Architectural Engravings

Etchings depicting architectural scenes and fantasy structures, showcasing historical figures, gardens, and triumphal arches in a detailed artistic style.

Rebekah and Elijah at the well, print maker: Jan Luyken, publisher: Pieter Mortier (I), print maker: Haarlem, publisher: Amsterdam, 1703 - 1762, paper, etching, letterpress printing, h 199 mm × w 159 mm

Print (France)

Ruïne van de Tempel van Joseph in Memphis. Gezichten rond de Middellandse Zee (series title). Draughtsman: Johan Teyler. Dating: 1679 - 1683. Measurements: h 121 mm × w 234 mm. Museum: Rijksmuseum, Amsterdam.

Design for a wallpaper.

View of the pond towards the colonnade in the garden of home to MORSEN; Looks up from the Kaskade on the road to the Colonade to see / vue de la Cascade Par Dessus Le Chemin verse La Colonade; The old Adelyk Huys and Ridderhofstad ter Meer. View of the pond towards the colonnade in the French garden of House Ter Meer. Two groups of conversing figures are in the foreground. The print is part of a series of 26 faces at home in the lake and the associated estate at Maarssen.

Obelisk with the statue of King Willem III, Jan Luyken, 1691 print Print at the top right marked: Fig. 26. print maker: Amsterdampublisher: The Hague paper etching obelisk, needle

A drawing by Cornelis Claesz. van Wieringen depicting the Portico di Ottavia in Rome with empty market tables and men waiting, executed in brown pen with traces of chalk and visible damage.

Reverse Copy of Le Ponte-Vecchio, a Florence (The Ponte-Vecchio, in Florence), from Les Caprices 17th century Anonymous. Reverse Copy of Le Ponte-Vecchio, a Florence (The Ponte-Vecchio, in Florence), from Les Caprices. Les Caprices. Anonymous. 17th century. Etching. Prints

View from Buitenplaats Meer en Burg on the gardens and views on the Middenweg and Buitenplaats Zorgwijk, Anonymous, After Daniël Stendaal, 1725 - 1768 print Above a face from Buitenplaats Meer and Burg on the gardens of the house. Numbered at the top right: 29. Under a face on the Middenweg and Buitenplaats Zorgwijk. Numbered at the top right: 30. A Dutch and French title among both prints. paper etching / engraving country-house. French or architectonic garden; formal garden. public road Amsterdam. Watergraafsmeer

Amsterdam, Visscher, Nicolaes (I), Aveele, Johannes Jacobsz van den, Garden vases, Two vases for the Orangerie of Zorgvliet, The vases are decorated with oval medallions. From a series of 7 sheets with two vases on a balustrade on each sheet with a view of the gardens of Zorgvliet., print, ornamental print, prints, ornamental prints, height 130 mm, width 161 mm, 1655 - 1727-05-18, print maker, printmaker, 1665 - 1727, third quarter 17th century, fourth quarter 17th century, first quarter 18th century, second quarter 18th century, paper, papier, etching, etchings, intermediary draughtsman, after a drawing by, Publication (Event), Publication, Northern Netherlands, 1618-01-25 - 1679, publisher

Artist: Jacques Callot, French, 1592-1635, The Slave Market or The Small View ofParis, Etching, sheet 4 9/16 × 8 5/8 in. (11.6 × 21.9 cm)trimmed, Made in France, Depicted Paris, France, French, 17thcentury, Works on Paper -Prints

Temple of Iupitor Stator. View of the three columns that remain of this temple having on the left the church of Sta. Maria Liberatrice with a part of the Pallatin Hill now called the Farnese Gardens, undated. Cunego, Domenico. ca. 1760-1767 Temple of Jupiter Stator The print depicts the no-longer extant Temple of Jupiter Stator, whose original location is subject to debate. In the print, the three columns to the right are identified as the remains of the temple, with the church of Santa Maria Liberatrice (also no longer extant), in the center, and the Farnese gardens to the left. In the foreground peasants unload a wagon, two religious figures converse and a man waters his horse in a nearby fountain. Text is in English and French. Trimmed within plate mark. Title in English to the left and in French to the right. Inscription indicates that the plate was etched in Rome. With Pecci-Blunt's collector's marks, in black ink, in the lower right hand corner and on the verso. Anna Laetitia Pec

Wish letter with activities on the street, c. 1700 - c. 1899 print Wish letter with unwritten cartouche within a decorative framework with performances of activities on the street, such as people who sing street songs and children who peek in a viewing box. Numbered at the top right: No. 4. publisher: Amsterdamprint maker: Netherlands paper. pencil etching peep-show. vocal music, singing - CC - out of doors

Speculum Romanae Magnificentiae: Temple of Janus 1550 Anonymous This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed thei

View of the Orangery and Cour de la Fontaine in the Palace of Fontainebleau, 1726, 1726 print View of the Orangerie and the Jardin de la Reine in the Fontainebleau palace. Plate no. 66 In part III of the print work: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this first part with 238 by hand numbered Plates of renowned strong cities and fortresses in the context of the Spanish War of Succession 1701-1713. For the most part, these records have been copied to the anonymous French records of renowned strong cities and forces: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) in the context of the Nine Years' War. Title in French. print maker: Northern Netherlandspublisher: Leiden paper etching palace Palais de Fontainebleau

Pilate Washing His Hands 1618-1619 France. Red chalk, with brush and red chalk wash, on cream laid paper, laid down on cream wove paper . Jacques Callot

View of a canal with bridges in a nutshell perspective, Johannes or Lucas van Doechum, after Hans Vredeman de Vries, after 1601 View of a canal with two bridges and four water stairs in a nutshell perspective. A boat sails with belts and a sail on the water. Rosettes and leaf ornaments in the corners. The print is part of an album. Antwerp paper etching View of a canal with two bridges and four water stairs in a nutshell perspective. A boat sails with belts and a sail on the water. Rosettes and leaf ornaments in the corners. The print is part of an album. Antwerp paper etching

Staten van Holland en West-Friesland, Den Haag, Beeck, Anna, Noordelijke Nederlanden, Vianen, Jan van, Series of sixteen small prints about the Huis ter Nieuburch in Rijswijk and the peace negotiations, 1697, The great hall of the conference for the general peace, The great conference hall in the Huis ter Nieuburch in Rijswijk, The Hague, Northern Netherlands, with a row of chairs against the right wall, a large mantelpiece on the left. Ceiling decorated with putti and garlands. In the caption the two titles in French and Dutch. Part (print 7) of the series of sixteen smaller prints about the Huis ter Nieuburch in Rijswijk and the peace negotiations held there resulting in the Peace of Rijswijk concluded on 20 September 1697., print, prints, Frederik Muller Historieplaten, height 137 mm, width 160 mm, Noord-Nederlands, 1680 - 1726, print maker, printmaker, 1697 - 1697, paper, papier, etching, etchings, Publication (Event), Publicatie, Nederlands, 1657 - 1717, publisher, uitgever van pr

Print, Design for Fountain with Venus; Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Engraved by Georg Siegmond Roesch; Published by Nicolas Jean Baptiste de Poilly (France, 1712 - ca. 1758); Germany; etching and engraving on off-white laid paper; Platemark: 35.7 x 23.2 cm (14 1/16 x 9 1/8 in.) Sheet: 44 x 28.6 cm (17 5/16 x 11 1/4 in.)

The fair of Amsterdam, 1609, Boëtius Adamsz. Bolswert, 1609 print Binning of the fair of Hendrik de Keyser in Amsterdam in 1609. With merchants from home and abroad. Angels in the air with attributes of trade and prosperity. In the middle of the weapon of Amsterdam and four cartouches with a Latin text and poems by P.C. Hooft, T. Rodenburgh and C. Plemp in Dutch, French and Latin respectively. Northern Netherlands paper etching / engraving stock exchange, stock-market Fair of Hendrik de Keyser

Giacomo Guardi, Capriccio of Classical Ruins on a Shore Capriccio of Classical Ruins on a Shore

History of Germany 1820-50 Carl Heinrich Hermann German. History of Germany. Carl Heinrich Hermann (German, Dresden 1802-1880 Berlin). 1820-50. Pen and black ink. Drawings

Fountain in the gardens of the Villa Mondragone in Frascati; Fontana Nella Villa Borghese di Mondragon a Frascati (...); Fontane delle ville di Frascati; Fountains of Frascati. The print is part of an album.

Persian men doing physical exercises. Engraving by C.F. Fritschius.

Capitoline, Rome. Dated: 1681. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Melchior Küsel after Johann Wilhelm Baur.

View of a procession in Piazza San Marco, Venice, 16th century. A formal procession moves in front of the church of San Geminiano, St. Marks Basilica and the Campanile. Within a decorative frame engraved by H. Catenacci and Fellmann. Woodblock engraving by F. Huyot after A. Racinet after a woodcut by Christoph Krieger from Cesare Vecellios 16th century Costumes anciens et modernes, Habiti antichi et moderni di tutto il mondo, Firman Didot Ferris Fils, Paris, 1859-1860.

Speculum Romanae Magnificentiae: Circus Maximus 1553 Anonymous This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their

Facial Great Gate Door Door has star bush.

The Arsenal; two soldiers conversing with two women on the right as a group of soldiers look on from the left; set design from 'Il Fuoco Eterno' 1674 Mathäus Küsel One of twelve plates depicting the stage sets designed by Lodovico Burnacini for 'Il Fuoco Eterno Custodito Dalle Vestali', an opera celebrating the birth of Maria Anna Antonia, Archduchess of Austria in 1672. The Archduchess was the daughter of Emperor Leopold I and his second wife Claudia Felicitas, heiress of Tirol. Composed by Antonio Draghi with a libretto by Nicoló Minato, the opera was performed in the Hoftheater in Vienna on October 30, 1674.. The Arsenal; two soldiers conversing with two women on the right as a group of soldiers look on from the left; set design from 'Il Fuoco Eterno'. Mathäus Küsel (German, 1621-1682). 1674. Etching

Saint-Aubin, Gabriel de (n.1724-04-14-D.1780-02-14), interior view of the Winter Vauxhall or the Saint-Germain fair. (Dummy title). Carnavalet museum, history of Paris.

Print (France)

Fontana dell'Aquilone in De Vaticaanse Tuinen, Giovanni Francesco Venturini, 1653 - 1691 Numbered in the bottom right: 3. The print is part of an album. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching Giardini Vaticani. Vatican CITY Numbered in the bottom right: 3. The print is part of an album. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching Giardini Vaticani. Vatican CITY

Fontana d Acqua Felice a Termini, 1767, Rome, Italy, digital reproduction of an 18th century original, original date unknown, Europe

Ranspelen in Jerusalem, Jan Luyken, 1704 print Amsterdam paper etching / letterpress printing wagon racing with two-wheeled vehicle, e.g.: chariot, sulky Jerusalem

Gardens: a gardener tying the trunks of young trees to support posts. Engraving.

Face in a garden with an arbor, fountains and sculptures; Giardino di Callipso Intermedio Terzo; Decor designs for the 'intermedi' during the wedding of Cosimo II de'medici and Maria Magdalena in Florence in 1608. A face in a garden with an arbor, fountains and sculptures. Different figures stroll in the garden. Jupiter sitting on his eagle appears between the clouds. On the right on a cloud, MERCURIUS floats. Design for a stage decor for one of the seven 'intermedi' during the wedding of Cosimo II de'Medici and Maria Magdalena, Archshertogin of Austria in Florence in 1608.

Stage design with allegorical figures on a staircase; from 'L'Eta Dell'Oro'. Artist: Carlo Antonio Forti (Italian, Parma 1657-1732 Modena). Dimensions: Sheet: 13 1/16 × 16 5/16 in. (33.1 × 41.5 cm). Date: ca. 1690.Counterproof of a stage design for 'L'Eta Dell'Oro' with allegorical figures seated on a staircase. At the top is Abundance and below is a river and city landscape with a river goddess at center. Museum: Metropolitan Museum of Art, New York, USA.

The / assume / from the NIEW / Constitution by / Lodewijk de XVI. (Ti)

Portal of a building with composite columns and the sensory feeling, 1620 Portal of a building with composite columns. In the foreground a woman who is picked in her finger by a bird. On the right a boy who is bitten by a dog in his leg. They depict the sense feeling. On the right a fishing boat at sea. Bottom right: kk. Print is part of an album. Print Maker: The bepublisher: Amsterdam paper etching / engraving Portal of a building with composite columns. In the foreground a woman who is picked in her finger by a bird. On the right a boy who is bitten by a dog in his leg. They depict the sense feeling. On the right a fishing boat at sea. Bottom right: kk. Print is part of an album. Print Maker: The bepublisher: Amsterdam paper etching / engraving

Print (France)

Antwerp, Collaert, Adriaen, Straet, Jan van der, Monogrammist FLB, Sadeler, Johann (I), Lady on Horseback in Florence, verso lower left - stamped, A lady (Johanna of Austria) on horseback, riding through a street in Florence, accompanied by four men and a boy. On the right front is a beggar., print, prints, height 315 mm, width 208 mm, South Netherlands, 1550 - 1600-08, print maker, printmaker, 1601 - 1618, paper, engraving, engraving (printing process), Work conception, after print by, 1523 - 1605-11-02, after design by, Publication (Event), Publication, South Netherlands (before 1775), 1560 - 1618-06-29, publisher

Entry in The Hague by Willem v and Wilhelmina van Prussen, 1767. Introcate in The Hague by Willem v and Wilhelmina van Prussen after their executed marriage, 1767. The carriage drives through the erepoort, founded on the Buitenhof in The Hague.

Antwerp, Galle, Philips, Borcht, Pieter van der (I), Gardens of Love, Music and Dance, verso middle under - stamped, Courtyard garden with couples walking and having fun together. In the foreground a man dances for a woman, while another lady plays the lute. A dog (symbol of love) looks on. Other couples also watch and point at the spectacle. The series shows various aspects of courtship and some examples from the Old Testament., print, prints, verso bottom center - stamped, width 249 mm, height, 185 mm, South Netherlands, 1545 - 1608, print maker, printmaker, second quarter 16th century, third quarter 16th century, fourth quarter 16th century, first quarter 17th century, paper, etching, etchings, Publication (Event), Publication, 1537 - 1612-03-29, publisher

The Académie des Sciences et des Beaux Arts, Paris: showing various methods of study and teaching with a lettered key. Line engraving.

Print, Venus Genitrix: Fireworks; Louis-Joseph Le Lorrain (French, 1715-1759); Italy; etching support: off-white laid paper, laid down on frame of white laid paper; 39.9 x 47.7 cm (15 11/16 x 18 3/4 in.) 47.5 x 56.4 Mat: 55.9 x 71.1 cm (22 x 28 in.)

Autre Vuë de linterieur du Pronaos, qui a déjà été décrit, et dessiné, dans la planche prêcédente (Another view of the interior of the Pronaos described and drawn in the preceding plate), from Différentes vues…de Pesto. Artist: Giovanni Battista Piranesi, Italian, 1720-1778

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Melchior Küsel after Johann Wilhelm Baur (German, 1626-1683), Villa Aquaviva, 1681, etching

Arco di Rimino fabbricato da Augusto. Dated: 1748. Dimensions: plate: 13.6 x 27.2 cm (5 3/8 x 10 11/16 in.) sheet: 37.8 x 52.8 cm (14 7/8 x 20 13/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: GIOVANNI BATTISTA PIRANESI.

A seated man drawing a view onto a framed piece of glass and a seated man drawing from a perspective grid. Etching.

Canaletto, Title Plate, c 1735 1746 Title Plate

April, with a group in a garden, Hendrick Hondius (I), after Jan Wildens, 1614 print Symmetrically landscaped French garden in the foreground. Castle in the background. In the garden that is divided into flower beds, a lady and a gentleman with child and his gardeners are working at work. The country is plowed to the right. Under the show a text in Latin. Print from a series of the twelve months. The Hague paper engraving landscape symbolizing April (+ with scenes showing human occupations ~ seasons and months). April and its 'labours'. seasons of the year represented by still lifes of flowers and/or fruits (+ garden representing seasons and months). garden. gardening. ploughing

Face of the Colosseum and the Arch of Constantine; Prospectus Amfitheatri Vefpasiani E Titi Impp .. View of the Colosseum. On the right the arch of Constantijn. In the middle of the print, an angel floats with the coat of arms of Rome. There are numbers on the print that refer to specific buildings in Rome. The print has a Latin caption with a statement from the numbers.

One of the fountains at Liencourt. Etching by I. Silvestre.

The Trap des Age, P.J. Masier (Attributed to), 1827 - 1860 print A staircase of old age: a parentrope. On the steps of the stairs, in the form of a bridge, there are men and women between the ages of 0 and 100. Under the bridge a representation of the Last Judgment. A curtain on either side of the show. Above the image a verse in three columns, under the image a verse in four columns. Numbered at the top right: No. 4. publisher: Rotterdamprint maker: Netherlands paper letterpress printing the ages of man represented by a staircase. Last Judgement

View of painting books exposed to the Central Arts Museum in the year IX ..

Dominicus Sapma escapes in the clothing of his wife from the Rasphuis in Amsterdam, 1621; D. Sapma in his female robe, the Boeyen escaped Synde; Packs the Disciplinary House, where we only escaped Grevius and Prince from He. The Remonstrant pastor Dominicus Sapma van Hoorn escapes in the clothing of his wife from the Rasphuis in Amsterdam, September 22, 1621.

Plate 7: Temple of Jupiter Tonans (Jupiter the Thunderer). 1. Temple of Concord. (Tempio di Giove Tonans. 1. Tempio della Concordia.) ca. 1748 Giovanni Battista Piranesi Italian. Plate 7: Temple of Jupiter Tonans (Jupiter the Thunderer). 1. Temple of Concord. (Tempio di Giove Tonans. 1. Tempio della Concordia.) 365372

Willem V is like knight in the order of the garter on the bordes of house ten Bosch, 1752. The young Prince Willem V shows itself after his installation as a knight in the order of the garter on the platforms of Palace House ten Bosch, 5 June 1752. On the street for the palace, he is welcomed by a collected crowd. Design for a print.

Speculum Romanae Magnificentiae: Castrum. Artist: Anonymous. Dimensions: sheet: 12 13/16 x 8 1/16 in. (32.5 x 20.5 cm). Publisher: Michele Tramezzino (Italian, active Venice and Rome, 1526-died 1561). Series/Portfolio: Speculum Romanae Magnificentiae. Date: 16th century.This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title 'Speculum Romanae Magnificentiae' first ap

Stefano Della Bella, Terza Scena Giardins di Venere, 1637 Terza Scena Giardins di Venere

le Preson. V., from Vedute. Canaletto; Italian, 1697-1768. Date: 1735-1744. Dimensions: 141 x 209 mm (image); 146 x 210 mm (plate); 170 x 237 mm (sheet). Etching in black on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

Sworn in the Government Regulations in Haarlem, 1787, Reinier Vinkeles (I), After Jacobus Buys, 1795 print Solemn ceremony with the sworn in the new government regulations founded in a temple on the Grote Markt in Haarlem, 5 September 1787. Archers are set up around the square. Northern Netherlands paper etching / engraving warfare; military affairs (+ citizen soldiery, civil guard, citizen militia). proclamation of new government Large market. Sint-Bavokerk

Emilia-Romagna Ravenna Bagnacavallo Museo Civico0. Hutzel, Max 1960-1990 Post-medieval: Paintings on canvas; manuscripts Antiquities: cippi (Gracchi), cippi fragments, bipedal bricks, terracotta amphorae German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Antieke Ruïnes, Jean François Janket, after Giovanni San Pianca Pannini, 1762 - 1798 print Between a ruin of an old temple and an antique vase four figures, one on horseback. paper ruin of a building ~ architecture

Melchior Küsel after Johann Wilhelm Baur, Balpoggio, Villa of Duke di Ceri, 1681 Balpoggio, Villa of Duke di Ceri

Gewelven in het interieur van een bouwwerk. Gezichten rond de Middellandse Zee (series title). Draughtsman: Johan Teyler. Dating: 1679 - 1683. Measurements: h 121 mm × w 233 mm. Museum: Rijksmuseum, Amsterdam.

Sculptures from Flora and Mercury, possibly near Frascati; Entrance to the court of the dukes of Sora, decorated with the images of Mercury and Flora in Frascata; Faces in Rome. .

'Ancient rchitecture Fantasy with Sculpture Figures'. Italy, 1776. Dimensions: 43x54,5 cm. Museum: State Hermitage, St. Petersburg. Author: Giuseppe Manocchi.

Design for a print, Construction of Noah's ark, draughtsman: Jan Luyken, 1688 - 1690, paper, pen, brush, h 281 mm × w 181 mm

Jacques Callot, The Massacre of the Innocents, c 1618 1620 The Massacre of the Innocents

Antwerp, Galle, Joannes, Vredeman de Vries, Hans, Hortorum Viridariorumque, Garden designs associated with the Doric, Ionic and Corinthian architectural orders, Corinthia, Garden with central parterre surrounded by a trellis corridor and a fountain in the middle, verso - stamped, Garden with central parterre surrounded by a trellis corridor overgrown with plants. In the center a fountain with a vase. The garden was laid out according to the Corinthian architectural order., print, prints, height 192 mm, width 248 mm, South Netherlands, 1527 - 1607, intermediary draughtsman, after a drawing by, 1583 - 1583, paper, papier, etching, etchings, print maker, printmaker, Publication (Event), Publication, 1600 - 1676-09-20, publisher

Figur. 36. Part. 3.

Belgium, Battle for the Belgian cow, 1830, verso - stamped, Cartoon on the attempts of King William I to preserve Belgium, 1830. The king pulls the Belgian cow by the tail and is shit in the face, meanwhile the crown prince milks the cow as long as he can. On the left, two Belgians pull the cow by the horns. In the background, the Willemspoort in Brussels. In the caption, the legend 1-4, with at 4 two (adapted) lines from the song 'Bon voyage Monsieur Dumollet' sung by the Belgian rebel., print, picture, cartoon, prints, Frederik Muller Historieplaten, height 215 mm, width 271 mm, print maker, printmaker, 1830 - 1831, paper, papier, lithografie (techniek)

Perspective with port-Spanish Neoclassicism. Towards 1680, oil on canvas. Canvas of 1.19 x 1.82 m. Author: GINER VICENTE. Location: BANCO DE ESPAÑA-COLECCION ARTE. MADRID. SPAIN.

Print made by Ambrogio Brambilla, active ca. 1579-1599, Italian, Insula Tiberina, 1582. Etching and line engraving on thin, slightly textured, cream laid paper.

Die Meta Sudans war ein großer Springbrunnen, der in der Nähe des Kolosseums stand, historisches Rom, Italien, digitale Reproduktion einer Originalvor...

Entry of the gladiators; Vitae et Mortis Series; Denis Lebey de Batilly, emblemata, 1596. Five men in Roman soldiers clothing in a procession to an arena. The public stands are busy with people. In the middle of the arena there is a large table with an obelisk and a number of images. The rooftops of a Roman city can be seen behind the stands.

Solemnis equitationis ad Vaticanum incessus, Imagines et delineamenta exterioris interiorisqve ornatvs Vaticanae Basilicae in solemni canonizatione Sanctorum Fidelis a Sigmaringa, Camilli de Lellis, Petri Regalati, Josephi a Leonissa et Catharinae de Ricciis, Engraving, 1746

Frontispiece to Mr. Fawkes Catalogue, Frederick Christian Lewis the Elder, 1779-1856, British, after Joseph Mallord William Turner, 1775-1851, British, 1820, Soft-ground etching, and engraving on thin, smooth, beige, chine colle, mounted on, thik, smooth, white, wove paper, Mount: 11 3/8 × 9 1/16 inches (28.9 × 23 cm) and Chine collé: 9 1/2 × 6 7/8 inches (24.1 × 17.5 cm)

John Devoto, active 1708-1752, British, A Capriccio, undated. Pen and brown ink and brown wash on medium, slightly textured, cream wove paper.

Speculum Romanae Magnificentiae: Sepulchre of Augustus 1575 Etienne DuPérac French This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, cl

Louis XV (King of France), Paris, Rigaud, Jacques, La Colonnade, View of the Colonnade in the Garden of Versailles, In the bottom margin two lines of French text., print, optic print, prints, optic prints, height 245 mm, width 475 mm, Publication (Event), Publication, publisher, 1700 - 1799, paper, cardboard, watercolor (paint), watercolour, etching, etchings, brush, French, 1681 - 1754, print maker, printmaker, 1710-02-15 - 1774-05-10, granter of privilege

Design for a Neoclassical Building, Thought to be a School of Arts for the City of Stockholm. Artist: Louis Gustave Taraval (French, Stockholm 1738-1794 Paris). Dimensions: 10 15/16 x 20 11/16 in. (27.8 x 52.6 cm). Date: ca. 1770-94. Museum: Metropolitan Museum of Art, New York, USA.

Circus Flaminius Rome, Giacomo Lauro, 1612 - 1628 print Text in Latin in STUDMARGE. The print is part of an album. Rome paper etching representation of real building (either existing or having existed). race-track Circus Flaminius

Port Scene ca. 1760 Pierre Moreau French. Port Scene 398047

Wenceslaus Hollar, 1607-1677, Bohemian, St. Marie Overie, 1661. Engraving.

Palazzo Villamena, Genoa. Dated: 1681. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Melchior Küsel after Johann Wilhelm Baur.

Disputation in the theological lecture hall / Disputation im theologischen Hörsaal zu Altdorf, Deutschland, 1750, historisch, C:CC5historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, Originaldatum nicht bekannt.

Fulfinin Mel Triton in Tupon Van De Villa Celimontana Te Rome, John Francesco Venturini, 1653 - 1691 Numbered below: 19. The print is part of an album. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching Villa Celimontana. Rome Numbered below: 19. The print is part of an album. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching Villa Celimontana. Rome

The hot air Montgolfiere carrying de Rozier and d'Arlandes, makes the world's first manned ascent, over Paris Date: 21st November 1783

Confrontation.

Dresden, stage design, design

Projet d'un monument a ériger pour le roi. Dated: 1790. Medium: color aquatint and etching. Museum: National Gallery of Art, Washington DC. Author: Jean-François Janinet after Jean-Michel Moreau.

Triomfwagen van het Sienese district Occa; Carro dell' Oca; Triomfwagens voor een festival in Siena in 1632.Sienese district triomfvag drawn by four horses. On top of the car there are a building with a dome, winged figures and soldiers.

LA FUENTE DE LOS TRITONES EN EL JARDIN DE LA ISLA DE ARANJUEZ - GRABADO SIGLO XVIII. Location: MUSEO DE HISTORIA-GRABADOS BLANCO Y NEGRO. MADRID. SPAIN.

BADAJOZ. MERIDA. RESTOS DE UN ACUEDUCTO ROMANO. DIBUJO DE ALEX DE LA BORDE. GRABADO SIGLO XIX. ARTE ROMANO.

Speculum Romanae Magnificentiae: St. Peter's. Artist: After Michelangelo Buonarroti (Italian, Caprese 1475-1564 Rome); Giovanni Ambrogio Brambilla (Italian, active Rome, 1575-99). Dimensions: sheet: 13 3/8 x 18 1/8 in. (34 x 46 cm). Publisher: Antonio Lafreri (French, Orgelet, Franche-Comte ca. 1512-1577 Rome); Claudio Duchetti (Italian, active Venice and Rome, ca. 1565-died ca. 1585). Series/Portfolio: Speculum Romanae Magnificentiae. Date: 16th century.This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in

Fountain of incurable Louis The Heart (1784-1825). New public fountains raised in Paris. Fountain called incurables. Paris (old arr.). Aquatint in color.

Amsterdam, Holst, FGL, Tower guards Fair wish Zuider Kerks-toren, Fair print of the tower guards of the Zuiderkerk in Amsterdam, ca. 1840-1870, verso - stamped, Fair print of the tower guards of the Amsterdam Zuiderkerk, ca. 1840-1870. View of the Westerkerk in Amsterdam, two men collect money from the houses. At the bottom a poem in two columns and a song in three verses. Of the tower guards: FW Bulsing and JP Richard., print, prent, kermisprent, prints, Frederik Muller Historieplaten, height 467 mm, width 278 mm, print maker, printmaker, 1840 - 1870, paper, papier, letterpress printing, boekdruk, houtsnede, printer, drukker

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