Biblical and Allegorical Engravings

Engravings illustrating biblical narratives and allegorical figures, featuring intricate details and historical references from early 16th century Europe.

The virtues: diligence (Hollstein 123) Heinrich ALDEGREVER (or ALDEGREVER - 1502-V.1555 / 1561). The virtues: diligence (Hollstein 123). Burin, 1552. Museum of Fine Arts from the city of Paris, small palace.

Cold needle engraving by Albrecht Dürer around 1512-1513 depicting the Holy Family with six figures, including Mary, Joseph, and the infant Jesus, emphasizing religious devotion and compositional detail.

Portrait of Maria de 'Medici sitting on Throne, Cornelis van Dalen (I), After Unknown, 1639 print Portrait of Maria de 'Medici sitting on throne, three putti with roses and lilies float above her. This performance is not yet finished, to the left of the throne a face on Amsterdam was added in a later state. Amsterdam paper engraving

Fortune. Sebald Beham; German, 1500-1550. Date: 1541. Dimensions: 78 x 50 mm (image); 78 x 51 mm (sheet, trimmed unevenly to plate mark). Engraving in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

The Fool and the Lady Israhel van Meckenem German. The Fool and the Lady 641742

Pallas, from 'Game of Mythology' (Jeu de la Mythologie). Artist: Etched by Stefano della Bella (Italian, Florence 1610-1664 Florence); Designed by Jean Desmarets de Saint-Sorlin (French, 1595-1676). Dedicatee: Louis XIV, King of France (French, Saint-Germain-en-Laye 1638-1715 Versailles). Dimensions: Sheet: 1 7/8 × 2 3/16 in. (4.8 × 5.6 cm). Patron: Cardinal Jules Mazarin (Italian, Piscina 1602-1661 Vincennes). Publisher: Henri Le Gras (French). Series/Portfolio: 'Game of Mythology' (Jeu de la Mythologie). Date: 1644. Museum: Metropolitan Museum of Art, New York, USA.

Natura surrounded by animals, Jan Luyken, 1681

View, Jan Saenredam, Anonymous, Cornelius Schonaeus, 1575 - 1657

Portrait of Madame de Pompadour ca. 1745 Charles Nicolas Cochin II French. Portrait of Madame de Pompadour. Charles Nicolas Cochin II (French, Paris 1715-1790 Paris). ca. 1745. Etching. Prints

Retorica, Virgil, 1524 - 1562 print Nuremberg paper engraving / etching Rhetoric ',' eloquence '(~ trivium); "Rettorica '(Ripa)

Amsterdam, Sandrart, Joachim von, Baerle, Caspar van, Gouda, Persijn, Reinier van, The twelve months, Ivlivs, July: a harvesting woman, verso lower left - stamped, The month of July: a harvesting woman and, in the background, a group of farmers. Top right the constellation Leo. In the margin an eight-line caption, in two columns, in Latin., print, prent, prints, prenten, height 349 mm, width 250 mm, Noord-Nederlands, 1614 - 1668-11-23, print maker, printmaker, 1645 - 1645, paper, papier, engraving, engraving (printing process), 1606-05-12 - 1688-10-14, after, after painting by, Zuid-Nederlands, 1584-02-12 - 1648-01-14, writer, Publication (Event), Publicatie, publisher

Portret Van Keizerin Statilia Messalina, Giles Sadeler (2), after Titiaan, 1624 - 1650 print Statilia Messalina, third wife of Emperor Nero. print maker: Praagpublisher: Venice paper engraving

Copper engraving by Meister der Propheten und Sibyllen depicting the prophet Joshua, produced around 1470. The print shows detailed line work, composition, and religious iconography typical of 15th-century European prints.

Wrath (Ira), from The Seven Vices Georg Pencz German. Wrath (Ira), from The Seven Vices. The Seven Vices. Georg Pencz (German, Wroclaw ca. 1500-1550 Leipzig). Engraving. Prints

Nuremberg, Solis, Virgil, Wise and Foolish Virgins as European Countries and Provinces, La Ferar Orth, Foolish Virgin as Personification of Ferrara, verso - stamped, print, prints, height 80 mm, width 50 mm, German, 1514 - 1562-08-01, print maker, printmaker, 1524 - 1562, second quarter 16th century, paper, papier, engraving, engraving (printing process), etching, plate tone

Young man with skull, Jan Harmensz. Muller (Manner of), 1598 - 1612 print A young man with a hat with feathers on his head stands by a skull and looks up. Amsterdam paper engraving death's head, skull (symbol of Death). youth, adolescent

Fortitude, from the series The Seven Virtues. Artist: Lucas van Leyden (Netherlandish, Leiden ca. 1494-1533 Leiden). Dimensions: sheet: 6 7/16 x 4 1/4 in. (16.4 x 10.8 cm). Date: 1530. Museum: Metropolitan Museum of Art, New York, USA.

Edelvrouw and Death, Hans Holbein (II), 1538 print A noble woman walks hand in hand with a nobleman past death that hits a drum with two sticks. On the right on the ground is an hourglass. In the margin above the print is the text RVTH I. paper nobility and patriciate; chivalry, knighthood. female sex; woman. dance of Death; Death together with one or more human beings. other sovereign (with TITLE) - BB - female ruler

Keller, Jean Balthasar.

Mercurius bij een man aan een schrijftafel; Titelpagina voor: De Europise Staats-Secretaris, 1750.In a study, a man, the secretary, writes to a writing table. Mercury is among him, who shows him a sheet of paper. On the left a globe and a bookcase in the background. Above a drapery with the title.

Furseus, holy.

Italy, Parmigianino, Bonasone, Giulio, Mystical Marriage of Saint Catherine, verso - stamped, Mary sits with the Christ Child on her lap. Christ slides a ring on the finger of Saint Catherine who kneels before him. In the foreground on the left a piece of the wheel of Saint Catherine. In the foreground on the right a man., print, prent, prints, prenten, height 199 mm, width 156 mm, Italian, 1510 - 1576, print maker, printmaker, 1501 - 1580, paper, papier, engraving, engraving (printing process), 1503-01-11 - 1540-08-24

David: Title Page for Talon, L'Histoire sainte, III 1645 Claude Mellan French. David: Title Page for Talon, L'Histoire sainte, III 393732

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Cumaean Sibyl. Dated: early 15th century. Dimensions: sheet: 29.7 x 20.6 cm (11 11/16 x 8 1/8 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: after Baccio Baldini.

Don Philippo and Eleonora. In an interior, Eleonora catches her father Don Philippo, fainting after reading a letter from his son Don Jan, in which it writes that he leaves his parental home to be at his loved one. Print from a publication of the play The life of Konstance, which is about the noble Spanish Konstance, which was abducted as a child by Roma.

The Ill-Assorted Couple. Israhel van Meckenem; German, c. 1440/45-1503. Date: 1490-1503. Dimensions: 160 x 110 mm (image/plate); 201 x 126 mm (sheet). Engraving on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Rhetoric, 1587 - 1605 print Rhetoric, with a laurel wreath and a caduceus, in conversation with an older man. The man writes something in a book. With a Latin caption by C. Schonaeus. print maker: NetherlandsHaarlem paper engraving Rhetoric ',' eloquence '(~ trivium); "Rettorica '(Ripa)

Hooghe, Romeyn de, Netherlands, Illustration for Le calendrier des vieillards from Contes et nouvelles by Fontaine, verso - stamped, Illustration for Le calendrier des vieillards from Contes et nouvelles by Fontaine. In a cabin of a ship, on the left, an old man with a stick, and on the right, a young woman. On the back of the sheet text in letterpress., print, picture, book illustration, prints, pictures, height 68 mm, width 85 mm, Northern Netherlands, 1645-09-10 - 1708-06-15, print maker, printmaker, 1685 - 1685, fourth quarter 17th century, paper, etching, etchings, engraving, engraving (printing process), Work conception, after own design by

Coxie, Michiel (I), Italy, Master of the Dice, Story of Amor and Psyche, Psyche receives the jar with Proserpina's beauty, verso - stamped, In the underworld Psyche receives the jar filled with the beauty of Proserpina, the queen of the underworld. Italian text in two cartouches in bottom margin. Numbered twice lower left: 27., print, prent, prints, prenten, height 199 mm, width 231 mm, Italian, German, print maker, printmaker, 1530 - 1560, paper, papier, engraving, engraving (printing process), plate tone, Work conception, South Netherlands, 1499 - 1592-03-10

Rottenhammer, Hans (I), unknown, Sadeler, Aegidius, Mary and Child with John the Baptist, verso lower left - stamped, Mary with the Christ Child on her lap. Christ embraces John the Baptist. The print has a Latin text., print, prent, prints, height 254 mm, width 179 mm, South Netherlands, 1570 - 1629, print maker, printmaker, 1580 - 1629, paper, papier, engraving, engraving (printing process), Work conception, German, 1564 - 1625-08-14

Logic (dialectics); Seven liberal arts. Winged woman as a personification of logic (dialectics) with a scale and a schromprol

The Striking Likeness or Harlequin Turn'd Painter, Print made by unknown artist, eighteenth century, after Giovanni Domenico Ferretti, 1692-1768, Italian, 1770s to 1790s, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 18 1/2 × 12 inches (47 × 30.5 cm), Plate: 14 × 9 7/8 inches (35.6 × 25.1 cm), and Image: 12 5/8 × 9 7/8 inches (32.1 × 25.1 cm)

Judith with the head of Holofernes in her left hand and a sword in her right hand, accompanied by a female attendant, from a series of four Old Testament subjects. Artist: Oliviero Gatti (Italian, active Bologna 1610-30); After Giovanni Antonio da Pordenone (Giovanni Antonio de Sacchis) (Italian, Pordenone 1483-1539 Ferrara). Dimensions: Sheet: 7 9/16 x 5 1/8 in. (19.2 x 13 cm). Series/Portfolio: Four Old Testament subjects. Date: 1606. Museum: Metropolitan Museum of Art, New York, USA.

Negligence; Negligence; Prosopographia, Sive Virtutum, Animi, Corporis, Bonorum Externorum, Vitiorum, ET Affectuum Variorum Deineatio. A woman with arms crossed, sitting on a chair for a distant house. There are a spin skirt and spinning roll on the ground. Under the show two lines text in Latin. The print is part of an album.

Warning against vanity, Pieter Nolpe, 1640 print Vanity sits on a chair and plays a lute. She is wearing rich clothing and sits next to a mirror. A young woman is taken away from the vanity by an angel. Illustration with a text from the book Christelycke Offerande from 1640. The text warns for the vanity. Amsterdam paper engraving / letterpress printing (Personifications of) 'Vanitas', The Vanity of Human Life; Humana fragility, fleeting of sizes & of world glory, meditation of death, vain work, vain pleasure, vain glory, vanita (Ripa). Angels. lute, and special form of lute, e.g.: theorbo

Pomona en Vertumnus; Vertumnus anili forma Pomonae sui amorem persuadet; Metamorphoseon sive transformationum; Metamorfosen van Ovidius.Pomona is under a tree. The Italian God vertumnus makes her in the form of an old woman the court. Title in Latin in undermarge.

Albrecht Altdorfer, An Allegory of Pride, 1506 An Allegory of Pride

Jaël; Jahel; Beroemde vrouwen uit het Oude Testament; Icones Illvstrivm Feminarvm Veteris Testamenti.In the foreground Jael, with a hammer and a tent pin. In the background she beats the tent in the head of General Sisera. The print has a Latin caption and is part of a print series with famous women from the Old Testament.

Artemisia 1520-1550 Germany. Queen Artemisia II of ancient Caria (died 350 B.C.) was renowned throughout history as a devoted spouse. In Georg Penczís engraving, she drinks the ashes of her husband, Mausolus, which she has mixed with wine, in order to turn her body into his living tomb. Artemisia ruled in her husbandís stead for two years, during which time she built a magnificent building at Halicarnassus (now Bodrum, Turkey) to house their combined remains. Although the structure, which was one of the Seven Wonders of the Ancient World, has been lost, the word mausoleum still reflects the grandeur of Artemisiaísmonument to Mausolus.. Engraving in black on ivory laid paper . Georg Pencz

Musette Player (Le Joueur de Musette). Artist: Anonymous, French, 18th century. Dimensions: plate: 6 3/8 x 4 1/2 in. (16.2 x 11.5 cm)sheet: 7 7/8 x 5 15/16 in. (20 x 15.1 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Bride between two wedding jershunters, Anonymous, Hans Sebald Beham, after Georg Pencz, 1510 - 1550 print paper best man. bride (in wedding-dress)

Allegory on the engagement of Henriette Catharina, Princess of Oranje-Nassau and Enno Lodewijk, Count of East Friesland, 1641. Allegory on the engagement of Henriette Catharina, Princess of Orange-Nassau (youngest daughter of Frederik Hendrik) and Enno Lodewijk, Graaf Van Oost-Friesland, December 2, 1641. The couple has suggested like shepherds, in the background the slot in Aurich. Putti with the family crest flies above both posted. In the caption 4 verses of 4 lines in Dutch.

Don Philip en Eleonora, Pieter Nolpe, 1643 print In an interior, Eleonora catches her father Don Philippo, who faints after reading a letter from his son Don Jan, in which he writes that he is leaving his parental home to be with his loved one. Print from a publication of the play The life of Konstance, which is about the noble Spanish Konstance, which was abducted as a child by Roma. Amsterdam paper etching / engraving interior of the house. fainting, swooning. letter, envelope. wandering communities: Romani or Roma. Preciosa

unknown, Hoecke, Jan van den, Shepherdess, verso - stamped, Shepherdess with a shepherdess staff, half-length to the left., print, prints, height 91 mm, width 60 mm, South Netherlands, 1611 - 1651, print maker, printmaker, 1621 - 1651, paper, papier, etching, etchings

. Jester with fir strok or marot, narr kap on his head and bubbles on his suit.

Girl with a violon cell, Wallerant Vaillant, after Gerard Pietersz. van Zijl, 1658 - 1677 print A girl plays violon cell for two men, one of which has a music book in hand. paper viola, violoncello; double bass. printed edition of musical score

Venus; VENVS; Gods that sit on the seven planets. Venus in a drapery, in her one hand she holds a burning heart, in the other an arrow.

. Personified moderation; A women's figure pours from a liquid in a glass. In the background a hilly river landscape.

Peace and Abundance, Bartolommeo Coriolano, After Guido Reni, 1627 print Female personifications of the Peace (Pax) with olive branch and of the abundance (abundantia) with Hoorn of Abundance (Cornucopia). Rome paper Peace and Prosperity, 'Peace and Abundance

Portrait of Anna van Hannover and Willem V, Prince of Orange-Nassau. Portrait of Anna and Willem V. in the background a garden with a fountain. In the undermaster a rule of French text.

The Canaanite woman, Adriaen Collaert, Philips Galle, Cornelis Kiliaan, 1595 - 1599

Rhetorica (Retoryka). unknown, graphic artist, Floris, Frans (ca 1519-1570 ; st.), draughtsman, cartoonist, Cock, Hieronymus (ca 1510-1570), publisher

Reyger, Pieter de, Schonaeus, Cornelius, Goltzius, Hendrick, Matham, Jacob, The seven virtues, Hope (Spes), recto lower right - stamped, A female figure with an anchor in a landscape as a personification of hope (spes)., print, prints, height 152 mm, width 104 mm, Northern Netherlands, 1571-10-15 - 1631-01-20, print maker, printmaker, 1597 - 1597, paper, engraving, engraving (printing process), Work conception, 1558-01 - 1617-01-01, after a design by, 1541 - 1611-11-23, writer, Publication (Event), Publication, publisher

Copper engraving by Sebald Beham depicting Happiness, created in 1541, showing allegorical figure, posture, and symbolic composition.

Bliżej Kultury Ferdinand Schenk Verlag für Kunst und Kunstfäwer, Vienna, Nieznany Rysownik Niemiecki Z XV Wieku

Lady with the knight's helmet. A lady with a crown with leaf-shaped decorations sits on a pillow on a wooden chair. Left on the handrail a helmet with as a helmet mark the head of a bird with a long neck and a crown.

Portrait of Johanna Koerten, print maker: Jacob Houbraken, (mentioned on object), Amsterdam, 1721, paper, engraving, h 153 mm × w 103 mm

Hispani et Hispanae in Vestitu Cultus, from Fashions of Different Nations n.d. Pieter de Jode I Netherlandish. Hispani et Hispanae in Vestitu Cultus, from Fashions of Different Nations 388665

Portrait of Elizabeth I Tudor, Queen of England. In the foreground two putti with a palm branch and a corner and a helm, as references to peace and good leadership.

Tiburtine Sibille, Frans Huys, 1546 - 1562

Face, Cornelis Boel, after Anonymous, c. 1590 - c. 1624 print A well -dressed woman looks at her jewelry in a hand mirror. A gentleman looks over her shoulder. In the background you can see how the sun rises from the sea. Print from a series of five prints with performances of the senses. Low Countries paper engraving mirror. necklace (+ women's clothes)

Shepherdess. Shepherdess with a shepherden staff, half towards the left.

Amsterdam, Sichem, Christoffel van (I), Goltzius, Hendrick, Young man playing the citer with four singing figures, verso lower right - stamped, print, prints, verso lower left - stamped, height 311 mm, width 219 mm, Northern Netherlands, 1546 - 1624-10-20, print maker, printmaker, 1546 - 1624, paper, papier, houtsnede, Work conception, Noord-Nederlands, 1558-01 - 1617-01-01, after a design by, Publication (Event), Publication, publisher

Justice, Crispijn van de Passe (I), 1600 print The female personification of justice (Justitia), one of the four cardinal virtues. In her hands the sword and the scales, symbols of power and impartiality respectively. Print from a series with theological virtues. Cologne paper engraving Justice, 'Justitia'; 'Giustitia divina' (Ripa) ~ one of the Four Cardinal Virtues

Madonna on a Grassy Bank. 1503. Dürer, Albrecht, 1471-1528. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

The Ill-Assorted Couple 1490-1503 Germany. Engraving on ivory laid paper . Israhel van Meckenem, the younger

Smell, Raphaël Sadeler (I), After Maerten de Vos, 1581 print The personification of the sense of smell is on the floor under a tree and arranges flowers in a vase. Two dogs play at her feet. A city in the background. The print has a Latin caption and is part of a five -part series about the senses. Antwerp paper engraving smell, smelling (one of the five senses) - AA - female human figure. dog. city-view in general; 'veduta'

Maria de 'Medici, Princess of Tuscany.

Hagar and Ishmael in the desert, Erin Corr (attributed to), after François Joseph Navez, 1815 - 1862 print paper steel engraving / engraving Hagar and Ishmael in the wilderness

Albrecht Dürer, The Betrothal of Maximilian with Mary of Burgundy, 1511 The Betrothal of Maximilian with Mary of Burgundy

Man and Woman Holding Hands ca. 1514-36 Agostino Veneziano (Agostino dei Musi) Italian. Man and Woman Holding Hands. Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490-after 1536 Rome). ca. 1514-36. Engraving. Prints

Saint Helen. Dated: 1608/1611. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Faith, from the series The Seven Virtues 1530 Lucas van Leyden Netherlandish. Faith, from the series The Seven Virtues 364787

Johann Eleazar Schenau, German (1737-1806), The Letter, red chalk on laid paper

Second stage of life of twenty years depicted with couple in love in a garden. The couple stroll past fountains and flowerbeds while the woman plays a lute and the man looks at her intently. In the margin below texts in Latin, French and Dutch. Only the Dutch text relates to the performance., Second stage of life of twenty years with couple in love XX (title on object) Ten stages of life (series title), print maker: Nicolaes de Bruyn, (mentioned on object), Maerten de Vos, (mentioned on object), Netherlands, 1598 - 1602, paper, engraving, h 268 mm × w 187 mm

Girl with a Viola da Gamba, Wallerant Vaillant, after Gerard Pietersz. van Zijl, 1658 - 1677 print A girl plays the Viola da Gamba for two men, one of which has a music book in hand. paper viola, violoncello; double bass. printed edition of musical score

Young woman between a young and an old man, Johann Theodor de Bry, after Gillis van Breen, after Pieter de Jode, 1596 print An elegant dressed lady sits in front of a open fire, between a young man to whom she gives her heart and an old man, whom she holds up glasses. The young man receives the heart. The old man (the old Couden Hutselaer) is 'brilded', that is, cheated and may heat his cold hands by the fire. He himself published the print from Gilles from Breen to Pieter de Jode, who served the Bry as an example, together with his brother Johan Israel. paper engraving Existence and Modes of Existence (+ emblematical representation of concept). third party (mocking, disapproving, disturbing, etc.) ~ married couple of unequal age

Jacques Callot, Saint Helen, 1608 1611 Saint Helen

Musica Music. 1500 - 1550. Pencz, Georg, 1500-1550. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

. A women's figure with a crucifix and a Bible in a landscape as a personification of faith (FIDES).

Woodcut by Hans Schäufelin, circa 1513, showing Hartmann Schedel's coat of arms, including heraldic symbols and decorative design elements of Renaissance German printmaking.

Maria Magdalena with Schedel, Arnold de Jode, After Anthony Van Dyck, 1666 - in Or Before 1669 print The penitent Maria Magdalena, skull in hand. Her attributes in the background. The show is caught in an oval frame with an empty coat of arms and an empty cartouche. London paper engraving the penitent harlot Mary Magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge

Pomona and vertumnus; Vertumnus Anili Forma Pomonae Sui Amorem Persuadet; Metamorphoseon Sive Transformationum; Metamorphoses from Ovidius.Pomona is under a tree. The Italian God vertumnus makes her in the form of an old woman the court. Title in Latin in undermarge.

Young woman receives a note from a coupler, Pieter Schenk (I), 1670 - 1713 print A young woman, with half -bare bosom, receives a note from an old woman. Amsterdam paper engraving madam (brothel scene). letter, envelope

Sophonisba. Sophonisba with the poison cup in her hands. A crown on her head.

A Sybil reading facing right ca. 1517-18 Ugo da Carpi Italian. A Sybil reading facing right 397554

A couple in fashionable dress. Woodcut

L'Improvvisante. Maggiotto, Francesco, 1738-1805. 1700 - 1799. Petrarca, Francesco, 1304-1374. Cavalli, Nicolo, 1730-1822. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Serenading, Masks, Punchinello (Fictitious character), Stringed instruments

Portrait of Louis XIV as a child, Anonymous, Balthazar Moncornet, 1643 - 1668 print publisher: ParisFrance paper engraving / etching historical persons. king

Hooghe, Romeyn de, Netherlands, Illustration for the Decameron by Boccaccio, history L. Fransisco and his wife are sitting on the right, talking. Richard is standing on the left and is pointing. Through the doorway the horse can be seen that Richard wants to offer to Fransisco, so that he may talk to his wife., print, engraving, book illustration, prints, engravings, height 75 mm, width 78 mm, Noord-Nederlands, 1645-09-10 - 1708-06-15, print maker, printmaker, 1697 - 1697, fourth quarter 17th century, vier kwart 17e eeuw, paper, papier, etching, etchings, Work conception, after own design by

Masquerades. Dated: 1597. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Robert Boissard after Jean-Jacques Boissard.

Martin Schonguer (around 1450-1495). Young woman holding a swan shield (Bartsch 98). Engraving (chisel), 1485-1491. Museum of Fine Arts of the City of Paris, Petit Palais. 76855-28 Art medieval, Christianity, engraving in chisel, Christian iconography, religious iconography, Middle Ages, New Testament, biblical character, 15th XV 15th 15th 15th century, engraving

Holy Catharina, monogrammist AC (16th century), 1520 - 1562 print Low Countries paper engraving the virgin martyr Catherine of Alexandria; possible attributes: book, crown, emperor Maxentius, palm-branch, ring, sword, wheel

Antwerp, Peeters, Martinus, Heemskerck, Maarten van, Galle, Philips, Exemplary women from the Old and New Testament, Susanna, Susanna stands naked in front of a fountain with a water basin. In the background her story: she bathes, while two elders bother her. Below the image an explanatory text in Latin. This print is part of an album., print, album sheet, prints, height 213 mm, width 248 mm, Southern Netherlands, 1537 - 1612-03-29, print maker, printmaker, 1558 - 1562, paper, engraving, engraving (printing process), Northern Netherlands, 1498 - 1574, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1500 - 1570, publisher

Apollo, crowned with laurel, seated on a throne holding a cithara, Herculaneum, Campania, Italy, engraving by Pietro Campana from Le antichita di Ercolano esposte (The antiquities of Herculaneum exposed), Vv.Aa., volume II, plate 1, 1757-1787, Naples.

Saint Matthew, 1 of 4 numbered plates from the seriesThe FourEvangelists. Artist: Zacharias Dolendo, Dutch, 1561 - ca.1604 Publisher: Jacques de Gheyn II, Dutch, 1565-1629

. Three numbered portraits. Portrait of Hubert van Eyck (no. 1), Jan van Eyck (no. 2) and Margaretha van Eyck (no. 3). PRENT LIGHT SERVICE MUSHED: B *.

. Violin girl in an oval cartouche. On the left is a putto that eats waffles, with a dog at the feet. A waffle maker is visible behind the putto. On the right a putto with a small dog, which eats with a spoon from a bowl with a delicacy. At the top also two putti with flowers. In the foreground a bowl of fruits and a plate with three spoons. The caption identifies the violin player as the tempting phyllis.

unknown, Antwerp, Cock, Hieronymus, Floris, Frans (I), Cort, Cornelis, Virtues, Soberheid (Sobrietas), verso - stamped, The personification of Sobriety sits before a wall, her legs on an enormous fish. In her hair she wears a diadem, in her hand she holds a large key. The key symbolizes good housekeeping. In the background pigeons flying to a dovecote., print, prints, height 296 mm, width 183 mm, Northern Netherlands, 1533 - 1578, print maker, printmaker, 1560 - 1560, third quarter 16th century, paper, engraving, engraving (printing process), Work conception, Southern Netherlands, 1520 - 1570-10-01, after a design by, Publication (Event), Publication, 1518 - 1570-03-10, publisher, granter of privilege

Vase bearing woman. A woman standing in front of a bow with a vase on top of her head. She keeps her left arm above the head to support the vase. A landscape in the background.

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