Architectural Plans and Designs

Detailed architectural drawings and designs for elaborate structures and pavilions, blending classical elements with decorative features.

Winders, Jean-Jacques, Dresden, Römmler & Jonas, Review of architecture in Belgium, Revue de l'architecture en Belgique, Revue für Architektur in Belgien, Warehouse Steenackers at Antwerp, (rue Solvyns). Chimney and presses from one of the offices, Entrepot Steenackers rue Solvyns à Anvers. Cheminée et armoires d'un des bureaux, Lagerhaus Steenackers in Antwerp, (rue Solvyns). Kamin und Schränke aus einem der Bureaux, Reproduction of a design of the Steenackers warehouse in Antwerp, by Jean-Jacques Winders, recto - printed, This print is part of a cover with 110 prints on 90 pages and 18 text pages., photomechanical print, reproduction, photos, photographically illustrated books, 1re. annèe., Pl. 36., height 377 mm, width 259 mm, maker, manufacturer, 1888 - 1893, paper, collotype, photoprint, Work conception, Belgian, 1849-05-14 - 1936-02-20

Architecture with gryphons, peacocks, dolphins, sphinxes and tigers and a painting depicting the interior of a temple with the herma of Bacchus and a woman painting; in the sides, two medallions with half-length portraits, Herculaneum, Campania, Italy, engraving by Pignatari from a drawing by G E Morghen from Le antichita di Ercolano esposte (The antiquities of Herculaneum exposed), Vv.Aa., volume V, plate 82, 1757-1787, Naples.

Design for a Proscenium or Monumental Alcove 1652-1725 Giovanni Battista Foggini Italian. Design for a Proscenium or Monumental Alcove 349822

ATAHUALPA. EMPERADOR DE PERU . 1500 - 1553. GRABADO DE LOS EMPERADORES DE PERU Y LOS REYES DE ESPAÑA ( FERNANDO VI Y ANTECESORES ). BIBLIOTECA DEL OBSERVATORIO ASTRONOMICO DE MADRID.

Rome, Ferranti, Callisto, Italy, Montano, Giovanni Battista, Architettura con diversi ornamenti cavati dall' Antico, Composito, Fries en vier hoofdgestels, At the bottom left is text. The last three lines replace the no longer current information about the entablature of the Forum of Trajan, used after 1638 for the construction of St. Peter's Basilica. From first edition., print, ornament print, prints, ornament prints, height 276 mm, width 180 mm, Work conception, 1534 - 1621, after a design by, 1636 - 1636, second quarter 17th century, paper, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, Italian, publisher

Planche 11 Le cannameliste français ou Nouvelle instruction pour ceux qui desirent d'apprendre l'office: rédige en forme de dictionnaire: enrichi de planches en taille-douce, Gilliers, Sieur, d. 1758, Etching, 1751

Design for an Inkstand. Artist: Attributed to workshop of Ottavio Strada (Italian (naturalized), Nuremberg () 1550-1606 Prague); Style of Francesco Salviati (Francesco de' Rossi) (Italian, Florence 1510-1563 Rome). Dimensions: sheet: 16 15/16 x 10 15/16 in. (43 x 27.8 cm). Date: ca. 1540-60. Museum: Metropolitan Museum of Art, New York, USA.

Victories of King William III in Ireland (lower half), 1690, 1690 - 1691 print Large print on two magazines in which the victories of King William III in Ireland and the victories of the Allies over France are celebrated in the year 1690. Bottom half with the open compartment intended for the Almanak under the battle at Naples surrounded by six tokens. On both sides smaller scenes of the battle between William III and Jacobus II in Ireland and between the Allies and France, on the right the conquest of Canada by the English. Northern Netherlands paper etching battle (+ land forces) Canada. Naples

The Dutch Vreede-fire work; / Imagining a slope temple of Janus with enlightened painting images weapons etc., / As it was set in The Hague Den Haag den 14. Juni 1713 improved with all the changes since the first project by A. Allard

Design for a Fountain in a Pavilion, Giuseppe Barberi, Italian, 1746-1809, Brush and brown, gray, and black wash, graphite on white laid paper, laid down, The elevation is on top. The fountain has two basins; the upper one is supported by a short column. The pavilion consists of four arches with four obliquely disposed groups of supports, pairs of columns standing in front of walls. Above is a dome., Rome, Italy, 1785-90, architecture, Drawing, Drawing

The tomb of Rahere, Saint Bartholomew's Church, London. Engraving by J. Basire after J. Carter, 1784.

Design for pendant with female allegory, Pen and ink, brush and sepia on paper, At the center of an arch stands an allegorical figure with a scroll of paper. Baluster forms on either side. Below, three faceted gems and three hanging pearls., Italy, 16th century, jewelry, Drawing, Drawing

Design for a Fireplace, Antinous Room, Villa Albani, Rome, Italy, Carlo Marchionni, Italian, 1702-1786, Pen and brown ink, brush and grey, brown wash, graphite on cream laid paper, Surmounted by a central eagle, floral garland, and corner vases, the overmantel, presented as an elevation, contains an antique relief of Antinous. The chimneypiece and fire screen below are decorated by garlands, rosettes, and shells. A man approaches from the left. Below is the plan of the mantelpiece and fireplace., Rome, Italy, 1755-57, architecture, interiors, Drawing, Drawing

The Goddess, Diana on the Clouds. Gabriel Huquier (French, 1695-1772). Engraving;

Antwerpen, Galle, Theodoor, Vredeman de Vries, Hans, Doetechum, Johannes of Lucas van, Variae Architecturae formae, Small architectural perspective views, View of the courtyard of a house with a couple on a bench, Antwerp, View of the courtyard of a house with a couple on a bench. This print is part of an album., print, prent, albumblad, prints, prenten, height 154 mm, width 212 mm, print maker, prentmaker, 1562 - 1562, paper, papier, etching, etchings, Work conception, Southern Netherlands, 1527 - 1607, after a design by, Publication (Event), Publication, 1571 - 1633, publisher

States of Holland and West Friesland, Marot, Daniël (I), Northern Netherlands, Fireworks in celebration of the victory at Vigo, 1702, verso - stamped, 1702. Extensive illustration of the fireworks set off on charge of the States General on a scaffolding in the Hofvijver in The Hague on 13 December 1702. In the middle of the pond a scaffolding with a temple decorated with eight representations of victories of the Allies over France and Spain in the year 1702, miniature ships depict the victory at Vigo. With captions in Dutch and French., print, prent, prints, prenten, height 380 mm, width 489 mm, 1663 - 1752-06-04, print maker, printmaker, 1702 - 1704, paper, papier, etching, etsen, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher, uitgever, gever van privilege

Copper engraving showing the altar of Jupiter in the second temple on the Capitoline Hill, created between 1520 and 1540.

Drawing, Design for Cornice of Oblong Ceiling; Jean-Charles Delafosse (French, 1734-1791); France; pen and black ink, brush and grey and black wash, graphite; Sheet: 31.8 x 48.1 cm (12 1/2 x 18 15/16 in.)

Graftombe of Willem I, Prince of Orange, 1623. Tomb or Praal Graf of Willem I in the Nieuwe Kerk in Delft, completed in 1623. Loose explanatory text in letterpress.

Design for a Triumphal Arch late 18th-early 19th century Anonymous, French, 18th century French. Design for a Triumphal Arch 343773

Design for Chimneypiece, Pen and ink, brush and wash on paper, Design for a mantelpiece. At top, an entablature. Below this, a grotesque frieze with medici-style arms., Europe, 1820-1830, interiors, Drawing, Drawing

Copper engraving by Dirck Volkertszoon Coornhert from 1553 depicting the Statuenhof of the Casa Sassi in Rome. The print shows statues, courtyard, architectural details, and Renaissance composition.

Drawing, Elevation of a Fountain; Italy; pen and brown ink, brush and gray wash on off-white laid paper

Il Greco in Troia: Plate 6. Medium: etching and engraving on laid paper restrike. Museum: National Gallery of Art, Washington DC. Author: Arnold von Westerhout.

Victories of King Willem III in Ireland (lower half), 1690; The Glorieuse campaign from William de III king of great Britannien Neffens some quantified actions of the events and confredpled in the year 1690. Large print on two blades in which the victories of King Willem III are celebrated in Ireland and the victories of the Allies in France in the year 1690. Lower half with the open compartment intended for the almanac under the struggle at Naples surrounded by six tokens. On both sides smaller scenes of the battle between Willem III and Jacobus II in Ireland and between the Allies and France, to the right the conquest of Canada by the English.

Theater Design. Artist: Attributed to Anonymous, French, 18th century. Dimensions: sheet: 6 5/8 x 9 3/4 in. (16.8 x 24.8 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Interior of a prison in which sits a woman (possibly a theatre set) ca 1680-1710 Carlo Antonio Buffagnotti. Interior of a prison in which sits a woman (possibly a theatre set). Carlo Antonio Buffagnotti (Italian, Bologna 1660-after 1710 Ferrara). ca 1680-1710. Etching. Prints

Design for a Sepulchral Crest or Timepiece, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, Design for a Sepulchral Crest or Timepiece., Rome, Italy, 1746-1809, architecture, Drawing, Drawing

Erepoort on the Muiderplein, 1816; Drawings of the decorations in Amsterdam by the visit of the Prince and Princess, 1816. Erepoort awarded a picture of peace. In the timpane the letter W. founded on the Muiderplein. Part of a series of 14 (of the 16) drawings for the decorations prepared when the prince's visit of the Prins and Princess of Orange to Amsterdam on September 19, 1816.

Tureen, Brush and brown wash, pen and brown ink, pencil, on off-white laid paper, A vase with two handles. The body is supported visibly by two gaines, the capitals of which are connected by festoons. Above in central part of the body is a circular medallion with two figures, at the sides, masks. The cover has the shape of a pedestal with what looks like owl. Two children are lying beside. The decoration of the upper rim of the vase is shown, sketched, below at the left of the tureen. In lower left corner is a part of a circle. On back is an account., Rome, Italy, 1800-1820, metalwork, Drawing, Drawing

Design for a pulpit, Erasmus Quellinus (I), c. 1635 - c. 1639 drawing Antwerp paper. graphite (mineral) pen / brush

Woodcut by Albrecht Dürer from 1515 depicting a meerkat and a banner carrier at the honorary gate of Emperor Maximilian I, showing detailed figures and decorative elements.

Design for a Stage Set (recto); Fragmentary Sketch of a Stage Set in Elevation (verso) 1698-1765 Giovanni Battista Natali III Italian. Design for a Stage Set (recto); Fragmentary Sketch of a Stage Set in Elevation (verso) 342378

Design for a pulpit. .

Speculum Romanae Magnificentiae: Great Hall within the Villa of Pope Julius 16th century Anonymous This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of pri

Drawing, Elevation of a Candelabra; Italy; graphite, pen and ink, brush and watercolor on paper

Santa Maria Formosa, Venice Made 1909 United States. Etching in black on cream laid paper . Donald Shaw MacLaughlan

Ercole in Tebe, Festa Teatrale rappresentata in Firenze per le reali Nozze ... Cosimo Terzo ...e Margherita Luisa lll 1661 Written by Giovanni Andrea Moniglia Italian. Ercole in Tebe, Festa Teatrale rappresentata in Firenze per le reali Nozze ... Cosimo Terzo ...e Margherita Luisa lll. 1661. Printed book with etched illustrations.. Published " all' Insegna della Stella ". Books

Depiction of the fireworks presentation in St. Petersburg, 1740. Published by Pechatano pri Imperatorskoĭ akademīinauk, this engraving showcases the elaborate display of fireworks during a festival in 18th century Russia. The scene captures the vibrant atmosphere of the event in Saint Petersburg, highlighting the artistry and significance of the fireworks display

Augsburg, Hertel, Johann Georg (I), Habermann, Franz Xaver, Eichel, Emanuel, Schouwen, Schouw met putti, verso - stamped, Schouw with rocaille ornaments, flower motifs, two winged putti and a woman's head with flowers above. Publisher number 274., print, ornamental print, prints, ornamental prints, height 250 mm, width 198 mm, 1717 - 1782, print maker, printmaker, 1746 - 1746, paper, papier, etching, etchings, engraving, engraving (printing process), German, 1721 - 1796, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1695 - 1775, publisher

Francq van Berkhey, Johannes le, Northern Netherlands, Visser, Jan Gerritsz., Allegory in honour of the King of Prussia for his restoration of the stadtholdership of William V, 1788, verso - stamped, 1788. Triumphal arch with Prince William V and Princess Wilhelmina in front of a monument, on the right the King of Prussia and the Duke of Brunswick. At the bottom Prince William I in his tomb. On either side obelisks in honour of William II, III and IV and Princess Anna. In the foreground the heralds of the Netherlands, the Union of the Netherlands, Great Britain and Prussia and two armorial trophies., print, prints, Frederik Muller Historieplaten, height 595 mm, width 725 mm, Noord-Nederlands, 1765 - 1821-05-08, print maker, printmaker, 1789 - 1789, fourth quarter 18th century, paper, papier, etching, etchings, color printing, Work conception, 1729-01-23 - 1812-03-13

Unsadops inilehal of thermen Met Bosses, virgilius Solis, After Jacques Andouret, After Léonzard THERY, 1550 - 1562 print Nuremberg paper etching rowing-boat, canoe, etc.. ruin of a building ~ architecture. colonnade

Elevation of the Pantheon in Rome, reconstructed to its original form. Artist: Anonymous. Dimensions: sheet: 15 9/16 x 18 9/16 in. (39.5 x 47.1 cm). Publisher: Antonio Lafreri (French, Orgelet, Franche-Comte ca. 1512-1577 Rome). Date: 1549.Huelsen states that this is a reduced version of an earlier plate by Beatrizet (Bartsch XV.269.100) published by Antonio Salamanca. Museum: Metropolitan Museum of Art, New York, USA.

Venedig, School of S. Rocco, Detail. .

Graftombe of Willem I, Prince of Orange, 1623, 1622 print Graftombe or Praalgraf van Willem I by Hendrik de Keyser in the Nieuwe Kerk in Delft, completed in 1623. Seen from the side with the image of the lying prince. At the top a cartouche with text of 8 lines in Dutch. Low Countries paper engraving grave-building, monumental tomb new church

Project: the elevation of an altar, intended to be executed with colored marbles, Pencil, pen, ink, brush and various water colors on paper., Vertical composition of an altar. The mensa is shaped like a bathtub sarcophagus and stands in front of a dado. The retable also has a dado with columns standing on the oblique sides. Above the entablature is a pediemnt with a monkey-back., Italy, 1770-1790, architecture, interiors, Drawing, Drawing

Design for Ceiling Decoration, a Barrel Vault, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, A variation of the scheme of -1522. The supports are fluted. Between the right ones stands an urn, below a festoon. A landscape with a volcano is shown in the semi-circle. View at an ovoidal colonnade, with a double row of Doric columns., Rome, Italy, 1790-1800, interiors, Drawing, Drawing

Thiry, Léonard, Orléans, Androuet, Jacques, Iacobus Androuetius Du Cerceau Lectoribus S Cum Nactus Essem Duodecim Fragmenta Structurae veteris, Ruins, Ruin of a round building, In the middle a draftsman seen from the back. This print is part of an album., print, picture, album sheet, prints, pictures, height 165 mm, width 105 mm, French, 1515 - 1584, print maker, printmaker, 1550 - 1550, paper, etching, etchings, Work conception, South Netherlandish (before 1775), 1500 - 1550

Plate in Nouveaux Livre de Parterres contenant 24 pensséz diferantes (New Book Containing 24 Different Variations for Garden Beds), Daniel Marot, French, active in the Netherlands and England, 1661-1752, Etching and engraving on white laid paper, Two designs of arched trellis work; in one a couple is walking through, and in the other there is a fountain., Netherlands, ca. 1700, architecture, Print, Print

Partial ceiling design for a ballroom at the Archbishop's Castle in Olomouc, showing an archbishop's cap proofing ball, drawn in gray and dark gray with watercolor around 1740.

Interior of a Cross-Vaulted Hall Decorated with Grotesques. Dated: 1560. Dimensions: plate: 20.9 × 26 cm (8 1/4 × 10 1/4 in.) sheet: 25.5 × 36.2 cm (10 1/16 × 14 1/4 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Lucas van Doetechum and Johannes van Doetechum, the Elder, after Hans Vredeman de Vries.

Landscape with antique ruins and figures at a fountain, Johann Oswald Harms, 1673 print paper etching landscape with ruins (+ city(-scape) with figures, staffage). ornamental fountain

Design for a wallpaper. Draughtsman: Isaac de Moucheron (possibly). Intermediary draughtsman: Isaac de Moucheron (possibly). Dating: 1677 - 1744. Measurements: h 183 mm × w 106 mm. Museum: Rijksmuseum, Amsterdam.

Studies of Painting of Giovanni Paolo Pannini, Charles Nicolas Lemercier, after Giovanni Paolo Pannini, 1850 print Paris paper historical persons. painting (including book-illumination, miniature-painting)

Study for an Altar with a Figure on a Raised Socle at Left; verso: Study for an Altar with a Figure of an Angel or Saint. Artist: Joseph Anton Feuchtmayer (German, Linz 1696-1770 Mimmenhausen). Dimensions: sheet: 20 7/16 x 12 5/16 in. (51.9 x 31.2 cm). Date: 1700-1770. Museum: Metropolitan Museum of Art, New York, USA.

Design for the Decoration of a Cornice. Artist: Anonymous, Italian, 18th century. Dimensions: 11-5/8 x 19-1/4 in. Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Portico with two caryatids in the form of bearded men. Revival and plan. Title page: Porte Cochere Porte Cochere Porte Cochere , print maker: Jean Lepautre, (mentioned on object), Jean Lepautre, (mentioned on object), publisher: Nicolas Langlois (I), (mentioned on object), print maker: France, (possibly), France, (possibly), publisher: Paris, c. 1670 - c. 1680, paper, etching, h 213 mm × w 145 mm

Diebitsch Carl von (1819-1869), Villa, Cairo. () (Without Dat.): Furniture of a salon, seating group with table, seat pads and table, sketches on the back, scale bar. Pencil on transparent on the box, 31.4 x 45.5 cm (including scan edges) Diebitsch Carl von (1819-1869): Villa, Kairo ()

Monument to the Baptists. Round temple with a portrait of Menno Simons, among the Pilasters a representation of the adult tracking at the Baptists and four performances from the New Testament. With two medallions with representations of a meeting and the supper celebration. This album placed by FM in 1536, the year that Menno Simons leaves the Catholic Church and becomes a predecessor at the dopers.

Antonio Lafreri, 1512-1577, French, Speculum Romanae Magnificentiae, 1546-1590. Line engraving on medium, slightly textured, cream laid paper.

Illuminatia of the house of Mr. C. Scholten van Aschat in Amsterdam, 1766, Noach van der Meer (II), 1774 - 1776 print The Illuminaties on the facade and two decorations applied behind the windows of the house of C. Scholten van Aschat on the inside in Amsterdam. On the occasion of the majority of Prince Willem V on March 8, 1766. Numbered at the top: X. Northern Netherlands paper etching / engraving bonfire, fire-works (+ illumination, fire-works ~ festive activities) Inside

Nuremberg, Weigel, Johann Christoph, Schübler, Johann Jakob, Neufaconirte Orgel-verkleidungen und unterschiedliche Wand Chantzeln, Organ with draperies, verso - stamped, An organ with rocaille ornaments, draperies, on the right a burning heart, crowned with a vase and on the left with a low partition., print, prent, ornamentprent, prints, prenten, ornamentprenten, height 279 mm, width 176 mm, German, 1689 - 1741, print maker, prentmaker, 1699 - 1726, paper, papier, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, 1661-07-15 - 1726, publisher

Fontein with high pedestal, anonymous, After Jean Lepautre, After 1661 - Before 1706 print At the top is the image of a Roman general, weapon trophies hanging in the middle and there are female figures underneath. after design by: France (possibly)publisher: Augsburg paper etching

Fireworks for the birth of the Duke of Brittany, August 21, 1704 From Menil L.m. "Fireworks for the birth of the Duke of Brittany, August 21, 1704". Floor, 1704.

Thiry, Léonard, Androuet, Jacques, Cum Nactus Essem Duodecim Fragmenta Structurae veteris, Ruins, Landscape with fragments of columns and a building with stairs in front of it, In the foreground three fragments of columns on a platform. On the left a drawing man lies in the shadow of a building. On the right a building with stairs in front of it. This print is part of an album., print, album sheet, prints, height 160 mm, width 100 mm, print maker, printmaker, 1550 - 1575, paper, papier, etching, etchings, Work conception, French, 1515 - 1584, after print by, Southern Netherlands (before 1775), 1500 - 1550

Two cornices, Anonymous, 1500 - 1599 drawing Italy paper. ink pen / brush

Paris, Hauer, Johann Thomas, Desseins de la Mode neuve au Gout antique, Inventions nouveaux de differents Vase, Pedestals with vases and fountains, verso - stamped, Three pedestals with vases and four fountains, three with vases and one in the form of an obelisk., print, ornamental print, prints, ornamental prints, height 162 mm, width 228 mm, Hungarian, 1748 - 1820, print maker, printmaker, 1781 - 1781, paper, papier, etching, etchings, stippelgravure

Architectural Sketches and a Figure (recto); Figure and Anatomical Sketches (verso). Artist: Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550-1580). Dimensions: 10-5/8 x 7-1/4 in. (27 x 18.4 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Woyt, Johann Jacob.

Speculum Romanae Magnificentiae: Ornithon Sive Aviarum. Artist: Anonymous; After Pirro Ligorio (Italian, Naples ca. 1512/13-1583 Ferrara). Dimensions: sheet: 19 1/2 x 14 9/16 in. (49.6 x 37 cm). Publisher: Michele Tramezzino (Italian, active Venice and Rome, 1526-died 1561). Series/Portfolio: Speculum Romanae Magnificentiae. Date: 1558.This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose,

Interior of the Church of St. Barts the Great, John Greig, active 1800-1853, British, after Frederick Nash, 1782-1856, British, 1805, Engraving, Sheet: 9 3/4 x 7 3/16in. (24.8 x 18.3cm)

Drawing, Design for Entrance Hall, East Wall, Royal Pavilion, Brighton; Frederick Crace (English, 1779-1859); England; brush and watercolor, pen and black ink, graphite on white laid paper; Overall: 22.3 x 27.2cm (8 3/4 x 10 11/16in.) Mat: 35.6 x 45.7 cm (14 x 18 in.) Additional sheet: 12.9 x 11.2 cm (5 1/16 x 4 7/16 in.)

Britannia, Block printed on handmade paper, Pillar and arch design. The framework is composed of a major arch resting upon Corinthian columns. Looking through the major arch, 'Britannia' is seen enthroned atop a curved colonnade of Doric columns. Britannia is shown facing left, holding a spear, resting on her shield. The minor arches contain a large-scale urn sitting on a pedestal. Printed in black and white on a terra cotta ground. A label giving provenance is pasted near the center bottom edge., England, ca. 1770, Wallcoverings, Sidewall, Sidewall

Ornament with a vase in the middle flanked by sphinxen, Bernard Picart (workshop or), After Bernard Picart, 1683 - 1733 print Amsterdam paper etching / engraving / letterpress printing foliage, tendrils, branches ~ ornament. mask, mascaron ~ ornament. ornament ~ festoon, garland. sphinx (lion/woman); 'Sfinge' (Ripa)

Char of the funeral procession of Napoleon (TF)

Mouren, Henri Laurent (n.1844 - D.1926), interior vestibule of the museum of Cluny (dummy title). Watercolor. Carnavalet museum, history of Paris. Interior vestibule of the Cluny museum

Mirame scene at the Palais-Royal according to a engraving of Stefano della Bella.

Imperial court, Augsburg, Wolf, heirs Jeremias, Nuremberg, Schübler, Johann Jakob, Steudlin, Johann Matthias, Johann Jacob Schüblers Siebende Ausgabe seines vorhabenden Wercks, Worinnen vorgestellet were Neu-inventierte Sommer-Häuser, Garden-Cabinetten, Interior of a garden house, verso - stamped, Interior of a garden house with bench and plants and small trees in a niche, a window and on top the gallery. In the bottom margin a three-line German text., print, ornamental print, prints, ornamental prints, height 293 mm, width 185 mm, German, print maker, printmaker, 1724 - 1724, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1689 - 1741, after a design by, Publication (Event), Publication, publisher, granter of privilege

Speculum Romanae Magnificentiae: The Pantheon 16th century Anonymous This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed

The destruction of the old constitution, decoration on the butter market, 1795; Image of the decoration on the Botermarkt in Amsterdam, established on the occasion of the Alliance with Vrankryk MDCCXCV; Ten decorations at the Alliance party in Amsterdam in 1795. The destruction of the old constitution, allegorical decoration established on the Botermarkt in Amsterdam at the Alliance party on 19 June 1795. Decoration in the form of the ruin of a gothic chapel, on the central chassinet running The envy of the aristocracy wheel that moves a millstone. Part of a series of ten plates.

Pulpit. Kaempffer, Eduard (1859-1926), draughtsman, cartoonist

Paris, Le Père & Pierre-Michel Avaulez, Charles, Boucher, Juste Nathan François, Pelletier, Jean, 52e Cahier, Firegoats, Feu â l'Anglaise, Firegoat with putto and fire, verso - stamped, An ornamented firegoat with a lying putto, garlands and fire. Print number 311., print, ornament print, prints, ornament prints, height 205 mm, width 331 mm, 1736 - 1780, print maker, 1772 - 1779, paper, etching, engraving, engraving (printing process), Work conception, 1736 - 1782-01, after a design by, Publication (Event), Publication, publisher

Study for a Vis-à-vis, Unknown, Brush and blue and brown wash, pen and brown ink on paper, Sketch of a carriage which allowed people to sit facing one another. Consisted of a rectangular shaped body with a light blue canopied roof. Frill hands from the top of the canopy as two light blue curtains hand and wrap around poles carved unto standing female figures. At center a door., Europe and USA, possibly France, ca. 1750, transportation, Drawing, Drawing

Sketchbook Page; Monument of Marcus Aurelius Antonius with Son; Study for an Engraving, Jan van der Straet, called Stradanus, Flemish, 1523-1605, Pen and ink, brush and bistre wash on laid paper, Vertical rectangle. Reverse: A) Oblique view of a pedestal with an equestrian monument. Behind the horse stands a naked boy carrying a small sword in his left hand and a dead child upon his right shoulder. Caption: 'Antonio/ un pidestalle con Sntonio filosofa padre e comodo/ figlilo nudo con spada in mano uno bambino in spala/ morte.' B) At top, horizontally, the Crucifix is shown in the central part of an eleborate frame, beside the pediment of which fly angels. At left stands Eve, a naked woman, at right, a morning woman, Mary, or the Church. The Apostles with their attributes kneel in pairs, below, at left and at right. C) A bird's-eye view. The beds stand at the right long wall, one of them beside the door along the back wall whose occupant has visitors. Some patients sit near a fireplace.

Meeting of Mary and Elizabeth. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Henri Mauperche.

Triumphbogen des Augustus. Möglicherweise gab es zwei Triumphbögen des Augustus. Dies ist von ihren Darstellungen auf Münzen bekannt, historisches Rom...

Design for room wall with fireplace with gray with medallion, jurriaan Andriessen, c. 1752 - c. 1819 drawing paper. watercolor (paint). graphite (mineral). ink pen / brush

MR. GLADSTONE AND THE CITY OF LONDON

Templum Neptuni Propre Puteolanum Urbem, Print made by Jacobus Bos, ca. 1520-ca. 1580, Dutch, Published by Antonio Salamanca, ca. 1500-1562, Spanish, Published by Antonio Lafreri, 1512-1577, French, 1541, Line engraving on medium, slightly textured, cream laid paper, Sheet: 19 7/8 × 14 3/8 inches (50.5 × 36.5 cm)

The Chair of Saint-Roch Church

Lazio Viterbo Vitorchiano Madonna di S. Nicola9. Hutzel, Max 1960-1990 Three exterior views of 16th c. church; comprehensive coverage of church interior, including altars, nave and numerous frescoes of the viterbese school. General Notes: Two sets of prints integrated into single numerical sequence that comprises all views of Vitorchiano. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

. With a variant for the panel above the smaller passages. Copy to Leaf from series Nouveaux Liure de Bersseaux et Trilliaages issued by Daniel Marot.

Drawing, Design for an Overdoor; Filippo Marchionni (Italian, 1732-1805); Italy; charcoal, brush and gray, dark brown watercolor on laid paper; 12 x 10.1 cm (4 3/4 in. x 4 in.)

Cohn Arthur (born 1878), wall decoration in a café. Monthly competition April 1905 (04.1905): Upper wall view. Pencil watercolor on the box, 41.8 x 67.7 cm (including scan edges) Cohn Arthur (geb. 1878): Wanddekoration in einem Café. Monatskonkurrenz April 1905

Gates of the Alhambra: Puerta de los Siete Suelos, Henry Swinburne, 1743-1803, British, 1775 to 1776, Pen and brown ink, black ink, gray wash, black wash and graphite on medium, moderately textured, cream, laid paper, mounted on moderately thick, moderately textured, cream, wove paper, Mount: 16 5/16 × 11 3/16 inches (41.4 × 28.4 cm) and Sheet: 5 3/4 × 5 1/2 inches (14.6 × 14 cm)

Sketches, Carlo Marchionni, Italian, 1702-1786, Pen and ink on laid paper, A woman carrying a tray, shown from the right back. Top right: jug with sphinx cover. Half figure of a cleric shown from the back, passing beneath a gateway., Italy, 1725-50, figures, Drawing, Drawing

Design for a Wall Tomb with a Variant and Statues of the Resurrected Christ and a kneeling Donor 17th century Anonymous, Flemish Flemish. Design for a Wall Tomb with a Variant and Statues of the Resurrected Christ and a kneeling Donor 679421

Reinhold Rohde (1849-1913): men's room decoration. Monthly competition April 1878

Collage with the murder of Willem van Oranje made from different prints, Frans Hogenberg, 1650 - 1700 print The ETS, published by Frans Hogenberg, with the murder of Willem van Oranje, mounted on a rear sheet and processed into a collage for which parts of six or seven other prints have been used. The Prinsenhof, where the murder occurs, has been cut out of architecture prints with the help of parts to a large palace. On the right an excerpt from another print in Hogenberg has been added, namely the right part from La Motte-Gondrin hung in Valenciennes (1562). The whole is colored by hand. paper etching / engraving / collage attempt, political murder Prinsenhof

Santa Maria Formosa, Venice. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1909. Dimensions: 189 x 249 mm (image/plate); 194 x 253 mm (sheet). Etching in black on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

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