Architectural and Sculptural Details

Photographs showcase architectural sculptures and frescoes in Italian churches, highlighting Baroque and medieval styles with intricate details.

Campania Napoli Naples S. Lorenzo Maggiore282. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Eagle carving for main entrance keystone, construction of the McKim Building , Public libraries, Keystones, Sculpture, Eagles, Boston Public Library

Umbria Perugia Norcia S. Agostino2. Hutzel, Max 1960-1990 Three prints of the exterior; the rest of the coverage is of the interior nave, altar, choir, crucifix, paintings, frescoes, and sacristy. Other prints form part of the numerical sequence for S. Agostino, even though the two monuments have never been part of the same complex. Coverage is primarily of the carved wood ceiling and the sculpture embedded in it. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome S. Maria in Aquiro8. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting, religious artifacts (reliquaries), decorative arts (tapestries, furniture). From Counter-Reformation, built in 1590 and finished in 1774. A picture gallery exists in the former convent, which also houses offices. Located on Piazza Capranica. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Terni Narni Palazzo Scotti4. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture (16th century); frescoes (16th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Photo collection Government information service. Amsterdam. Palace on the Dam: Sculpture of Artus Quellinus in the four-scissors. undated. Amsterdam, Noord-Holland

Portrait of a sculpture by Wiktor Brodzki depicting Neo-Rococo fireplace frame with three putti (fireplace decoration at Tsarskoye Selo). Brodzki, Wiktor Polearch (1817 aut 1826 aut 1828-1904), sculptor, Suscipj, Lorenzo (1802-1885), photographer, Suscipj, Lorenzo (Rzym ; zakład fotograficzny ; 183.-1901), photo studio

Marches Pesaro e Urbino Urbino Museo del Duomo "Albani"43. Hutzel, Max 1960-1990 Post-medieval: Sculpture, paintings, panel painting, triptychs, polyptychs German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Poli S. Stefano8. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome S. Pudenziana8. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, sculptural fragments, frescoes, mosaics.Post-medieval: Architecture, architectural sculpture, sculpture, frescoes, painting, stucco, mosaics. Object Notes: Tradition states that the church (on via Urbana) rests on the site of the house of the Roman senator Pudente, who gave shelter to S. Peter during his sojourn in Rome. Excavations reveal a 2nd century AD structure. 18th century facade. 4th century mosaic, "Triumphant Christ Enthroned" German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region i

The triumph of the Republic, monument of the place of the nation. Sculpture by Jules Dalou (1838-1902). "The Republic a hundred years after 1789 became France itself. It is the necessary coronation of our immortal revolution". Extract from the speech delivered by M. Carnot (1837-1894) at the banquet of mayors of France on August 18, 1889. Inaugurated monument (in painted plaster) on September 21, 1889, on the Place de la Nation. Paris (11th and 12th arr.). Photograph by Pierre Petit, known as Pierre Lanith Petit (1831-1909). Heliography, around 1889. Paris, Carnavalet museum. 123087-6

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)42. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u

C5 stele of Demetria and Pamphile Ceramicos , Stelae, Sculpture, Antiquities. Nicholas Catsimpoolas Collection

Emilia-Romagna Ferrara Ferrara Museo Civico di Schifanoia2. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Low-relief of a genius surrounding warrior attributes, Allegorie Martial, NO208 by Georges Diebolt (1816-1861), Rohan Pavilion, Louvre Palace, 1st arrondissement, Paris Bas-relief of a genius surrounded by warrior attributes, martial allegory, nº208 by Georges Diébolt (1816-1861), Pavilion de Rohan, Louvre Palace, Paris (Ier Arr.). 1855. Photograph of Edouard-Denis Baldus.

Lazio Roma Velletri Museo Civico di Velletri22. Hutzel, Max 1960-1990 Medieval: Marble tondo of the depositon, early christian sarcophagus. Antiquities: Roman;statue of Athena, male and female sculpture fragments- heads, torsos, marble cinerary urn; cippi with inscriptions inscriptions, altars, sarcofagi, sarcofagus with scenes of the feats of Herakles. Etruscan; votive objects, heads, legs feet, eyes, uterus, intestine , animals; bronze objects Architectural sculpture and fragments; relief of procession pottery fragments, lamps; brickstamps. Object Notes: The Museo Civico is housed in the Palazzo Comunale. There are two Hutzel photo campaign notes, one undated and the other November 9, 1985. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects

Lazio Roma Frascati Villa Mondragone16. Hutzel, Max 1960-1990 Exterior views of outer and courtyard facades of the 16th c. villa, now a Jesuit school. Detailed coverage of Portico del Vignola (17th c.). Views of fountain and obelisk. Interior views of guest room, Salone degli Svizzeri, Sala dei Cariati, Chapel of S. Gregorio. _ Antiquities: Roman Ninfeo, sarcophagi and fragments in Garden of the Popes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Rieti Rieti S. Lucia. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, wooden ceilings with inlay and fresco decoration, carved tabernacle with relief on door, painting. Baroque structure. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Bas Relief from the Church of Sts. John and Paul in Venice. Carlo Naya (Italian, 1816 - 1882)

Basilicata Matera Matera Duomo10. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (1268-70). Post-medieval: Architectural sculpture; interior remodelled in 1627 and in 1776 includes sculpture, painting, frescoes, choir stall German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Sculpture by N. Young, 1863, Peru, Albumen silver print, 3 1/2 x 2 1/16 in. (8.9 x 5.3 cm), Mat / Mount (CDV) 4 1/8 x 2 1/2 in. (10.5 x 6.4 cm), Mat / 6 3/4 x 10 1/2 in. (17.1 x 26.7 cm)

Medallion. Culture: French. Dimensions: Diameter: 24 in. (61 cm). Date: late 17th-early 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Campania Napoli Naples S. Lorenzo Maggiore258. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Saint Catherine of Alexandria ca. 1450-1500 North Spanish Saint Catherine, who publicly protested the worship of idols to the emperor Maxentius, is shown here triumphant over him with a sword, the instrument of her martyrdom. The relief originally formed part of an elaborate retable.. Saint Catherine of Alexandria 468034

Lazio Roma Anzio Villa Spigarelli2. Hutzel, Max 1960-1990 Post-medieval: A 19th century neoclassical villa built on the imperial villa said to be of Nero which was in ancient Antium (modern Anzio). The park and villa incorporate antiquities such as architectural fragments, sarcophagi, urns, and statuary found on the site. Antiquities: possible nymphaeum, urns, sarcophagi, sculpture, architectural framents, mosaics, portrait busts, terracottta sculpture fragments, Pompeian third style wall paintings, portrait bust in Julio-Claudian family style Object Notes: Hutzel gives a short history of the villa and park, commenting that no proper history has been written on the site German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and th

Tuscany Grosseto Massa Marittima S. Cerbono (Duomo)32. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (13th-early 14th century); Fresco (14th century); Panels/Crucifix (14th century); pascal candle; sculpture including the Arca di S. Cerbone; architectural relief (c. 1267); Tabernacle (mid-14th century). Post-medieval: Paintings, fresco (14th century), sculpture Antiquities: Relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Statue of Columbus, upon the East Portico of the U.S. Capitol. 1865 - 1875. still image. Stereographs, Photographs. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. Washington (D.C.), Capitols , Washington (D.C.), United States , Capital and capitol

QUEEN VICTORIA Cartoon: As society's idol in 1841. Date: 1819 - 1901

Bliżej Kultury unknown

Four images on a base: Ceres, two bacchants, Hercules; Liber Statuarum. Four images on pedestals. Their names on the pedestals. Copy to blade from series Liure The statues issued by Daniel Marot.

Lazio Viterbo Viterbo Sanctuary of S. Maria della Quercia6. Hutzel, Max 1960-1990 Extensive coverage of Renaissance sanctuary's exterior, with emphasis on the church portals. Several views of bell tower. Interior views of nave and altar, aisles, ceiling and cupola, tabernacle containing the miraculous tile, paintings, sacristy, choir, holy water font. Views of main cloister and cistern. General Notes: Two sets of prints fused into single numerical sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Stone figures of the southern entrance of the cathedral in Chartres, Musée Trocadéro, Paris, c. 1890 - c. 1900 photograph 3 stone figures on pedestals from the southern entrance of the cathedral in Chartres and four smaller stone heads, Musée Trocadéro, Paris. Paris photographic support. cardboard albumen print Paris

Lazio Rieti Antrodoco S. Maria Assunta, Cathedral6. Hutzel, Max 1960-1990 Medieval: Romanesque facade portral from church of S. Maria extra moenia. Post-medieval: 18th century architecture (1712) with rich Baroque interior; paintings on canvas; processional cross German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome S. Salvatore in Lauro6. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, painting Object Notes: Founded in 12th century; remodeled in 15th century; destroyed in fire in 1591. Reconstruction initiated three years later by Mascherino. In 1669, church was acquired by confraternity of the Piceni. In 1727, building was under direction of Sassi. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Campi Vecchio S. Salvatore0. Hutzel, Max 1960-1990 Present church built in 14th cent. over the ruins of a Roman temple. The remains of the temple were removed to the National Museum in Perugia. Present church restored in 1970s. Interior views include iconostasis with saints, frescoes including scenes of the Adoration, the Last Supper and the Lamentation. Frescoes of the 4 Evangelists are in the vault. Also paintings of prophets, including David, Isaiah and Daniel. Saints include S. Sebastian. A large wooden cross, possibly dating from the 14th cent., was placed over the altar. Object Notes: Hutzel photo campaign date: July 10, 1982 General Notes: No prints for exterior views. Missing prints may be in Medieval core collection. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in

Allegory of Winter 1800-1825 England. Marble .

Lauterberg with the Koltwasserheilanstalt. .

Lazio Roma Subiaco S. Francesco5. Hutzel, Max 1960-1990 Exterior views of 14th c. church portals, facade and cloister. Interior views of simple francescan nave, altars, chapels, and refectory, with comprehensive coverage of panel paintings and frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

"Le Commerce", Sculpture of Joseph Pollet, Decoration of the Louvre, Paris. Édouard Baldus (French, born Germany, 1813 - 1889)

Lazio Roma Genazzano Santuario della Madonna del Buon Consiglio. Hutzel, Max 1960-1990 Exterior views of neoclassical facade (1844), romanesque bell-tower and 15th century portal. Views of richly ornate baroque interior: gilt stucco ceiling decoration, balustrade by Bernini, altarpieces, ceiling painting of the Madonna of the Good Counsel, marble stoup with a statue of John the Baptist and a marble ciborium. Object Notes: Hutzel photo campaign date: May 4, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome S. Paolo33. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture fragments, tomb sculpture fragments, sculptural fragments, inscribed tomb markers, sculpture, fresco painting, mosaics Specific Location: Basilica Antiquities: Architectural sculpture fragments, tomb sculpture fragments, sculpture fragments General Notes: the "tomb markers" need to be sorted and catalogued German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Freiberg, Dom. Fürstengrofm (1585-1594, G. M. Nosseni). Stand figure justitia

Feige, Johann Christian <the elderly>. Tomb of the architect George Bäh. Sandstone. 1738. Front, frontal. Dresden's Old Town, Frauenkirche, Unterkirche

Master of the Amsterdam Cabinet, Germany, Saint Barbara (small version), verso middle - stamped, Saint Barbara, with palm branch and tower as attributes, standing on a console in a niche., print, prints, height 121 mm, width 40 mm, print maker, printmaker, 1485 - 1490, fourth quarter 15th century, paper, drypoint, dry needle, Work conception, after own design by

Marches Urbino Palazzo Ducale, Galleria Nazionale delle Marche00. Hutzel, Max 1960-1990 Post-medieval: First floor: Polyptychs, triptychs, crucifixes, panel paintings, sculpture, frescoes now housed in Museo; stucco decoration in private chapels Object Notes: See also Urbino, Museo Albani. With both sites the negs arrived separately from the prints, yet all negs were labelled as Urbino, Palazzo Ducale, making it difficult to match some negatives to their prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Figurehead from the ship 'White Lady' , Ship figureheads. The Massachusetts WPA Federal Art Project Photograph Collection

Bliżej Kultury Ernst Wasmuth, A. G. Berlin, Vischer, Peter St. (Ca 1460 1523)

Enfant porteur de palme , Sculpture by Hubert Lavigne, Decoration of the Louvre, Paris; Édouard Baldus (French, born Germany, 1813 - 1889); Paris, France; 1852 - 1857; Salted paper print; 14.1 x 19.1 cm (5 9,16 x 7 1,2 in.)

Emilia-Romagna Ferrara Ferrara Museo Civico di Schifanoia66. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Ministère d'État (Salon Thétre). Édouard Baldus (French, born Germany, 1813 - 1889)

Lazio Viterbo Caprarola Palazzo Farnese353. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Napoli Naples S. Lorenzo Maggiore62. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

"La Gloire et l'Immortalité", Sculpture by Augustin Alexandre Dumont, Decoration of the Louvre, Paris. Édouard Baldus (French, born Germany, 1813 - 1889)

Umbria Perugia Foligno S. Feliciano, Cathedral. Hutzel, Max 1960-1990 Medieval: 12th-13th century architecture (begun 1133), 12th century crypt. Post-medieval: 16th-20th century architectural renovations and restorations, architecural sculpture, mosaic, paintings on canvas, paintings on panel, sculpture, sculpture in wood, sculpture in silver, stucco, fresco Owner: S. Feliciano, Cathedral Antiquities: spolia German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Relief's von Drake. Denkmal Fried. Wilh. III. Thiergarten. Berlin, Germany, Johann Friedrich Stiehm, E. Linde & Co, 1860 - 1890.

Lazio Latina Terracina S. Cesario, Duomo. Hutzel, Max 1960-1990 The present church was consecrated in 1074, but dates in most part from the 12th century. It was renovated in the 18th century. There are exterior views of the facade. Views of the interior include the apse generally as well as details of the altar, an elaborate candelabra dated 1261 and a pulpit with ancient columns and stylized animals. There are, in addition, other photos of architectural details. Most prints are in the Medieval core collection. In the Hutzel collection, there are prints of architectural details and of one altar (not the main one). Antiquities: Medieval church built on the ruins of an ancient temple dedicated to Rome and to Augustus. The front steps remain from the Roman temple. Columns on facade are also Roman, although they have Medieval bases. There are photos of the front steps, parts of the ancient walls and of the columns. Most prints are in the Medieval core collection. There are no exterior prin

Lazio Rieti Rieti S. Maria Assunta, Duomo, e Palazzo Vescovile49. Hutzel, Max 1960-1990 Medieval: Duomo, architecture (12-13th, 15th centuries). Post-medieval: Duomo and Palazzo Vescovado: Architecture, sculpture, frescoes, painting, architectural sculpture, metalwork, vestments General Notes: Hutzel combines two sites here, with no indication as to which photos or negatives belong to either site. Sites are catalogued separately in Medieval section, and entered thus in database. It is uncertain as to whether this includes objects from the Museo del Tesoro del Duomo. Hutzel photo campaign notes are undated. There is a note that there are no prints for 69-129. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as

Vilnius. "Coast of Mikha Zdanowscy, Edmund and Boles; 1930s (1930-00-00-1939-00-00);

Lazio Roma Rome Palazzo Madama. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculptural relief Object Notes: Erected in the 16th century by the Medici, named for "Madame Margherita d'Austria", daughter of Charles V and wife of Alessandro de Medici, later Ottavio Farnese. Inhabited by cardinals, Leone X and Clemente VII, and Caterina de Medici; since 1871 is seat of the Senate. Constructed in 1649. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Paris, Guérinet, Armand, Nancy, Royer & Cie., Four shots of statues on Place de la Carrière in Nancy, recto - printed, This print is part of a cover with 103 prints on 101 sheets and a title page., photomechanical print, photographs, photographically illustrated books, Sur la Carrière, Groupes en pierre, par Schunken, height 401 mm, width 298 mm, photographer, 1891 - 1896, paper, papier, collotype, cliché maker, Publication (Event), Publication, French, publisher

Lazio Roma Rome Palazzo Venezia9. Hutzel, Max 1960-1990 Medieval: Architectural sculpture, sculptural fragments, sculpture. Post-medieval: Architectural sculpture, sculpture, stucco, gilding, architecture, tapestries Antiquities: Sculptural fragment Object Notes: Cortile, above all interesting for Roman, early medieval and Renaissance monuments, sarcophagi, fountain settings, statues, portrait busts, etc. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

03/04/1983. Sevillian town of Aljarafe.

Lazio Roma Frascati Episcopal Palace29. Hutzel, Max 1960-1990 Exterior views of the castle, formerly called Rocca, that is now the Episcopal Palace. Interior views of dining room and living room, along with paintings and frescoes. Antiquities: Assorted Roman and Etruscan antiquities in the courtyard, including two sarcophagi, statues, stele, an urn, busts. General Notes: There were two sets of prints made from the same set of negatives. One set is labelled Episcopio and the other Vescovado; they have now been integrated into a single numerical sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geo

Paris, Le Père & Pierre-Michel Avaulez, Charles, Boucher, Juste Nathan François, Bichard, Jean-Baptiste, 35e Cahier, Nissen, Elevation et Coupe d'une niche avec figures, Niche with statue of a standing woman, verso - stamped, Front and side view of a niche with a statue of a standing woman under a shell motif. Above this a tablet with a seated woman with a book and two putti. Print number 206., print, ornamental print, prints, ornamental prints, height 330 mm, width 202 mm, 1722 - 1769, print maker, printmaker, 1772 - 1779, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1736 - 1782-01, after a design by, Publication (Event), Publication, publisher

Lviv (Lviv, Ukraine). Department of Armenia - Stone in the sacristy wall: Christ with the infidel Tomasz (17th century); Jaworski, Józef Ko Ciecza- (Fl. Ca 1911-Ca 1929); 1912 (negative); 1912-OK. 1922 (print) (1912-00-00-1927-00-00);

Sculpture The Roof of Polyxena by Pyrrhus by Pio Fedi in the Loggia dei Lanzi in Florence, Italy, Giacomo Brogi, After Pio Fedi, 1866 - 1881 photograph Firenze. Florence cardboard. paper albumen print piece of sculpture, reproduction of a piece of sculpture Loggia dei Lanzi

Lazio Rieti Farfa (environs) Abbey of S. Martino2. Hutzel, Max 1960-1990 Views of ruins of the Abbey complex and crypt on the mountain of S. Martino near Farfa. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Relief, representing a personification of the night, Sophus Williams, 1879 cabinet photograph Berlin cardboard. photographic support albumen print sculpture (+ relief ~ sculpture). night

Campania Caserta Teano Cathedral7. Hutzel, Max 1960-1990 Medieval: Built 1116, remodelled by Andrea Vaccaro in 1630, restored in years following damage in second world war. Includes re-used Roman capitals. Architecture, architectural sculpture; sculpture including painted wooded crucifix (c.1330-31) and pulpit (13th century) with mosaic and relief. The Cripta di S. Paride acts as a small museum containing roman, medieval, and modern marble. Post-medieval: Choir stall (MCMLVII); paintings by Francesco de Mura in the Cappella di S. Paride; marble fragments from the Cripta di S. Paride Antiquities: spolia Object Notes: Originally dedicated to S. Terenziano, now dedicated to S. Clemente German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etr

Abruzzo L'Aquila Celano Museum. Hutzel, Max 1960-1990 Medieval: Manuscripts: Miniature nella Marsica; Trasacco - Antifonario; Tagliacozzo - Messale; Avezzano - L'Ecultet Metalwork--processional crosses Post-medieval: Vestments, metalwork, painting, frescoes, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

RVD / Royal House photo collection. Palace on Dam Square in Amsterdam. Different interior recordings. 1976. Amsterdam, Noord-Holland

Woodcut from Dürers workshop showing the left base border of the main portal on the honorary gate for Emperor Maximilian I, carved on pear wood in 1515.

Design for wall painting in the Beurs van Berlage: De Kracht, Antoon Derkinderen, 1869 - 1925 drawing tracing paper. pencil Fortitude, 'Fortitudo' ~ one of the Four Cardinal Virtues. Fortitude, 'Fortitudo' ~ one of the Four Cardinal Virtues

Bliżej Kultury Ernst Wasmuth, A. G. Berlin, unknown sculptor

Relief sculpture of winged figure with daggar. Unknown maker, American

Monument to the dead in the courtyard of the hotel of Toulouse.

Emilia-Romagna Ferrara Ferrara Museo Civico di Schifanoia04. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lviv (Lviv, Ukraine). Tenement house at ul. Ormia 21 - Biair's decoration of the facade; Jaworski, Józef Ko Ciecza- (Fl. Ca 1911-Ca 1929); 1912 (negative); 1912-OK. 1922 (print) (1912-00-00-1927-00-00);

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)78. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u

Lazio Roma Carpineto Romano S. Pietro. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Large Figures on the North Porch, Chartres Cathedral 1852 Henri-Jean-Louis Le Secq French Seen obliquely from the eye level of a cathedral visitor, the portal sculptures in Henri Le Secq's photograph appear disengaged from their stone support. The figures' corporeality is animated by sharp focus and by their position between shadowed columns and a blur of moving foliage. Le Secq's inspired photography of French cathedrals won critical praise and government support, because he demonstrated the new medium's capacity to provide detailed and accurate records. This photograph, made in 1852, is also an eloquent poem about the passage of time and the life of art, ideas resonant in an age that clung to Romantic notions of the fragment even as it embarked on archaeological investigation and restoration. This melding of the objective and the personal in architectural photography made Henri Le Secq a central figure in the small group of French photographers who pioneered the aesthetics of the n

Lazio Viterbo Canino Collegiata, SS. Andrea e Giovanni Battista4. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Viterbo Museo Civico31. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-

Varvakeion Athena , Antiquities, Sculpture, Goddesses, Athena Greek deity. Nicholas Catsimpoolas Collection

Stele of Hegeso , Bas-reliefs, Antiquities, Stelae. Nicholas Catsimpoolas Collection

Campania Caserta Caserta Palazzo Reale83. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture, sculpture, statues, paintings, frescoes, stuccoes, furnishings & decorative art General Notes: Discrepancy in number of prints & negatives. Hutzel notes 824 prints & negatives. Negatives for 1-62 of one batch seem to be missing (would make a total of 824) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Rieti Magliano Sabina Cathedral4. Hutzel, Max 1960-1990 Exterior views of facade (18th century) and portals (15th century. Views of restored interior: frescoes in apse of the Coronation of the Virgin, Annunciation and the Birth and Death of the son of Uliano, nobleman of Magliano; decorative ceiling fresoes; altarpieces, and marble altars. Treasury: chasuble of silver and gold brocade decorated with saints (18th century), portraits of bishops (15th-17th century). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome S. Alessandro5. Hutzel, Max 1960-1990 Medieval: Architecture, architectural fragments, architectural sculpture, sculpture. Object Notes: Located off of the Via Nomentana in direction of Mentano. Church dates from 7th century. Cemetery from 3rd century in which are buried three martyrs, Alessandro, Erenzio, Teodulo. Basilica was erected on spot of first two tombs in era of Constantine. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Perugia (Umbria - PG), Major Fountain in Piazza IV Novembre, Nicola and Giovanni Pisano, tiles. In each compartment there are two tiles. Aquila, above the signature of di Giovanni Pisano

Lazio Roma Rome Gesu76. Hutzel, Max 1960-1990 Exterior views of Baroque facade and cupola. Interior views of main altar and chapel altars. Extensive coverage of nave ceiling fresco by Baciccia, sculpted altar by Pozzo, and corridor by Pozzo and Borgognone. Paintings and sculpture in sacristy and church, and views of elaborately embroidered cope. Antiquities: Sarcophagus General Notes: Three numerical sequences have been fused into a single sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Relief sculpture of winged figure with cornucopia. Unknown maker, American

Bliżej Kultury Ernst Wasmuth, A. G. Berlin, unknown sculptor

Sculpture group in the Cathedral of Wells, Anonymous, Downes & Co. Cundall, 1858 - 1861 photograph Wellspublisher: Londonpublisher: London paper. cardboard albumen print piece of sculpture, reproduction of a piece of sculpture. parts of church exterior and annexes Cathedral of Wells

Campania Caserta Teano Cathedral18. Hutzel, Max 1960-1990 Medieval: Built 1116, remodelled by Andrea Vaccaro in 1630, restored in years following damage in second world war. Includes re-used Roman capitals. Architecture, architectural sculpture; sculpture including painted wooded crucifix (c.1330-31) and pulpit (13th century) with mosaic and relief. The Cripta di S. Paride acts as a small museum containing roman, medieval, and modern marble. Post-medieval: Choir stall (MCMLVII); paintings by Francesco de Mura in the Cappella di S. Paride; marble fragments from the Cripta di S. Paride Antiquities: spolia Object Notes: Originally dedicated to S. Terenziano, now dedicated to S. Clemente German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Et

Ermafrodito. Fresco di Pompei.

Engelhardt Arthur, Computation at the Opera, Paris. (From: Prints of seminar works by the Royal Technical University of Berlin, Vol. III) (1898-1904): Detail. Pressure on paper, 23.6 x 32 cm (including scan edges) Engelhardt Arthur : Verdachung an der Oper, Paris. (Aus: Drucke von Seminararbeiten der Königlich Technischen Hochschule Berlin, Bd. III)

Roma. De Nile, c. 1893 - c. 1903 photograph An image of the Nile river in the shape of a man surrounded by small figures and a sphinx. RomeNetherlands photographic support. cardboard albumen print Rome

Unknown photographer, grave stele (without date): View. Photo on cardboard, 28.8 x 22.8 cm (including scan edges) unbek. Fotograf : Grabstele

Schlüter Andreas (1660-1714), Zeughaus, Kriegermaske, Berlin (without date): View. Photo on cardboard, 32.8 x 25.3 cm (including scan edges)

Antwerp, Simonau & Toovey, Mechelen, Maes, Joseph, Monstrance from the Saint Waltrude Church in Mons, displayed at an exhibition on religious objects from the Middle Ages and Renaissance in 1864 in Mechelen, recto - printed, photomechanical print, page, photographs, photographically illustrated books, -22, recto - handwritten, 19, height 250 mm, width 198 mm, Belgian, 1838 - 1908, photographer, 1864 - 1866, paper, papier, photolithography, fotolithografie, clichémaker

Virgin and Child with Saint John of the Cross (), Saint Sebastian, and Saint Peter of Alcantara. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: 17 15/16 x 11 13/16 in. (45.6 x 30 cm). Date: ca. 1731-35. Museum: Metropolitan Museum of Art, New York, USA.

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