Animal Studies and Decorative Designs

Etchings and decorations focusing on wild animals and ornamental designs, showcasing intricate details in a historical artistic style.

Ramekk to Agricultuur, Jean Charles deptant, 1768 - 1771 print On the left a trophy with attributes belonging to frameworks and a list of a beaver. On the right a trophy with attributes belonging to agriculture and a medallion with a globe with scoop and lion. Print number 106. Paris paper etching / engraving trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament. timber framing. agriculture

Winter; Summer and winter.A man with boned hat and wrapped in a heavy dress heats his hands above a burning stew. The young man next to him throws coals on the fire.

Mask with two lobsterens holding hoses; Pourertricure ingenious the plusieurs facons de masques .... One of 14 blades from a series of 18 with the title 'PourTricture ingenious the plusieurs Façons de Masques ...'. The title sheet is missing.

Design for a banner with a heraldic lion and the coat of arms of Rotterdam. Draughtsman: Elias van Nijmegen. Dating: 1677 - 1755. Measurements: h 327 mm × w 210 mm. Museum: Rijksmuseum, Amsterdam.

Lazio Viterbo Bagnaia Villa Lante27. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Plate 1 from a Set of Trophies of Weapons, Johann Ulrich Stapff, German, active 17th century, Engraving on paper, The numbers are in the right bottom corners. Framing line. Bottom center: 'J.E. Stapff ex'., Germany, ca. 1665, Print, Print

Trophies with Attributes of Fishing, Jean-Charles Delafosse, French, 1734-1791, Étienne Fessard, French, 1714-1777, Etching on Paper, Trophies with attributes of fishing., Europe, 1734-89, Print, Print

Pendules met helm en putti; Nouvelles Pendulles en Cartel; IIe Volume De l'Oeuvre de J. Ch. Delafosse (...).Two penduers on a leaf. Above a pendulum with ramskop, leaf motifs and a poultry helmet. Under a pendulum with torches, garlands and three putti with flags, weapons, a helmet and a laurel wreath. Left under 6 numbered.

Barthel Beham (German, 1502 - 1540), Foot-Soldier in Front of a Tree, 1520, engraving

Right half of a large cartouche, with a snake on the left, Pieter van der Heyden, after Jacob Floris, 1567 print On the rolling work is a representation of a man and a woman on the right, sailing on fishing. Shaded background. Belongs to series of 14 magazines cartouches with rolling work, grotesken, trophies and Frisians. The title page is missing. Netherlands (possibly) paper engraving

Draak with the weapon of Basel, monogrammist DS (engraver) (attributed to), 1500 - 1520 print Dragon with a head and legs of a chicken, holds Basel's weapon. Around an ornamental frame. Germany paper dragon. coat of arms (as symbol of the state, etc.) (+ city; municipal) Basel

Man with an arms skirt near an obelisk, 1572 - 1589 print From series of 9 sheets. Germany (possibly) paper

Composition with different images of Perseus on a vase, in sculpture and on a cameee, anonymous, 1700 - 1799 print The figures and objects are numbered from I to Vi. The whole is numbered at the top right: tab. X. paper etching / engraving Roman religion (including Etruscan religion). (story of) Perseus. vase ~ ornament. sculpture

Etcher: Master F. P., Italian, active 16th century, After: Parmigianino, Italian, 1503-1540, Artist, formerly attributed to (wrongly): Andrea Schiavone (Andrea Meldolla), Italian, ca. 1510-1563, Saint John the Evangelist, from Christ and hisApostles, ca.1530-50, Etching, sheet: 11.6 × 6.1 cm (4 9/16 × 2 3/8in.), Italian, 16thcentury, Works on Paper -Prints

Komedie, Anonymous, after Jean Charles Delafosse, 1771 - 1784 print A trophy with violins, sheet music, masks, weapons, tambourines, spraying and a round medallion with a black and white sphere with a fool's head. Augsburg paper etching / engraving trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament. 'Comedia', 'Comedia vecchia' (Ripa)

Two putti. A putto pulls his sword, next to him lies his helmet on a cloud. Another putto holds a laurel wreath and a lance in his hands.

Zeestier and Zeelam, Anonymous, c. 1688 print Two fantasy scenes with front legs and a tail. From series of vignettes with sea codes and allegories, used as an illustration in the book Histoire Metallique de la République de Hollande by P. Bizot. print maker: Netherlands (possibly)after design by: Netherlands (possibly)publisher: Amsterdam (possibly) paper etching

Caritas, trapped in a shell -like form from which water flows, Johannes or Lucas van Doetechum, after Cornelis Floris (II), 1556 print Caritas is flanked by two women who point to her. Tage K from series of 12 magazines, numbered A-m with flat decorations of grotesken with rolling work, saters, garlands, trophies, animals and fantasy scenes Netherlands (possibly) paper etching Charity, 'Caritas'; 'Carití' (Ripa) ~ one of the Three Theological Virtues. ornament ~ grotesque

Architecture fantasy with grotesque vase. Architecture fantasy with grotesque vase with snakes. Numbered in a later state: 9. Part of group of prints from one of the four series of vases, ruins, tombs and fountains with a total of around 25 blades.

Lazio Roma Velletri Museo Capitolare5. Hutzel, Max 1960-1990 Medieval: Breviaries (two, 14-15th century); "The Passion" on vellum (French school, late 13th century); reliquaries. Post-medieval: Paintings, frescoes, vestments, sculpture, metalwork, panel painting Object Notes: Bibliographic material housed in Center library. Hutzel photo campaign dates: one undated, another November 9, 1985. It is likely that notes for the Pinacoteca Cattedrale (no separate Hutzel entry) describe items under this heading. TCI seems to indicate that the Museo Capitolare is adjacent to the cathedral. As well, some prints are missing; the initial Hutzel entry indicates that there are 422 prints. At this count, I can find 142. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, inclu

Black ornament in the form of a beetle, anonymous, after Jean Toutin, c. 1619 - c. 1694 print Black ornament in the form of a beetle. Left and right a small beetle. Among them a lady and gentleman, standing for a playman who plays a wind instrument. paper etching

Vase with masks, 1729 - 1737 print A vase with three masks and shells. Paris paper etching vase ~ ornament. mask, mascaron ~ ornament. scallop, shell ~ ornament

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), the four seasons, spring. First issue of a suite of 4 rooms (A. de Vesme 83. Dutuit 77) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Carl Schütz (Austrian, 1745-1800), Fantasy of an Antique Temple, 1770-1780, etching on laid paper

A console with the personification of Holy Rome (Roma Santa), depicted as Minerva. She wears a helmet with the Christ monogram on top. This monogram also adorns the head of her skewer. A snake meanders under the skewer. On the right a shield with the coat of arms of Pope Eugenius IV. The print is part of an album, Personification of Holy Rome with the coat of arms of Pope Eugenius IV Numismata virorum illustrium ex Barbadica gente (series title)., print maker: Robert van Audenaerd, (mentioned on object), Giovanni Francesco Barbarigo, (mentioned on object), Rome, 1673 - 1743, paper, engraving, h 182 mm × w 180 mm

An etching by Gerard van der Gucht created between 1751 and 1768, depicting a still life scene with inanimate objects and dead items, rendered in detailed line work typical of 18th-century engraving.

Lazio Roma Subiaco Rocca Abbaziale22. Hutzel, Max 1960-1990 Distant and close range exterior views of castle, portals, papal crests. Interior views of entry hall, chapel, Appartamento dei Colonna, Appartamento di Pio VI, and Camara di Pio VI, with many detail views of ceiling and wall frescoes. General Notes: Views 1-7 extracted and filed separately under General views. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Glaive and palm, shovel and spindle: two attributes of holy treated high relief in Saint-Roch

Three figures with headwear, Denis Boutemie, 1636 print This print is part of an album. paper engraving ornaments ~ art

Fries with the triumph of Neptunus, right plate, Cornelis Bos, after Giulio Romano, after Andrea Mantegna, 1548 print Right part of a Frisian with the triumph of the God Neptune. Different fabeld animals are twisted together. Neptunus rides on a hippocampus on the left. paper engraving (story of) Neptune (Poseidon). fabulous animals ~ fishes. fabulous animals ~ reptiles. sea-horse, hippocamp, 'hippocampus', (horse/fish) (mythological hybrid monster)

Vignet with two turtle doves.

Medallion with Floral Motives. The back of this medallion displays a combination of the cosse de pois style and floral patterns. We can identify various species of flowers that also feature frequently in 17th-century flower still lives: carnations, peonies, roses, and tulips. Despite the economic bubble caused by the popularity of tulips in 1637 they continued to be a favourite decorative ornament for gold- and silversmiths.

Band design for: Knappert, Emilie C., Looks in the plant world, 1893. Draughtsman: Willem Wenckebach (signed by artist). Dating: in or before 1893. Measurements: h 259 mm × w 187 mm. Museum: Rijksmuseum, Amsterdam.

Can in the form of a snail house with a spout in shell shape; Vases, jugs and scales with grotesken. The foot of the can is a claw that is on a turtle. On the ear is a winged Sater that blows in a shell. Coming from a series consisting of a title page and 20 sheets.

Design by Aldegräver. Édouard Baldus (French, born Germany, 1813 - 1889)

Medusa is crushed by the lion of Sint Marcus; Numismata virorum illustrium ex Barbadica Gente. A console with the lion of Sint Marcus as a symbol for Venice. He crushes medusa that lies on a bellows. His fire goes out. Medusa is a symbol of evil here. The print is part of an album.

Design for the Decoration of a Frieze, C. C., French, active 19th c., Pen and black ink, brush and gray watercolor, graphite on paper, The right side is shown. The central motif is the mask of a woman above leaves, and with a diadem of leaves, carrying upon the head a basket with flowers and grapes. An acanthus rinceau springs from the lower leaves. A lioness springs to catch grapes. The background is colored., France, 1811, Drawing, Drawing

Design for a decorative painting in the form of a medallion with a Hermes head. On the back: No 1. Part of an album consisting of 102 sheets with 124 drawings.

Ornament with a Peacock. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Jean-Jacques Avril I after Jean-Baptiste Pillement.

Print, Plate from 12 Stick Zum Verzaighnen Stechen Ver Fertigt (Set of Twelve Designs for Engraved Vessels); Designed by Bernhard Zan (Germany, active ca. 1580); Germany; punch engraving, pen and black ink, graphite on off-white laid paper; Sheet: 29.5 x 18.7 cm (11 5/8 x 7 3/8 in.) Platemark: 25.9 x 17.7 cm (10 3/16 x 6 15/16 in.)

Fontein with seahorses, anonymous, After Jean Lepautre, After 1661 - Before 1706 print after design by: France (possibly)publisher: Augsburg paper etching

Frisian with a seal on the left, 1580 - 1623 print Passionate copies to the following prints: RP-P-1984-447, RP-P-1984-440, RP-P-1984-441 and RP-P-1984-439. Leaf from series of 6. print maker: Italy (possibly)after print by: Romepublisher: Germany paper engraving

Aurora; Paintings by Francesco Albani. The goddess aurora, throttle with flowers, and a putto with a torch. Decoration of a pendentive.

Mask with saucers around the eyes and a tag curls on the head; Pourertricure ingenious the plusieurs facons de masques .... There is a knot on the round chin. One of 14 blades from a series of 18 with the title 'PourTricture ingenious the plusieurs Façons de Masques ...'. The title sheet is missing.

Ornament with tendrils, a compass and a square. Draughtsman: Pieter Jansz.. Dating: 1630 - 1672. Measurements: h 62 mm × w 65 mm. Museum: Rijksmuseum, Amsterdam.

Visscher, Cornelis, work, Coat of arms of Haarlem, hanging on a palm tree, (1000 - 2000), copper engraving, graphic, 41.1 cm x 30, 7 cm

Scale, formed by the lower jaw of a man with a Saterkop, 1548 print The scale rests on the tail of a fish that lies between the man's legs. The man himself supports his jaw with his arms. Coming from a series consisting of a title page and 20 magazines. Netherlands (possibly) paper engraving

Court-fool. Engraving after a woodcut in Sebastian Münster's "Cosmographia universalis", published in Basel in 1552. "Moeurs, usages et costumes au moyen-âge et à l'époque de la Renaissance", by Paul Lacroix. Paris, 1878.

A stucco panels that decorated china Trianon, Versailles, vintage engraved illustration. Magasin Pittoresque 1857.

St. John the Baptist in the Desert 15th century Master ES German. St. John the Baptist in the Desert 367068

Lazio Roma Rome Gesu71. Hutzel, Max 1960-1990 Exterior views of Baroque facade and cupola. Interior views of main altar and chapel altars. Extensive coverage of nave ceiling fresco by Baciccia, sculpted altar by Pozzo, and corridor by Pozzo and Borgognone. Paintings and sculpture in sacristy and church, and views of elaborately embroidered cope. Antiquities: Sarcophagus General Notes: Three numerical sequences have been fused into a single sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The foot consists of two intertwined figures, Shell shaped cup Modelli artificiosi di vasi diversi d'argento (series title), print maker: Theodorus van Kessel, Adam van Vianen (I), (mentioned on object), Christiaen van Vianen, Utrecht, 1646 - 1652, paper, etching, h 211 mm × w 164 mm

Wood engraving. Vignette, Engraving and etching, Classical helmet decorated with a crowned griffin., Europe and USA, 1820-35, Wood engraving. Vignette

A Stalk of Lilies with Six Blooms. Dated: 1808. Dimensions: sheet: 29.7 x 23.9 cm (11 11/16 x 9 7/16 in.). Medium: pen and black ink over graphite on very light green laid paper. Museum: National Gallery of Art, Washington DC. Author: Philipp Otto Runge.

Lazio Viterbo Bagnaia Villa Lante05. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

A late 15th-century copper engraving by an anonymous artist depicting the ace of spades card, emphasizing figure, symbols, and composition.

Coat of Arms of Haarlem, end page to Counts and Countesses of Holland, Zeeland and West-Frisia. Cornelis Visscher; Dutch, c. 1629-1658. Date: 1650. Dimensions: . Etching and engraving on ivory laid paper. Origin: Holland. Museum: The Chicago Art Institute, USA. Author: Cornelis Visscher.

Print, Vignette, The Pelican; Print Maker: Maximilian Joseph Limpach (Czech, active the 1st half of 18th century); engraving on paper; 5.5 × 12.8 cm (2 3/16 × 5 1/16 in.)

Bladrank, Paul Androuet Ducerceau, c. 1710 print Leaf 3 from series of 6 sheets, numbered 1-6, left and top right are older songs. Third edition. print maker: France (possibly)after design by: France (possibly)publisher: Paris paper etching

Shell-shaped cup, Theodorus van Kessel, Christiaen van Vianen, Christiaen van Vianen, 1646 - 1652.

Andreas Flinch (1813-1872); Johan Thomas Lundbye (1818-1848), Genius with bow in the left hand and height handed against a crowned bird, (1843)

Man with parasol under tent; Recueil des Tentes Chinoises. A man sits on his back in a landscape, he holds a parasol. Above him a tent with awnings and a mill. Print number 48.

S-shaped shield between ten ornaments, Guillaume de la Quewellerie, 1611 print From series of 6 magazines. Amsterdam paper engraving

Tree stump with a mallet paper between two kings; Opere di Polidoro da Caravaggi (...). The left can have an ear that ends in a bird head and is decorated with winged female saters.

French Crown, Paris, Huquier, Gabriel, Bouchardon, Edme, First livre de vases, Vase with tridents, verso - stamped, A vase with a mask, shells and two tridents., print, ornament print, prints, ornament prints, height 198 mm, width 130 mm, French, 1695 - 1772-06-11, print maker, printmaker, 1729 - 1737, paper, papier, etching, etchings, Work conception, 1698-05-29 - 1762-07-27, after a design by, Publication (Event), Publication, publisher, uitgever van privilege

THE PALL MALL ELECTRIC ASSOCIATION OF LONDON, 1880, 19th century engraving, USA, America

Cartouche surrounded by a man and a putto, Pieter Jansz, 1657 - 1662 drawing Cartouche surrounded by a man and a putto with a tape measure and a passer. Possible design for a print. paper. ink pen / brush measuring-instruments. compasses. cupids: 'amores', 'amoretti', 'putti'. ornament ~ cartouche

The Coat of Arms with theSkull. Artist: Albrecht Dürer, German, 1471-1528

Trophy of art attributes.

Can in the form of a snail house with a spout in shell shape, 1548 print The base of the jug is a claw that stands on a turtle. On the ear there is a winged satar that blows on a shell. Coming from a series consisting of a title page and 20 magazines. Netherlands (possibly) paper engraving

Title Page Design for "The Tournament" (recto); Small Sketches for Border Elements (verso) 1840 Richard Doyle British. Title Page Design for "The Tournament" (recto); Small Sketches for Border Elements (verso). Richard Doyle (British, London 1824-1883 London). 1840. Recto: graphite, pen and black ink, touches of brush and yellow-green washVerso: graphite. Drawings

Germany, Monogrammist MHF (16th century), Flat decoration with foliate scrolls, verso below - stamped, At the bottom is a putto with shield and stick. Hatched background., print, ornamental print, prints, ornamental prints, height 91 mm, width 27 mm, German, print maker, printmaker, 1500 - 1536, first quarter 16th century, second quarter 16th century, paper, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, publisher

The three eagles, Prussias attitude towards France, Frances attitude towards Prussia, Austrias attitude towards Prussia and France , Preussen, France, Austria, the three eagles caricature sequence, pictures, from Kikeriki , Carl von stubborn -, Caricaturist

Baccio Baldini (1436-1487). "The prophets, Aron". Fourth issue of a suite of 24 rooms (Bartsch 4). Chisel. 1450-1485. Museum of Fine Arts of the City of Paris, Petit Palais. 112278-28 XVEME XV XV 15th 15th 15 CENTURY, engraving

Design for the Headpiece of the "Gazette de France" 18th century Hubert François Gravelot French. Design for the Headpiece of the "Gazette de France" 335433

Albrecht Dürer (German, 1471-1528), Coat of Arms with a Skull, 1503, engraving

Euclides en Ptolomeus; Euclides: Ptolomeus.Two of four portraits of scientists from Grieve antiquity. Euclides Looking along a mathematical measuring instrument, the astronomer ptolome with a heavenly globe.

Decorated Roman alphabet. Artist: Anonymous, French, 15th century. Dimensions: Sheet: 1 3/8 × 1 3/8 in. (3.5 × 3.5 cm). Date: ca. 1499. Museum: Metropolitan Museum of Art, New York, USA.

Italy, Maglioli, Giovanni Andrea, Rome, Frisians with sea monsters, Winged seal with a kind of saddle on its back, From a series of 13 sheets., print, ornamental print, prints, ornamental prints, height 51 mm, width 105 mm, Italian, print maker, printmaker, 1580 - 1610, fourth quarter 16th century, first quarter 17th century, first quarter of the 17th century, paper, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, publisher

Italy, Cattini, Giovanni, Angel playing the organ, verso - stamped, print, prints, height 65 mm, width 56 mm, 1725 - 1800, print maker, printmaker, 1735 - 1800, paper, engraving, engraving (printing process)

Feather drawing by Benigno Bossi depicting a trophy design dedicated to a victim of Jupiter, executed with gray and brown lavation on a blue primed background, showing ornamental and compositional elements.

Vault decoration from Pallazzo Barberini; Iustitiae. Symbolic. ET. Exempla; Ceiling paintings in the salon of the Palazzo Barberini; Barberinae Aulae Fornix. Part of the vault decoration in the salon of Palazzo Barberini with an allegory on justice (Justitia), with a griffin, putti and a medallion with a representation of Manlius Torquatus.

Design for the foot of a candlestick, Gabriel Huquier, Juste Aurèle Meissonnier, 1738 - 1749 print Decorated with a moth. This print is part of an album. paper etching candlestick. work of applied art

Woman in hairstyle decorated with roses, lace and a box called the Racy Parterre. Coiffure au Parterre galant. Handcoloured lithograph by de Laubadere from Octave Uzanne's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Coiffures de Style, la Parure Excentrique, Rouveyre, Paris, 1895.

Allegorie van de Lucht; afbeeldsels van voghels, door A. De Boodt, edelman en Docteur, van brugge / A. Boëtti, Brugensis Viris nob:s et Med:d lic.s de avibus. regn. animal. pars. / Les oiseaux peints d'apres nature par Mr. A. De Boodt, gentil homme et medecin, natif de Bruges (title on object). Draughtsman: Anselmus Boëtius de Boodt (mentioned on object). After Giuseppe Arcimboldo. Dating: 1596 - 1610. Place: Praag. Measurements: h 430 mm × w 270 mm. Museum: Rijksmuseum, Amsterdam.

Drawing by Gottfried Bernhard Göz titled 'Brunn of Wisdom', executed in gray-brown ink and gray lavated wash, created around 1742-1750 using a pen technique.

Drawing, Two Drawings of the Madonna and Child in Ovals, Studies after Giambologna and Alfonzo da Ferrero; Herm and Chimera, after Antique; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and brown ink, brush and brown wash, over black chalk on white heavy wove paper; 30.7 x 22.6 cm (12 1/16 x 8 7/8 in.)

Design for a Decorative Vase, Graphite, pen and ink, brush and sepia on paper, Vase decorated with curls and waves and dragon as spout topped with kneeling man., Italy, 1775-1800, metalwork, Drawing, Drawing

Flying comes to the light of a candle, Vincent Laurensz. van der Vinne (II), 1714 print Flying comes to the light of a candle. Many flies died from the heat and fire and are in the wash and on the floor. Symbol in the way in which people do not seem to care about warnings and perish with a reprehensible earthly life. Haarlem paper etching candlestick (+ kindling a light; lit, burning light, lamp, candle). insects: fly (+ animals used symbolically)

Paris, Daumont, Jean-François, Delafosse, Jean Charles, Tardieu, Pierre François, NN Attributs D'Eglise, Trophies with shield and medallion, verso - stamped, On the left a trophy with weapons, a shield with a dove as a symbol of the Holy Spirit, a crucifix, a monstrance and chalices. On the right a trophy with a lantern, grapevines, a medallion with an elephant, a smoking barrel, a candlestick and stoles., print, engraving, ornamental print, prints, engravings, height 383 mm, width 239 mm, French, 1711-12-24 - 1771-01-15, print maker, printmaker, 1771 - 1775, paper, papier, etching, etchings, engraving (printing process), Work conception, 1734 - 1791-10-11, after a design by, Publication (Event), Publication, French - 1775, publisher

DIBUJO- BAJORRELIEVE DEL TEMPLO DEL JAGUAR O DEL HERMOSO RELIEVE - PALENQUE - 1789. Author: RICARDO ALMENDARIZ (S XVII). Location: PALACIO REAL-BIBLIOTECA. MADRID. SPAIN.

Putto leaning on skull and bubbling, Hendrik Adriaan Christiaan Dekker, after Hendrick Goltzius, 1855 print Putto leaning against a skull. In his right hand a pipe with which he blown calls, in his left hand a shell behind him a keg from which smoke rises. At the bottom of the show the words quuis evadet in mirror script on dilapidated stone. Netherlands paper. engraving / etching (children or putti) blowing bubbles, 'Homo Bulla' ~ scene symbolizing 'Vanitas'

'Compisition Depicting Trophies'. France. Dimensions: 24,5x19,5 cm. Museum: State Hermitage, St. Petersburg. Author: CHARLES-LOUIS CLERISSEAU.

Equestrian of Eugenius from Savoye, c. 1700 - c. 1899 print Euugenius bridle portrait of Savoye. The prince and his horse largely consist of curls (calligraphy). Netherlands paper etching equestrian state-portrait

From series of 24 gothic letters with braiding: A-I, K-T and V-Z., Letter Y Alphabet (series title), print maker: anonymous, anonymous, publisher: anonymous, Netherlands, (possibly), c. 1600 - c. 1699, paper, engraving, h 55 mm - w 53 mm

Préparatif pour le départ du Prince et Princesse des Nabots. L'incomparable Baron de Catagon leur présentes une Nouvelle Coeffure, do son Invention, qui lui merité le glorieux titre de Restaurateur des Nabots. Artist: probably after Louis Berthet (French, active Paris, late 18th century). Dimensions: sheet: 14 1/16 x 9 7/16 in. (35.7 x 24 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Vignette with the head of De Tijd (Chronos) with an hourglass, Claude Mellan, 1639 - 1643 print print maker: Franceprinter: Paris paper engraving Father Time, man with wings and scythe. hourglass. decoration of printed matter

Signboard paint shop. Draughtsman: anonymous. Dating: 1600 - 1800. Measurements: h 103 mm × w 116 mm. Museum: Rijksmuseum, Amsterdam.

Auguste BauDius and Adolf Wilbrandt, Actress Auguste BauDius is attracted to the writer Adolf Wilbrandt as a light title page Die Bomb , Carl von Stub -, Caricaturist, Carl Angerer -, realization

after Baccio Baldini, Phrygian Sibyl, early 15th century, engraving

of 3