Allegorical Scenes and Figures

Intricate prints showcasing allegorical representations, including historical figures, nymphs, and divine elements, surrounded by ornate designs and lush decorations.

Damme, Andries van, Goeree, Jan, Amsterdam, Nymphs on the Bank of a River, verso bottom center - stamped, In a frame nymphs on the bank of a river. They are sitting in front of a statue of Laura. Next to the frame a half-naked man., print, book illustration, prints, width 86 mm, height, 103 mm, 1670-10-20 - 1731-01-04, print maker, printmaker, 1710 - 1710, paper, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, Dutch, publisher

. FruitsGuirlandes are hanging along the cart shower. Both at the top left and top right is a child on rolling. Leaf from series of 8 sheets with cartouches in a frame of rolling with grotesken, garlands and mascarons.

Umbria Perugia Gubbio Palazzo dei Consoli2. Hutzel, Max 1960-1990 Views of the palazzo's medieval exterior--crenellations and romanesque arches. Interior views of the huge Salone with displays of Medieval and Roman artifacts. The objects in the Pinacoteca and Museo Civico include a glass chalice painted in oils, a wood intarsia desk, frescoes, reliquaries, crucifixes, polyptychs, diptychs, and various other altar paintings, as well as some secular paintings by the Venetian school. Subjects of paintings include: the three Graces, the Assumption, Crucifixion, Death of Rachel, Flight into Egypt, Holy Family, Madonna and Child, S. Ubaldo, S. Francesco, S. Chiara, S. Crescentino, S. Vicenzo, S. Lazaro, S. Scholastica, S. Paolo and numerous other saints. Antiquities: Roman mosaic pavement (2nd century A.D., Iguvium); Etruscan bronze vessels; Roman sarcophagus; various fragments of relief sculpture and pottery. Many of these views are found in the Antiquities core collection, but all negative

Judit shows the head of Holofernes to the people; Performances from the Old Testament. Judit shows the head of Holofernes to the people, next to her is her maid. She holds open the bag in which the head was stored. Print from a series of four performances from the Old Testament to Frescoes from Domenichino.

. Panel with variant for right half, left Neptune and a sea horse, right a griffin. From series of 12 magazines, first edition.

Picart, Bernard, Amsterdam, Coat of arms of the United Netherlands surrounded by Mercury and Minerva, verso - stamped, Coat of arms of the United Netherlands surrounded by putti dressed as Mercury, Minerva, Fortuna and Architecture., print, prints, height 134 mm, width 187 mm, Northern Netherlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1718 - 1718, first quarter 18th century, paper, papier, etching, engraving, engraving (printing process), intermediary draughtsman

Hoiding water; Aubenistiers et Placques ala romaine. The back plate is decorated with the ascension of the virgin, recorded in a richly decorated edge with angels, putti, leaves and a cornucopia, with a variant for the right half. From second edition.

Wedding entity for King Johan V of Portugal, 1708. Print on the occasion of the marriage between King Johan V from Portugal and Maria Anna van Austria on October 27, 1708. Portraits in medallions surrounded by symbols of faithful and covenant, allegorical figures and the Austrian eagle. At the bottom of a representation of the Visit the Aartshertogin Maria Anna van Austria to Rotterdam in August 1708. Inscriptions and caption in Latin.

Franz I., Roman-German Kaiser Designer: Nilson, Johannes EasaiRadier: Nilson, Johannes EasaiSverleger: Nilson, Johannes EasaiAsdation: 1745 / 1788Factable genesis: Augsburg

Title page for the Hollandsche Mercury over the year 1675. TTitel page for the Hollandsche Mercury over the year 1675. Mercury and peace in the clouds above war and Medusa. Below 6 small scenes of strokes and battles, with place names.

Allegory of Earth. Artist: circle of Charles Le Brun (French, Paris 1619-1690 Paris). Dimensions: 11 7/8 x 8 1/4 in. (30.1 x 21 cm.). Date: ca. 1660. Museum: Metropolitan Museum of Art, New York, USA.

. View of a garden, in the middle of the title on a banderole.

Allegory of the Dutch Republics Victory over England and France. Jupiter and Mercury show the Dutch Maid a book with stories from Ovids Metamorphoses. At the left Daphne, pursued by Apollo, changes into a laurel. Next to that Coronis is transformed into a crow. The two scenes glorify the Republics military and naval victories under the leadership of Stadholder William III. He drove out the French and English, just as the Dutch lion here gives chase to the Gallic rooster and the English dog.

Eugen, Prince of Savoye-Carignan Stecher: Grauch, Caspar

Laurens Jansz. Coster cuts letters from beech bark; Hae literarum cunae. Laurens Jansz. Coster was mainly seen in the Netherlands as the inventor of the printing. The story goes that in the Haarlemmerhout he cut off beechenschors letters and when chance saw how it leaved an impression in the sand. At the top of Haarlem coat of arms and in the background the Sint-Bavo church.

The golden age. Arcadian landscape with groups of men and women enjoying pleasantly. Between them in walking and lie different animals. In the mid top, on a cloud, Saturn looks down on the golden age. Above him a banderole with French text with explanation about the golden age.

AFTERHekige Mirror, Jean Lepleautre, C. 1660 - c. 1670 print On the right variant of the table is an open jewelry box, and a candle carrier with a portrait bust on the right. From series of 6 sheets with designs for mirrors, tables and candle wearers, each leaf with a variant for the right half. Paris (possibly) paper etching

Medallion with minerva with shield and lance; Medallions with figures from the judgment of Paris in a frame of seizure with garlands. In the frame upper left and top right a vase from which two smoke plumes come. Shaded background. One of 3 sheets.

A drawing by Gabriel Huquier portraying a pilgrim holding a staff and appearing thirsty, created with black chalk.

Portrait of Bernard de Fontenelle, with personifications of the Seven Free Arts, Bernard Picart, After Hyacinthe Rigaud, 1727 print Landscape with the female personifications of the Seven Free Arts. Putti is flying above them to wear the portrait of the writer Bernard de Fontenelle. In the background a putto on the back of Pegasus. The show is caught in a frame that is crowned by an empty cartouche. Amsterdam paper etching / engraving the liberal arts, 'Artes Liberales'. portrait of a writer

Men and women look into the open tombs of historic individuals; Sic Transit Gloria Mundi / Mors Ultima Linea Rerum. Men and women, including senior people such as kings and queen, look at the open tombs of historic persons from whom only skeletons are left. All respond with horror when seeing the remains of Alexander the Great, Helena or Salomon. Above a hand with banderole with the text Six Transit Gloria Mundi, under a banderole with the text Mors Ultima Linea Rerum.

Cartouche with allegory on the history of Etruria, Jan Caspar Philips, 1752 print History at a monument on which the map of Etruria and a medallion with the portrait of Pythagoras. In the background Etruscan ruins. On the left in the foreground a Roman who receives all kinds of art treasures from the Virgin of Etruria. Putti on the right in the foreground with medallions in which the portraits of two Etruscan war heroes: Pelopidas and Epaminondas. In the frame of the cartouche a medallion with a Januskop. paper etching / engraving 'Historia'; 'Historia' (Ripa). personifications of countries, nations, states, districts, etc.. symbolic representations ~ Roman religion. maps of separate countries or regions Etruria

Mercury brings the incorrectness at Amor.

Adam and Eva hide for God; From creation to expulsion from paradise. Adam and Eve hide through shame about their nudity for God. In medallet as a inscription a bible text in Latin from Genesis 3, within rectangular frame.

Amphion plays the Lier. When Amphion plays on the Lier, the stones are moving and form a wall to the city of Thebes. Left and right in the ornamental list animals watch. At the bottom of a whale and a crab.

Louis XIV (king of France), Paris, Mariette, Pierre (II), Lepautre, Jean, Ornemens de Paneaux, Panel with siege of city in cartouche, Print is part of an album., print, ornament print, album sheet, prints, height 223 mm, width 150 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1655 - 1657, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, 1634 - 1716, publisher, 1638-09-05 - 1715-09-01, granter of privilege

Portrait of Carl Wilhelm Ferdinand, Duke zu Braunschweig-Lüneburg

unknown, Amsterdam, Boom, Hendrick and Dirk, Northern Netherlands, Hooghe, Romeyn de, Allegory of the victories of William III in 1675, Allegory of the victories of William III in 1675. At the top 8 portraits with William III in the middle. Next to it medallions with portraits of the Elector of Brandenburg, the King of Denmark, the Duke of Lüneburg-Zell and the Bishop of Münster. Below that the portraits of Villahermosa, Montecuccoli and the Margrave of Baden. In the background and in cartouches below, representations of victories achieved and the death of Turenne in the year 1675 and early 1676 (the naval battle of Messina). At the bottom, an open space reserved for the almanac, with prisoners chained on either side., print, prent, propaganda print, prints, Frederik Muller Historieplaten, height 695 mm, width 470 mm, Noord-Nederlands, 1645-09-10 - 1708-06-15, print maker, printmaker, 1676 - 1676, fourth quarter 17th century, vier kwart 17e eeuw, paper, papier, engraving, graferen (dru

Louis XIV (King of France), Paris, Loir, Nicolas Pierre, France, Divers Ornemens, Trophées et Panneaux, Two Nymphs with Vase, The nymphs both have a palm branch in their hands. Sheet 10 from a series of 12., print, ornamental print, prints, ornamental prints, height 151 mm, width 108 mm, French, 1624 - 1679-05-06, print maker, printmaker, 1660 - 1670, third quarter 17th century, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher, 1638-09-05 - 1715-09-01, granter of privilege

Alcove with eagle; Alcofen a la romaine. An alcove with carians, drapers and an eagle on the top. In the middle of a balustrade with cartouche with the serene title. There are various figures in the alcove, pointing to the middle. Numbered at the bottom right.

Drinking two pilgrims, 1721 - 1756 print A male and female pilgrim rests in a rocaille ornament, there are two sheep next to them. The standing pilgrim donates drinks in the cup of the sitting female pilgrim. Print number 2209, publishing number 448. paper etching pastorals, Arcadian scenes. pilgrim(s). drinking

Ceiling with aurora; Grands Carts the ceiling. Aurora scolds flowers from a cornucopia. With variants for three times an eighth portion of the edge. Leaf 5 from series of 6 sheets with designs for ceilings, some with variants for the edges. From second edition.

Wedding night of Tobias and Sara, Anonymous, After Chrispijn van den Broeck, 1601 - 1652 print Before Tobias slept with his wife Sara, he put the liver and heart of the fish on a fire around the demon, of which Sara was possessed and who had killed all the men she would get married. In the background the demon flees away and is chased by Rafaël with a sword. In the foreground, Sara kneels in prayer to ask for God's blessing and protection about her marriage to Tobias. Around the show an edge script in Dutch and in Latin. print maker: Netherlandspublisher: Amsterdam paper engraving Tobias lies the fish's heart and liver on glowing coals; the evil spirit Asmodeus disappears. Tobias and Sarah praying (+ variant)

Flattering virgin, anonymous, 1700 - 1900 print A young naked woman is sitting on a naked man's lap. Under the show a four -line verse in Dutch. Netherlands paper etching / engraving couple of lovers

Italy, Giardini, Giovanni, Rome, Limpach, Maximilian Joseph, Designs of various inventories and delineations by Giovanni Giardini da Forlì, Various ecclesiastical objects, Incense burner with personification of Asia and a coat of arms, recto upper left - handwritten in brown ink, print, ornament print, prints, ornament prints, verso - stamped, 61, height 268 mm, width 171 mm, Czech, print maker, printmaker, 1714 - 1714, paper, papier, etching, etchings, Italian, 1646 - 1722, intermediary draughtsman, after a drawing by, Work conception

The golden age, Johann Theodor de Bry (attributed to), after Nicolaes de Bruyn, after Abraham Bloemaert, 1608 print Arcadian landscape with groups of men and women who are pleasantly relaxed. Walk between them and lie different animals. In the middle of a cloud, Saturn looks down on the golden age. Above him a banderole with French text with an explanation about the golden age. paper engraving the golden age, 'Aetas aurea'; men live happily, gathering fruits under the reign of Saturn

Title page for the Europische Mercurius for the year 1706, 1706 - 1707 print Title page for the Europische Mercurius, dl. XVII, first part, in the first six months of the year 1706. On either side of a vase with the order chain of the Golden Vlies are the English unicorn and the Dutch Lion. In the background a suspended cloth with folded hands on which Mercury hangs and pointing to the solar eclipse of 12 May 1706. print maker: Northern Netherlandspublisher: Leidenpublisher: Amsterdam paper etching solar eclipse

Title page with two naked boy with scientific instruments, Cornelis Bloemaert (II), 1633 - 1692 print Allegory of science. Two naked youngsters are on a pedestal and hold scientific instruments. Weighing and measuring instruments are shown on the pedestal. The center of the pedestal is formed by a relief with a match between two rowers. The table for the title has been released. paper engraving symbolic representations, allegories and emblems ~ science, 'Scientia'; 'Scienza', 'Studio' (Ripa)

Portrait of Antonio Barbarigo and the personifications of power, justice and wrath, Robert van Audenaerd, 1673 - 1743 print Pedest in the form of a cartouche. Then a medallion with the portrait of Antonio Barbarigo on the front. On the back an image of a fortified city and the motto: Purgato Dominio. On the pedestal the female personification of justice with sword and scales. She tramples antry, with dagger and torch. Next to him a seven -headed monster, a symbol for the seven vices. On the left is strength, a harnessed woman with a lion, also the symbol of Venice. On the far left a lamb. In the foreground, a pelican feeds his boy with her own blood. The print is part of an album. paper engraving medal (considered as a piece of sculpture, regardless of its specific function). beasts of prey, predatory animals: lion. symbols of Christ ~ animals. Justice, 'Justitia'; 'Giustitia divina' (Ripa) ~ one of the Four Cardinal Virtues. Anger; 'Ira' (Ripa) ~ personification of one of the Seven D

Augsburg, Hertel, Johann Georg (I), Götz, Gottfried Bernhard, Setletzky, Balthasar Sigmund, Allegorical figures, Der unkeusche Heliogabalus, The unchaste Heliogabalus, verso - stamped, Heliogabalus sits on a throne and looks into a mirror. In the bottom margin there are two two-line texts in German and Latin. Publisher number 6., print, ornamental print, prints, ornamental prints, height 309 mm, width 220 mm, 1695 - 1771-06-21, print maker, printmaker, 1730 - 1770, paper, papier, etching, etchings, engraving, engraving (printing process), German, 1708 - 1774, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1695 - 1775, publisher

Medal with Michel Jean Sédaine surrounded by Putti, Gabriel Jacques de Saint-Aubub, 1757 print A medal with the head of Michel Jean Sédaine, surrounded by putti with instruments and atributes of the various arts, and a faun with bow and arch. A worship of the genius of Sédaine. paper etching medal (considered as a piece of sculpture, regardless of its specific function). cupids: 'amores', 'amoretti', 'putti'

Cityscape in cartouche; Fountains in cartouches. River in which a monumental fountain is depicted in an octagonal table with a river god and a river godin in the middle. From second edition.

Sepulchral monument of John Sheffyld late Duke of Buckingham, Westmonasterium, or, the history and antiquities of the abbey church of St. Peters Westminster, Cole, James, Dart, John, d. 1730, Engraving, between 1723 and 1727

Schenkkan with Neptunus, Anonymous, After Jean Lepautre, 1628 - 1732 print The handle of the jug points to the right. From series of 6 magazines. print maker: Netherlands (possibly)after design by: France (possibly)publisher: Netherlands (possibly) paper etching

Jonas Haas (1721-1775), allegory over a distinguished monkepars formaeling, 1749

Jean Dambrun after Jean Michel Moreau, A un peuple libre, 1790 A un peuple libre

. Minerva sits at the table and receives putti with books and letters. In a decorated cartouche with under the arms of The Hague.

Barbarigo, Giovanni Francesco, Audenaerd, Robert van, Rome, Numismata virorum illustrium ex Barbadica gente, Portrait of Agostino Barbarigo and the personifications of True Honor, Prudence and Sincerity, verso - stamped, Pedestal in the form of a cartouche. On it a medallion with on the obverse the portrait of Agostino Barbarigo. On the reverse Honor and Virtue. Around the pedestal three female personifications. On the pedestal Prudence. She has two faces and a compass in her hand. On the right, the personification of Virtue or True Honor (Guida sicura de veri honor). It concerns an angel with a laurel wreath in her hair and a sun on her chest. She holds a shield with the temple of honor and the temple of virtue on it. She points to some warrior wreaths in an oak tree. On the left, the personification of Sincerity: a lady with a lily in her hand and a sun on her chest. She scatters grain that is eaten by a rooster. The print is part of an album., print, album sheet, prints, height 220

Rectangular mirror with Diana and Acteon; Livre de Miroirs Tables et guéridons. At the bottom left, a man holds a mislift. From series of 6 sheets with designs for mirrors, tables and candle carriers, each sheet with a variant for the right half.

Bacchanaal.Bacchanal with naked men, half-naked women and Satyrs. Above a table and a sofa with a nude couple fly two putti. Dogs, elephants and lions walk in between.

Passing jug with two saters, Anonymous, After Jean Lepautre, 1628 - 1732 print The gift can be on a balustrade of a balcony with people, the handle points to the right. Leaf 12 from a series of 6. print maker: Netherlands (possibly)after design by: France (possibly)publisher: Amsterdam paper etching

Cartouche contenant un écusson vide. 1646. Della Bella, Stefano, 1610-1664. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Exotic landscape with unscription in the foreground and three women. They hold papers in which the countries of the continent and coats of arms in hand. On a ruin the map of South America. On the monument an Indian and the riches of the area. In the margin the title in Dutch.

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Vignette: Monk giving Letter to a Pregnant Woman in a Cell. Engraving.

Solomon at the table with a loved one, Andries van Buysen (Sr.), After Antonina Houbraken, After Arnold Houbraken, 1737 print Salomon sits in his palace at the table with a woman from his harem. Because of the two large windows, on the left are soldiers who are waiting for salomon to be welcomed with swords in front of his bed. On the right a glimpse to a landscape with a shepherd's set. Amsterdam paper etching / engraving Song of Solomon, Song of Songs. Solomon's women and idolatry (1 Kings 11:1-13)

Allegory in Italy, Jan Caspar Philips, 1761 print A pope with papal tiara and keys sits on a throne on a pedestal with the book title. On the right is a woman with freedom and coats of arms of Genoa, Lucca and San Marino. On the left two putti with coats of arms of Italian cities and areas. In the foreground two putti with coins, a capital and an image of a triumphal arch. In the background Italian buildings and a spewing volcano. paper etching / engraving pope. Freedom, Liberty; 'Libertà' (Ripa). coat of arms (as symbol of the state, etc.) Italy. Sicilië. genua. Lucca. San Marno

Allegory on poetry; Grarissima virtuti Diva poesis. Under a tree, a feminine personification of poetry plays a winch. She is crowned by an angel. In the foreground two kneeled putti with a bowl of flowers.

Gloves with Roman fighting scene; Large gift jug. The vase is in an oval list with two lions with weapent trophies at the bottom.

Sir James Thornhill, 1675-1734, British, Design for a Ceiling at Addiscombe: Bacchus and Ariadne, undated. Pen, black and brown ink and gray and brown wash over graphite on moderately thick, moderately textured, cream laid paper.

Circe and the Companions of Ulysses Giulio Bonasone Italian In Mariette Album, folio 79, top left. Circe and the Companions of Ulysses 366760

Worn vase by two naked men; Vases. From series of 6 sheets.

Voltaire arrived in hell, Gabriel Jacques de Saint-Aubin (school of), c. 1770 - c. 1790 print The philosopher Voltaire in hell for the throne of Satan. Voltaire is sitting on the back of another writer who is buying books or is forced to eat books by a devil. With two -way French caption. paper etching hell and purgatory

Umbria Terni Amelia Palazzo Petrignani3. Hutzel, Max 1960-1990 Post-medieval: 16th century frescoes, restored ; views of exterior. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Cartouche for the coat of arms of a Cardinal, Francesco Villamena, After Francesco Vanni, c. 1576 - 1624 print In the middle an empty cartouche, possibly intended for interchangeable coats of arms. Left and right an allegorical figure and above the cartouche a cardinal hat carried by three putti. On the right a blindfolded amor. Italy paper engraving attributes of Cupid: blindfold. ornament ~ cartouche

Holy Family and Four Saints, John Baptist Jackson, 1701-1780, British, after Paola Caliari Veronese, 1528-1588, Italian, 1745, Chiaroscuro woodcut, Sheet: 27 1/8 x 19 1/4in. (68.9 x 48.9cm)

Minerva receives a young man, 1791 - 1800 print Minerva receives a young man and leads him towards the personification of God's commandments. Above her a putto with a flame flies on the head and a bell in her hand. At her feet a reading putto supports a horn of abundance and is a putto with laurel wreath in a globe. To the right of Minerva is a portrait bust from Hugo de Groot. The show is crowned by the Wapen van Utrecht with around the text: Illustra NOS Sol Justitiae. Left and right of this bust of Justinian and Ulpianus. paper etching (story of) Minerva (Pallas, Athena). cupids: 'amores', 'amoretti', 'putti'. the ten commandments represented together on stone tablets

The rebellious angels of the Netherlands; Les Anges Rebelles des Pays Bas Ou Le Rêve d'Un an; Brabant Review, 1787-1790. The government seat is on top of a high rock block. All sorts of people, including Van der Noot and Van Eupen, try to climb to the top but are pushed off by the Prussian eagle of the rock. Part of a large group of prints related to the events of the Brabant Review and the period 1787-1790.

Jacobs fields; From Physique sacree, ou Histoire-naturelle de la Bible, 1732-1737, by Johann Jakob Scheuchzer (1672 - 1733), a Swiss scholar born at Zurich

Cartouche with a weapent trophy in a rolling frame, above two sphinxes; Molded CIERLICKE COMPERTIES. Cartouche with a weapent trophy in a rolling frame. There is a Sphinx on the cartouche on the left and right. Between them in a large vase with flowers and fruit. At the bottom of a coat of arms with bow and a coat of arms with arrow. Left and right a turtle and a lobster.

Two putti with bust of Pan and Bijenkorf in Cartouche, Abraham Delfos, 1741 - 1820 print Bust van Pan sculpted by putto and other putto kneeling at Bijenkorf with honey bowl, in cartouche with motto through diligence and art, curly leaf work and flowerguirlandes. paper etching (story of) Pan. cupids: 'amores', 'amoretti', 'putti'. bee-hive

Design for title page of a book about tropical plants.

Title page for Omnium Pene Europae, Asiae, Aphricae, Americae Gentium Habitus; Omnium Pene Europae, Asiae, Aphricae, Americae Gentium Habitus. The title of the picture book is in the middle of the print, between two pillars. In addition to the two pillars, Left is Neptune (with a sea horse) and the right minerva (with a owl). Above the title Jupiter, seated on his eagle. In addition to him two armed centaurs. Along two sides under the title Two armed riders. Under the title, in an oval medallion, defsers a sea monster on a pagas.

unknown, Amsterdam, Marot, Daniël (I), Nouveaux Livre de Taleaux de Portes, et cheminée Utiles aux Peintres Enfloeurs, Niche with vase and terms, In a niche is a pedestal supported by two terms with on them a vase with flowers and a putto on either side., print, ornamental print, prints, ornamental prints, height 302 mm, width 194 mm, 1663 - 1752-06-04, print maker, printmaker, 1703 - 1703, paper, papier, etching, etchings, Work conception, after own design by, granter of privilege

Ornamentlisst Met Twee Tweons a TWE WEEKS HAREIES, HIREONYMONY FRIENCKING, 1705 - 1775 print Numbered in the middle: No. 380. Augsburg paper engraving triton(s). Nereids, daughters of Nereus; sea-nymphs. landscapes with waters, waterscapes, seascapes (in the temperate zone)

Rectangular cartouche with four people and animals. Draughtsman: Pieter Jansz.. Dating: 1649 - 1654. Measurements: h 91 mm × w 221 mm. Museum: Rijksmuseum, Amsterdam.

Design for the main altar of the Saint -Sulpice in Paris, Gabriel Huquier, Juste Aurèle Meissonnier, 1738 - 1749 print This print is part of an album. paper etching altar Saint Sulpice

Utrecht, IJzerworst, Willem van, Fokke, Simon, Minerva receives a young man, verso - stamped, Minerva receives a young man and leads him towards the personification of God's commandments. Above her flies a putto with a flame on his head and a bell in his hand. At her feet a reading putto leans against a cornucopia and a putto with a laurel wreath stands by a globe. To the right of Minerva stands a portrait bust of Hugo de Groot. The representation is crowned by the coat of arms of Utrecht surrounded by the text: Illustra nos sol justitiae. To the left and right of this are busts of Justinian and Ulpian., print, prent, prints, height 233 mm, width 173 mm, Noord-Nederlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1791 - 1800, paper, papier, etching, etsen, Work conception, after own design by, Publication (Event), Publication, publisher

PortraT van Ferdinand van Beieren, Jacob Andreas Fridrich (I), After Melchior Michael Steidl, 1709 - 1751 print At the bottom of the Cartouche a performance of the Vredesverbond that was concluded with the Ottoman army. print maker: Augsburgafter drawing by: München paper engraving / etching historical persons. ornament ~ medallion. attributes of Jupiter: eagle. symbols, allegories of war; 'Guerra' (Ripa). Medusa (one of the Gorgons). animals threatening man. cupids: 'amores', 'amoretti', 'putti'

Putto with skull and two putti with abdomen of leaf vines, after 1616 - Before 1689 print Vignette. A cartouche made up of leaf vines ends in two putti the laurel wreath above the head of a third sitting putto, whose hand is on a skull. Paris (possibly) paper engraving

Copper engraving by Lucas Hugensz. van Leyden depicting 'Behold the Man,' created in 1509.

Sater approaches a nymph in ornamental frame. .

Lepauter, Jean.

Design for a Frontispiece with an Allegory of Brazil late 17th-mid-18th century Ottmar Elliger the Younger German. Design for a Frontispiece with an Allegory of Brazil 376674

Figures around an allegorical burial monument for John Churchill, 1st Duke or Marlborough, Laurent Cars, After Domenico Maria Fratta, After Donato Creti, after Nunzio Ferrajuoli, After J.P. Mirando, 1735 - 1741 print Paris paper etching / engraving grave, tomb. equestrian statue

Cartouche with fauns. Della Bella, Stefano (1610-1664), graphic artist

Study for a Garden Capriccio. Artist: Workshop of Gilles-Marie Oppenord (French, Paris 1672-1742 Paris). Dimensions: 17 3/8 x 10 3/4 in. (44.1 x 27.3 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

The Annunciation, 1503 (1511), Albrecht Dürer, German, 1471-1528, 11 3/4 x 8 1/4 in. (29.85 x 20.96 cm) (image), Woodcut, Germany, 16th century

Immortal Heroes, 1787, Anonymous, 1787 print Allegory on the restoring of Stadholder Willem V in 1787. Honorary column with the portraits of Willem van Oranje, Frederik Hendrik and Willem III and above which the portrait of Willem V is being hung. On top of the column, fame blows on the trumpet. At the foot of the column, the truth has pulled the blindfold off the eyes of the Republic, Furthermore Freedom, Wilhelmina of Prussia as Minerva and Father Time. Left the Dutch Lion tears the Divine. In the caption the weapons of Oranje and Prussia. print maker: Northern Netherlandsprint maker: Rotterdam paper etching / engraving Father Time, man with wings and scythe. Fame; 'Fama', 'Fama buona', 'Fama chiara' (Ripa). Freedom, Liberty; 'Libertí' (Ripa) (+ abstract concept represented by female figure). Truth; 'Verití' (Ripa) (+ nude)

Ceilingschilding in Grande Galerie Van Versailles Met de Godin Bellona, Nicolas-Gabriel Dupuis, After Jean Baptiste Massé, After Charles Le Brun, 1752 print Numbered in the bottom right: No. 36. paper etching / engraving Bellona (Eyo) Versailles

Monument to William Chancellor Cowper. Dated: 1732. Dimensions: overall: 62.3 x 44.3 cm (24 1/2 x 17 7/16 in.). Medium: pen and brown ink over traces of black chalk on laid paper; partially pricked for transfer. Museum: National Gallery of Art, Washington DC. Author: Domenico Maria Fratta.

Dedication sheet by Francesco Vanni depicting scenes from the life of Saint Cäcilie, executed in chalk with brown and violet laved details on yellowish primed paper, showing figures, gestures, and narrative scenes.

Minerva with pedel staff for university city Harderwijk. Minerva (Pallas Athens) is sitting at a seat, in her one hand a lance, in the other a pedal staff, next to her a piastal stable with the weapon of Gelderland, on which a doctor's hat and a bul. In the background Harderwijk. Four weapons are included in the frame of the performance; On the left above Zutphen, in the middle the arms of Nijmegen, right above the arms of Arnhem, on the column the weapon of Harderwijk. Title page from Sedert 1756 at the University of Harderwijk (De Gelderse Universiteit) published dissertations.

Teyler, Johan, Lepautre, Jean, Cavalry battle in ornamental frame, recto lower right - handwritten, A cavalry battle in a frame of a laurel wreath. Center above the personification of Justice with sword and scales. To the right and top left personifications of Fame blow the trumpet. At the bottom a weapon trophy and two prisoners. The whole is set in a frame. This print is part of an album., print, image, album leaf, prints, images, cf. ornament series, by Johann Heel v. 1665, height 400 mm, width 262 mm, print maker, printmaker, 1688 - 1698, paper, papier, etching, etchings, color printing, à la poupée, hand coloring, Work conception, French, 1618-06-28 - 1682-02-02, after a print by, Noord-Nederlands, 1648 - 1712, supervision

Gardens of Venus, Anonymous, After Jean Antoine Watteau, in or after 1729 print A garden with recreationing men and women. In the middle is a fountain with a Meerman and snakes. Around the show a ornamented frame with draperies, rocailles, half figures, helmets and shields, musician monkeys, dolphins, horns of abundance and a bust of Venus. In the lower margin a two -line French and German text. Germany paper etching garden. (story of) Venus (Aphrodite)

May, Adriaen Collaert, After Hans Bol, 1578 - 1582 print Round list of spring landscape with spring scenes. May is the Month of Love. In the foreground music is played, danced and eaten. There are couples everywhere that walk around or play games together. In the middle of the constellation twins. The print is part of a twelve -part series over the twelve months. print maker: Antwerpafter design by: Antwerppublisher: Amsterdam paper engraving May and its 'labours' (+ with zodiacal signs). small group of musicians, chamber orchestra, jazz band. one pair dancing; man and woman dancing as a couple. festivities (+ eating and drinking ~ festive activities). contest games

Picart, Bernard, Amsterdam, Coat of arms of Matthias Johann, Count von Schulenburg, verso - stamped, print, prints, height 89 mm, width 129 mm, Northern Netherlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1728 - 1728, second quarter 18th century, paper, papier, etching, etchings, engraving, engraving (printing process), intermediary draughtsman

Monument in honor of Colonel General Hazar, died August 3, 1787, 1787 - 1790 print Allegorical monument in memory of the English Colonel General Hazar of the Patriotse Cavalerie, killed on 3 August 1787 in Brussels. A man is trampled by a horse, at the bottom of the mourning freedom, Minerva and Brabantse Leeuw. Part of a large group of prints relating to the events of the Brabant Revolution and the period 1787-1790. Southern Netherlands paper etching / engraving horse throwing rider Brabant

Quesnel, François.

D Monogram with the FourSeasons. Artist: Sébastien Le Clerc the Younger, French, 1637-1714 After: Francois Chauveau, French, 1613-1676

Young, Edward .

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