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Artistic Depictions of People and Pets

Sketches featuring a man with a dog and a scene of individuals in a domestic setting, showcasing a blend of historical styles and muted tones.

A sculpture depicting a seated monkey. In the foreground a peacock feather. On the right a Chinese vase, Sculpture depicting a sitting monkey, print maker: Louis Stracké, (signed by artist), 1866 - 1934, paper, etching, h 298 mm × w 238 mm
A sculpture depicting a seated monkey. In the foreground a peacock feather. On the right a Chinese vase, Sculpture depicting a sitting monkey, print maker: Louis Stracké, (signed by artist), 1866 - 1934, paper, etching, h 298 mm × w 238 mm
213 assets in this story
A woman is holding her dying lover; a sword lying at his feet. Aquatint by F. Goya, 1812/1888.PUDEUR PERDUE.. Artist: Paul Gavarni, French, 1804-1866Tuscany Grosseto Seggiano S. Rocco4. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.LIKE SHIPS UPON THE SEA, DRAWN BY SYDNEY HALL, 1883; She could not command herself to speak at the moment, but she laid her hand silently on the back of his, with a confiding gesture.Woman sitting by the fireplace, Theodoor Verstraete, 1860 - 1907 print paper ETCHING / DRYPOINT / REDOUSSAGE head held in the hand(s), with elbows leaning on an elevation or on the knees. open hearth, fire-place. adult womanThe Sleeping Rag Vendor Made 1902 United States. Etching in black on cream laid paper . Donald Shaw MacLaughlanAspiration. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, no date. Prints; etchings. Soft-ground etchingThey are coming up; SE REPUTES; Los Caprichos.Drie Duivelian figures. One clips the toenail of another with a large scissors. Single-fogist print from the Los Caprichos series.Portrait of Alphons Marie Antoine Joseph Grandmont, reading a lamp, Bramine Hubrecht, 1865 - 1913 drawing paper brush historical persons. readingIn a landscape, a man, crouching before a mirror, is doing his business. On his back is an owl, Crouching Man in Front of a Mirror, print maker: Johannes de Groot (II), Northern Netherlands, 1698 - 1776, paper, h 244 mm × w 195 mmRasender BarbarianThe Sleeping Rag Vendor. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1902. Dimensions: 197 x 238 mm (image/plate); 201 x 241 mm (sheet). Etching in black on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.Feilitzsch, Urban Caspar of.. Temple with the battle between the giants and Jupiter.Chodowiecki, Daniel Nikolaus, Gränicher, Samuel, Man with lantern in a burial chamber, verso - stamped, print, prent, prints, prenten, height 80 mm, width 53 mm, German, 1758-12-18 - 1813-12-14, print maker, printmaker, 1776 - 1776, paper, etching, Work conception, 1726-10-16 - 1801-02-07Umbria Perugia Spello S. Girolamo4. Hutzel, Max 1960-1990 Exterior views of this church (1474) focus on its cloister and a Renaissance portico of the Ionic order. In the portico are frescoes of S. Girolamo and also of the Stigmatization of St. Francis. The baroque interior (17th century) is overflowing with statues and paintings. The ceiling is frescoed with illusional architecture, wreaths, and a central oval with putti and S. Girolamo. Views focus on Pinturicchio's Marriage of the Virgin and a fresco by Mezzastris of the Madonna and Child with St. Sebastian and St. Roch. Object Notes: Hutzel photo campaign date: September 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, RomanEtching by Rudolf Jettmar titled 'Construction of the Hell Bridge', showing architectural structure and figures at a bridge construction site, 1899.Francisco de Goya (Spanish, 1746-1828). Will She Rise Again (Si Resucitará), 1810-1815, printed 1863. From The Disasters of War (Los Desastres de la Guerra). Etching and aquatint. NAPOLEON I., MAY 5, 1821, AGED 52, ST. HELENA, TWO DAYS AFTER HIS DEATHThe Chincillas (Los Chinchillas) Francisco de Goya y Lucientes (Spanish, 1746-1828). The Chincillas (Los Chinchillas), 1797-1798. Etching and aquatint on laid paper, Sheet: 11 7/8 x 7 15/16 in. (30.2 x 20.2 cm). In 1799 Francisco de Goya y Lucientes announced the publication of The Caprichos, eighty etchings and aquatints whose satiric, imaginary subjects offered scathing critiques of the characters, institutions, and values of early modern Spanish society. The prints are among the most influential images in European art. They also demonstrate Goyas mastery of the aquatint technique, with which he created the velvety dark tones that amplify the etchings mysterious quality. Each plate has a poetic or aphoristic caption, but the images alone—filled with animals, witches, goblins, and unenlightened people from all levels of society—convey a range of human failings and vices. In the selections on view here, Goya skewered vanity, sycophancy, forced marriage, and ignorance, with imagery tBenjamin Robert Haydon, 1786-1846, British, Study of a Biblical Scene, undated. Pen and brown over graphite on medium, smooth, beige wove paper.Perdue, 1914. Jean Veber (French, 1864-1928). Lithograph;A Nude Youth Sprawled on His Back, upon a Bank, Lying on a Standard. Giovanni Battista Piazzetta (1682-1754). Black and white chalk on grey paper. 50.4 x 38.3cm.Francisco de Goya (1746-1828), it is the women who give courage (4), 1810-1820Two talking men in the dark. .Op vakantie (title on object). Print maker: Peter van Straaten (signed by artist). Dating: c. 1984. Place: Amsterdam. Measurements: h 252 mm × w 267 mm. Museum: Rijksmuseum, Amsterdam.Old Man on a Swing. Dated: c. 1826/1828. Medium: etching, burnished aquatint and/or lavis on heavy laid paper printed in the Calcografia in 1859 for John Saville Lumley. Museum: National Gallery of Art, Washington DC. Author: FRANCISCO DE GOYA.ESCENA DEL QUIJOTE - SIGLO XX - FOTOGRAFIA EN BLANCO Y NEGRO - AÑOS 60. Author: SEGRELLES JOSE. Location: PRIVATE COLLECTION. DON QUIJOTE. DULCINEA DEL TOBOSO. ALDONZA LORENZO.Boxer. Crayon, ink, and chinese white on paper. Date: (c. 1907). Museum: HIRSHHORN MUSEUM AND SCULPTURE GARDEN.Man with a jug and a pipe (the taste), Wallerant Vaillant, After Adriaen Brouwer, 1658 - 1706 print Amsterdam paper pipe ~ tobacco. jar, jug (used as drinking-vessel). taste, tasting (one of the five senses)Timon of Athens Before His Cave, Richard Cosway, 1742-1821, British, attributed to Richard Cosway, 1742-1821, British, ca. 1805, Graphite and black chalk on medium, slightly textured, cream wove paper, Sheet: 9 5/8 x 7 7/16 inches (24.5 x 18.9 cm), cave, cloak, Hamlet, Act III, Scene III, literary theme, man, plays by William Shakespeare, prayer, praying, sandals, The Life of Timon of Athens, play by William ShakespeareThe Star of the Kings: a night piece, Rembrandt van Rijn, c. 1651 print paper etching / drypoint Twelfth Night, usually falling on the eve of January 6The Undertakers, William Strang, 1859-1921, British, 1900, Etching and aquatint on laid paper, Sheet: 6 3/4 x 8 3/8in. (17.1 x 21.3cm) and Plate: 5 x 6 7/8in. (12.7 x 17.5cm)Marches Pesaro e Urbino Urbino Museo del Duomo "Albani"6. Hutzel, Max 1960-1990 Post-medieval: Sculpture, paintings, panel painting, triptychs, polyptychs German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.A woman listened a man. For a stone corridor, a woman is busy getting a piping man the lice from the hair.The Apparition. Dated: 1885. Dimensions: plate: 49.4 x 34.4 cm (19 7/16 x 13 9/16 in.) sheet: 64 x 49.6 cm (25 3/16 x 19 1/2 in.). Medium: mezzotint on buff paper. Museum: National Gallery of Art, Washington DC. Author: JAMES JACQUES JOSEPH TISSOT.The return of the useless , Slaves, Sick persons, Arrivals & departures, Guards, Beating. George Bellows (1882-1925). Prints and DrawingsHead from the Adams Memorial Augustus Saint-Gaudens (American, born Ireland, 1848-1907). Head from the Adams Memorial, modeled 1891, copyrighted 1908. Bronze, 19 5/16 x 12 x 7 1/2 in. (49.1 x 30.5 x 19.1cm). American Art modeled 1891, copyrighted 1908Rijn, Rembrandt van, The pharmacist Abraham Francen, verso bottom center - black chalk, print, prints, verso bottom left - stamped, Abraham Francen, height 159 mm, width 208 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1655 - 1659, third quarter 17th century, Oriental paper, etching, etchings, plate tone, drypoint, dry needle, burin, Work conception, after own design byWilliam Strang, 1859-1921, British, The Hangman's Daughter. Etching on laid paper.A Blacksmith's Shop, Print made by Richard Earlom, 1743-1822, British, after Joseph Wright of Derby, 1734-1797, British, active in Italy (1773-75), 1771, MezzotintChemin de Toulon. Paul Gavarni (French, 1804-1866). Lithograph;An exhumed mummy in St. Stephen's Crypt in Westminster. Chalk lithograph by J. Basire after George Scharf, 1852.Explosion of Loevestein Slot, 1570, Anonymous, c. 1789 - c. 1810 drawing Explosion of Loevestein Slot after Herman de Ruiter has put the burning wick in the Kruitvat, December 19, 1570. Netherlands paper. ink pen / brush projectiles, explosives, etc.Etching with cold needle by Henri Boutet depicting a series for the Salon des Cent exhibition in 1895.Dragoon of the Imperial Guard at the Battle of the Berezina Un dragon de la Garde , print maker: Vogel (prentmaker), (mentioned on object), after: Edouard Alexandre Odier, (mentioned on object), printer: Pierre Henry Sauniée, (mentioned on object), print maker: France, printer: France, publisher: Paris, 1831 - 1840, paper, etching, h 273 mm - w 207 mmGeorge Bellows, The White Hope, 1921 The White HopeSujet tiré de la Légende des Siècles.. 1852 - 1882. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print CollectionScene from Shakespeare's Hamlet, 19th century. Artist: Unknown.Lazio Latina Cori S. Oliva39. Hutzel, Max 1960-1990 Extensive coverage of exterior and interior including many views of Roman columns; many views of the renaissance frescoes and of the Renaissance cloister. General Notes: There were two sets of prints for this location; they have now been integrated into a single numerical sequence. There German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.GRABADOS. AUTOR: FRANCISCO DE GOYA. SERIE: LOS DESASTRES DE LA GUERRA.Violin player; Musicians. A man plays violin at a table while two other figures listen to smiling.Man lying under trees, Jacob Ernst Marcus (attributed to), 1784 - 1826 drawing paper. chalkSmithy. Draughtsman: Pieter de Josselin de Jong. Dating: 1871 - 1906. Measurements: h 414 mm × w 595 mm. Museum: Rijksmuseum, Amsterdam.INSULAIRE DE NIMPORTE OU.. Artist: Paul Gavarni, French, 1804-1866Study by Franz von Bayros for Dante's Divine Comedy, illustrating Purgatorio XIII, 15, executed using gathered pencil and fede technique around 1920.The Dauphin in the Temple prison. Louis XVII(Louis Charles), 1785-1795, titular king of France (1793-95), known in popular legend as the ""lost dauphin."" Engraved by Meyer-Heine after De La Charlerie.From ""Histoire de la Revolution Francaise"" by Louis Blanc.Wife leaning over a underneath, Cornelis Ploos van Amstel, after Rembrandt van Rijn, 1765 print Amsterdam paper etching divided door, upper part opened. adult womanAbruzzo, L'Aquila, Celano, Museum, Italy, 20th century, photo, photography, EuropeAustria, Vienna, Illustration of Dante Alighieri's Divine Comedy (Hell, Song XXVIII) by Franz von BayrosNeuville, Alphonse Marie de (N.1835-05-31-D.1885-05-19), 18. Jean Valjean and Marius in the sewer (also carries his cross) (Factical title), 1866-01. Graphite pencil. Ink and raises of white gouache on paper. Houses of Victor Hugo Paris - Guernsey.An Antiquarian October 23, 1789 Frederick George Byron A shortsighted antiquarian approaches an Egyptian mummy and is startled to find it wearing spectacles and grinning at him with amusement. Rowlandson delighted in mocking the foibles of his countrymen. In this case his target was the taste for antiquities that flourished in England during the eighteenth century and led to the formation of gentlemanly societies and institutions such as the British Museum. Rowlandson etched this vigorous design himself, but the color washes would have been added in the shop of his publisher, William Holland.. An Antiquarian. After Thomas Rowlandson (British, London 1757-1827 London). October 23, 1789. Hand-colored etching and aquatint. William Holland (British, 1757-1815). PrintsCAMPESINA - GRABADO - SIGLO XX. Author: MONZON FELO. Location: BANCO EXTERIOR. SANTA CRUZ DE TENERIFE. TENERIFFA. SPAIN.Drawing by Rudolf Bacher depicting a nocturnal adventure, executed in black chalk and pencil on yellowish paper, partially wiped, showing figures, gestures, and nighttime setting.Francisco de Goya y Lucientes (Fuendetodos, 1746-Burdeos, 1828). Grabado. Serie "Los desastres de la guerra" (aguafuerte). Plancha 60ª: No hay quien los socorra. Lámina publicada por la Real Academia de Nobles Artes de San Fernando. Primera edición. Madrid, 1863.'THE TRUMPETER' BY JOHN GILBERT, IN THE EXHIBITION OF THE SOCIETY OF PAINTERS IN WATER COLOURSUmbria Terni Narni S. Giovenale, Cathedral36. Hutzel, Max 1960-1990 Medieval: Architectural sculpture, cosmati pavement, wall painting, mosaic (12th century). Post-medieval: 1982 & 1986 photos Architecture, architectural sculpture (17th century); painting, frescoes (17-18th century); sculpture, tombstones (16-18th century); metalwork, processional cross, candlestick, reliquary, chalice (16-17th century) General Notes: Site comprises two separate photo campaigns. Bibliographic material sent, now in Center Library German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province,Image 'of the Schutzgeist' of the monument for Aartshertogin Maria Christine van Austria in the Augustijnenkerk in Vienna; Christin's monument. Der Schutzgeist .. Part of travel album with pictures of sights in Germany and Austria and of artworks.Esto es malo.. Goya, Francisco (1746-1828). 1810. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Peninsular War, 1807-1814 , Atrocities, Death, Monks, HomicidesA medieval wife confesses her infidelity to her husband in disguise as a priest. Le Mari confesseur. Lithograph after an illustration by Charles Martin from Jean de la Fontaines Contes et Nouvelles en Vers, Tales and Novellas in Verse, Libraire de France, Paris, 1930.Edad media. Alquimista en su laboratorio. Años 1910. Author: Apel·les Mestres Oñós.Foilist - self-portrait. Goryńska, Wiktoria (1902-1945), graphic artistEmilia-Romagna Ferrara Ferrara S. Antonio in Polsine8. Hutzel, Max 1960-1990 Medieval: Architecture (15th century). Post-medieval: Frescoes (15th century); Baroque interior, choir loft, sculpture (15th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.POE, Edgar Allan (1809-1849). American writer. Picture of the poem 'The raven' by William Heath Robinson.Three men sit and stand by a table to smoke. Mezzotint after D. Teniers, the younger ().Portret państwa Szombathely. Goryńska, Wiktoria (1902-1945), graphic artistThe embrace. Draughtsman: Leo Gestel. Dating: 1891 - 1941. Measurements: h 196 mm × w 135 mm. Museum: Rijksmuseum, Amsterdam.Caricature by French artist, Felix Valloton. Félix Edouard Valloton (1865 - 1925) was a Swiss/French painter and printmaker associated with the Nabis school of art. original lithograph. Published in Paris in 1902 for L'Assiette au Beurre. Printed on wove paper for a special issue of L'Assiette au Beurre. A citizen, from his window, fires a revolver at a passer-by, and exclaims 'come back pig, that' for pissing on my wall!' L'Assiette was an illustrated, French, weekly satirical magazine, with anunknown, Antwerp, Rubens, Peter Paul, Pontius, Paulus, Old woman and boy with candles, recto lower right - handwritten in brown ink, A boy takes over the flame from the old woman's candle with his candle. In the margin a two-line caption in Latin., print, prints, verso bottom left - stamped, 108., height 247 mm, width 201 mm, Zuid-Nederlands, 1603 - 1658-01-16, print maker, printmaker, 1616 - 1657, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1577-06-28 - 1640-05-30, after a design by, Publication (Event), Publicatie, publisher, uitgever van privilegeGOYA Y LUCIENTES, Francisco de (1746-1828). The same man (Martincho, probably Antonio Ebassum) throws a bull in the ring at Madrid. 1816. Plate 16 of 'The Art of Bullfighting'. Etching. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. National Library.Bliżej Kultury Hanfstaengl, Fr.Old woman and a boy with candles ca. 1620-30 Possibly by Paulus Pontius. Old woman and a boy with candles. Possibly by Paulus Pontius (Flemish, Antwerp 1603-1658 Antwerp). ca. 1620-30. Etching; second state of two. Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp). PrintsHead Wearing a Phrygian Cap, on a Salver. Odilon Redon; French, 1840-1916. Date: 1881. Dimensions: 484 × 363 mm. Charcoal with black chalk, stumping, scraping and erasing, on pale pink wove paper with red/pink and blue fibers, discolored to buff. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.Fisherwomen. Artist: Winslow Homer (American, Boston, Massachusetts 1836-1910 Prouts Neck, Maine). Dimensions: 8 1/2 x 12 1/2 in. (21.6 x 31.8 cm). Date: 1882. Museum: Metropolitan Museum of Art, New York, USA.Streit hollændischer Bauern. Fighting dutch peasants.. Brouwer, Adriaen, 1605 or 1606-1638. Prints. 1837 - 1842. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Painting , Germany , Munich, Lithography, German, Daggers & swords, Fighting, PitchersWaiting pl. V portfolio: Night six lithography Redon, Odilon (1840 1916)The Tempest. Jean Louis André Théodore Géricault; French, 1791-1824. Date: 1811-1823. Dimensions: 237 × 210 mm. Watercolor, with gouache and touches of scraping, on ivory wove paper, perimeter mounted on cream wove card. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.The name day is due to the image of Louis Leloir. Shape out of ears 1877 (1) 88 89Umbria Terni Narni S. Domenico57. Hutzel, Max 1960-1990 Medieval: 1965 photos, 29 Architecture, architectural sculpture (12th century); Wall painting (13-16th century); Mosaic, cosmati style pavement (c. 1200) 1986 photos, 44 Architecture, architectural sculpture, cosmati pavement, sculpture. Post-medieval: 1965 photos, 56 Frescoes, painting (13-16th century); sculpture (14-16th century) 1986 photos 167 Frescoes, painting, sculpture, metalwork Antiquities: 1986 Weaponry Object Notes: Church deconsecrated and modified for use as museum, 1970 General Notes: Bibliographic material sent, Getty Center library () German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, RenaissJean Geoffroy (1853-1924). "Petit Paul" (The legend of centuries). Oil on wood. Paris, house of Victor Hugo. 34033-9 Child, cold, winter, wood on wood, illustration, misery, snow, literary workCorreggio, byname ofAntonio Allegri, (1494-1534), is the most importantRenaissancepainter of the school of Parma, whose late works influenced the style of manyBaroqueandRococoartists. TheMystic Marriage of St. Catherine(c.1526) is among the finest of his poetic late oil paintings. The group of Angels Heads pictured here is credited to Corregio.Que valor! (What Courage!), pl. 7 from the series Los desastres de la guerra (The Disasters ofWar). Artist: Francisco Goya, Spanish, 1746-1828Elihu Vedder, Into the Universe Into the UniverseFrancisco de Goya (1746-1828), you who can't, must bear me on your back, 1797-1798Proletarians of all countries unite you. Draughtsman: Jan de Waardt. Dating: 1900. Place: Netherlands. Measurements: h 64.8 cm × w 48.3 cm. Museum: Rijksmuseum, Amsterdam. Author: JAN DE WAARDT.Dore, Paul Gustave (1832-1883). The ogre about to kill his daughters. Engraving.Max Klinger, Action (Handlung), 1878 1880 Action (Handlung)Into the Universe. Dimensions: sheet: 27 x 37.9 cm (10 5/8 x 14 15/16 in.). Medium: silver gelatin developed-out print on wove paper. Museum: National Gallery of Art, Washington DC. Author: Elihu Vedder.Hail to peace, Christmas 1918 , Armistices, Peace. George Bellows (1882-1925). Prints and DrawingsPahom with a chick. Illustration for the poem by N. A. Nekrasov Who Is Happy in Russia an epic four-part poem by Nikolai Nekrasov, which he started publishing in January 1869.