Ancient Art Fragments

Archaeological fragments with depictions of deities, animals, and decorative motifs from historical sites, representing ancient artistic practices.

The White Obelisk of Ashurnasirpal I, found at the ancient Assyrian settlement of Nineveh, northern Iraq. Excavated by the British archaeologist Hormuzd Rassam in 1853 The White Obelisk is made from white limestone with engraved decoration in relief on all sides, showing campaigns and recreational activities. 1050 BC

Fragment. Egypt. Date: 1201-1400. Dimensions: Warp: 20.5 × 48.9 cm (8 × 19 1/4 in.). Linen, slit tapestry weave. Origin: Egypt. Museum: The Chicago Art Institute, Chicago, USA. Author: Islamic.

A fragment of a small painting: a frieze with braid motif; VIII-1. after. 10th century (701-00-00-950-00-00);

Fragment of painted ceiling. 2nd century. Residential villa. Spain. National Archaeological Museum. Tarragona. Spain.

Kassita Painting - Temple Of Enlil, Aqarquf Ancient Near East(- ) Iraq National Museum, Baghdad, Iraq

Fragment, Medium: silk, metallic Technique: brocaded damask, Scrolling vines and arabesques brocaded in silver., 17th century, woven textiles, Fragment

boats, about 1300, lime mortar and aggregates, anonymous, Plaza de la Llotja, Museu de Mallorca, Palma, Majorca, Balearic Islands, Spain.

San (bushmen) rock art, Cedarburg, Western Cape

fragmento de jarra de ceramica de tradicion indigena, Necrópolis de Carratiermes, siglo I-II d. C. museo del Yacimiento arqueológico de Tiermes, Soria...

Two Fragments of Large Scale Roundel, 600s. Iran, 7th century. Compound twill; wool and cotton; overall: 17.5 x 41 cm (6 7/8 x 16 1/8 in.).

Egypt, Thebes, Luxor, Sheikh 'Abd al-Qurna, Mural paintings in Tomb of Amon's treasury official Khonsmose

CABEZA DE VIRGEN - PROCEDENTE DE LA CAPILLA DE VILLAVICIOSA DE LA CATEDRAL DE CORDOBA - 1389 - ESTUCO/TEMPLE - 85x37 cm - GOTICO ESPAÑOL. Author: MARTINEZ ALONSO. Location: MUSEUM OF FINE ARTS. CORDOBA. SPAIN. VIRGIN MARY.

Villanueva de Bogas village in Toledo by Camino de Santiago way of levante Spain

Relief fragment from tomb of Meketre. Dimensions: H. 28.8 cm ( 11 5/16 in.); W. 19 cm ( 7 1/2 in.); D. 7.5 cm ( 2 15/16 in.). Dynasty: Dynasty 12. Reign: reign of Amenemhat I, early. Date: ca. 1981-1975 B.C.. Museum: Metropolitan Museum of Art, New York, USA.

Silk Fragment, 1350-1399. Italy, second half of 14th century. Lampas weave, brocaded; silk and Cyprian gold; overall: 38.1 x 20.3 cm (15 x 8 in.).

Reliefs from the tomb of Meketre ca. 1981-1975 B.C. Middle Kingdom. Reliefs from the tomb of Meketre 668670

USA, Hawaii, Big Island. Raised figures on a piece of lava rock at Puako Petroglyph Preserve.

Glass diapositiv photograph by Bruno Meyer showing a Greek scene or artwork, produced in 1883 in stereo format.

Raised relief fragment 664-610 B.C. Late Period, Saite see 23.3.468. Raised relief fragment. 664-610 B.C.. Limestone, varnish. Late Period, Saite. From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb of Nespekashuty (TT 312, MMA 509), 1st chamber N. door lintel, MMA excavations, 1922-23. Dynasty 26

Ship with Yellow Sails by Lyonel Feininger, 1871-1956

Emilia-Romagna Ferrara Ferrara Museo Civico di Schifanoia6. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Fragment of a painted vessel for storing food, Carratiermes Necropolis, 1st century AD, Museum of the Archaeological Site of Tiermes, Soria, Castile and Leon, Spain.

Fish flanking a cross from Santa Maria de Taüll. Date/Period: After 1123. Mural painting. Fresco transferred to canvas. Height: 420 mm (16.53 in); Width: 2,500 mm (98.42 in). Author: UNKNOWN.

Mexico, Teotihuacan. Ancient original murals from pre-hispanic (Olmec/Maya/Aztec) city of Teotihuacan. Existed 100-700AD.

Coffin of Djedjehutyiuefankh, from the Great temple at Deir el Bahri, Thebes; Egypt. Dated to 25th Dynasty circa 770-712 BC

Tile Wall Facing (Netherlands); tin-glazed earthenware, underglaze

Foundation plaque of Amenirdis I. Ancient Egypt. Princess of the 25th dynasty, Daughter of Kashta, installed as God's Wife of Amun. Titles: Divine Adoratress and God's Wife of Amun.. .

Masonry renovation in the basement area inside, plaster chipped off, symbol image, basement renovation,

Lazio Rieti Magliano Sabina Madonna delle Grazie. Hutzel, Max 1960-1990 One exterior view of facade. Interior views include: high altarpiece of a mixed-media Madonna--metalwork on painted panel (15th century, Umbrian), wood sarcophagus. Crypt: votive frescoes including St. Francis receiving the stigmata. (12th-15th century). Wooden statue of crucifixion (16th century). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Fresco Fragment. Unknown

Fresco Fragment. Unknown

Lazio Viterbo Castel Sant'Elia S. Elia5. Hutzel, Max 1960-1990 Exterior photos of views, the facade, the portal and many architeectural details. Interior views of nave, with its carved pulpit with details and its ciborium/baldacchino with details. There are many photos of Byzantine, Romanesque and early Renaissance style paintings. Sculpturally, there are photos of capitals, architectural details and inscriptions. Object Notes: Hutzel photo campaign notes: September 9, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Sidewall (England); 66.5 x 31 cm (26 3/16 x 12 3/16 in.)

Fragment of frieze. Turkey, 13th century. Stucco. Stucco, molded

Mycenaean art. 14th century B.C. Greece. Stone podium where was placed the royal throne in the Royal Palace megaron at Tiryns. The frontal stone is decorated with geometric patterns based on streamers. National Archaeological Museum. Athens.

Paleo-Christian decorative brick, baked clay, 5th century, Andalusia, Visigoth - early medieval, Valladolid Museum , Castile and Leon, Spain.

Roman carving of the Ancient British god Sul at Bath, England.

Stepping Stone. Dated: c. 1940. Dimensions: overall: 53.8 x 71.6 cm (21 3/16 x 28 3/16 in.). Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Edward DiGennero.

Roman mosaics, 1st century BC, in the Roman Villa of Torre Llauder or Can Llauder, Mataró, Barcelona, Catalonia, Spain.

England,London,The City,Temple Church,Plaster Cast Effigies of The Knights Templar

Smudges of cement and plaster on the wall of the house. Smudges of cement and plaster on the wall of the house. Copyright: xZoonar.com/AlexeyxPopovx 18359321

Terracotta pottery fragment of a human figure between two horses, Tepe Sialk, Iran, 4th mil. BC. Artist: Unknown

Profane paintings from Sigena: Knights leaving a castle for battle. Date/Period: Ca. 1200. Mural painting. Fresco transferred to canvas. Height: 1,098 mm (43.22 in); Width: 3,860 mm (12.66 ft). Author: UNKNOWN.

Sculpted style of oak, from the so -called house of Alva, Warmoestraat in Amsterdam, Anonymous, c. 1500 - c. 1699 Carryed oak style without finish from the so -called Huis van Alva, Warmoestraat in Amsterdam. In total it concerns two consoles, three wide and three narrow styles (BK-KOG-755-A, C to H). See also BK-KOG-754-1 to 7, these are 6 painted styles that come from the same house. Northern Netherlands (possibly) wood (plant material). oak (wood) Carryed oak style without finish from the so -called Huis van Alva, Warmoestraat in Amsterdam. In total it concerns two consoles, three wide and three narrow styles (BK-KOG-755-A, C to H). See also BK-KOG-754-1 to 7, these are 6 painted styles that come from the same house. Northern Netherlands (possibly) wood (plant material). oak (wood)

Fragment of a mosaic floor from Domitian era, Domus Flavia (Flavian Palace), Palatine Hill, Historic Centre of Rome (Unesco World Heritage List, 1980), Lazio, Italy. Roman civilisation.

Print Block, 1700s. Japan, Edo period (1615-1868). Woodblock; average: 17.2 x 33.7 cm (6 3/4 x 13 1/4 in.).

Bark Painting of Barramundi Fish Aboriginal Australian. Bark Painting of Barramundi Fish, 20th century. Bark, ochres, 18 x 36.5 x 2 in. (45.7 x 92.7 x 5.1 cm). Arts of the Pacific Islands 20th century

Wall panel depicting the assault on Lachish. Assyrian, approximately 700-692 BC. From the South-West Palace in Nineveh. Shows men and women streaming out of the town into exile.

Relief depicting rituals and sacred emblems. Dimensions: 26.3.353a: H. 67.5 x W. 102 cm (26 9/16 x 40 3/16 in.)26.3.353b: H. 53.5 x W. 88.5 cm (21 1/16 x 34 13/16 in.). Dynasty: Dynasty 11. Reign: reign of Mentuhotep II, early. Date: ca. 2051-2030 B.C..Neferu was most likely the first queen of Nebhepetre Mentuhotep II, and may also have been his sister. Her plundered tomb, excavated by the Metropolitan Museum of Art between 1923 and 1931, lay outside the king's temple precinct at Deir el Bahri. It was visited as a shrine in the Eighteenth Dynasty, and at some point it was used as a quarry for the fine limestone covering the walls.The decoration of the funerary apartments consisted almost exclusively of ritual scenes and depictions of sacred objects deriving from local Upper Egyptian iconography. The carving of Neferu's surviving reliefs has a captivating otherworldliness, although it is varied in quality. The extenuated proportions of the figures, and the elaborate patterns contrasting

relieve escultorico procedente de un monumento funerario, Varea, siglo II, Museo de la Romanización, Calahorra, La Rioja , Spain, Europe.

Fragment majolica dish, polychrome, bust of lady with mirror, plate crockery holder soil find ceramic earthenware glaze, peg 5.0 baked underside covered with lead glaze. Polychrome Woman with mirror in hand symbolic of the sense: to serve the face of archeology

Window from Sant Joan de Boí. Date/Period: Ca. 1100. Mural painting. Fresco transferred to canvas. Height: 460 mm (18.11 in); Width: 350 mm (13.77 in). Author: UNKNOWN.

Lazio Roma Rome S. Agnese fuori le Mura4. Hutzel, Max 1960-1990 Medieval: Architecture, architectural fragments, sculptural fragments, sculpture. Post-medieval: Architectural sculpture, fresco painting Object Notes: Erected in 342 by Costanza, daughter or niece of Constantine on the site of the catacombs holding the remains of S. Agnese. Marble staircase dates from 1590. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

ABRIGO DE LA DEHESA O LAS ROTURAS (27003/1R): FIGURA A LA DERECHA DEL PANEL I (PARED DERECHA).

Attic Black-Figure Nicosthenic Amphora Fragment. Unknown

ORZA- FRAGMENTO DE CUERDA SECA CON LEONES Y AVES- EPOCA ALMOHADE- S XII-XIII. Location: ARCHAEOLOGICAL MUSEUM. Malaga. SPAIN.

Anonymous / 'Two nude men, each wearing a tiara anti-popes (?)'. XVI century. Wash, Pencil, Grey-brown ink on yellow paper. Museum: Museo del Prado, Madrid, España.

Fragment Made 1476-1532 Peru. Brocaded interlocking tapestry weave . Chuquibamba

Relief fragment, tomb of Meketre, hieroglyphs. Dynasty: Dynasty 12. Reign: reign of Amenemhat I, early. Date: ca. 1981-1975 B.C.. Museum: Metropolitan Museum of Art, New York, USA.

Lazio Roma Velletri Museo Civico di Velletri3. Hutzel, Max 1960-1990 Medieval: Marble tondo of the depositon, early christian sarcophagus. Antiquities: Roman;statue of Athena, male and female sculpture fragments- heads, torsos, marble cinerary urn; cippi with inscriptions inscriptions, altars, sarcofagi, sarcofagus with scenes of the feats of Herakles. Etruscan; votive objects, heads, legs feet, eyes, uterus, intestine , animals; bronze objects Architectural sculpture and fragments; relief of procession pottery fragments, lamps; brickstamps. Object Notes: The Museo Civico is housed in the Palazzo Comunale. There are two Hutzel photo campaign notes, one undated and the other November 9, 1985. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects o

Part of a Gammadion Border, 400s-500s. Syria , 5th-6th century. Tapestry weave; wool and linen; overall: 34.3 x 59.5 cm (13 1/2 x 23 7/16 in.).

Ark of the Covenant, relief from Capernaum Synagogue, 2nd cen. AD. Israel.

near Mexico city; Mexico, Teotihuacan archeological site, Stone carving of bird on wall of Quetzalpapalotl Palace

Fresco Fragment. Unknown

Fresco Fragment. Unknown

Fresco Fragment. Unknown

White Fresco Fragment. Unknown

White Fresco Fragment. Unknown

Saint-Germain-en-Laye, France , 1921 - Seine -et -Oise - Auguste Léon - (June) (French - Saint-Germain-en-Laye , France). Statue, museum, archaeological vestige, exists in high definition, sculpture, prehistory, Habitat , Architecture , HD , Art, France, St Germain-en-Laye, Baoussé-Roussé cave. Black human figures in steatitis, the yellow in steatitis also, the lightest (central part at the top) in bone.

Vietnam, Da Nang. Cham Museum, best collection of Cham cultural art in the world. Ancient sandstone carving dating back to the time of the Champa culture.

Artist's Sketch of three mummies ca. 1850-1750 B.C. Middle Kingdom. Artist's Sketch of three mummies 557322

BOSCOREALE, ITALY, MAY 03, 2022, Cutout of a colorful fresco in an ancient Roman villa, Southern Italy

Basalt relief. Fishermen, 10th century BC. Middle East, Syria, Tel Halaf. British Museum. London, UK.

Egypt. Sarcophagus of Ti. Detail of the painting that decorate the interior wall. Wood. 20th century BC. The State Hermitage Museum. Saint Petersburg. Russia.

Wall frieze from the tomb of Ramesses VI. Tomb KV9 in Egypt's Valley of the Kings was originally constructed by Pharaoh Ramesses V. He was interred here, but his uncle, Ramesses VI, later reused the tomb as his own. The layout is typical of the 20th dynasty - the Ramesside period. Ramesses VI Nebmaatre-Meryamun was the fifth ruler of the Twentieth Dynasty of Egypt. He reigned for about eight years in the mid-to-late 12th century BC

The Svantevit-Stone in the church in Altenkirchen on the island Rugen by Pre-Christian Art / Pfarrkirche zu Altenkirchen/ before 1168/ Stone, paint/ Ancient Cultur/ Mythology, Allegory and Literature

René de Saint-Marceaux (1845-1915) (known as Charles René de Paul de Saint-Marceaux). "Bertie Imbs". Terracotta. 1865. Museum of Fine Arts of the City of Paris, Petit Palais. 144865-6

Sarcophagus of the general Pedi iset, 746-332 BC granite Sarcophagus of Anch-Hor with illustrations of daemons of the Netherworld, 746-332 BC Memphis Granodiorite.

GranaryDoor

Relief fragment from the tomb of Meketre ca. 1981-1975 B.C. Middle Kingdom. Relief fragment from the tomb of Meketre 668886

Lazio Roma Albano Laziale Museo Civico Archeologico71. Hutzel, Max 1960-1990 Post-medieval: Architecture, exterior (neoclassical); wall panels and painted ceiling Antiquities: Roman inscriptions, relief, sculpture, sarcophagi, brickstamps on bi-pedale fragments, cippi Object Notes: Bibliographic material housed in Center Library German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Floor mosaics dating to the third and fourth centuries in the Roman Baths; Garni, Azat Valley, Armenia

Fragmento de cerámica. Museu d'Arqueologia de Catalunya-Ullastret.

Parennefer called Wennefer was a High Priest of Amun during the reigns of Tutankhamen and Horemheb. He was previously thought to date to the end of the 18th Dynasty. Parennefer was more firmly put at the end of the 18th Dynasty after extensive excavations of his tomb in Thebes in 1990-1993.

Léopold Morice (1846-1920). "August 10, 1792, Tuileries taken". Patinated plaster. 1879. Museum of Fine Arts of the City of Paris, Petit Palais. 144755-21

PETO DE ARMADURA-DET SANTIAGO APOSTOL. Location: PALACIO REAL-REAL ARMERIA DE MADRID. MADRID. SPANIEN. Apóstol Santiago el Mayor. APOSTOL SANTIAGO EN CLAVIJO. APOSTOL SANTIAGO-SANTIAGO MATAMOROS.

Mural Of The Four Eras Carved In Plaster, Toniná, Chiapas, Mexico

Border tile, blue, decoration with circles and flowers, border tile wall tile tile sculpture ceramic earthenware glaze, baked 2x glazed painted

Sidewall (France); block-printed; 64 x 64 cm (25 3/16 x 25 3/16 in.)

bell crater bell crater, Iberian culture, Archeological Museum. Úbeda, Jaén province, Andalusia, Spain Copyright: xZoonar.com/BartomeuxBalaguerxRotgerx 21702749

Capture of Kulisu, and ceremonies at the source of the river.. Birch, Samuel (1813-1885). Photographs, Illustrations. 1880 - 1902. General Research Division. Gates , Assyria, Bas-reliefs , Assyria, Shalmaneser III, King of Assyria, active 9th century B.C. , Palaces

Incised Bowl with Figures 3rd century B.C. Paracas. Incised Bowl with Figures. Paracas. 3rd century B.C.. Ceramic. Peru. Ceramics-Containers

The tribute of the Chaldeans.. Birch, Samuel (1813-1885). Photographs, Illustrations. 1880 - 1902. General Research Division. Gates , Assyria, Bas-reliefs , Assyria, Shalmaneser III, King of Assyria, active 9th century B.C. , Palaces

Diorite statue of King Cephren, builder of the second Pyramid at Giza, Egypt. Khafra, Khafre, Khefren or Cephren) was an ancient Egyptian king (pharaoh) of 4th dynasty during the Old Kingdom

PALACIO CIVIL-PATIO-CAUDILLO ARRODILLADO-RELIEVE EN LOSA. Location: PALACIO. PALENQUE. CIUDAD DE MEXICO.

Manos.

Case (Inr) with Design of Children in a Circle around a Dragon Pond 18th century Japan. Case (Inr) with Design of Children in a Circle around a Dragon Pond. Japan. 18th century. Lacquer, roiro, gold and silver togidashi, nashiji; Interior: nashiji and fundame. Edo period (1615-1868). Inr

Detail of Coyolxauhqui Stone, detail of severed head, Aztec, Mexico, Templo Mayor

Wall painting with geometric decoration, La Clinica, 1st-2nd century AD, Museum of Romanization, Calahorra, La Rioja, Spain, Europe.

REPRODUCCION TOTAL DE LAS PINTURAS DE ALTAMIRA. Location: MUSEO ARQUEOLOGICO NACIONAL-COLECCION. MADRID. SPAIN.

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