. paper engraving money-chest, treasure-chest, money-box. proverbs, sayings, etc.

Suzanna and the elders, Jacob Gole, after Antoine Coypel, 1675 - 1724 print Suzanna is attacked by two elders during her bath. She stands by a fountain while one of the men touches her and the other makes a gesture to silence her. Amsterdam paper engraving the story of Susanna and the elders (in which the youth Daniel intervenes on behalf of Susanna) (Daniel 13). garden fountain

Titelpagina voor: Nepos 'Life Excellentium', 1734, Jan De Wit, 1734 print Title page for: Cornelius Nepos 'Vitae Excellentium', 1734. In the foreground a personification of history accompanied by father Tijd and Faam. At the feet of father time is an inverted horn of abundance. print maker: Northern Netherlandspublisher: Leiden paper engraving Father Time, man with wings and scythe. Fame; 'Fama', 'Fama buona', 'Fama chiara' (Ripa). 'Historia'; 'Historia' (Ripa)

De Lente, anonymous, after Jan Saenredam, after Hendrick Goltzius, 1601 - 1651 print A boy and a girl in a landscape. The boy shows the girl, with a flower basket in his hand, a bird's nest. At the top right, Cupido focuses his arrow on them. paper engraving spring, 'Ver'; 'Primavera' (Ripa). spring ~ human activities (the four seasons of the year). child robbing bird's nests (+ variant)

Proserpina picks flowers with her companions, Jan Wandelaar, 1700 - 1759 drawing Proserpina picks flowers with her companions; In the background, Pluto is approaching in his chariot. paper. ink pen / brush Proserpina gathers flowers with her companions; Venus, Minerva and Diana may be present; she possibly spots a beautiful flower

Proserpina picks flowers with her companions. Proserpina picks flowers with her companions; In the background, Pluto is approaching in his chariot.

Funeral monument to Joannes Houbakker, pastor and teacher of the Mennonite congregations in Amsterdam, died December 4, 1715. The personification of Faith mourns along with two putti in a church near the grave monument, Grave monument to Joannes Houbakker, print maker: Arnoud van Halen, (mentioned on object), Amsterdam, 1715, paper, engraving, h 159 mm × w 125 mm

Shepherds; BloeMaert, Abraham (1566-1651), Matham, Jacob (1571-1631); 1597-1598 (1630-00-00-1630-00-00);

Print made by Adamo 'Ghisi' Scultori, ca.1530-1585, The Prophet Ezekiel, 1550 to 1585. Engraving on medium, slightly textured, cream laid paper.

The woman and mother of Montigny begged at Anna van Austria to prelude Philip II, 1570; Montigni Montigni Montigni Montigni Anna of Austria, bride from King Philips, for a conveyor, at Haaren groom, for the prisoner. The woman and mother of Montigny begging at Anna van Austria, bride of King Philip II, to prelude the king for the Montigny caught in Spain, August 1570.

Youth with two Old Men. Artist: Anonymous, Italian, 17th century; After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503-1540 Casalmaggiore). Dimensions: sheet: 4 3/4 x 3 3/4 in. (12 x 9.5 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Saint Fran�ois Xavier (DuTUIT 16 page 117) Pierre-Paul Rubens. Saint Francis Xavier (DuTUIT 16 page 117). Burin, 17th century. Museum of Fine Arts of the city of Paris, small palace.

De Morning, Jan Saenredam, After Hendrick Goltzius, 1575 - 1607 print In a departure a mother sits with scissors in her hand on a chair. A sewing basket stands next to her on the floor. She gives one of the two children who are on her lap a sandwich. The girl keeps her hands folded in prayer. The second child has a sandwich in hand. The schoollei hangs on its arm for both. A dog is in a questioning position on the ground. Behind them is the father with the oldest son at a table, on which various books and an ink jar. The rising sun and Aurora, the sister of the sun god, can be seen through the window. paper engraving morning ~ other concepts. personification of the morning, 'Aurora'; 'Aurora' (Ripa). teacher and pupil. family life at home. tools, aids, implements ~ crafts and industries: scissors. home sewing; repair of clothes. taking care of children. personification of the morning, 'Aurora'; 'Aurora' (Ripa)

The idolatry of Solomo, Lucas van Leyden, 1514 print Solomon kneeling for an altar with an idol. One of his women points to the image. Low Countries paper engraving Solomon offers sacrifices to pagan gods (sometimes idols and/or a golden calf upon the altar)

Map of the Supreme Abtor Counter in Callo

Young man in conversation with old woman; Title page for: Jean Baptiste Draouet de Maupertuy and John Barclay, Les Avantures d'Euphormion Histoire Satirique, 1711.A Young man is talking to an old woman. The Woman Leans on a Fountain. Behind Them and Pedestal with Title on Which a Sater is located.

. A young man climbs a rock to get the growing laurel branch.

This 1515-1517 woodcut by Hans Baldung shows Christ with surrounding figures symbolizing the advancement of Christian civilization, focusing on moral and spiritual guidance.

Profeet Joël, Adam Sculptors, After Michelangelo, c. 1585 print The prophet Joël sitting with a scroll. Behind him two small figures, one with a book under the arm. One of the prophets of Michelangelo's ceiling painting. Title in sub -margin and numbered bottom right: 28. Print Maker: ItalyaFter Painting by: Vatican City paper engraving male persons from the Old Testament (with NAME) (not in biblical context)

Hendrick Goltzius (1558-1617); Parmigianino (1503-1540), visit with Elisabeth, 1593

Grammar, Caspar Luyken, 1691 print Standing woman as a personification of grammar with a writing tablet in her hands. Five children are writing around her, an old man in the background. Amsterdam paper etching 'Grammatica' (~ trivium); 'Grammatica' (Ripa). writing tablets

Netdroogster, anonymous, after Marten van Cleve (I), 1555 - 1631 print Medallion with a few in an interior. The woman is sitting in front of a fire to dry a net. Behind her is a man who leans against her chair. On a table a jug and glass. A cat eats a fish at the woman's feet. Around an ambiguous edge in German with a reference to the nocturnal escapades of the woman. paper engraving sensuality. sports, games ~ animals (+ net). after the intercourse

Woman with book and scepter as a personification of philosophy sitting on clouds and feet resting on Globe with next to her two putti, Marcantonio Raimondi, After Rafaël, 1513 - 1517 print Woman with book and scepter as a personification of philosophy is on clouds. Her feet rest on a globe and next to her two putti hold a text board with the text Chauxar. Cognitio. paper engraving 'Philosophia'; 'Philosophy' (Ripa)

Jason and Medea at the altar of Diana; Iasonem Velleris Potiundi Artem Docet Medea; Metamorphoseon Sive Transformationum; Metamorphoses from Ovidius.jason and Medea are hand in hand for the altar of the goddess Diana. Title in Latin in undermarge.

Fontainebleau, Primaticcio, Francesco, Italy, Ghisi, Giorgio, Ceiling paintings in the Galerie d'Ulysse in Fontainebleau, Three Muses and a gesticulating putto, verso - stamped, Three seated Muses. Above floats a gesticulating putto., print, prints, height 291 mm, width 172 mm, Italian, 1520 - 1582-12-15, print maker, 1541 - 1582, paper, engraving, engraving (printing process), Work conception, 1504-04-30 - 1570-09-14

The Persian Sibyl; from the series of Prophets and Sibyls in the Sistine Chapel 1570-75 Giorgio Ghisi Italian As explained by Boorsch (in Boorsch, Lewis and Lewis 1985, p. 164) the dates of 1540 and 1549 engraved on some of the plates from the series is false. The plates should rather be dated to the early 1570s.. The Persian Sibyl; from the series of Prophets and Sibyls in the Sistine Chapel 367701

Pygmalion, from 'Game of Mythology' (Jeu de la Mythologie) 1644 Stefano della Bella Italian. Pygmalion, from 'Game of Mythology' (Jeu de la Mythologie) 412365

Justitia protects innocence against crime, Jacques Louis Copia, After Pierre Prud'hon, 1789 - 1799 print paper etching / engraving Justice; 'Strength to the justice subject', 'justice', 'Recto justice', 'rigorous justice', 'pity and violence subject to justice' (Ripa). Justitia (Justice) as Roman Personification. Innocence; 'Innocence', 'Innocence or Purité (Ripa)

Bliżej Kultury Unknown, Santi, Raffaello (1483 1520)

Susanna and the elders. Engraving by Lucas Vorsterman junior after Cornelis Schut.

The Madonna and Child Enthroned with Saint John the Baptist and Saint Andrew. Dimensions: overall: 31.6 x 18.3 cm (12 7/16 x 7 3/16 in.). Medium: pen and brown ink with brown wash over black chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: Bernardino India.

Mary and Elisabet salute each other, Visitation, print maker: Jacob Matham, (mentioned on object), Paolo Veronese, (mentioned on object), after: Benedetto Caliari, (possibly), print maker: Haarlem, publisher: Amsterdam, publisher: Amsterdam, 1592 - 1596 and/or 1720 - 1777, paper, engraving, h 393 mm × w 219 mm

Franeker, Strick, Leonardus, Amsterdam, Luyken, Jan, Title page for: J. Vorstius, De latinitate merito suspecta, 1698, Six scholars with rolls of parchment on the stairs of a temple, verso - stamped, print, title page, prints, engravings, height 134 mm, width 78 mm, Noord-Nederlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1698 - 1698, paper, papier, etching, etchings, Publication (Event), Publication, publisher

Mater Dolorum. Artist: After Carlo Maratti (Italian, Camerano 1625-1713 Rome); Robert van Audenaerde (Flemish, Ghent 1663-1743 Ghent). Dimensions: sheet: 21 1/4 x 15 5/8 in. (54 x 39.7 cm)plate: 17 1/2 x 11 5/8 in. (44.5 x 29.5 cm). Date: 1701. Museum: Metropolitan Museum of Art, New York, USA.

The Virgin and Child Seated by aWall. Artist: Albrecht Dürer, German, 1471-1528

Repose in Egypt, 1584, Etchings, 16 9/16 x 11 1/2 in. (42 x 29.2 cm), Paper / Sheet 16 9/16 x 11 1/2 in. (42 x 29.2 cm), Stamped, verso, in blue ink G. Locarno M. G. Locarno (Lugt 1691), Cream laid

The element fire; Ignis; The four elements. Presentation of the element fire in the shape of a kitchen maid with a spit in the hands, to which a hare and a bird are strung. In the background a second kitchen maid, in the weather with a cooking pot with a fire. Under the show the Latin name of the element ('Ignis'). This print is part of a series of four elements, each depicted by a figure engaged in an action and sitting / standing in an environment associated with the relevant element. Each performance has the Latin name of the relevant element as a caption.

Beauvarlets copper engraving depicts Susanna overheard by the elders, showing figures, gestures, attire, and garden setting from the biblical narrative.

De Winter, Jan Saenredam, after Hendrick Goltzius, 1601 print A young couple skates hand in hand on the ice. The figures are elegantly dressed according to the fashion of approximately 1600. A dog walks over the ice at their feet. Northern Netherlands paper engraving winter, 'Hyems'; 'Inverno' (Ripa). skates (winter sports). clothes, costume (+ men's clothes). clothes, costume (+ women's clothes)

The tower of Auvergne de Bouillon, Emmanuel-Theodose of.

After: Agostino Carracci, Italian, 1557-1602, Communion of SaintJerome, Engraving, image: 46.6 × 28.8 cm (18 3/8 × 11 5/16 in.), Italian, possibly 17thcentury, Works on Paper -Prints

A 1775 copper engraving by Pierre-Philippe Choffard depicting allegorical figures gathering at the foot of Pierre-Jean Mariette's bust, emphasizing art, drawing, and taste.

Mazarin ... (IFF 211) (TA)

An old man approaches a young woman, who is holding her hand on a jug. She wears a veil in her hair. On the stone column the coat of arms of the Goltzius family. Below the scene a four-line text in Latin, Unequal Love, print maker: anonymous, print maker: Hendrick Goltzius, (attributed to), Hendrick Goltzius, (attributed to), 1602, paper, engraving, h 207 mm × w 122 mm

Zalving to Betania. .

Relief with Amphion and Zethos in the civilian hall of the town hall on Dam Square. Relief with Amphion and Zushos above the door of the custodian room on the east side of the civilian hall in the town hall on Dam Square in Amsterdam. To the right Amphion, playing on his winch, with his brother Zushos behind him. According to the myth, the stones collected by Zethos gathered thanks to the Lierspel van Amphion automatically to form the city wall of thebe. In the background, however, the wall around Thebes is not built here but the Amsterdam town hall. On the one hand, this symbolizes how harmony, arising from music, promotes the growth of the building. On the other hand, it is a message for the regents: harmony within the city administration and a harmonic policy will lead to harmony among residents and will bloom the city. Numbered at the bottom right: XLIV.

Adoration of the Magi. Dated: 1594. Dimensions: plate: 47.3 x 35.2 cm (18 5/8 x 13 7/8 in.) sheet: 47.7 x 36 cm (18 3/4 x 14 3/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Hendrik Goltzius in the style of Lucas van Leyden.

Christ in the House of Martha and Mary. Artist: Anonymous, French, 18th century. Dimensions: Sheet: 12 1/16 × 7 1/2 in. (30.6 × 19.1 cm). Date: 18th century.An engraving of an interior scene with Christ seated in a chair, addressing Mary and Martha, with three men standing behind him in the shadows. The print was published by Jean Mariette (French, 1660-1742), one of the most important print publishers active in Paris in the first half of the 18th century. An attribution to Claude Simpol (French, 1666-1716) has been tentatively propoaed. Museum: Metropolitan Museum of Art, New York, USA.

Reni, Guido, Italy, Coriolano, Bartolommeo, Sibyl, verso - stamped, A sibyl, seated with a writing tablet in her hand. On the right a pile of books, an inkwell and an angel., print, engraving, prints, engravings, height 283 mm, width 196 mm, Italian, 1599 - 1676, print maker, 1609 - 1676, second quarter 17th century, third quarter 17th century, paper, chiaroscuro woodcut, Work conception, 1575-11-04 - 1642-08-18

Companables from Rinaldo are on a bank of Orontes; Two gray-horse ..

Holly family with Parrot, Schelte Adamsz. Bolswert, after Peter Paul Rubens, 1596 - 1659 print paper engraving Holy Family, and derived representations. ornamental birds: parrot. vine

Robert Strange, 1721-1792, British, Belisarius. Engraving on laid paper.

Grammar, Franz Cleyn, 1645 print paper etching 'Grammatica' (~ trivium); 'Grammatica' (Ripa). reading. letters, alphabet, script. education, science and learning

Dubourg, Louis Fabritius, Amsterdam, Tanjé, Pieter, Geneeskunde en Minerva, verso - gestempeld, The personification of medicine with an Aesculapius in her hand in conversation with the goddess of wisdom and science Minerva. They are surrounded by putti and on the left are jars with anatomical preparations in formaldehyde., print, prent, prints, prenten, height 85 mm, width 162 mm, Noord-Nederlands, 1706-02-15 - 1761-06-29, print maker, printmaker, 1716 - 1761, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1693 - 1775-09-16

Amsterdam, Luyken, Caspar, Abraham receives the three angels, verso - manuscript in brown ink, print, prints, verso - stamped, 20, height 112 mm, width 148 mm, Noord-Nederlands, 1672-12-18 - 1708-10-04, print maker, printmaker, 1712 - 1712, paper, papier, etching

The Persian Sibille; Paintings in the Lunetten above the windows in the Sistine Chapel. A lunet with the Persian Sibille with a book and naked figures.

Carrière / cursus, Aegidius Sadeler (II), after Hans von Aachen, 1580 - print On a Pieth stable Mercury (right) and Minerva (left), with their attributes next to them, the Haan and the Owl respectively. The two gods combine the characteristics of wisdom and science, important to climb up in life. In the background on the right the muses on Mount Parnasus and in the background on the left Perseus with the head of Medusa. At the top right in the air, a putto measures a globe with a passer. At the top left in the air, a different putto writes in a book. The print has a Latin caption. Vienna paper engraving Hermathena (also if not in the form of a herm). specific aspects, allegorical aspects of Mercury; Mercury as patron. (story of) Minerva (Pallas, Athena). the Muses acting together (as group). Perseus beheading Medusa

Banditti at Market June 10, 1805 Robert Blyth British. Banditti at Market 407853

Amsterdam, Houbraken, Jacob, Portret van Johanna Koerten, verso lower left - stamped, print, prent, prints, height 240 mm, width 360 mm, Noord-Nederlands, 1698-12-25 - 1780-11-14, print maker, printmaker, 1716 - 1718, paper, papier, engraving, engraving (printing process)

The Madonna of the Fish, Raphael, 1483-1520., 1501-1527. Engravings, 10 1/4 x 8 1/2 in. (26 x 21.6 cm); Paper / Sheet 10 7/8 x 9 in. (27.6 x 22.9 cm); Cream laid

Francia, Francesco di, Italy, Veneziano, Agostino, Maria met Kind en de jonge John de Baptist, verso - stamped, Maria stands with the Christ child in her hands. The young John the Baptist stands next to her and stretches out his arms to Christ. They are flanked by two angels. On the left a curtain., print, prent, prints, prenten, height 242 mm, width 175 mm, Italian, 1490 - 1536, print maker, prentmaker, 1500 - 1536, paper, papier, engraving, engraving (drukprocedé), Work conception, 1450 - 1517-01-05

Susanna and the elders. Susanna is groped by two parents when bathing in a fountain. She tries to ward them off. A garden in the background. In the context below the show a two-legged caption in Latin.

Young man and two old men, Parmigianino, After Anonymous, 1524 - 1540 print A sitting young man and two old men in a landscape. paper etching / engraving youth, adolescent. old man

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