Architectural Drawings and Designs

Sketches of ornate architectural elements featuring monuments, columns, and stage designs with detailed compositions and artistic forms.

Edelfelt, Albert, work, Sketch book, drawing, 9 cm x 15 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Klingholz Fritz (1861-1921), fountain (without date): View, cut and floor plan. Pencil watercolored on paper, 45.1 x 36.6 cm (including scan edges) Klingholz Fritz (1861-1921): Brunnen

Design for Grotesque Wall Decoration. Artist: Attributed to Perino del Vaga (Pietro Buonaccorsi) (Italian, Florence 1501-1547 Rome). Date: early 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Family Keibel family and the Franz family on the St. Nicolai and St. Marien-Friedhof, Berlin-Prenzlauer Berg: Grabmal Keibel: Upper, horizontal cut, vertical cut

Door (), Fountain and three details. In the middle, a door can be seen in a frame with a cartouche, on the left a fountain with a building in the background.

The forge, passage du Dragon , Passageways. James McNeill Whistler (1834-1903). Lithographs

Domus Aurea, cryptoporticus, grotteschi, details (recto) blank (verso) early to mid-16th century Drawn by Anonymous, French, 16th century French. Domus Aurea, cryptoporticus, grotteschi, details (recto) blank (verso) 362617

Frontispiece by Ferdinand Karl Klimsch executed in pencil, showing detailed figure work and ornamental design typical of the artist's style.

Roman sketchbook, Gauffier, Louis, 1761-1801, pencil, pen and black and brown ink, grey and brown wash, and black and white chalk, 1784-1789, executed during the artist's stay in Rome at the Acadeìmie de France as a recipient of the Grand Prix de Rome. Twenty-four drawings depict urban views of Rome, some inscribed by monument (including S. Gregorio, S. Lorenzo Fuori delle Mura, S. Giovanni Laterano, Villa Negroni, Villa Mattei). The remaining sketches are landscapes and figure studies, some after classical sculpture.

Cynegetic theme canopy project. (Dummy title)

Print, Plate from the IVe Cahier de Vases Boettes de Pendules Tombeaux &c.; Print Maker: Jacques Juillet (French, 1739 - 1784); engraving on paper

Sofa. Leaf 49 Recto from a sketchbook with 77 sheets.

Fontein op piazza Sant'Andrea della Valle Te Rome, Domenico Parasacchi, 1637 print Print is part of an album. paper etching ornamental fountain Piazza Sant'Andrea della Valle

Designs for a Wall Panel, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Designs for a Wall Panel., Rome, Italy, 1746-1809, interiors, Drawing, Drawing

Pécopin in the giant's palace.

Two tombs with smoking vessels and standing figures, 1777 print On the left a tomb with obelisk, flags and weapons, two smoking vessels and two standing figures. On the right a tomb with obelisk, two standing figures on either side of a medallion with portraits, two smoking vessels, skulls with garlands and two medallions. Paris paper etching grave, tomb. incense-burner ~ scents, perfumes. standing figure

Design for a Frieze or Wall Decoration. Artist: Anonymous, British, 19th century. Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Designs for a monument with sofa and the arm of Haarlem. .

Design for a Funerary Monument. Artist: Francesco Salviati (Francesco de' Rossi) (Italian, Florence 1510-1563 Rome). Dimensions: sheet: 7 x 11 11/16 in. (17.8 x 29.7 cm). Date: 1510-63. Museum: Metropolitan Museum of Art, New York, USA.

Page from a Scrapbook containing Drawings and Several Prints of Architecture, Interiors, Furniture and Other Objects. Artist: Workshop of Charles Percier (French, Paris 1764-1838 Paris); Workshop of Pierre François Léonard Fontaine (French, Pontoise 1762-1853 Paris). Dimensions: 15 11/16 x 10 in. (39.8 x 25.4 cm). Date: ca. 1800-1850. Museum: Metropolitan Museum of Art, New York, USA.

Capital in St. Chapelle de Paris, Arnold William Brunner, American, 1857-1925, Graphite on beige paper, Five-lobed leaves decorating a capital., USA, 1879, architecture, Drawing, Drawing

Design for an Urn. Artist: Anonymous, French, 18th century. Dimensions: 12 3/8 x 8 3/4 in. (31.5 x 22.3 cm). Date: ca. 1770-90. Museum: Metropolitan Museum of Art, New York, USA.

Drawing, Cupboard; Architect: Giuseppe Barberi (Italian, 1746-1809); Italy; pen and brown ink, brush and brown wash on off-white laid paper, lined; Image: 19.8 x 27.6 cm (7 13/16 x 10 7/8 in.)

Drawing, Altar; Architect: Giuseppe Barberi (Italian, 1746-1809); Italy; pen and brown ink, brush and brown wash; Image: 17.1 x 18.9 cm (6 3/4 x 7 7/16 in.)

Barry, Jean. Luynes Hotel / Staircase paintings. "Paintings of the staircase at the Hôtel de Luynes, 6th arrondissement, Paris". in 1901-11-1901-11. Paris, Carnavalet museum. 144178-26

Red chalk drawing by Abraham van Diepenbeeck depicting remains of an ancient temple with a stone vase and relief showing a victim scene, showing architecture and sculptural details.

Milan, Vallardi, Pietro & Giuseppe, Italy, Roccheggiani, Lorenzo, Ruga, Pietro, Invenzioni diverse di mobile ed utensili sacri e profani per usi comuni della vita, Invenzioni divers di mobile ed utensili sacri e profani, Designs for religious and profane objects, Four mirrors with candlesticks, two standing candlesticks and an oil burner, Print makes part of an album., print, album page, ornament print, prints, height 165 mm, width 215 mm, Italian, print maker, printmaker, 1817 - 1817, second quarter 19th century, third quarter 19th century, fourth quarter 19th century, paper, etching, intermediate draughtsman, after a drawing by, Publication (Event), Publication, publisher

'View of an Interior with a Vase at the Table'. France, 18th century. Dimensions: 33,5x24,4 cm. Museum: State Hermitage, St. Petersburg. Author: French painter. 18th century. Gilles-Marie Oppenort (after) ( ).

Design for a candelabra ..

Fountain designs. Date: 1785-90. Graphite, pen and ink, brush and wash on paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Recueil de morceaux d'architecture et de divers fragmens de monumens antiques fait en Italie par Marie Joseph Peyre architecte du Roy ancien pensionnaire de Sa Majesté à Rome, Peyre, Marie-Joseph, 1730-1785, pencil, ink, pen, wash, black and red chalk, watercolor, 1786, Album of architectural drawings with sketches and some fully realized drawings includes drawings of architectural fragments and details (some with measurements), two views, ancient and Baroque sculpture, urns and coffers, and designs for fountains and buildings.

Print, Design for a Quarter of a Ceiling; Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Engraved by Karl Albert von Lespilliez (1723-1796); Published by Nicolas Jean Baptiste de Poilly (France, 1712 - ca. 1758); Germany; etching and engraving on off-white laid paper; Platemark: 32.5 x 26.7 cm (12 13/16 x 10 1/2 in.) Sheet: 44 x 28.6 cm (17 5/16 x 11 1/4 in.)

Sketches from Museé de Cluny, Paris, Arnold William Brunner, American, 1857-1925, Graphite on paper, Two chairs, left and center. Left, intricate legs and back, no arm rest. Center, rounded chair with arm rest. Corner of a table, lower right., USA, 1883, furniture, Drawing, Drawing

Design for a candlestick (No. 2), Abraham Meertens, 1767 - 1823 drawing paper. pencil brush sconce, wall lamp

Design for a Door Wall. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Date: 1746-1809. Museum: Cooper Hewitt, Smithsonian Design Museum.

Palestine. Absaloma tombs and the Prophet Zacharias near Jerusalem, according to the woodcut; Lesser, Aleksander (1814-1884); 1830-1884 (1830-00-00-1884-00-00);Absalom (Bible), Absalom (Bible) - iconography, Jerusalem (Israel), Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884) - collections, Lesser, Emiljan Stanisław (Baron - 1847-1912), Lesser , Emiljan Stanisław (Baron - 1847-1912) - collection, Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935), Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935) - collection, Palestine, Zacharias (Prophet), Zacharias ( Prophet) - iconography, architecture, foreign architecture, gift (provenance), tombs, judaica, sarcophagi, Jews

Maunder's Fish-shop, Chelsea, James Abbott McNeill Whistler, 1890 print Shop front of the fish trade of Elizabeth Maunder, 72 Cheyne Walk in Chelsea, with customers in and in front of the store. print maker: Englandprinter: London paper shop-window, show-window Chelsea

Design for a Door and Overdoor, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-laid paper, Both of the two door foldings have above and below a small rectangular panel and in the center is a large one. The small panels are decorated with a festoon hanging from bowknots, the latter with an oval representation of the figure of a standing woman. They are framed outside by a wreath which is connected by a stem with a lion mask above, below the molded frame. The overdoor shows the picture of the entrance into a fortress. Wall as usual. On the reverse is a sketch, pen, of a doorcase with the door., Verso: sketch of a doorcase with the door, Rome, Italy, 1780-1790, architecture, Drawing, Drawing

Jacques Callot (1592-1635). "Voyage to the Holy Land, twenty-first board. Lieure 331. Eau-tie and chisel. 1620. Museum of Fine Arts of the city of Paris, small palace. 99609-16 Chisel, etching, engraving

Design for Window. Artist: Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550-1580). Dimensions: 5 x 3-3/4 in. (12.7 x 9.5 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Design for an Altar 1700-1773 Luigi Vanvitelli Italian. Design for an Altar 343179

Monument Met Hek, Edouard Shoster, After J.f. Hadmers, 1830 - 1906 print paper monument, statue

Above: The lower part and the disposition of the pedestal upon the steps are similar to 1938-88-1315. The scheme of the upper part is similar to that of 1938-88-1297, but he lateral figures sit immediately upon the lower part of the pedestal, in the heigh of the upper edge of the body of the sarcophagus. The medallion is at right of the standing figure, probably supported by a kneeling angel, as another possibly is at left. Beside is a plan, drawn into a square. The steps are between squares at the corners and inside is anew a square. Below at left and with the uppermost parts over the upper project, is a slightly variation similar sketch. It is partly drawn over another, only begun, intending to dispose the sitting figures upon parapets, flanking the steps, and having a mere pedestal below in the center. At right is a plan, inscribed into a circle, providing for a central square, with the arms of a cross. Outside, only partly sketched is a square. Scratching. Some sepia wash at the ed

Sketches of Inscribed Bases of Roman Columns Artist's working dates 1614-1665 France. Red chalk on cream laid paper . Nicolas Poussin

Design for the decoration of a wiling with strapwork and rinceaux. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: Overall: 10 9/16 x 14 15/16 in. (26.9 x 37.9 cm). Date: 1830-97. Museum: Metropolitan Museum of Art, New York, USA.

The main design is in the center. It is similar to that in 1938-88-1279 above at left. The plan is below. Beside its upper part and at left: a sarcophagus is supported by figures standing upon steps: a figure sits upon its cover. The elevation of a niche with a monument in the shape of a column with figures below and with a candelabrum, below a canopy. Beside the chapel is a similar design without canopy. Partly drawn over it is a variation of the design below at left in 1938-88-1279. Two other similar designs are above at right, the lower of which suggests an urn instead of the sarcophagus. These designs are drawn over parts of a candelabrum with many arms. Date: ca. 1795. Pen and brown ink, brush and brown wash on lined off-white laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

History of Germany 1820-50 Carl Heinrich Hermann German. History of Germany. Carl Heinrich Hermann (German, Dresden 1802-1880 Berlin). 1820-50. Pen and black ink. Drawings

John Skinner Prout, A Gothic Arch A Gothic Arch

States Chamber Entry 's Jans Kerkhof

Design for a Stage Set 19th century Anonymous, French, 19th century French. Design for a Stage Set. Anonymous, French, 19th century. 19th century. Graphite on laid paper. Drawings

Design for a Baptismal Font. Pen and brown ink, brush and brown wash on lined off-white laid paper. Date: 1746-1809. Museum: Cooper Hewitt, Smithsonian Design Museum.

Juan de Madrazo y Kuntz / 'Calque of tabernacle for the cathedral of Oviedo'. 1863 - 1869. Pencil on fibre paper. Museum: Museo del Prado, Madrid, España.

Drawing, Design for a Fountain in a Pavilion; Designed by Giuseppe Barberi (Italian, 1746-1809); Carlo Francesco Barabino (Italian, 1768 - 1835); Italy; graphite, pen and ink, brush and wash on paper

Wall decoration; console table, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Wall decoration; console table., Rome, Italy, 1746-1809, interiors, Drawing, Drawing

Sketchbook Jan Matejko from a trip to Constantinople. One sided drawing. Obverse: interior of the mosque with color description; Part of the drawing, the beginning of which is presented on the reverse of the previous sketchbook card. Matejko, Jan (1838 1893)

Drawing, Designs for Vases and Memorials; Italy; graphite on paper

Lock erxlebs. Umpution I: Capitel

Tomb of André Lenôtre in Saint-Roch, sketch drawn from a manusal epitaph of the arsenal

Collection of pencil studies by Ferdinand Georg Waldmüller focusing on figures, objects, and landscapes with compositional exercises.

Kneeling figure at a horizontal man. The man lies with the head in the shot of the kneeling figure. Leaf 1 Verso from a sketchbook with 30 sheets.

Attributed to John Carter, 1748-1817, British, Continuation of Detail, between 1806 and 1815. Graphite and pen and black ink on slightly textured, medium, white laid paper.

Lavalley, the cemetery of the Saints-Innocents, copy according to the statements of Bernier. Christ. (Dummy title). Carnavalet museum, history of Paris.

Drawing by Ferdinand Boberg. Dalarna, Leksands sn., Leksands K: a Nordic

Study of Siena Cathedral, Walter Shirlaw, American, b. Scotland, 1838-1909, Graphite and watercolor on paper, Top: an oblique view of the ceiling of the bay with the apse from the adjoining southern bay. Center: an unfinished view from below., Siena, Italy, ca. 1872, architecture, interiors, Drawing, Drawing

Album n � 4; Stained glass project for Saint-Die; Saint Joseph Intercentant for afflicles Gsell-Laurent workshop. Album n � 4; Stained glass project for Saint-Die; Saint Joseph Intercedent for afflicted. Pencil on layer.

Stage Set Design: A Square Hall with Rounded Archways and Cupola in Oriental Style with Thin Columns. Artist: Salvador Alarma Tastás (Spanish, Barcelona, 1870-1941). Dimensions: sheet: 11 1/8 x 13 3/4 in. (28.2 x 35 cm). Date: 1870-1941. Museum: Metropolitan Museum of Art, New York, USA.

Quast Ferdinand von (1807-1877), The Teufelsküche in Maulbronn (1875): Coal: Interior view, according to new sheet, 1875, p. 464. Ink on transparent, 19.5 x 22.2 cm (including scan edges) Quast Ferdinand von (1807-1877): Die Teufelsküche, Maulbronn

Study for Pantheon Masquerade, from Microcosm of London. Augustus Charles Pugin (English, born France, 1762-1832); Thomas Rowlandson (English, 1756-1827). Date: 1807-1809. Dimensions: 195 × 257 mm. Graphite on cream wove paper. Origin: England. Museum: The Chicago Art Institute, USA.

Hoffmann Emil (1845-1901), Palazzo Arcivescoala in Palermo (01.04.1894): Haupt portal. Pencil on paper, 26.7 x 21.6 cm (including scan edges) Hoffmann Emil (1845-1901): Palazzo Arcivescoala, Palermo

Details of the moldings and ironwork of a door, rue d'hell

Design for a Stage Set 1830-90 Eugène Cicéri French. Design for a Stage Set 387371

Drawing, Chair; Robert Frederick Blum (American, 1857-1903); USA; graphite on wove paper; 20.5 × 11.7 cm (8 1/16 × 4 5/8 in.)

Designs for Ceiling and Wall Decorations, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink on off-white laid paper, lined, Designs for Ceiling and Wall Decorations., Rome, Italy, 1746-1809, interiors, Drawing, Drawing

Sketch of a Tombstone, Sir Robert Smirke the younger, 1781-1867, British, 1802-1804, Brown wash and graphite on thin, slightly textured, beige, wove paper, Sheet: 4 5/16 × 3 1/2 inches (11 × 8.9 cm)

Joan Derk van der Capellen appears in the meeting of Knighthood and Cities in Overijssel, 1782, Mathias de Sallieth, After Willem Kok, 1787 print Joan Derk Baron van der Capellen to the Poll appears again in the meeting of knighthood and cities in Overijssel, November 1, 1782. Fragment of a larger album entitled 'Atlas of the histories of our Tyd. Plate i '. This was a test episode of a new series of performances of historical events from the years 1780-1787, the series was not continued after this first issue. Northern Netherlands paper etching Overijssel

Drawing, Oval Saloon; Designed by Frederick Crace (English, 1779-1859); England; pen and black ink, violet, red, and blue wash on wove paper; Overall: 28.4 x 25.7 cm (11 3/16 x 10 1/8 in.)

Mar's Work, Stirling No 2 Made 1907 Scotland. Etching and drypoint on ivory laid paper . David Young Cameron

Sketch of Three Standing Gravestones, Sir Robert Smirke the younger, 1781-1867, British, 1802-1804, Brown wash and graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 5 1/16 × 4 11/16 inches (12.9 × 11.9 cm)

Design for a Desk with Decorations from " A Midsummer Night's Dream" 1851 G. Clark Stanton British, Scottish. Design for a Desk with Decorations from " A Midsummer Night's Dream" 364067

Robert Smirke, 1752-1845, British, MSS Bible Regia, undated. Pen and brown ink, over graphite on medium, slightly textured, cream, wove paper, mounted on, thick, smooth, brown, wove paper.

Fragment of a Capital 18th century Anonymous, French, 18th century French Fragment of a capital in the Composite order. The sides have been damaged. The center is decorated with tiers of stylized leaf patterns between two acanthus leaves and above a central motif of two dolphins flanking a vase with flowers. The capital is crowned by a smal acorn motif.. Fragment of a Capital 357079

Study for Egyptian Hall Mansion House, from Microcosm of London 1807-1809 England. Graphite on cream wove paper . Augustus Charles Pugin

Peristyle with drawn up converging perspectivic lines, anonymous, 1500 - 1599 drawing Italy paper. ink pen

Drawing of the lantern attachment and crowning cross at SantIvo alla Sapienza by Francesco Borromini, showing architectural details, blind grooves, and construction elements in graphite on firm paper.

Arbour IX, verso: Sketch of an arbour XI. Ruszczyc, Ferdynand (1870-1936), draughtsman, cartoonist

Entry Gateway to Prince Adam Liechtenstein's; Villa in Wien, Sir Robert Smirke the younger, 1781-1867, British, 1802-1804, Gray wash, blue wash, and graphite on moderatly thick, moderately textured, beige, wove paper, Sheet: 6 5/8 × 4 11/16 inches (16.8 × 11.9 cm)

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Drawing by Ferdinand Boberg. Nora, Rådstugugatan 21 Nordic

Amsterdam, Covens & Mortier, Antwerp, Maes, Joseph, Lustre, XVe Siècle, Copper chandelier with twelve arms, recto - stamped, photomechanical print, page, photographs, photographically illustrated books, LUSTRE en cuivre, recto - printed, LITT. L. - PL. 2, JJvY, height 340 mm, width 229 mm, photographer, 1875 - 1880, paper, papier, collotype, photolithography, fotolithografie, Belgian, 1838 - 1908, clichémaker, Work conception, Dutch

A set of sketches by Alexander Rothaug from around 1900 made with pencil, ink feather, and color pencils, depicting varied figures and compositional studies.

Bliżej Kultury Gryglewski, Aleksander (1833 1879)

Knoblauch Julius, travel sketches from Italy (1882-1883): Detail of a bench (choir stalls). Pencil on the box, 35.4 x 26.5 cm (including scan edges) Knoblauch Julius : Reiseskizzen aus Italien

Italian Sketchbook Sanford Robinson Gifford (American, 1823-1880). Italian Sketchbook, 1867-1868. Graphite on tan, medium-weight, slightly textured wove paper, 5 x 9 x 7/16 in. (12.7 x 22.9 x 1.1 cm). This sketchbook served as a travel diary for the Hudson River School landscape painter Sanford Robinson Gifford during his journeys in France, Switzerland, and Italy. In this two-page spread depicting the church of Santa Caterina del Sasso, perched precariously on the edge of a cliff overlooking Lake Maggiore in Italy, Giffords precise and assured lines exemplify his skills as a draftsman. A practitioner of plein air sketching, the artist used these drawings as preparatory studies for paintings executed later in his studio. The small framed motifs that appear on this and other pages of the sketchbook show his initial experiments with composition. American Art 1867-1868

Table. Pen and brown ink, brush and brown wash on off-white laid paper. Date: 1746-1809. Museum: Cooper Hewitt, Smithsonian Design Museum.

Collection of sketches including 'The Danayden', executed in pencil and ink around 1900, showing figures, objects, and compositional studies.

Round table with candlestick, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, The supports are four legs in the shape of pillars with lion's feet and Ionic capitals. The table frame is fluted. The candlestick has the shape of a monumental column, from the lateral sides of the pedestals of which two branches spring, with candles. Below is another cube-like pedestal, in front of the corners of which eagles stand. The front is decorated with a festoon. Usual background., Rome, Italy, ca. 1795, furniture, Drawing, Drawing

Strack Heinrich (1841-1912), grave monument for A. Stüler. (From: Atlas to the magazine for Building, ed. V. G. Erbkam, Jg. 18, 1869.) (1868-1868): floor plan, view tomb, view grid. Stitch on paper, 43.8 x 28 cm (including scan edges) Strack Heinrich (1841-1912): Grabdenkmal für A. Stüler. (Aus: Atlas zur Zeitschrift für Bauwesen, hrsg. v. G. Erbkam, Jg. 18, 1868)

Tile stove study, study of a piece of furnace base; Czachórski, Władysław (1850-1911); 1870 (1870-00-00-1870-00-00);Ceramics, stoves, artistic crafts, studies (sketches), decorative art, vegetable, interior, interior equipment, purchase (provenance)

Drawing, Architectural Ornaments; Possibly by Carlo Marchionni (Italian, 1702-1786), Filippo Marchionni (Italian, 1732-1805); Italy; pen and black ink, brush and gray watercolor on cream laid paper; 13 × 11.6 cm (5 1/8 × 4 9/16 in.) Mat: 56 × 40.7 cm (22 1/16 in. × 16 in.)

Study for Corn Exchange, Mark Lane, from Microcosm of London 1807-1808 England. Graphite on cream wove paper . Augustus Charles Pugin

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