Architectural Designs and Ornamentation

Intricate architectural sketches of interiors and furnishings, featuring detailed decorative elements from classical design styles.

Design for a chimney with a mythological hero, Anonymous, Gerrit de Grendel, 1708 - 1756 print Design for a chimney with a representation of a mythological hero, which is shown the road by a veiled woman. A figure with laurel wreath appears on the clouds. The mantelpiece is decorated with leaf ornaments and masks. In the middle of a scale and numbered: No. 41. after design by: Middelburgpublisher: Augsburg paper engraving chimney. crowning with laurel. foliage, tendrils, branches ~ ornament

Elevation for a Catafalque Surmounted by an Obelisk. Artist: Workshop of Giuseppe Galli Bibiena (Italian, Parma 1696-1756 Berlin). Dimensions: 23 x 15-1/2 in. (58.4 x 39.4 cm). Date: 1696-1756. Museum: Metropolitan Museum of Art, New York, USA.

Garden vase with mars, hercules and father time; Johann Jacob Schüblers Sechzehende Ausgabe Seines VORHABENDEN WERCHS, WORSTS FORE SOUTS WERE SECHS NEU-INVENTIRTE VASES (...). In a garden there is an oramed vase in the shape of a mortar with snakes, putto and smoke and fire. Left and right support Hercules and Mars the whole. Left father is time with a scythe. A five-line German text in the undermarge.

Half of rectangular ceiling, Nicolas Pierre Loir, 1634 - 1716 print In the middle an empty rectangular surface, in the corners round medallions with floral vases. From the second edition. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Giuseppe Vasi, after Paolo Posi, The Prima Macchina for the Chinea of 1751 Triumphal Arch for Roger I of Sicily, 1751 The Prima Macchina for the Chinea of 1751: Triumphal Arch for Roger I of Sicily

unknown, Augsburg, Engelbrecht, Martin, Birckenfeld, Johann Samuel, Designs for gates, Wrought iron gate with floral motifs, verso - handwritten, Numbered 5 in the middle above. The print belongs to a series of four prints., print, ornamental print, prints, ornamental prints, verso - stamped, 1st, 27-10-80, height 303 mm, width 206 mm, print maker, printmaker, 1719 - 1749, paper, papier, etching, etchings, intermediary draughtsman, after a drawing by, Publication (Event), Publication, German, 1684-09-16 - 1756-01-18, publisher, uitgever van privilege

Paris, Mariette, Pierre (II), France, Loir, Nicolas Pierre, Modern ceilings, Half of an oblong ceiling, The edge of the ceiling is decorated with oval medallions depicting, among others, Venus and Cupid. From the second edition., print, ornamental print, prints, ornamental prints, height 165 mm, width 220 mm, French, 1624 - 1679-05-06, print maker, printmaker, 1634 - 1716, second quarter 17th century, third quarter 17th century, fourth quarter 17th century, first quarter 18th century, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher

Monumentum lectis nigri monument to Leszek Czarny - board 1 from the album "Monumenta Regum Poloniae Cracoviensia" (edition I); Dietrich, Fryderyk Krzysztof (1779-1847), Stachowicz, Michał (1768-1825), Glücksberg, Michał (1838-1907); 1822 (1822-00-00-1822-00-00);

Design for an entrance gate with two images, Elias van Nijmegen, 1677 - 1755

ornamentprent, Jacques Androuet, 1561 Part of 'Seconde Livre d'ArchitectVre' (1561): 64 etchings with ornamented architecture parts. paper etching architectural design or model

The elevation of an altar, Black chalk, pen, ink, brush and grey water colors on paper, Italy, 1730-1760, architecture, Drawing, Drawing

Portrait of Thomas van Aquino, Anonymous, After Jacob Bos, 1550 - 1570 print Portrait of Thomas from Aquino and Profil to the right, in a manneric architectural list. The list is decorated with cardinal weapon, garland and text. Italy paper engraving coat of arms (as symbol of the state, etc.)

Praal grave from Eugenius from Savoy. The praise grave of Eugène-François, Prince of Savoy, in Stephen's Vienna. The grave is decorated with columns and a canopy with flags, weapons smoke barrels and sitting and standing figures. On refuge, columns with smoke vessels, flags and lions are flanking the grave.

Gondi, Jean Baptiste de.

Augsburg, Hertel, Johann Georg (I), Junck, Ignaz Carl, Thelott, Jakob Gottlieb, Pulpits, Pulpit with IHS, verso - stamped, Design for a pulpit with rocaille ornaments and cartouches. The crowning is decorated with a winged putto and the letters IHS in a halo. Publisher's number 31., print, ornamental print, prints, ornamental prints, height 294 mm, width 190 mm, German, 1708-05-29 - 1760-01-06, print maker, printmaker, 1750 - 1750, paper, papier, etching, etchings, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1695 - 1775, publisher

Alkoof with variant for the right half, Jean Lepautre, 1678 print The alcove on the left is closed by a balustrade decorated with leaf vines and two sculptures. The right side is a variant with two Ionian pilasters. Page 2 from series of 6 sheets. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Tombstone design with personifications, in the foreground a figure of the associated one; unknown, Marot, Daniel (1661-1752; st.); around 1707 (1663-00-00-1752-00-00);Magdalenaea (collection), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, prisoners of war, arms, churches, tombstones, panoplia, personifications (iconogr.), Skeletons, interiors, interior of the churches, death

Graf monument from Henry Bourchier, fifth count of Bath, Wenceslaus Hollar, 1677 print London paper etching grave-building, monumental tomb

Design for a Stove and Wall Fountain (). Artist: Workshop of Friedrich Sustris (Netherlandish (possibly born Italy), Venice () ca. 1540-1599 Munich). Dimensions: 15 3/4 x 12 3/16 in. (40 x 30.9 cm). Former Attribution: Formerly attributed to Anonymous, German, 16th century. Date: 1598.This sheet contains two drawings separated by a thin vertical line in the middle. It is not entirely clear whether they represent two views of the same object, or whether they in fact show two different elements of an interior. The design on the left is clearly recognizable as the side elevation of a large stove, typical for Central Europe from the late Middle Ages onward. The design on the right could be one of two things. It might be a frontal view of the same stove, outfitted with a niche and vessel to supply hot water. Although ingenious, this does not appear to have been common at the time however. It might therefore sooner have to be considered as a separate design for a wall fountain or lavabo.

Schouw with Keizersbuste, Jean Lepautre, 1658 - 1670 print Diameter of a room with a fireplace with emperor bust in Round medallion carried by two sphinxes. On either side a door with Dessus-de-Porte with eagle. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Sarcophagus against wall, with adversed man; Mors / skeptra / Ligonibvs / AEQVAT; Flat decorations and grave monuments / Father's Niewe Inventien (...). A sarcophagus that lies a man is laid down against a wall. The sarcophagus is flanked by two niches with standing figures. There is a Tondo in the middle with a representation of Christ on the clouds. On the sarcophagus: Vivam; In the middle in cartouche against the wall: Mors / skeptra / Ligonibus / AE quat. Belongs to series consisting of a title page, a text sheet and 14 blades with grotesken with rollerwork, saters, garlands, trophies, animals and fantasy stations.

Chimneys in the Italian Manner Artist's working dates 1660-1670 France. Etching on ivory laid paper . Jean Le Pautre

Flat decoration with a bird with spread wings on a canopy; Iacobus Androuetius du Cerceau Inventor Ante Annos Non Paucos Conscripsit (...). ONSAGE COPY TO PRENT OF JACQUES ANDROUET DUCERCEAU, derived from a flat decoration of Enea Vico. Leaf from series with architectural fantasies and grotesken with fabber designs, garlands, candelabers and mascarons.

Titelblad: chairs of preachers, Jean Lepautre, 1659 print Chanceful from the front seen with a hexagonal hanging body decorated with four allegorical images. From the second edition. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

. The woman is sitting on a round pediment with her right foot on a skull. From series of 7 sheets.

Triumphal arch of the coin (front); entry from Ferdinand in Antwerp in 1635 (No 35); Arcus monetalis pars anterior. Facade The triumphal arch of the coin, arranged at the start of the Sint-Michielsstraat or Kloosterstraat. Arch in the form of Mount Potosí in Bolivia or Peru where Spain won a lot of silver. On top of the Jason mountain and the golden fleece. In the middle the goddess of the money moneta. Signature upper left: p. 151. Sheet No. 35 in a set of 43 plates that illustrate the edition of the description of the arrival of the Cardinal Infant Ferdinand in Austria in Antwerp on 17 April 1635 as the new governor for the Spanish Netherlands.

Altar; Plusieurs deposits d'Autelz a la romaine. Leer half with coupled corintean pilasters, right half with painting under a frontone. From series of 6 sheets, second edition.

Drawing, Design for Frame Surrounding the Portrait of Sir Francis Walsingham; Hubert-François Gravelot (French, active England, 1699 - 1773); France; pen and ink, brush and wash on paper; 37.3 × 23 cm (14 11/16 × 9 1/16 in.)

Dante Alighieri .

Oval cartouche between a man and a woman on a base; Ceilings and cartouches in a picture frame with grotesken, garlands and mascarons; Small cart shower to example in Fontainebleau. A garland of fruits depends on the top of the cartouche, which is retained by children at the top and side of the sides. From series of 32 sheets. The cartouches are partly derived from the prints of Antonio Fantuzzi to the decoration of François gallery by Giovanni Battista Rosso. The series is also known under the title Petits cartouches the Fontainebleau.

Kwart Ceiling, Anonymous, After Jean Lepautre, c. 1655 - C. 1657 print Ceiling framed by border with consoles, rectangular panels and garlands from fruit. print maker: Netherlands (possibly)after design by: France (possibly)publisher: Amsterdam paper etching

Church Sanctuary, probabl, Pen and brown ink, brown wash, black chalk Support: white laid paper, Italy, Italy, 1692, architecture, Drawing, Drawing

Portal flanked by four Cararians next door with grotesque flat decorations, Wendel Dietterlin (I), 1593 - 1595 Numbered: 33. Print is part of a book. Strasbourg (France) paper etching ornament derived from architectural details. parts of church exterior and annexes: portal. caryatids ~ architecture. ornament ~ grotesque

Triumphal Doorway. Dimensions: plate: 24.9 x 18.4 cm (9 13/16 x 7 1/4 in.) sheet: 34.7 x 25.6 cm (13 11/16 x 10 1/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Wendel Dietterlin (author) and anonymous etcher.

An Elaborate Altar with the Resurrection of Christ and the Martyrdom of Saint Andrew. Dated: 1570/1580. Dimensions: sheet: 34 x 21.1 cm (13 3/8 x 8 5/16 in.). Medium: pen and black ink with gray wash on two joined sheets of laid paper. Museum: National Gallery of Art, Washington DC. Author: Friedrich Sustris.

Grave effigy of Alicia, daughter of Simon Steward, with the Old Vestry Door in St. Mary le Savoy. She kneels in an armorial cape holding a skull. Hic jacet Alicia, Filia Simonis Steward de la Kingheth, Suff, obiit 18 Junii 1573. Copperplate engraving by John Thomas Smith after original drawings by members of the Society of Antiquaries from his J.T. Smiths Antiquities of London and its Environs, J. Sewell, R. Folder, J. Simco, London, 1791.

A putto sits with a map and measuring instruments in front of a building with columns and a cornice Between the columns hangs a round medallion with portrait en profil of Franois Menssard In the lower margin the text EST EN MLDITANT AINSI QUE L'ON ACQUIERT DE LA SCIENCE, Franois Mansart, Architecture Franois Menssard L'Architectuur Nouveau Troph, print maker: Louis Jacob, (mentioned on object), Clément Pierre Marillier, (mentioned on object), publisher: Louis-Joseph Mondhare, Paris, 1760 - 1784, paper, etching, engraving, h 284 mm × w 194 mm

Print (France)

Portal Decorated with leaf vines, Mascarons and Rolwerk, Wendel Dietterlin (I), 1593 - 1595 Numbered: 55. Print is part of a book. Strasbourg (France) paper etching ornament derived from architectural details. parts of church exterior and annexes: portal. ornament ~ festoon, garland. 'Laub- und Bandelwerk' ~ ornament. mask, mascaron ~ ornament. composite order ~ architecture

Decorative panel filling from the loggies of the Vatican, Giovanni Martini (Follower of), 1510 - 1600 drawing paper. ink pen / brush

Terminus of an All e (or, Graphite, gray wash Support: laid paper, Rome, Italy, Italy, 1775, architecture, Drawing, Drawing

Study for an Altar and a Reredos. Dimensions: overall: 40.4 x 23.9 cm (15 7/8 x 9 7/16 in.). Medium: pen and brown ink with brown wash over graphite on laid paper. Museum: National Gallery of Art, Washington DC. Author: German 18th Century.

Vinckenbrinck, Albert Jansz., Northern Netherlands, Holsteyn, Pieter (II), Pulpit in the Nieuwe Kerk in Amsterdam, View of the pulpit in the Nieuwe Kerk in Amsterdam, made by Albert Jansz. Vinckenbrinck between 1649 and 1664. On the left in the foreground a mother with a child and on the right a standing man., print, prent, prints, prenten, height 410 mm, width 288 mm, 1614 - 1673-11, print maker, prentmaker, 1649 - 1673, paper, papier, etching, etchings, Noord-Nederlands, 1605-04-03 - 1664, after an image by

Drawing (Italy)

Alcove with wooden paneling on either side; Alkoven. In the middle of the wooden paneling, a mask can be seen surrounded by a garland from leaves. From series of 6 sheets.

Franckaert, Jacques (II), Southern Netherlands, Galle, Cornelis (I), Pompa funebris optimi potentissimiq. principis Alberti pii, Funeral of Archduke Albert, 1622, D'Oprechte afbeldinghe vande loffelycke berrende capelle. Erected in Brussels in S Goedelen kercke den XII. Meert 1622. int Uytvaert vanden Doorluchtichsten Prince Albert den VII. First Duke of Oostenryck, Duke of Bourgoignie, Brabant etc., Rogus funebris, Alberto VII. archiduci Austriae duci Burgundiae, Brabantiae etc. In aede D. Gudulae Bruxelis With titles in Latin, Spanish, French and Dutch. Plate III in the series of the funeral of Archduke Albrecht of Austria in Brussels on March 12, 1622., print, news print, prints, Frederik Muller History plates, height 445 mm, width 342 mm, South Netherlands, 1576 - 1650-03-29, print maker, 1623 - 1623, first quarter 17th century, paper, papier, etching, Work conception, 1583 - 1651

Arch Dedicated to Ludovico XIII (with Peace, Abundance and FemaleAllegories). Artist: Charles Audran, French, 1594-1674

Subsema with five vases, Anonymous, After Pieter Schenk (I), c. 1680 - c. 1700 print The architrave above the lower bosom is decorated with a round (mirror) list, above which five Chinese vases are on a tablet. Amsterdam paper etching vase ~ ornament

Image of Erasmus in architectural accompaniment, Daniel Nikolaus Chodowiecki, After Hans Holbein (II), 1780 print Erasmus's right hand rests on the bust of Terminus. paper etching Terminus. sculpture. herms (garden ornaments). ornament ~ festoon, garland. ornament ~ cartouche. cherubs, i.e. children's heads with wings. 'Cornucopia', Horn of Plenty. merman - AA - mermaid, siren

Drawing, Design for a painted decoration in honor of a French general who had been governor of a crown prince; Circle of Charles Nicolas Cochin the younger (1715 - 1790); France; pen and ink, black crayon on paper; Sheet: 38.8 x 30.1 cm (15 1/4 x 11 7/8 in.)

Stove in Nis, 1745 print An ornamented stove with animal heads in a semicircular niche, panels on either side. after design by: GermanyParis paper etching / engraving heating stove. 'concha' ~ architecture

Epitaaf; Lesson epitaphes. At the top of a round niche is the bust of a child, underneath the letters stupid. From series of 7 sheets.

Design and plan of a fountain with putti and Neptune On either side vases with crowned lions and musical figures, Fountain with Neptune Fountains 12me Livre M Livre de Fontaines , print maker: unknown, (mentioned on object), François de Cuvilliés (Sr.), (mentioned on object), François de Cuvilliés (Sr.), Germany, München, Paris, 1745, paper, etching, engraving, h 359 mm × w 235 mm

Vase with Diana and Cupido in Ovaal, Anonymous, Daniël Marot (I), After 1703 - Before 1800 print Vase on a square base with bass relief with four Caratives on the corners of the vase. In between oval bass reliefs, the front with Diana and Cupido. In the lower margin a Latin text. Copy to magazine from the Vasses de la Maison Royalle de L'Oo series. From series of 6 magazines. Netherlands (possibly) paper etching garden vase. (story of) Diana (Artemis)

Drawing (Italy)

Study for a Vault. Artist: Anonymous, Italian, 17th century. Dimensions: sheet: 11 7/16 x 8 in. (29.1 x 20.3 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Niche with painting and two putti; Underbools. In the middle there is a painting of a landscape, there are putti that hold a cloth with text. From series of 12 sheets.

Design Wall Elevation with Stucco and Painted Decorations 1708 Luigi Garzi Italian. Design Wall Elevation with Stucco and Painted Decorations 343961

Paris, unknown, Delafosse, Jean Charles, Littret de Montigny, Claude Antoine, IIe Volume De l'Oeuvre de J. Ch. Delafosse, U Tombeau Antique, Tomb with weapons and caryatids, verso - stamped, A tomb with weapons, two caryatids, two smoking barrels and a bucranium., print, ornament print, prints, ornament prints, height 314 mm, width 220 mm, 1735 - 1775, print maker, printmaker, 1771 - 1771, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, French, 1734 - 1791-10-11, after a design by, Publication (Event), Publication, publisher, uitgever, Publicatie

Vase; Cinquieme suite the vases. Print from a numbered series with twelve vases by Allou and Nicolet.

Bologna, Santi, Domenico, Mattioli, Lodovico, Cartouches, Cartouche with two winged female herms, print, ornament print, prints, ornament prints, height 240 mm, width 173 mm, Italian, 1662-01-02 - 1747-10-20, print maker, printmaker, 1670 - 1680, first quarter 18th century, paper, etching, etchings, Work conception, 1621 - 1694-02-08, after a design by, Publication (Event), Publication, publisher

Trupeau with peacocks; III Cahier Desseins des Trupeaux; Dessoints de la fashion Neuve au Gout Antique (...). Design for a trupeau between two windows. With Laurierguirlande and medallion with peacocks.

Stage for the fireworks at the celebration of the second century festival of the Leidse Hogeschool, 1775, Anonymous, 1775 print Stellage for the lighting of the fireworks on the occasion of the second century festival of the founding of the University of Leiden, 8 February 1775. Podium in the form of a temple decorated with allegorical figures, built in the water of the Oude Rijn. Northern Netherlands paper etching / engraving commemoration of the founding of a university. bonfire, fire-works - AA - festivities on the water To lead. Old Rhine

Cochin, Nicolas (n.1610 - D.1686), five theatrical decorations for the Pazza finga, drama of Jules Strozzi, a public square in Scyre. Fourth issue of a sequence of 5 pieces (A. de Vesme Clxxxi (third section, questionable pieces and parts whose engraving or drawing is assigned wrongly to Della Bella), Dutuit 102) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Triumphal car from the marriage of Ferdinand de' Medici and Christine of Lorraine 1589 Possibly by Cherubino Alberti (Zaccaria Mattia) Italian. Triumphal car from the marriage of Ferdinand de' Medici and Christine of Lorraine 365220

Grave monument in the form of Obelisk; Livre the cartouches et Mausolées. From series of 6 sheets, first or second edition.

Simon Watts, active 1812, The Monument of Lady Legh from Fulham Church, undated. Etching on medium, slightly textured, cream wove paper.

Two fonts; III CAHIER DES SCULLS ET TAILLEURS THE PIERRE; Dessoints de la fashion Neuve au Gout Antique (...). Floor plans and designs of two fonts with a cross, laurel wreath on the lid, laurel wreath and winged angel heads surrounded by clouds.

Pedestal with bacchus; G vio recueil de vases, d'ornements & the antiques figures. A pedestal with ram's heads and an image of Bacchus with thyrsus and panel. Two winged rams and ornaments on the underside.

Cabinet-making: designs for a tall cupboard. Etching by J. Verchère after himself, 1880.

Design for an Altar with Kneeling Angels Supporting a Crucifix 1634-89 Ciro Ferri Italian. Design for an Altar with Kneeling Angels Supporting a Crucifix 338685

Architectural representation on fireworks background (TF)

Project for a Monument. Edward Pierce, the younger (English, c. 1630-1695); or Inigo Jones (English, 1573-1652). Date: 1690-1695. Dimensions: 396 × 269 mm. Pen and brown ink, with brush and gray and brown wash, over traces of graphite, with gold paint in borders on ivory laid paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA. Author: the younger Edward Pierce.

Design for Equestrian Monument of Charles III, Pen and brown ink, brush and blue-gray watercolor on cream laid paper, Design for an equestrian monument of Charles III. The male figure seated upon his horse, whose front legs are raised and hind legs are anchored to a pedestal below. Upon the base of the pedestal is a mounted plaque with horizontal lines indicating inscribed text. At the base of the statue is an array of objects including military armor and helmets, a drum, a cannon, and flags/banners. Beyond the statue is a colonnaded arch opening onto a scenic landscape view. Above, an escutcheon supported by angelic figures and putti., Naples, Italy, 18th century, sculpture, Drawing, Drawing

Architectural grave monument with Peter; Coenotaphiorum; Tombs and grave monuments. Architectural grave monument intended to be placed against a wall. The monument has a dual build-up with a protruding middle risalite. At the bottom of the depicting of the deceased in polluted condition, between two hermal in the form of monks. Upper a kneeling man flanked by Peter as his patron saint. In the undercut, eight rules text, in two columns, in Latin. The print is part of an album.

Pendula with putti; Une pendula (...); Interior decorations. A pendulum with rocaille ornaments, floral motifs, a cartouche with crown and four putti. The four putti sit around the timepiece and symbolize the morning, afternoon, evening and night. The putto on the left is next to a rooster and drinks coffee, the putti middle up is lunching, the putto right drinks wine, the putto is located in the middle of underneath.

Drawing, Study for the Memorial to Giovanni Domenico Milano, Duca di San Giorgio, in the Sacristy of S. Domenico Maggiore, Naples, Italy; Designed by Giacomo del Po; Italy; brush and gray wash, graphite on paper; 53.9 × 30.8 cm (21 1/4 × 12 1/8 in.)

Proportions of the Doric column order with an Atlant in the form of an armed man between two columns, Wendel Dietterlin (I), 1593 - 1595 Numbered: 13. Print is part of a book. Strasbourg (France) paper etching column, pillar ~ architecture. pedestal of a piece of sculpture (perhaps in the form of a herm) (+ architecture). atlantes ~ architecture. Doric order ~ architecture

Bedstee, 1745 print An ornamented bed in a niche with draperies, panels with landscapes on either side. after design by: GermanyParis paper etching / engraving built-in bedstead (Dutch: 'bedstee')

Tomb of Dante Alighieri, Ravenna, Emilia Romagna. Italy. Trip from Ravenna to Otranto by Charles Yriarte

This copper engraving by Monogrammist F.V.S. shows a ceremonial fundle for Archduke Leopold Wilhelm in 1662, with figures in formal attire and detailed gestures.

Decoration for the Façade of a Church for the Funeral of Joseph I, 1711. Artist: Anonymous, Italian, first half of the 18th century. Dimensions: 17-1/2 x 13-1/2 in. (44.5 x 34.3 cm). Date: early 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Section of room and gallery, 1628 - Before 1665 print At the top left a roof terrace. Along the wall of the room are Corinthian pilasters with canal hours, in the middle there is a fireplace with a vase at the top where flames come out. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Dutch Vreede Vuur Work Testing by the noble Great Lords Staaten van Holland and West Friesland, raised in the Vyver / to The Hague, in Sien from the Chamber as the Ed.E HOOG MOT.DE Meeted about the June 14 Sluyten van de Vreede with the king of Vrankryk to Utrecht on 11 and 12 April 1713 of all previous errors Gesuyvert by W: King to Amst

The invalid portal Anonymous. "The invalid portal". Etching.

Collection of planks of furniture: Cabinet. Sixteenth cabinet of a sequence of 21 Jacques Androuet du Cillece (1515-1584). Collection of planks of furniture: Cabinet. Sixteenth cabinet of a sequence of 21. Etching. 1575.

School Met Putti, Emanel Eyel, After Frank Xaver Hervelman, 1731 - 1775 print Fireplace with rocaille ornaments and two winged putti. Publishing number 164. Augsburg paper etching / engraving Open Hearth, Fire-Place. Cupids: 'Amores', 'Amoretti', 'Putti'

Group of columns which support two arches of a great courtyard.. (Gruppo di Colonne, che regge due archi d'un grande Cortile.. ) ca. 1750 Giovanni Battista Piranesi Italian. Group of columns which support two arches of a great courtyard.. (Gruppo di Colonne, che regge due archi d'un grande Cortile.. ) 365465

Graf monument from Henry Bourchier, fifth count of Bath. .

Ornamented architectural object with the portrait of Ranuccio Farnese I, Duke of Parma and Piacenza. Ornamented architectural object with two medallions: the portrait of Ranuccio Farnese I and on the right a rider statue. The medallions are surrounded by Rocaille ornaments.

Design for a Triple Tomb 16th century Anonymous, French, 16th century French. Design for a Triple Tomb 362864

Vignette with figure in a hall or library, Mercury and Putti, Anonymous, After Claude Augustin Duflos, After Gabriël François Louis Debijrie, 1731 - 1735 print Netherlands paper etching study; 'studiolo'; library. (story of) Mercury (Hermes). cupids: 'amores', 'amoretti', 'putti'. palette. globe

Room with fireplace Luiken, Jean Lepautre, 1658 - 1670 print Room with fireplace in the middle. The mantelpiece is closed with two fun. Above that a round medallion with a Bacchian scene. On the left, a servant opens a door. From the second edition. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Façade with Cararians, 1502 - 1534 print Façade of a two -storey building. On the ground floor, four male Cararians wear a Frisian with metopes and trigbliefs. One floor higher carry four female caratives the roof frame. On the top floor, a large goddess portrait. There are two men in the doorway of the building. Possibly to an antique building in the Via Mattei in Milan. print maker: Romeafter design by: Italy paper engraving caryatids ~ architecture

"La Ilustración Española y Americana". Weekly publication founded by Abelardo de Carlos in 1869. Edited in Madrid (Spain) from 1869 to 1921. Frontispiece of the first volume that compiled the magazines of the first half of 1898.

Nissen with image Venus and a vase, Anonymous, Daniël Marot (I), After 1702 - Before 1800 print The right niche with slat work and a bank crowned with a vase, the left with a statue of Venus and Amor. Passionate copy to sheet from series Nouveaux Liure de Bersseaux et Trilliaages published by Daniel Marot. Netherlands (possibly) paper etching trellis. garden cascade

A Reconstruction of the Colosseum in Cross-Section. Artist: Jan Goeree (Dutch, Middelburg 1670-1731 Amsterdam). Dimensions: 8 5/16 x 8 1/10 in. (21.1 x 20.6 cm). Date: before 1704. Museum: Metropolitan Museum of Art, New York, USA.

Chairs, tables and desk, Jean François de Neufforge, 1767 print Three ornamented seats with diamond pattern and flower motifs. Below that two ornamented tables for a trumeau. Below that on the left an ornamented table with terms, garlands and a medallion with the sun as a face and a gueridon on the right. At the bottom an ornamented desk with floral motifs. Print number 585. Paris paper etching chair. table. writing-table, writing-desk

Four Ionian columns on pedestals, 1610 print At the bottom you can see: a capital, two plans for capitals and a diameter of a pilaster capital. Leaf 10 from series of title page and 28 magazines. paper etching

Cochin, Nicolas (n.1610 - D.1686), five theatrical decorations for the Pazza finga, drama of Jules Strozzi, courtyard of the Palais du Roi de Scyre. Third issue of a sequence of 5 pieces (A. de Vesme Clxx (third section, questionable parts and rooms whose engraving or drawing is assigned wrongly to Della Bella), Dutuit 102) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

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