Architectural and Decorative Designs

A variety of intricate design drawings, including examples of ceiling plans and elaborate ornamentation for furniture and decorative arts from historical periods.

Antaba Gothic (); Czachórski, Władysław (1850-1911); 1870 (1870-00-00-1870-00-00);

Two mills with wheel between, Edificij et machine MS, Martini, Francesco di Giorgio, 1439-1502, Brown ink and wash on paper, between ca. 1475 and ca. 1480

Classical Leaves and Scroll. Dated: 1935/1942. Dimensions: overall: 35.2 x 27.9 cm (13 7/8 x 11 in.) Original IAD Object: 14 1/2" high; 35 1/4" long. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Randolph F. Miller.

Two Designs for the Hilt of a Sword (recto); Two Designs for Helmets (verso). Artist: Anonymous, Italian, mid-16th century. Dimensions: 7-15/16 x 7 in. (20.2 x 17.8 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Decorative design. Draughtsman: Carel Adolph Lion Cachet. Dating: 1874 - 1945. Measurements: h 205 mm × w 330 mm. Museum: Rijksmuseum, Amsterdam.

Design for a bowl with grape bunches in the edge, anonymous, c. 1700 Paris paper. chalk. ink pen

Design for Nutrix advertising. Design for advertising Nutrix Rusk `the hollow bolle car ': a church full of sheep, a shit full of turnips.

Liberale da Verona's drawing shows two studies of a woman with closed eyes holding her child on her chest, executed with pen, assembled from two parts.

King Gambrinus erected with a mug of beer and two squire. In tonds on both sides of Putt in Chmiel, Verso: architectural detail; Thoma, Hans (1839-1924); around 1886 (1881-00-00-1891-00-00);

An ornamented vase, below it a cartouche with leaves and the series title. Vase and cartouche B Nouveaux Vases Antiques , print maker: anonymous, publisher: Jean-Baptiste Crépy, (mentioned on object), Paris, 1770 - 1780, paper, etching, h 166 mm - w 133 mm

Graphite sketches with lettering by Francesco Borromini of illusionist vaulted baffles at San Carlo All Quattro Fontane in Rome on fine paper.

Drawing, Decorative Cartouche with a Lagoon Capricco; Attributed to Francesco Guardi (1712 - 1793); Italy; pen and black ink, brush and watercolor over black chalk on white laid paper; 41.9 x 68.6cm (16 1/2 x 27 in.); Bequest of Erskine Hewitt; 1938-57-242

Pencil drawing book by Josef von Führich created in Cratzau on February 2, 1806, showing studies of figures, gestures, and layouts.

Page of a drawing book; Two designs for a coat of arms of Ferdinand I of Toscana, Jan van der Straet, called Stradanus, Flemish, 1523-1605, Pen and ink, verso with bistre wash on paper, Two designs for a coat of arms of the Grand Duke Ferdinand I of Toscana (1587-1608). Vertical rectangle. Verso: A globe showing Italy in its center serves as a shield. It is framed by a scrollwork escutcheon and at left by the standing figure of an allegorical woman, at right by a boy with a club standing over a lion. Both support the crown through which pass the cords hanging from a cardinal's hat. It is placed at the top of the ovoidal mould, framing the escutcheon. Recto: a sketch, a variation of the design. An ovoid containing a map serves as a shield. A woman, seated, carrying what is supposed to be a trumpet. A scroll with an inscription is suggested below the shield., Netherlands, ca. 1590, graphic design, Drawing, Drawing

'Two Capitals with Figures and a Horse's Skull'. France. Dimensions: 19,3x26,3 cm. Museum: State Hermitage, St. Petersburg. Author: CHARLES-LOUIS CLERISSEAU.

Studies for the architectural details of the ambulatories, St Peter's Basilica in Rome, by Cordini Antonio known as Antonio da Sangallo the Younger, 1519 - 1519, 16th Century, dark ink. Italy, Tuscany, Florence, Uffizi Gallery, Drawings and Prints Cabinet. Whole artwork. Sheet ambulatories St Peter's Basilica recto of the drawing studies aediculae: shrine base writings.

Vrouwfiguur met lauwerkrans.Woman character with laurel wreath. The print is part of an album.

Armchair. Dated: c. 1937. Dimensions: overall: 30.4 x 24.2 cm (11 15/16 x 9 1/2 in.) Original IAD Object: none given. Medium: watercolor, gouache, colored pencil and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Edna C. Rex.

Write example with Admiraalschip, Simon Frisius, After Jan van de Velde (I), 1605 Admiralschip drawn from one extended line. The line runs from the bottom right to the left halfway through the mast. Two text rules on both sides of the ship. The print is part of an album. print maker: Haarlempublisher: Rotterdam paper engraving Admiralschip drawn from one extended line. The line runs from the bottom right to the left halfway through the mast. Two text rules on both sides of the ship. The print is part of an album. print maker: Haarlempublisher: Rotterdam paper engraving

Coat of arms, seal and stamp

Studies of Four Figures; Giovanni Battista Piranesi (Italian, 1720 - 1778); 1760 - 1765; Pen and brown ink and brown wash, traces of black chalk; 25 × 17.3 cm (9 13,16 × 6 13,16 in.)

Standing man, to the right, Jacob Hoolaart, 1728 - 1789 print Dordrecht paper etching standing figure

Picture frame. Draughtsman: anonymous. Dating: 1809 - 1814. Place: Southern Netherlands. Measurements: h 430 mm × w 270 mm. Museum: Rijksmuseum, Amsterdam.

Sir John Soane, 1753-1837, British, Detail of Scrolled Acanthus Molding, ca. 1779. Gray wash, pen, black ink and graphite on medium, slightly textured, cream wove paper.

Thomas O'Connor, Embroidered Lace Collar, 1935 1942 Embroidered Lace Collar

Bürckner Adolph (1846-1932), fountain on Pariser Platz in Berlin. Monthly competition June 1873 (06.1873): View; Scale bar. Pencil and ink on transparent, 44.3 x 62.1 cm (including scan edges) Bürckner Adolph (1846-1932): Brunnen auf dem Pariser Platz, Berlin. Monatskonkurrenz Juni 1873

Elmer R Kottcamp, Fractur, 1935 1942 Fractur

Mirror. Dated: c. 1937. Dimensions: overall: 30.4 x 22.8 cm (11 15/16 x 9 in.) Original IAD Object: 27 1/2" x 13". Medium: watercolor, colored pencil, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Marie Famularo.

Banquet scene showing servants and lively eaters Date: 11th century

Daggers `tulich type`. Lesser, Aleksander (1814-1884), draughtsman, cartoonist

Design for a Man's Headdress. Artist: Possibly by Baccio del Bianco (Italian, Florence 1604-1656 Escorial) (and workshop). Dimensions: Sheet: 17 x 11 5/16 in. (43.2 x 28.7 cm). Date: ca. 1620-56.Design for an elaborate headdress, placed on a man's head. The headdress is made up out of feathers with in its center a precious stone. More (semi-) precious stones appear to have been planned for the curling strips surrounding the man's head and in the center of each feather. On the lower left a list for the costsof a costume is written down. Museum: Metropolitan Museum of Art, New York, USA.

Small Jar. Dated: c. 1936. Dimensions: overall: 28.9 x 22.8 cm (11 3/8 x 9 in.). Medium: watercolor, graphite, and gouache on paper. Museum: National Gallery of Art, Washington DC. Author: Kay Whiteley.

Jug. Dated: c. 1937. Dimensions: overall: 22.8 x 29.1 cm (9 x 11 7/16 in.) Original IAD Object: 14" High(approx) 8" Dia(base). Medium: watercolor, graphite, and gouache on paperboard. Museum: National Gallery of Art, Washington DC. Author: Frank Fumagalli.

Father time for the gate to the future, 1795; Takes care of !!!; Hollandia Regenerata. Cartoon in which father warns time when he is about to pull the curtain away that the future gets. For him on a table an hourglass on a peace treaty with the stamps of Prussia, Great Britain, France, Russia and Austria.

Lehmmübner Paul (1855-1916), town hall in Wernigerode (1897): stone or wood (knee-up-) Figure. Pencil on cardboard, 35.2 x 25 cm (including scan edges) Lehmgrübner Paul (1855-1916): Rathaus, Wernigerode

Potomac Round Point, Washington D.C., Plan Sketch. D. H. Burnham & Co.; American, 1891-1912. Date: 1909. Dimensions: 49.5 × 35 cm (19 1/2 × 13 13/16 in.). Graphite and colored pencil on tracing paper. Origin: Washington. Museum: The Chicago Art Institute, Chicago, USA. Author: D. H. Burnham & Co.

Ornamental designs for porcelain 18th century Attributed to Anonymous, German, 18th century German. Ornamental designs for porcelain 383107 Artist: Attributed to Anonymous, German, 18th century, Ornamental designs for porcelain, 18th century, Watercolor with traces of graphite., sheet: 8 3/8 x 7 3/16 in. (21.2 x 18.3 cm). The Metropolitan Museum of Art, New York. The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1955 (55.540.25)

Sofa. Pen and brown ink, brush and brown wash, graphite on beige laid paper. Date: 1746-1809. Museum: Cooper Hewitt, Smithsonian Design Museum.

Drawing (Italy); brush and gray ink with gray wash and red chalk support: off-white laid paper

Drawing, English Landscape Garden; Unknown; France; pen and brown and gray ink, brush and water color on off-white laid paper ; 45.6 x 32.2 cm (17 15/16 x 12 11/16 in.) Mat: 40.6 x 50.8 cm (16 x 20 in.); The John Jay Ide Collection; 1991-44-1

Four designs, possibly for ships' stern crestings, 1818-90. Ink and pencil on wove paper. Designer: Unknown

Langelle vase with erotic scenes. Two naked athletes fight with axes at right, and at left, the victor sodomising the loser. The vase neck is decorated with a thyrsus guarded by cranes. Handcoloured lithograph by A. Delvaux from Cesar Famin's "Musee royal de Naples (The Royal Museum at Naples)," Abel Ledoux, Paris, 1836. This rare volume is a catalog of the collection of erotic paintings, bronzes and statues excavated in Pompeii and Herculaneum and stored in a Secret Cabinet at Naples.

Pa. German Butter Mold. Dated: c. 1938. Dimensions: overall: 22.5 x 18.1 cm (8 7/8 x 7 1/8 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Franklyn Syres.

Woman with a stove on the arm, to the right. Draughtsman: Harmen ter Borch (mentioned on object). Dating: 1648. Place: Zwolle. Measurements: h 73 mm × w 52 mm. Museum: Rijksmuseum, Amsterdam.

Pillow Sham. Dated: c. 1936. Dimensions: overall: 27.5 x 22.3 cm (10 13/16 x 8 3/4 in.) Original IAD Object: 23" wide; 30" long. Medium: watercolor, gouache, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Edna C. Rex.

Construction drawing of a vlet. Draughtsman: Jan Brandes. Dating: 1787 - 1808. Place: Skälsebo. Measurements: h 326 mm × w 205 mm. Museum: Rijksmuseum, Amsterdam.

Print, Flacon. Pomme à Corbin. Etuis.; Designed by Richard de Lalonde (French, active 1780-96); Print Maker: Mathieu Nicolas Goulet de Saint-Morien (French, active late 18th c.); Published by Jacques-François Chéreau (French, 1742 - 1794); France; etching on off-white laid paper

Knee Buckle. Dated: c. 1936. Dimensions: overall: 27.9 x 22.8 cm (11 x 9 in.). Medium: graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Donald Streeter.

Drawing using wax screen, spring, and watercolor by Carl von Hasenauer showing basement cuts of the Burgtheater in Vienna I, dated 28 March 1876.

Mustard Seed Garden, a Chinese Painter's Manual Mustard Seed Garden, a Chinese Painter's Manual, 1782. Woodblock printed book, ink and color on paper, Each: 11 3/4 x 6 13/16 x 3/16 in. (29.8 x 17.3 x 0.5 cm). Asian Art 1782

Man with a beret, 1600 - 1610 print Around a boste portrait of a man with a beret on and a cloak with fur collar. paper etching / pen anonymous historical person portrayed alone. head-gear: beret (+ men's clothes)

Robert Mabon, died 1798, British, Sketch for a Picture of the Peshwa's Saddle, undated. Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper.

Eugenio Cajés / 'The Apostle James'. Ca. 1629. Black chalk, Red chalk, Squared-up on dark toned laid paper. Museum: Museo del Prado, Madrid, España.

Album leaf with various performances. Album leaf with 14 outward performances from mainly allotment persons, among other things of military horse, princes and a man with high hat.

Head of a turkey. Draughtsman: Gerard ter Borch (I). Dating: c. 1611 - 1612. Place: Italy. Measurements: h 76 mm × w 100 mm. Museum: Rijksmuseum, Amsterdam.

Speculum Romanae Magnificentiae: Ionic Base 1528 Agostino Veneziano (Agostino dei Musi) Italian This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints

Rock. Pierre (Pierre Henry Ferdinand Massignon, dit) (N.1855-08-02-D.1922-01-18), La Tortue (Chaufferette) (Recto); Women-Cygne (detail) (back) (main title), 1915. Gypsography, brown, brown and black draw. Petit Palais, Museum of Fine Arts of the City of Paris.

Graphite sketch by Francesco Borromini of the door wing at the middle portal of San Giovanni in Laterano, Rome, including lettering, on fine paper.

Costume design for Jacopo Giraldi, depicted on horse back ca. 1620-56 Baccio del Bianco Italian Design for a rich costume for a noble man with a lance on horse back. The design shows man and horse from the side, facing left. All the colors of his costume are described. The head is repeated on the right side. On the lower left the man is identified as Il signore Jacopo Giraldi (Florentine patrician who died in 1630).. Costume design for Jacopo Giraldi, depicted on horse back 410268

Drawing, Design for the Embroidery of the Lower Front Part of an Overskirt of the "Fabrique de St. Ruf"; Designed by Fabrique de Saint Ruf; France; graphite, brush and gouache on paper; 57.4 × 44.9 cm (22 5/8 × 17 11/16 in.)

French banner conquered in the battle of Oudenaarde, 1708. Draughtsman: anonymous. Dating: 1713 - 1720. Place: Northern Netherlands. Measurements: h 172 mm × w 230 mm. Museum: Rijksmuseum, Amsterdam.

Views of the device for moving a marble block for the statue of Louis XIII, Place des Vosges.

Towel. Dated: 1935/1942. Dimensions: overall: 31.3 x 53.2 cm (12 5/16 x 20 15/16 in.). Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: JOHN HALL.

Three Designs for Decorated Cups and Two Designs for a Candlestick. Artist: Alfred Henry Forrester Alfred Crowquill (British, London 1804-1872 London). Dimensions: sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm). Patron: Probably commissioned by Samuel Alcock & Company (British, active ca. 1828-1859). Date: 1845-55. Museum: Metropolitan Museum of Art, New York, USA.

Photo production of the sculpture "Quatre Yeux Seusus", Anonymous, 1860 - 1875 Photograph. visit card The sculpture shows a combination of faces of Napoleon III, Wilhelm I and Otto von Bismarck. Part of photo album with 123 Cartes-de Visite of members of European royal houses, politicians and well-known persons. cardboard. paper. photographic support albumen print piece of sculpture, reproduction of a piece of sculpture (+ sculpture)

Wall Painting and Baptismal Niche. Dated: c. 1938. Dimensions: overall: 35.8 x 24.2 cm (14 1/8 x 9 1/2 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Frank C. Barks.

Studie met trekschuit en paarden. Reisschetsen gemaakt in Indië (series title). Draughtsman: Cornelis de Bruyn (attributed to). Dating: 1662 - 1726. Measurements: h 203 mm × w 314 mm. Museum: Rijksmuseum, Amsterdam.

Stiehl Otto (1860-1940): Sketch and photo album 1: Rathaus, Lüneburg

Design for a Cabriolet, Johann Michael Hoppenhaupt II, German, 1709-ca. 1778, Pen and black ink, brush and grey, pale blue, and pale lavender wash, black chalk on laid paper; Verso: pen and brown ink, An elaborate four wheeled open carriage designed in the Rococo style is shown in side view facing left. The seat, adorned with small portrait busts and rocaille is topped by a small parasol. Verso: Wall decoration and trellis arcades., Germany, before 1750, transportation, Drawing, Drawing

Design for a poster for Arti and Amicitiae. Draughtsman: Gerrit Willem Dijsselhof. Dating: 1876 - 1924. Measurements: h 280 mm × w 216 mm. Museum: Rijksmuseum, Amsterdam.

Two women and men in costumes from the 2nd 16th century, according to the woodcut by Filip de Almarez, a canon in Antwerp; Lesser, Aleksander (1814-1884); 1830-1884 (1830-00-00-1884-00-00);Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884) - collections, Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935), Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935) - collection, lesser, Wiktor Stanisław Zygmunt - collections of Aleksander Lesser - Dar, Hungarians, 16th century, gift (provenance), graphics (artist), copy, engravings, national costumes, clothing, women's clothes, men's clothes

Sketch of the figure of the book of the boost and from his tombstone in the cathedral. Greets, Wac Aw and Wojciech in Prague; Lesser, Aleksander (1814-1884); 1845 (1845-00-00-1845-00-00);Brzetysław I (Czech prince - non post 1002-1055), Brzetysław I (Czech prince - non post 1002-1055) - iconography, cathedral of St. Wit, Wacław and Wojciech (Prague), Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884) -collections, Lesser, Wiktor Stanisław Zygmunt (Baron -1853-1935), Lesser, Wiktor Stanisław Zygmunt (Baron -Baron -Baron - 1853-1935) - collection, gift (provenance), figures, tombstones, personalities, foreign personalities, sculpture (artist), Gothic sculpture, sepulchral sculpture, clothing, foreign clothing, rulers

Allegorical figures, stream gods and stream goddesses, Hubert François Gravelot, 1754 - 1758, Design for title page for a map of the Haut Dauphiné 'Carte géometrique du Haut Dauphiné et de la Frontière ultérieure': allegorical figures (Geometria), stream gods and stream goddesses., draughtsman: Hubert François Gravelot, 1754 - 1758, paper, pen, brush, h 436 mm × w 620 mm, FTZYC Doctype , FTZYC Doctype

Flag of the German Empire, Anonymous, 1667 - 1670 drawing Flag of the German Empire / German areas with a red-white checkered (2: 2) field. Flag on flagsteng and mast foot. Shown on folio 7r. Part of a flag book with flags from Europe, North Africa, Near and Far East. France paper. ink. watercolor (paint) pen / brush flag, colours (as symbol of the state, etc.) Germany

Shaker Bonnet. Dated: c. 1936. Dimensions: overall: 36.1 x 33.1 cm (14 3/16 x 13 1/16 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Frances Cohen.

C18 Chinese woodcut: One-sided pharyngitis

Corset Cover Sachet. Dated: c. 1937. Dimensions: overall: 22.9 x 28.1 cm (9 x 11 1/16 in.). Medium: watercolor, graphite, and gouache on paper. Museum: National Gallery of Art, Washington DC. Author: Sebastian Simonet.

Design for a Jewel in the Shape of a Hummingbird Design for a brooch in the shape of a stone-occupied hummingbird., designer: Henri Cameré, (signed by artist), Paris, c. 1864 - c. 1894, tracing paper, brush, h 101 mm × w 159 mm

Journal of Luxury and Fashion 1786, Volume I, T. 21, Friedrich Justin Bertuch, 1786 A new model 'English Wisky ". Print from the fashion magazine Journal des Luxus und der Moden, published by Friedrich Justin Bertuch and Georg Melchior Kraus, Weimar, 1786-1826. Weimar paper etching A new model 'English Wisky ". Print from the fashion magazine Journal des Luxus und der Moden, published by Friedrich Justin Bertuch and Georg Melchior Kraus, Weimar, 1786-1826. Weimar paper etching

Design for a decorative comb. .

PETER III 'the Great' (1240 - 1285). King of the Crown of Aragon (1276-1285). Son of James I; ALFONSO III 'the Liberal or the Frank' (1265 - 1291). King of the Crown of Aragon (1285-1291). Detail of Peter III and Alfonso III, Kings of Aragon and Counts of Barcelona. Genealogy of the Crown of Aragon. ca. 1410. Gothic art. Miniature Painting. SPAIN. CATALONIA. TARRAGONA. VimbodÕ. Monastery of Poblet.

Picture of a trolley, probably of King Louis XIV, draughtsman: anonymous, France, c. 1680 - c. 1710,

Nouvelle - Zélande. 1. Coffre en bois sculpté., 2. Septre en os de baleine., 3. Septre en bois sculpté, 4. Idole., 5. Flúte sculptée., 7. Idole qui se suspend au cou., 8. Verterbre humaine qui se suspend au cou... Dumont d'Urville, Jules-Sébastien-César, 1790-1842. Prints. 1830 - 1835. General Research Division

Pa. German Plate. Dated: c. 1936. Dimensions: overall: 28.8 x 22.9 cm (11 5/16 x 9 in.) Original IAD Object: 10 1/4" in diameter. Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Yolande Delasser.

Cream Pitcher. Dated: c. 1937. Dimensions: overall: 29.2 x 22.4 cm (11 1/2 x 8 13/16 in.). Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Frank Fumagalli.

Pa. German Plate. Dated: 1935/1942. Dimensions: overall: 45.8 x 36.1 cm (18 1/16 x 14 3/16 in.) Original IAD Object: 11 5/8" in diameter. Medium: oil paint on paperboard. Museum: National Gallery of Art, Washington DC. Author: Eugene Shellady.

Daniel Lysons, 1762-1834, British, The Environs of London: Memorial to Philip Cocks, from Acton Church, between 1796 and 1811. Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper.

Eventail: "A scene from the play". Paper, gouache engraving, common wood. Paris, Carnavalet museum. 99158-1 Fashion accessory, Eventail

Pazzi amanti.... 1701 - 1800. Anonymous. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Twee Franse pauken, veroverd in de slag bij Oudenaarde, 1708. Timbales, de Monsr. Le Dauphin Etraingers (title on object). Draughtsman: anonymous. Dating: 1713 - 1720. Place: Northern Netherlands. Measurements: h 172 mm × w 230 mm. Museum: Rijksmuseum, Amsterdam.

Andiron. Dated: 1935/1942. Dimensions: overall: 29.6 x 22.9 cm (11 5/8 x 9 in.) Original IAD Object: 24 7/8" high. Medium: graphite and watercolor on paper. Museum: National Gallery of Art, Washington DC. Author: Frank Fumagalli.

Drawing, Two silver plates; A. Spinazzi (Italian); Italy; graphite, pen, ink, brush, gray water color; 26 x 26.4 cm (10 1/4 x 10 3/8 in.)

Cart with horses for it. Draughtsman: Harmen ter Borch (mentioned on object). Dating: 19-Apr-1650. Place: Zwolle. Measurements: h 147 mm × w 166 mm. Museum: Rijksmuseum, Amsterdam.

Coat of arms of Van Dorth and of Admiral Jacob Willekens and an empty coat of arms, anonymous, 1623 - 1699, With below the coats of arms handwritten text about the departure of a fleet in 1623 towards South America., draughtsman: anonymous, 1574 - c. 1649, paper, brush, h 97 mm × w 142 mm

Portret Jerzego Sebastiana Lubomirskiego (1616-1667) - fotografia miedziorytu Jeremiasza Falcka z 1653 (lustrzane odbicie). unknown, photographer

French and English News Modes Store, September 30, 1787, 32nd notebook, 2nd year, pl. 2 and 3. Rijtuig MET Vier Wielen: Grote 'Carcole'. From Prent Maakt Deel Uit van Het 32e notebook, 2nd year, Serie Serie Series News and English New Modes. From Serie Bestaat UIT 172 ModePrenten, Uitgegeven Door Buisson, Parijs, November 20, 1786 - December 21, 1789.

Pen and graphite sketch by Bernardo Castelli Borromini of a fountain at Scountacavalli Square in Rome on fine paper with brown lettering, 1680.

John Daniel Bond, ca. 1725-1803, British, Edgar's Tower, 1778. Watercolor and pen and brown ink on medium, slightly textured, cream laid paper.

LAM-NECROPOLIS CARMONA-TUMBA RHYTON-RECONSTRUCI. Location: MUSEO ARQUEOLOGICO-COLECCION. Sevilla. Seville. SPAIN.

Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print

Alphabet of decorative initial letters O to V, with filigree and foliage, from a 13th century illuminated Latin psalter in the Bibliotheque National, manuscript 10435. Tire du Psautier Latin No. 10435, Bib. Nat. Chromolithograph designed and lithographed by Ernst Guillot from his Ornementation des Manuscrits au Moyen-Age (Ornamentation from Manuscripts of the Middle Ages), Paris, 1897.

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