Architectural and Processional Scenes

Includes etchings depicting grand architectural structures and processions, highlighting cultural and historical events from the 17th century.

Henri Mauperche, French (c. 1602-1686), Meeting of Mary and Elizabeth, etching

Interior grindombe Arruntius family; Veduta di altra parte della camera sepolcrale di L. Arrunzio (...); Archaeological finds in and around Rome; Le Antichità Romane. View in the Graftombe of the Arruntius family. Title and text in undermarge. Numbered above: X / Tom. II.

Theater decor with a fight of gladiators in an arena, Israel Silvestre, after Giacomo Torelli, after François Francart (I), 1654 print Paris paper etching / engraving the ballet, ballet performance. stage design. (story of) Peleus and Thetis. fight of gladiators

The twelve patriarchs, the sons Jacobs sees / one here is set in stairs with their names, / lyk they were to his latter, / knowing that God commands the blessing himself, 1806 - 1830 print Leaf with a large representation of a staircase with thirteen steps. Jacob and his twelve sons (patriarchs) are on the steps. In the bow under the stairs Jacobs dream with the ladder. Under the image one fresh in two columns. Numbered at the top right: No. 99. Publisher: Zaltbommelprint Maker: Netherlands paper letterpress printing the dream of Jacob: while sleeping on the ground with a stone for pillow Jacob sees a ladder reaching from earth to heaven with angels going up and down; usually with God at the top of the ladder. male persons from the Old Testament (with NAME) (not in biblical context). the twelve tribes of Israel (not in biblical context)

Garden with a tomb in memory of Johanna Kerten Blok, Abraham Rademaker, 1716 drawing A garden lined with a classic architecture with a tomb with inscription in memory of the paper knitster Johanna Koerten Blok. paper. deck paint. gouache (paint) grave-building, monumental tomb. fantastic architecture, unrealistic architectural fantasies

Triumphal arch surmounted by a statue representing the city of Bologna, buildings seen through the arch below, a temporary decoration for the entry of Pope Clement VIII in Bologna in 1598 1598 Guido Reni Italian Plate from 'Descrittione de gli apparati fatti in Bologna per la venuta di N.S. Papa Clemente VIII', a book containing a description of the festivities for Pope Clement VIII's entry to Bologna and eight etchings by Reni illustrating the temporary decorations made for the event, published by Vittorio Benacci in Bologna in 1598. A second edition containing an additional plate was published by Benacci in 1599 and a later edition (undated) was published by Gioseffo Longhi. The arch was constructed out of bricks and was painted.. Triumphal arch surmounted by a statue representing the city of Bologna, buildings seen through the arch below, a temporary decoration for the entry of Pope Clement VIII in Bologna in 1598 396971

Face Lock Sjöö on the garden side, Willem Swidde, 1696 The print is part of an album. Stockholm paper etching Slot Sjöö The print is part of an album. Stockholm paper etching Slot Sjöö

De Beurs in Amsterdam, ca. 1610, 1611 - 1613 print The courtyard of the old exhibition of Hendrik de Keyser in Amsterdam, ca. 1610. With caption of 2 lines in Latin. Northern Netherlands paper engraving Fair of Hendrik de Keyser

Fireworks in Amsterdam at the celebration of the Peace of Rijswijk, 1697; Joy of fireworks. Fools and fireworks lit on the dam for the town hall in Amsterdam at the celebration of the Peace of Rijswijk, 1697. Numbered at the top: 73.

William Hogarth, Analysis of Beauty pl1, 1753 Analysis of Beauty: pl.1

VENANINIS van venus in the De Tinning Van Red Yesto, Giovanni Venturini, 1653 - 1691 Numbered below: 22. The print is part of an album. Italy paper etching Villa d'Este. Tivoli Numbered below: 22. The print is part of an album. Italy paper etching Villa d'Este. Tivoli

France, French Crown, Paris, Henriet, Israel, Bella, Stefano della, Agreable diversity of figures, Diverse representations and figures, Place des Vosges in Paris, verso - stamped, print, prints, height 75 mm, width 106 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1642 - 1642, paper, papier, etching, etchings, Publication (Event), Publication, French, 1590 - 1661, publisher, uitgever van privilege

View of the garden of the Wallestein country estate, Daniël Stopendaal, 1790 print Text in Dutch and French in the lower margin. Numbered: 69. Print is part of an album. paper engraving / etching French or architectonic garden; formal garden. country-house Loenen aan de Vecht

Uprising of the cheese and bread people in Haarlem, 1492, 1747 - 1759 print Uprising of the cheese and bread people in Haarlem, 1492. Riots by farmers on the Grote Markt, the town hall is being looted. Bailiff Claes van Ruyven is murdered on the right. Northern Netherlands paper etching street-fights, riots. violent death, being killed; being mishandled and maltreated; seeking death Haarlem

Two views on one sheet. Top: View of the gardens from the rear staircase of Zeist Castle. Below: View of the garden with pond and fountain at Slot Zeist from the berceau, View of the gardens from the rear staircase of Slot Zeist / View of the garden of Slot Zeist from the berceau The general garden of the stairs to see / Le Jardin General Regardent des montées / Gesigt uyt de Tuin door de Groene Berceux / Veüe du Jardin par le Berceau d'herbe Views of Slot Zeist (series title), print maker: Daniël Stopendaal, intermediary draughtsman: Daniël Stopendaal, publisher: Nicolaes Visscher (II), Amsterdam, 1682 - 1726, paper, etching, h 405 mm × w 264 mm, h 161 mm × w 213 mm × h 161 mm × w 212 mm

Representation of the ruins of the rue de la Montagne in Brussels after the bombardment by the French, 13-15 August 1695. Second print in the series of twelve, Ruins in the Rue de la Berg, Brussels, 1695 Vue des Ruines le long de la rue de la Bergestraet, et de la Chappelle de S.te Anne Perspectives des ruines de la ville de Bruxelles (series title), print maker: Richard van Orley (II), (mentioned on object), intermediary draughtsman: Augustin Coppens, (mentioned on object), Southern Netherlands, 1695, paper, etching, h 250 mm × w 385 mm

View of the graspers and the Berceau at Huis Clingendael; Grass parks with his Berceaux or Groene Galderyen after d'Orangerie seeing, seeing the big house; Gifted Schoone and entertainment pleasants in the Hofstede van Clingendaal located by 's Gravenhage. View of the graspins between the meter-high green galleries or Berceau on the south side of House Clingendael in The Hague. A statue of Amor in the middle. Elegant figures hiking in the garden.

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Parterretuin on Zorgvliet, Johannes Jacobsz van den Aveele, 1721 - 1774 print Bird of bird view of the parterretuin on the Zorgvliet estate, The Hague. On the Middenas successively the Catshuis (24), a large fountain (28) and the orangery. print maker: Northern Netherlandsafter own design by: Northern Netherlandspublisher: Amsterdam paper etching / engraving greenhouse, orangery. French or architectonic garden; formal garden Scheveningseweg. The Hague

Amsterdam, Marot, Daniël (I), Netherlands, Nouveau liure de paysages, Triumphal arch on a bridge, A couple rests in the foreground. From a series of 6 sheets., print, ornamental print, prints, ornamental prints, height 249 mm, width 164 mm, 1663 - 1752-06-04, print maker, printmaker, 1703 - 1712, first quarter 18th century, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher

Murder of Jan van Wely, jeweler in Amsterdam, 1616, 1616 print Murder on the Jeweler Jan van Wely, in The Hague, in The Hague, on May 1, 1616. Leaf with four performances: the middle of the prince's palace, left the murderers Jan van Paris and Jan de la Vigne, on the left, On the right the finder of the corpse at the garden wall. At the top over the entire width, the radio vessels of the murderers on the green Zoodje at the Vijverberg in The Hague. Northern Netherlands paper etching / engraving murder. murderer. on the scaffold or place of execution Green so

The Domes in the Garden of Versailles The domes in the garden of Versailles . Engraving of Jacques Rigaud (1681-1754).

Arrival of the delegation of the States at Willem V, 1788, Reinier Vinkeles (I), After Jacobus Buys, 1788 - 1795 print Arrival of the delegation of the States General at Palace Huis ten Bosch for the presentation of the act of warranty to Stadholder Willem V, July 10, 1788. Northern Netherlands paper etching / engraving Palace Huis ten Bosch

Pomerantzen above, as can be seen from the inside of hope, The Serviten-Kirch in the Rossau Palais Liechtenstein, Servitekirche, from, True and accurate illustration , Part , Fig, After, Salomon Kleiner -, Drawer, Franz Michael Regenfus Rain foot -, Copper Engraver, Johann Andreas d, Pfeffel -, publisher

View of the Circe garden; Decoration De Théatre, Representant Les Jardins De Circe ..

Theater Van Modena Met Carroussel, Stefano Della Bella, 1652 print View in the Theater of Modena. The front has been omitted, only the floor plan is indicated here. In the back a large gate with a crowned two -headed eagle on top. Left and right are spectators in the stands. On the floor actors and riders on horseback. Italy paper etching festivities. riding a horse, ass, or mule; rider, horseman Modena

Soldier with banner and young women in the midst of antique ruins, François Vivares, after Giovanni Paolo Pannini, 1755 print London paper etching landscape with ruins - II - ideal landscapes. city-view, and landscape with man-made constructions - II - ideal landscapes. (military) standard-bearer. the soldier off duty

Ballon above the Champ-de-Mars in Paris, Anonymous, in or after 1783 print Balloon flight: rising of the balloon, invented by Mongolier, on Champs de Mars, Paris, 27 August 1783. France paper etching balloon (aviation). historical persons Champ-de-Mars

View of the Bosquet de l'Eltoile at Versailles, Gabriel Perelle, 1664 - 1703 print Print is part of an album. publisher: ParisFrance paper etching French or architectonic garden; formal garden. garden fountain Garden of Versailles

Map of the Heerlijkheid Maarsseveen (part top left), Philibert Bouttats, After Jan van der Heyden, 1690 - 1691 print Share (top left) of a map of the Maarsseveen glory. paper etching / engraving maps of cities. coat of arms (as symbol of the state, etc.). farm or solitary house in landscape. Fame; 'Fama', 'Fama buona', 'Fama chiara' (Ripa). Christian religion (+ devil(s)). ribbon, scroll, banderole ~ ornament. plants; vegetation (+ ornamental variants of plants) Maarsseveen

Pond in the garden of Huis ter Meer in Maarssen, Hendrik de Leth, c. 1740 print View of the symmetrically landscaped pond with fountain in the French garden of Huis ter Meer. The print is part of a series with 26 faces at Huis ter Meer and the accompanying estate in Maarssen. paper etching country-house. French or architectonic garden; formal garden. garden cascade House Ter Meer

Erasmus for kerkinterieur; Titelpagina voor: Magni Des. Life of Erasmus of Rotterdam, Leiden, 1642; Magni Des. Erasmus life ..

Tomb of the released people and slavish people of the Augustus, Girolamo Rossi (II), after Antonio Buonamici, c. 1756 - c. 1757 print Face in the tomb of the released people and slavish -ups of the Keizer Augustus family. Title and text in STUDMARGE. Numbered above: Tom. III. / XXVI. Rome paper etching grave, tomb. slavery; serfs and the enslaved. freedom ~ slavery Italy

Engraving depicting tree-lined roads. The illustration is set within an ornate frame.

Fountain in the gardens of the villa d'Este in Tivoli; Fontana de Cigni Con Statua di Ninfa Che Dorme Nel Piano del Giardino; Le Fontane del Giardino Estense in Tivoli; Fountains in the gardens of Villa d'Este in Tivoli. Fountain with swans and a landscape Zeenimf. Numbered at the bottom right: 26. The print is part of an album.

The Sterreschans, from the Ry-road in Sien.

View of a garden of the king of England in the vicinity of the city of London, Basset, 1700 - 1799 print publisher: Parisprint maker: France paper. watercolor (paint) etching / brush garden. garden fountain. ornamental plants London

Illuminations at the celebration of the Peace of Utrecht in 's-Gravenhage, 1713; Figure of the Illuminatien with his ornaments, founded by order of the noble eighty Lord Roaders of S 'Gravenhage (...) Displays Ter Zyde van de Stadthuys, at 14 June 1713 (...) / Representation des Illuminations Avec Leurs ornements Faits Par Ordre Noble et du Venerable Magistrat de la Haye, Au Coté de Leur Maison de Ville, Le 14me de Iuin 1713 (...); Joy signne Uyt bleans on the Victory Dagh ter Ockasia of the sweetheart. Illuminations and decorations at the town hall during the celebration of the peace of Utrecht in The Hague on 14 June 1713. A stellage has been built against the facade on the façade on which allegorical representations can be seen. Two herons spray drink from the facade to the pooled crowd. Large candlesticks are drawn up on either side. At the bottom of the title and legend 1-8 in Dutch and French.

Feder drawing by Bartolomeus Willemsz Dolendo depicting the adoration of the shepherds, including Christ child, Virgin Mary, shepherds, gestures, and surrounding stable, executed in black ink with gray lavated wash around 1600.

View of the San Marco square in Venice, Anonymous, 1700 - 1799 print Links Het Palazzo Ducale in Martian Library Rechts. paper. cardboard. prepared paper. watercolor (paint). deck paint etching / brush / cutting / perforating square, place, circus, etc. (+ city(-scape) with figures, staffage). palace. public library San Marcoplein. Dogepaleis. Marciana Library

Hieronymus Cocks etching (1550-1551) depicts the Colossaei Ro landscape with buildings and figures, emphasizing perspective, architectural detail, and compositional arrangement.

A Turkish Cemetery Melchior Lorch, Wohlgerissene und geschnittene Figuren, in Kupfer und Holz, durch den kunstreichen und weitberühmten Melchior Lorch, für die Mahler, Bildhauer und Kunstliebenden an Tag gegeben Anno 1619, Hamburg. 1576. Lorichs, Melchior, 1527-approximately 1590. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Print (France)

Marot, Daniël (I), Nova Fontium Delineatio, Garden at Voorst, In the foreground a large round basin can be seen, surrounded by a circular parterre. In the middle is a fountain with a satyr and a nymph. Copy after sheet from series Liure de fontaines published by Daniel Marot., print, ornament print, prints, ornament prints, height 178 mm, width 278 mm, Work conception, 1663 - 1752-06-04, after a design by, 1701 - 1800, first quarter 18th century, second quarter 18th century, third quarter 18th century, fourth quarter 18th century, paper, papier, etching, etchings, print maker, printmaker, Publication (Event), Publication, publisher

Melchior Küsel after Johann Wilhelm Baur, Palazzo Spinolla, Genoa, 1681 Palazzo Spinolla, Genoa

James Bruce, 1730-1794, British, Temple ruins, undated. Watercolor, pen and brown ink, graphite, and gouache on medium, moderately textured, cream laid paper.

Speculum Romanae Magnificentiae: The Egyptian Obelisk of Augustus. Artist: Anonymous. Dimensions: sheet: 20 7/8 x 14 1/2 in. (53 x 36.8 cm). Publisher: Nicolaus van Aelst (Flemish, Brussels 1526-1613 Rome). Series/Portfolio: Speculum Romanae Magnificentiae. Date: 1589.This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title 'Speculum Romanae Magnificentiae' first appe

Commerce and marine, decoration on the Nieuwmarkt, 1795; Ten plates of the decorations at the Alliantief festival in Amsterdam in 1795. Commerce and nautical, allegorical decoration established in the Nieuwmarkt in Amsterdam at the Alliance party on 19 June 1795. Huge model of a merchant ship on a pedestal with chassinet with the show of Neptune and Mercury Shake the hand while the French and Batavian sailor tear the British flag to pieces. Part of a series of ten plates.

The loges in the Nieuwe Schouwburg in Amsterdam, 1637. View from the scene on the lodges, the seats of the new city theater on the Keizersgracht 384 in Amsterdam, 1637. In the caption 4 times 2 rules in Dutch. In the middle a vignette of a boy and an old man on either side of a beehive with the motto of the Amsterdamsese Schouwburg: by yver in love blooming.

Landscape with fountain and pond, Isaac de Moucheron, 1677 - 1744 print Landscape with a fountain with a water -breathing dragon on the left. On either side of the dragon, water -spying sphinxes. In the background a water basin with a gondola. Figures and a fisherman on the side. To the painted wall panel in the room of the house of merchant David Bueno de Mesquita. Amsterdam paper etching / engraving ornamental fountain. garden pond. statues, sculptures in garden

Ruins and an image, Anonymous, 1700 - 1800 drawing Ruins and an image under a high tree, along which a man goes with donkey. paper. ink pen / brush ass, donkey

Allegory on Freemasonry, Johannes Henderikus Morriën, 1829 - 1878 print Presentation made up of numerous small scenes, objects, vignettes and symbols that relate to Freemasonry. Central a gate to a Freemason stamp. At the top of the all -sighted eye. In the upper margin inscriptions in Dutch, German and English. Rotterdam (possibly)Amsterdam paper

Tournament in Amfitheater, Israel Silvestre, 1662 print paper etching military parade, pageant. tournament. amphitheatre

Composition of Roman Ruins, Jean-Jacques-François Le Barbier, French, 1738 - 1826, Gilles-Antoine Demarteau, 1750 - 1802, Color aquatint on laid paper, Two women at the fountain of Forum at right. Behind it ruins of a temple. At right, ab obelisk, in mid-distance, views of another t emple., France, 1776-1788, Print, Print

Tempio di Giove Tonante. Giovanni Battista Piranesi (Italian, 1720-1778). Etching and engraving;

A View of the Tomb of Licinianus Piso on the ancient Appian Way.. B Tomb of the Cornelii..., from Views of Rome Made 1764 Italy. Etching on heavy ivory laid paper . Giovanni Battista Piranesi

Constantine, James Bruce, 1730-1794, British, undated, Graphite and gray wash on medium, slightly textured, cream laid paper, Sheet: 15 5/8 × 21 1/2 inches (39.7 × 54.6 cm)

Engraving. - Birmingham Society of Arts, New Street. Wilkinson Collection, Vol I

Speculum Romanae Magnificentiae: Marriage of Annibale Altemps and Ortensia Borromeo, Rome, March 5, 1565. Artist: Etienne DuPérac (French, ca. 1535-1604). Dimensions: sheet: 14 3/4 x 20 1/4 in. (37.5 x 51.5 cm). Publisher: Antonio Lafreri (French, Orgelet, Franche-Comte ca. 1512-1577 Rome). Series/Portfolio: Speculum Romanae Magnificentiae. Date: 1565.This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for

Anjou is crowned on stage to Duke of Brabant, 1582. The Duke of Anjou is crowned on stage by Willem van Oranje to Duke of Brabant. Symbols of Antwerp are applied to the roof of the scene. Plate II in the description of the arrival of the Duke of Anjou in Antwerp, 19 February 1582.

Southern harbor with a fountain, drawn in gray ink with watercolor over black chalk by an anonymous artist.

Graftombe by Willem van Oranje, 1623, 1700 - 1799 print Graftombe or Praalgraf from Willem I in the Nieuwe Kerk in Delft, completed in 1623. With the frame. Netherlands paper etching grave-building, monumental tomb new church

The Groote Laan Vant Dorp after the / huys.

Landscape with Two Classical Temples and Figures n.d. Attributed to Jan Frans van Bloemen Flemish. Landscape with Two Classical Temples and Figures 335079

Sketch for a reception at Palazzo Surian. Pen and ink, brush and wash on laid paper. Date: mid- 18th-late 18th century. Museum: Cooper Hewitt, Smithsonian Design Museum.

Giovanni Battista Piranesi (Italian, 1720-1778), Vestigi del tempio del Giove Statore, 1748, etching on laid paper

Artist: Giovanni Battista Piranesi, Italian, 1720-1778, Teatro di Marcello (Theater of Marcellus), from Vedute diRoma, Etching, platemark: 40.3 × 54.9 cm (15 7/8 × 21 5/8 in.), Italian, 18thcentury, Works on Paper -Prints

Title page, 'Il Campo Marzio dell'Antica Roma,' from part 20 of 'The Complete Works of Giovanni Battista Piranesi', Giovanni Battista Piranesi, Italian, 1720-1778, Francesco Piranesi, Italian, about 1756 - 1810, Etching on off-white laid paper, Small section of the Campus Martius in vertical rectangle. At bottom right, a tablet overgrown with vegetation is inscribed with title of the section: 'IL CAMPO / MARZIO / DELL'ANTICA ROMA / OPERA / DI G B PIRANESI / SOCIO DELLA REAL SOCIETA DEGLI ANTIQVARI DI LONDRA., 1800, architecture, Print, Print

'City on a Seashore'. Italy, 18th century. Dimensions: 43,5x59 cm. Museum: State Hermitage, St. Petersburg. Author: CARLO GALLI BIBIENA.

Print made by unknown artist, sixteenth century, Panthei Fidelissime Dimensi Exterior et Interior, 1553. Etching and line engraving on thin, slightly textured, cream laid paper.

Rome, Piranesi, Giovanni Battista, Le Antichità Romane, Archaeological finds in and around Rome, Veduta interna della Camera sepolcrale nella Vigna Casali a Porta S. Sebastiano, Interior of a tomb at Vigna Casali, verso - stamped, View in a tomb at Vigna Casali. Title and explanatory letters in bottom margin. Numbered top right: Tom. II. LVI., print, prints, height 371 mm, width 506 mm, Italian, 1720-10-04 - 1778-11-09, print maker, printmaker, 1756 - 1757, paper, papier, etching, etchings, Work conception, after own design by

Tuin met een parterre omgeven door loofgangen; Hortorum Viridariorumque elegantes et multiplicis formae; Tuinen (8-bladige reeks).Garden with a ground floor surrounded by loom walks. In the middle of the garden there is a fountain in the form of a vase, awarded by a globe on which a boy stands. There are deciduous walks. The print is part of an album.

Print (France)

Campidoglio antico. Colonnaded hall according to the custom of the ancient Romans.. Piranesi, Giovanni Battista, 1720-1778. Charrington, John, 1856-1939. Prints. 1750 - 1751. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Architecture, Architecture , Italy , Rome, Capricci, Columns, Obelisks, Architecture, Neo-classical, Animal sculpture, Exteriors

Four garden vases against the background of ruins, one student; Unknown, Teyler, Johannes (1648-Post 1697), Marot, Daniel (1661-1752; st.); after 1697 (1663-00-00-1752-00-00);Magdalenaea (collection), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, French (culture), gardens, projects, ruins, vases

France, Paris, scene from La Princesse de Navarre by Jean-Philippe Rameau, libretto by Voltaire, performed on the occasion of the Dauphin's wedding, watercolor, 1745

View of Castle Jungen Biesen; Glorification of the German order, in particular from the Land Commandery Alden Biesen. View of Castle Jungen Biesen in Cologne. At the top of the show a banderole with Latin text and a weapon. This print is part of a major representation, composed of 20 separate plates, of the history and works of the German Order (center) surrounded by representations of the Land Commandery Alden Biesen (below) and the associated commanders (left and right) .

Maddingley, plate 57 from Britannia Illustrata. Jan Kip (Dutch, c. 1653-1722); after Leonard Knyff (Dutch, 1650-1721); published by David Mortier (French, 1673-1728). Date: 1707. Dimensions: 322 x 475 mm (image); 351 x 480 mm (plate); 356 x 508 mm (sheet). Etching, with engraving, in black on cream laid paper. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA. Author: Johannes Kip.

New Year's wish from the Torenwachters van de Zuiderkerk in Amsterdam, ca. 1840-1870, Anonymous, 1840 - 1870 print New Year's wish from the tower keeper of the Amsterdam Zuiderkerk, ca. 1840-1870. View of the Westerkerk in Amsterdam, two men raise money on the houses. At the bottom of a poem in two columns and a song in three verses. Van de Torenwachter: F.W. Bulsing. Amsterdam paper letterpress printing street. tower sentry Amsterdam. Westerkerk. Zuiderkerk

Lazio Viterbo Bagnaia Villa Lante3. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Counting on Het lock pillnitz; The palace you roi the poggne. .

Ancient temple commonly called the Temple of Health on the Via d'Albano five miles outside Rome, from Views of Rome. Giovanni Battista Piranesi; Italian, 1720-1778. Date: 1763. Dimensions: 406 x 553 mm (image); 413 x 559 mm (plate); 490 x 620 mm (sheet). Etching on heavy ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

Anonymous / Jean. "High fireworks decoration near the city hotel, on the occasion of the birth of Monseigneur Le Dauphin on Monday 21 January 1782". Water-loud colored. Paris, Carnavalet Museum. Anonymous / Jean. "High fireworks decoration near the city hotel, on the occasion of the birth of Monseigneur Le Dauphin on Monday 21 January 1782". Water-loud colored.

Allegory on the planet Venus, Georg Balthasar Probst, 1742 - 1801 print In the middle are Venus and Cupido with a bow and arch next to a scale and a bull on a cloud. They look down where a putto and two allegorical female figures fuel the fire above two hearts. On the left, a couple of people dance in love with the music of musicians. Figures on the right look at a theater piece. In the background a garden with figures. At the top left two fish and top right a scorpion. Numbered at the top right: 226. Numbered in the bottom left: 55. publisher: Augsburgprint maker: Germany paper. watercolor (paint) etching / brush Venus (planet). Venus and Cupid (Cupid not being mere attribute). Taurus (zodiacal sign of April). Libra (zodiacal sign of September). Pisces (zodiacal sign of February). Scorpio (zodiacal sign of October). cupids: 'amores', 'amoretti', 'putti'. garden. more than one musician with instrument. theatre, theatrical performance

Netherlands, Marot, Daniël (I), Troisieme Liure de Perspectives, Pavilion between two hedges, On the right a pavilion between two high hedges. On the left is a vase with a tree on a pedestal. A man rolls a vase over the ground. Reverse copy after print from series Troisième Lieure de perspectives., print, ornamental print, prints, ornamental prints, height 257 mm, width 184 mm, print maker, printmaker, 1703 - 1703, first quarter 18th century, paper, etching, etchings, Work conception, 1663 - 1752-06-04, after design by

Print, Del Castello dell'Aqua Gi; Giovanni Battista Piranesi (Italian, 1720-1778); Italy

Veduta degli Uffizi, o sia Curia Fiorentina presa dalla Loggia presso Arno, 1735, Giuseppe Vasi; Artist: After Guiseppe Zocchi, Italian, 1710 - 1782, 20 1/8 x 26 5/8 in. (51.12 x 67.63 cm) (plate), Hand-colored engraving, Italy, 18th century

Northern Netherlands, Fireworks at the entry of King William III into The Hague, 1691, Fireworks set off on the water of the Hofvijver during the entry of King William III into The Hague, 5 February 1691., print, prints, Frederik Muller Historical plates, height 124 mm, width 142 mm, print maker, printmaker, 1691 - 1691, fourth quarter 17th century, paper, etching, etchings

The Trevi Fountain, Rome. Artist: Adami (Italian, 18th century). Dimensions: sheet: 10 1/2 x 14 11/16 in. (26.6 x 37.3 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Fireworks in The Hague, 1691; Royal and joy of fire, lit after d'embarrassment of being k: Mayesteit within s'gravenhage den 5 February; England's spectres represent the main events in Yrland from the year 1690 to the Velttogt of S: K: Mayesteit of Great Britain 1691. Fireworks lit on the water on the occasion of the arrival of King Willem III in The Hague, 5 February 1691. Plate Nr. 18 in the 'England's spectreous' series on the war between Willem III and Jacobus II in the years 1690-1691 after the Glorious Revolution, (third part). With captions in Dutch and French.

Fontein in De Villa Borghese Te Rome, Giovanni Francesco Venturini, 1653 - 1691 Numbered below: 14. The print is part of an album. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching Villa Borghese. Rome Numbered below: 14. The print is part of an album. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching Villa Borghese. Rome

Meaurer, England, London, Overton, Henry (II), Sayer, Robert, Saxony, A view of Moretsburg in Saxony one of ye hunting seats of ye king of Poland, View of the Schloss Moritzburg, print, prent, opticaprent, prints, prenten, opticaprenten, height 254 mm, width 413 mm, Publication (Event), Publicatie, Engels, 1725 - 1794-02, publisher, uitgever, 1752-04-10 - 1752-04-10, paper, papier, cardboard, kaart, watercolor (paint), waterverf, etching, etchings, brush, Borstel, print maker, prentmaker, intermediary draughtsman

View of the garden of a Palace of the Count of Althan in Vienna, Jean -François Daumont, 1745 - 1775 print publisher: Parisprint maker: France paper. cardboard. prepared paper. watercolor (paint). deck paint etching / brush / cutting / perforating garden. pergola. ornamental plants Vienna

East India House in Amsterdam, Claes Jansz. Visscher (II), 1623-1626.

Amsterdam, Linden, G. van der, Tower guards Kermis wensch Oude-Kerkstoren, Fair print of the tower guards of the Oude Kerk in Amsterdam, ca. 1840-1870, verso - stamped, Fair print of the tower guards of the Amsterdam Oude Kerk, ca. 1840-1870. View of the Westerkerk in Amsterdam, two men collect money from the houses. At the bottom a verse in two columns and a song in two verses. Of the tower guards: W. Nije and HJ Noortman., print, fair print, prints, Frederik Muller Historieplaten, height 471 mm, width 278 mm, print maker, printmaker, 1840 - 1870, paper, papier, letterpress printing, letterpress, woodcut, Dutch, printer, drukker

Plate 2 counterproof: Stage set with allegorical figures seated among the clouds, with a large colonnade in the background; from Aurelio Aureli, 'Il Favore De Gli Dei' 1690 Gianantonio Lorenzini. Plate 2 counterproof: Stage set with allegorical figures seated among the clouds, with a large colonnade in the background; from Aurelio Aureli, 'Il Favore De Gli Dei'. Gianantonio Lorenzini (Italian, Bologna 1665-1740 Bologna). 1690. Etching

View and Perspective of Tuileries and Great Strency Israel Silvestre and Israel Henriet. "View and perspective of the Tuileries and Great Ecurie". Floor, 1650-1655.

Baths of Trajan, Giovanni Battista Piranesi, Italian, 1720-1778, Etching and engraving on off-white laid paper, View of a large section of the ruins of the Baths of Trajan. Smaller sections to the left and right in background. Title on cartouche, center below: 'Veduta degli Avanzi delle Fabbriche...' Signed in cartouche, right 'Cav. Piranesi F.', Italy, 1776 (printed date), architecture, Print, Print

Pamiatnik Gosudariu Imperatoru Nikolaiu Pavlovichu. Timm, Vasili Fëdorovich, 1820-1895. still image. Prints. 1851 - 1862. Rare Book Division. Russia , Social life and customs, Russia , History, Arts, Russian

Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print

Engravings depicting the cleaning of the Stockholm's swimming and siminrättning, Strömbadet in Riddarfjarden. Dated 19th Century

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