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Biblical and Classical Prints

Engravings illustrating biblical and classical stories, featuring dramatic narratives with figures in dynamic poses and elaborate settings.

The prodigal son returns home and is welcomed by his father with open arms. His brothers help him into clean clothes. The old swineherd's clothes lie on the ground to the right. The Return of the Prodigal Son Parable of the Prodigal Son , print maker: Philips Galle, (mentioned on object), Maarten van Heemskerck, (mentioned on object), publisher: Theodoor Galle, (mentioned on object), print maker: Haarlem, publisher: Antwerp, c. 1596 - c. 1633, paper, engraving, h 207 mm × w 250 mm
The prodigal son returns home and is welcomed by his father with open arms. His brothers help him into clean clothes. The old swineherd's clothes lie on the ground to the right. The Return of the Prodigal Son Parable of the Prodigal Son , print maker: Philips Galle, (mentioned on object), Maarten van Heemskerck, (mentioned on object), publisher: Theodoor Galle, (mentioned on object), print maker: Haarlem, publisher: Antwerp, c. 1596 - c. 1633, paper, engraving, h 207 mm × w 250 mm
347 assets in this story
Amsterdam, Visscher, Claes Jansz. (II), Vos, Maerten de, Goltzius, Hendrick, Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae, Martyrdom of Christ and the Apostles, Martyrdom of Simon Canaaneus and Judas Thaddeus, Simon Canaaneus and Judas Thaddeus are attacked by soldiers with various weapons (sword, axe, halberd). To the left of this scene they are depicted again, Simon with a saw and Judas Thaddeus with an inverted cross in his hand. Below the scene is an explanatory text in Latin. This print is part of an album., print, picture, album sheet, prints, pictures, height 207 mm, width 283 mm, print maker, printmaker, 1576 - 1580, paper, engraving, engraving (printing process), Northern Netherlands, 1558-01 - 1617-01-01, Work conception, Southern Netherlands, 1532 - 1603-12-04, after a design by, Publication (Event), Publication, 1586 - 1652-06-19, publisherThe Genius of Salvator Rosa. Salvator Rosa (Italy, Naples, 1615-1673). Italy, circa 1662. Prints; etchings. Etching with drypointDesign with Apollo, François de Cuvilliés the younger, German, 1731 - 1777, Etching and engraving on off-white laid paper, Germany, 1745, figures, Print, PrintAntigonus, son of Hyrkanus, murdered in a vault by the bodyguard of his brother Aristobulus, Jan Luyken, 1704 print Amsterdam paper etching / letterpress printing attempt, political murderItaly, Romano, Giulio, Mantuana, Diana, Sacrifice of a bull to Jupiter, verso - stamped, In the centre an altar with a statue of Jupiter with a thunderbolt. On the left are five figures with a bull, one of them with an axe. On the right are spectators and two men with shawms., print, prent, prints, prenten, height 221 mm, width 390 mm, Italian, 1547 - 1612, print maker, printmaker, 1557 - 1612, paper, papier, engraving, engraving (printing process), 1499 - 1546-01-11, intermediary draughtsmanPieter de Jode's drawing shows the assembly of the gods and the wedding meal of Amor and Psyche, with figures in brown ink, brown lavation, white highlights, and black chalk details, on a folding sheet with minor edge wear.Death of Herod Agrippa, Jan Luyken, 1703 - 1762 print Print Maker: Haarlem Publisher: Amsterdam paper etching / letterpress printing King Herod Agrippa speaks to the people; he is smitten by an angel and diesAeneas de Sibille Van Cumae, Jacob Folkema, after Louis Fabritna Dubourg, 1703 - 1767 print Aeneas visits, accompanied by his friend Achates, the Sibille of Cumae to ask her to see his father's face once more. In the background, seven bulls and sheep are offered on behalf of the Sibille so that she could start with her predictions. paper etching the arrival at Cumae and the visit to the underworld (Virgil, Aeneid VI)Plate 10: Ulysses compelling Circe to restore his companions' human shapes, which she had changed into monsters 1756 Bartolomeo Crivellari. Plate 10: Ulysses compelling Circe to restore his companions' human shapes, which she had changed into monsters. "Le Pitture di Pellegrino Tibaldi e di Niccolò Abbate esistenti nell'Instituto di Bologna". Bartolomeo Crivellari (Italian, active 18th century). 1756. Etching and engraving. PrintsTwo Germanen kneels for Germanicus, Louis E.F. Garreau, After Jean Grandjean, 1783 print Two Germanic fathers kneel for Germanicus and his entourage. They beg the general to feel sorry for their sons, who caught Germanicus during his last battle. The print is part of the history of General Germanicus. Amsterdam paper etching / engraving father-love. kneeling on both kneesSaul tries to kill David History of David and Saul (series title) Historia Davidis and Saulis (...) (series title) Thesaurus sacrarum historiaru m veteris testame n ti, elega n tissimis imaginibus expressu m excelle n tissueimoru m in hac arte viroru m opera: nu n c primu m in luce m editus (series title), as David playing the harp Saul wants to throw his spear to kill David. The men around the throne prevent Saul from doing this. Below the performance a reference in Latin to the Bible text in 1 Sam. 19. Print is part of an album, Saul casts his spear at David for the second time (1 Samuel 19:10), Hans Collaert (I) (attributed to), Antwerp, 1579, paper, engraving, h 199 mm × w 280 mmRotterdam, Burgvliet, Jakob, Losel, Jakobus, Smithof, Nikolaes, Bosch, J., Kentlink, Hermanus, Beman, Jan Daniel, verso - stamped, A man with a feather skirt and feather headdress, an African with a snakeskin hat, a man with a turban and a woman in armor symbolize the four continents and offer gifts to the city maiden of Rotterdam. Behind her a statue of Erasmus. In the foreground a nymph on a cart, pulled by swans on the river. In the background a cityscape with the Laurenskerk., print, picture, book illustration, prints, pictures, City Maiden of Rotterdam receives gifts, height 198 mm, width 156 mm, Punt, Jan, Noord-Nederlands, 1711-04-02 - 1779-12-18, print maker, printmaker, 1750 - 1750, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publicatie, Philippus, publisher, uitgever, Publicatie ... publisher, PublicationThe Third Crusade (1189-1192), also known as the Kings' Crusade, was an attempt by European leaders to reconquer the Holy Land from Saladin (Salah ad-Din Yusuf ibn Ayyub). It was largely successful, yet fell short of its ultimate goal the reconquest of Jerusalem.Stadhouder-King Willem III on horseback with allegorical figures; Rejected design for the frontispiece of: Lukas Rotgans, Wilhem de Derd (Amsterdam 1698). .Italy, Wael, Cornelis de, Genre scenes, The quack, verso lower left - stamped, A group of people watches as a man pulls the tooth of an old woman. On the right a donkey., print, prent, prints, prenten, height 113 mm, width 147 mm, Zuid-Nederlands, 1592-09-07 - 1667-04-21, print maker, 1630 - 1648, paper, papier, etching, etchings, engraving, engraving (printing process)Marriage of Bacchus and Ariadne, Jakob Frey (I), After Guido Reni, 1727 print Germany paper etching / engraving wedding of Bacchus and AriadneCopper engraving by Hendrick Goltzius, created in 1590, depicting Phaeton requesting the sun's chariot, illustrating a scene from Greek mythology.Title plate to set of four prints (plus this title page) of frescoes by Andrea Mantegna in the Ovetari Chapel of the Church of the Eremitani, Padua. Artist: Giovanni David (Italian, Cabella Ligure 1749-1790 Genoa); Designed by school of Andrea Mantegna (Italian, Isola di Carturo 1430/31-1506 Mantua). Dimensions: sheet: 12 5/8 x 15 1/8 in. (32 x 38.4 cm) trimmed to platemark. Date: 1776. Museum: Metropolitan Museum of Art, New York, USA.Drawing, Figural Study; After Giacomo Cavedone (Italian, 1577 - 1660); Italy; red crayon on paperThe Feast in the House of Simon. Dated: 1738. Dimensions: sheet: 33 × 60.2 cm (13 × 23 11/16 in.), cut to platemark. Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Pierre-Hubert Subleyras.Paolo Farinato depiction of Trajan and the widow, executed with feather, laved, and whitewashed techniques.Ink and pen drawing depicting the dispute at the wedding meal of Peleus and Thetis, showing figures in interaction and table setting.A ruin, in the foreground some men are playing a card game. The print is part of a seven-part series featuring ancient ruins, Ruin with card players Classical ruins (series title), print maker: Frans Geffels, Frans Geffels, Mantua, 1659 - 1671, paper, etching, h 149 mm × w 123 mmCoronation of Emperor Othon Celebrated in San Ambrogio, Milan ca. 1649 Jacopo Cotta Italian. Coronation of Emperor Othon Celebrated in San Ambrogio, Milan. Jacopo Cotta (Italian, died 1689). ca. 1649. Etching. PrintsNicolas Pierre Loir drawing depicting the sons Kleobis and Biton bringing Kydippe on her carriage to the temple for a ritual, executed with pen, wash, and white heightening on blue-gray paper with color variations at the corners.Daniël feeds the dragon, 1579 print King Cyrus asks Daniel to worship the dragon as God. Daniël refuses this and asks permission to kill the dragon without the use of weapons. He feeds the dragon with cakes of tar, fat and bones that open the dragon on the inside. Under the performance an explanatory text in Latin. Print is part of an album. paper engraving Daniel gives food to the dragon; King Cyrus looking onAntwerp, Cock, Hieronymus, Heemskerck, Maarten van, Haarlem, Galle, Philips, Parable of the prodigal son, The eldest brother of the prodigal son is angry, verso - stamped, The eldest brother of the prodigal son returns from working in the fields and hears from a servant that his brother is back. He is angry about the warm welcome of his brother who has squandered all his money. The father calms the anger of the eldest son., print, engraving, engraving (printing process), height 206 mm, width 250 mm, Southern Netherlands, 1537 - 1612-03-29, print maker, printmaker, 1562 - 1562, paper, Work conception, Northern Netherlands, 1498 - 1574, after a design by, Publication (Event), Publication, 1518 - 1570-03-10, publisherPlate 2: People rendering divine honors to Psyche, from the Story of Cupid and Psyche as told by Apuleius 1530-60 Master of the Die Italian This book contains 32 plates bound together, 3 of which are by Agostino Veneziano.. Plate 2: People rendering divine honors to Psyche, from the Story of Cupid and Psyche as told by Apuleius. The Story of Cupid and Psyche as told by Apuleius. Master of the Die (Italian, active Rome, ca. 1530-60). 1530-60. Engraving. Antonio Salamanca (Salamanca 1478-1562 Rome). PrintsCartoon - Paul and Barnabus at Athens.. Attributed to Leonida Caldesi (Italian, 1823 - 1891)Pen drawing by Francesco Fontebasso depicting Tomyris on the left, overseeing the placement of Cyrus severed head into a blood-filled container, with gray and brown washes and white highlights.Slaves are bringing a sail ashore from a flat boat. Two overseers look on. In the distance on the right some ships are sailing, Slaves bringing a sail ashore Harbour scenes , print maker: M. Schaep, Cornelis de Wael, print maker: Noord-Nederland, Antwerp, 1649, paper, etching, h 117 mm × w 148 mmMaarten of Heemskerck (1498-1574), Joseph Boegter Sine Bredre, 1549Footswassing, Jan Luyken, 1703 - 1762 print Print Maker: Haarlem Publisher: Amsterdam paper etching / letterpress printing Christ washes Peter's feetChristian Wilhem Ernst Dietrich or Dietricy. The great healing of the sick after Rembrandt. Eat, 1763. Museum of Fine Arts of the City of Paris, Petit Palais. Portrait, 18th 18th 18th 18th 18th 18th century, engravingItaly, Marcucci, Giacomo, Polidoro da Caravaggio, Cavalieri, Giovanni Battista de', Fiet unum ovile et unus pastor Ioan X, Allegory of the Victory of the Christian Faith, verso - stamped, Allegorical representation with pagans and Muslims converting to Christianity. On the left a group of Muslims kneeling before the personification of Rome (Roma). They are offering her a crown. On the right a group of mythological creatures, including a satyr, and converted Muslims shooting with bows and arrows at a representation of Islam. Text in bottom margin., print, prints, height 262 mm, width 738 mm, Italian, 1525 - 1601-07-23, print maker, printmaker, 1581 - 1581, paper, engraving, engraving (printing process), Work conception, 1490 - 1543, after a design by, Publication (Event), Publication, publisherThe Continence of Scipio. Artist: Francesco Solimena (Italian, Canale di Serino 1657-1747 Barra). Dimensions: 16-9/16 x 22-5/16 in. (42 x 56.6 cm). Date: 1657-1747. Museum: Metropolitan Museum of Art, New York, USA.An elderly, chained debtor has fled his creditor. In the market square, he shows himself to the assembled crowd, which erupts in anger. Riot by escaped elderly debtor, print maker: Ludwig Gottlieb Portman, (mentioned on object), intermediary draughtsman: Jacobus Buys, (mentioned on object), Utrecht, 1793, paper, h 215 mm × w 123 mmLemery, Nicolas .Batseba washes her feet and David sees her from the roof of his palace.Attributed to Polidoro Caldara da Caravaggio, the drawing shows a fresco excerpt of the worship of Niobe on yellow-browned paper from 1500-1600, depicting figures and altar.Saint Paul Preaching in Athens, late 16th century, Attributed to Giovanni Battista Ricci da Novara; Artist: Attributed to Cesare Nebbia; Artist: Formerly attributed to Agostino Ciampellli, Italian, c. 1536 - c. 1614, 3 15/16 x 3 3/4 in. (10 x 9.53 cm) (sheet)19 3/4 x 15 3/4 in. (50.17 x 40.01 cm) (outer frame), Pen and dark brown ink and wash on laid paper, Italy, 16th centuryTasibule climbs a staircase and is received at the top by his mother Elpidie, Cleone and Aristide, Caspar Luyken, 1698 print Amsterdam paper etching climbing. saluting. on the scaffold or place of executionStudy for a Tribute to Giorgio Vasari, Sante Pacini, Italian, 1735-1790, Pen and black and brown ink, brush and brown wash, black chalk on white laid paper, Minerva dictating to Story, who writes 'I STURia' in a book which the kneeling Saturnus holds on his black. A genius with two trumpets flies above. The setting is in a hall with a painter sitting upon a scaffolding and painting a fresco. Reverse: pen and chalk sketches of a man climbing a ladder and carrying a package on his head. Chalk outline of coffers of a ceiling., Italy, ca. 1781, figures, Drawing, DrawingChalk and laved drawing on brownish paper by Giorgio Vasari depicting the Sacra Conversazione with the Virgin, Child, Saint Anna, Joseph, Stephanus, Sebastian, Rochus, and Donatus, patron saint of Arezzo, around 1535-1537.France, Poussin, Nicolas, Italy, Po, Pietro del, Achilles recognized by Odysseus among the daughters of Lycomedes, verso - stamped, The daughters of King Lycomedus sit around a chest of valuables. Together with two men they look up in surprise at Achilles, disguised as a woman, who betrays his true identity by choosing a sword instead of jewels., print, engraving, prints, height 371 mm, width 511 mm, Italian, 1610 - 1692-07-22, print maker, printmaker, 1620 - 1692, paper, papier, etching, etchings, French, 1594-06 - 1665-11-19The Triumph of Julius Caesar. School of Andrea Mantegna; Italian, 1430/31-1506. Date: 1493-1503. Dimensions: 277 x 261 mm. Engraving on paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.Weigel, Christoph, Amsterdam, Luyken, Jan, Twaalfjarige Christus in de tempel, verso - stamped, print, prints, height 251 mm, width 196 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1708 - 1708, paper, papier, etching, etchings, Publication (Event), Publication, German, 1654-11-09 - 1725-02-05, publisherMusica (music); The seven liberal arts. Musica makes music together with a boy and an old man. She plays harpsichly the others playing on the lute. An old woman continued with two boys the melody on a sheet of sheet music. Different types of instruments lie on the ground and hang on the wall.Esther and Mordecai before King Ahasuerus (Esther 8:1- 12) 1536/7-1615 Giovanni de' Vecchi Italian Of Tuscan origins, Giovanni de Vecchi spent most of his career in Rome, where he was active as a fresco painter on some of the citys most prestigious commissions. This detailed sheet, executed in a painterly, animated style in pen and ink with delicate washes, has been identified as a scene from the Book of Esther. King Ahasuerus presents to Mordecai a signet ring (here enlarged by the artist for emphasis) that once belonged to the evil Haman as Queen Esther stands at right. The work is perhaps a modello (demonstration drawing) for a fresco, though no related final work exists.. Esther and Mordecai before King Ahasuerus (Esther 8:1- 12) 340942Lot and his family flee while Sodom burns. Engraving.The story of Izaäk and Rebekka, Anonymous, 1600 - 1699 drawing paper. graphite (mineral) brush Rebekah (Rebecca) sought in marriage (Genesis 24)Chalk and feather drawing by Sigismondo Caula depicting Christ before Pilate, with Justitia and Fides in the lunettes above; white-grown on brownish paper, laved.Marco Papirio kills a gallie; M. Papirio, Percuote Col Suo Bastone di Avorio, UN Gallo, Che per Ischerzo Gli Full tocare La Barba, Ricevendo Con Fermezza Dopo Tal Fatto, Volontariemente La Morte; History of the Roman Empire; Frontespizio della Iistantia Romana. Marco Papirio kills his ivory staff a gallie who grabs him by his beard.Mythological scene, copperplate engraving, from Flora over Culture di fiori by Giovanni Battista Ferrari, Rome, 1638Sébastien Bourdon, Liberare Captivos, probably 1658 Liberare CaptivosJacques Callot, Skirmish in a Roman Circus, c 1622 Skirmish in a Roman CircusAntwerp, Enden, Martinus van den (I), Palma, Jacopo, Sadeler, Aegidius, Congregata sunt superme flagella, Flagellation of Christ, verso - stamped, Christ, tied to a pillar, is being flagellated by soldiers. Night scene., print, prent, prints, engravings, height 441 mm, width 322 mm, print maker, printmaker, 1630 - 1654, paper, papier, engraving, engraving (printing process), Work conception, South Netherlands, 1570 - 1629, after print by, after design by, Publication (Event), Publication, South Dutch, 1605-10-30 - 1673, publisherDepiction of Peter and Johannes healing the sick at the temple gate by Jacob Wilhelm Mechau, executed in brown and red-brown brushes over black chalk in 1774, showing figures, gestures, and architecture.Two apostles and four angels; Dome decorations by Correggio in the S. Giovanni Evangelista in Parma. Two apostles for and four naked figures (possible angels) on a wall.Death of Ananias, Agostino Veneziano, After Rafaël, c. 1516 - c. 1536 print Ananias lies on the ground in the front. Bystanders look stunned. In the middle, Peter is on a stage together with eight men. He gestures with his right hand. Two apostles hand out money on the right. Italy paper engraving Ananias, rebuked by Peter, falls down and dies between his giftsAmsterdam, Luyken, Jan, Reading of an epistle to a large crowd of Christians, recto - manuscript in brown ink, print, prints, verso - stamped, 147, height 118 mm, width 153 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1712 - 1712, paper, papier, etchingPrint (France)Giovanni de 'Medici ontvangt vluchtelingen shipped Prato; Prato town at all as a prisoner and escaped the matrons, maidens, Se'neque de 'Medici, the brother of the ambassador Iulianusque keep safe and sound; Scenes shipped het leven van Paus Leo X.Giovanni's Medici, sitting on a rock, receives the refugees from Prato. Title in the undermarge. Numbered in the Middle below 10.Lodewijk, Dauphin of France, tramples a man and looks up to religion. She points him to a triangle surrounded by rays in heaven (symbol for trinity). Left caution () With mirror and hose in the hands. A fox runs off her way. On the right a woman, accompanied by a lion.Hallé, Noël, France, Antiochus pansé après sa chute, The death of Antiochus, verso center bottom - stamped, The dying Antiochus dictates his last wishes, lying on a bed. A group of people stand around the bed, two are tending his foot, one is writing., print, prent, prints, prenten, height 190 mm, width 240 mm, 1711 - 1781-06-05, print maker, printmaker, 1738 - 1738, second quarter 18th century, paper, etching, etchings, Work conception, after own design byHope (Spes) puts a crown on the head of the bride (Sponsa). The bride rests her feet on a sword, a scourge and a trumpet. Science (Scientia), Faith (Fides) and other virtues look on. In the background, Hope, Faith and a third figure can be seen ascending to Love. In the margin a four-line caption, in two columns, in Latin, Hope crowns the bride, print maker: Johannes Wierix, (possibly), intermediary draughtsman: Gerard van Groeningen, publisher: Philips Galle, Antwerp, 1574, paper, engraving, letterpress printing, h 92 mm × w 139 mmA red chalk drawing by Frans Floris depicting Mucius, showing the figure in a classical pose with detailed form and composition.Judit shows the head of Holofernes to the people, Philips Galle, After Maarten van Heemskerck, 1564 print Judit is on the Betunia market and shows the head of army commander Holofernes to the people. Achior owes her to his knees. Haarlem paper engraving / brush Judith shows Holofernes' head to the people. Achior kneels before JudithThe lost son wastes his legacy, Claes Jansz. Visscher (II), After David VinckBoons, 1608 print The lost son wastes his inheritance among the ladies of light morals. He is entertained in a pleasure court with music and benevolent ladies. In the foreground he dances with a woman to the music that two musicians play with a fellow and a Gamba. There are playing cards on the floor and on the right a woman keeps the notch. In the background, the lost son, after the money has run out, is chased out of the inn. Amsterdam paper etching the prodigal son in the midst of prostitutes feasting and dissipating his patrimony, usually in a brothel or inn. one pair dancing; man and woman dancing as a couple. private festivities, merry company - AA - in the open air, 'fíªte champíªtre'. pergolaAchior Pleading with Holofernes for the Israelites, plate one from The Story of Judith and Holofernes. Philip Galle (Netherlandish, 1537-1612); after Maarten van Heemskerck (Dutch, 1498-1574). Date: 1564. Dimensions: 202 x 247 mm (image); 205 x 249 mm (plate); 230 x 254 mm (sheet). Engraving in black on ivory laid paper. Origin: Netherlands. Museum: The Chicago Art Institute, USA.Jacopo Palma's drawing depicts the martyrdom of St. Sebastian, showing the saint, architectural background, statues, posture, and details, executed with feather and lavated around 1611.This drawing by an anonymous artist depicts a scene of foot washing with an alcove containing a covered round table and numerous figures on either side, executed with feather, white highlights, and brown paper, emphasizing figures, spatial arrangement, and interior composition.Antwerp, Cock, Hieronymus, Heemskerck, Maarten van, Galle, Philips, History of Susanna, Susanna accused by the elders, Susanna is falsely accused by the elders before the judge. They pull her veil from her head. An explanatory text in Latin below the image. This print is part of an album., print, album sheet, prints, height 204 mm, width 250 mm, Southern Netherlands, 1537 - 1612-03-29, print maker, printmaker, 1563 - 1563, paper, engraving, engraving (printing process), Northern Netherlands, 1498 - 1574, intermediary draughtsman, after drawing by, Publication (Event), Publication, 1518 - 1570-03-10, publisherAlkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Coignet, Gillis (I), Collaert, Hans (I), Den Grooten Figuer-Bibel, Geschiedenis van Susanna, De Historie van Susanna, Susanna accused by the elders, lower right - handwritten in brown ink, Susanna is brought before the elders, who accuse her of infidelity. As judges, they also condemn her. Below the depiction a reference in Latin to the Bible text in Dan. 13:41. This print is part of an album., print, album sheet, prints, 299, height 191 mm, width 266 mm, Southern Netherlands (before 1775), 1540 - 1581, print maker, printmaker, 1579 - 1579, paper, engraving, engraving (printing process), Work conception, Southern Netherlands, 1542-09 - 1599-12-27, after a design by, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher, 1592 - 1656-04Copper engraving by Raffaello Santi representing a New Testament event, with figures, gestures, drapery, and architectural elements, created between 1550 and 1750.Raising of the Son of the Widow of Naim (recto); Madonna and Child with Saints (verso). Giovanni Battista Naldini (Italian, about 1537 - 1591)A drawing by Johann Wolfgang Baumgartner depicting a princely feast, executed with gray feather and brush, laved, with white highlights on gray-blue paper and lanes, focusing on figures and table arrangements.Junius, Hadrianus, Heemskerck, Maarten van, Amsterdam, Muller, Harmen Jansz, Christ as the Good Samaritan, The Wounded Man Passed by Moses and Aaron, verso - stamped, The wounded Man is passed by Moses, with the tablets of the law under his arm, and Aaron. In the background a landscape. At the bottom in the margin a verse in Latin. Variant on the parable of the Good Samaritan., print, prints, height 205 mm, width 253 mm, Dutch, 1540 - 1617-10-07, print maker, printmaker, 1565 - 1565, paper, engraving, engraving (printing process), Work conception, Northern Netherlands, 1498 - 1574, after a design by, 1511-07-01 - 1576-06-16, writerJacques Callot, Stoning of Jesus, 1635 Stoning of JesusGiovanni de 'Medici vlucht shipped Florence; When Peter and Julian de 'Medici, Florence aufigissent, John hetruriae a lieutenant, having put aside the purple, and the hood of a gray, the image of the priest to the serafica, running around in the crowd, he put on the garments of slips between the tutmultum in safety; Scenes shipped het leven van Paus Leo X.Giovanni the Medici flight away from Florence dressed as a monk. On the left a giant in a cave. In undermarge title. Numbered in the middle of 3.Giovanni Paolo Panini, Saint Paul Preaching in Athens, 1734 Giovanni Paolo Panini (Italian, 1691 - 1765 ), Saint Paul Preaching in Athens, 1734, pen and black ink with gray wash, heightened with white gouache, on light orange prepared paper, Joseph F. McCrindle CollectionClair-obscur woodcut by Giuseppe Nicola Vicentino (Rossigliani) showing Christ healing a paralyzed person, executed in four plates between 1534-1544, illustrating gesture, figure, and religious narrative.Civilis and Cerialis negotiate on the broken bridge, 69-70. Civilis and Cerialis negotiate and close peace on the broken bridge.Drawing, Sheet from a Sketchbook: Minerva Asking Jupiter for the Happiness of Ulysses or Minerva Questions Jupiter on the Destiny of Ithaca; Felice Giani (Italian, 1758-1823); Italy; pen and brown ink, brush and brown wash, traces of graphiteOil grisaille painting by Jean-Honoré Fragonard showing two dancing girls positioned before a sacrificial altar.LA MUCHEDUMBRE EN EL MONTE ALABA A DIOS - HISTORIA DE ESDRAS - XVI/XVII - GRABADO FLAMENCO. Author: JODE GERARD / VOS MARTEN / VISSCHER CLAES JANSZ. Location: PRIVATE COLLECTION.Antwerp, Cock, Hieronymus, Heemskerck, Maarten van, Lombard, Lambert, Cort, Cornelis, Collaert, Hans (I), The story of Lazarus and the rich man, Lazarus begs in front of the house of the rich man, verso - stamped, Lazarus lies in the gutter in front of the rich man's house. A festive dinner is taking place in the house. Three musicians play for the rich man and his companions. A servant shows Lazarus the door and two dogs lick the sores on Lazarus' legs., print, prints, height 205 mm, width 250 mm, Southern Netherlandish (before 1775), 1540 - 1581, print maker, printmaker, 1560 - 1560, paper, engraving, engraving (printing process), Northern Netherlandish, 1533 - 1578, Work conception, Southern Netherlandish, 1506 - 1566, after a design by, 1498 - 1574, Publication (Event), Publication, South Netherlands, 1518 - 1570-03-10, publisherDeparture of the Engel Rafaël, Anonymous, After Maerten de Vos, 1585 print The Engel Rafaël is familiar with Tobit, Anna, Tobias and Sara. They kneel on the floor. Tobit has returned home and is received on the left by his parents Tobit and Anna. Even further in the background the reception of Tobias' wife Sara. On the right in the house the healing of Tobit. At the bottom of the margin an explanatory text in Latin. To Tobit 11-12. Antwerp paper engraving the meeting of parents and son ~ Tobias' return. the healing of Tobit: Tobias puts the gall of the fish on his father's eyes. Sarah's arrival ~ Tobias' return. the angel Raphael disappears into the skyColosseum in Rome, Philips Galle, After Maarten van Heemskerck, 1572 print The ruin of the Roman Colosseum. Central to the Colosseum a statue of Jupiter. There are fights underway. In the foreground Emperor Vespasian on horseback. He had ordered the construction of the Colosseum. On the left in the foreground a relief with the sucking Romulus and Remus. The print has a Latin caption and is part of a series about the eight wonders of the world. print maker: Antwerpafter design by: HaarlemHaarlempublisher: Antwerp paper engraving amphitheatre. other monuments which are sometimes included in the Wonders of the World (COLOSSEUM). Vespasian builds the Colosseum Colosseum. RomeLazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)18. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s uJoseph Relating His Dream Lucas van Leyden (Dutch, 1494-1533). , 1512. Engraving on laid paper, 6 9/16 x 4 15/16 in. (16.7 x 12.5 cm). European Art 1512Venus and Mars caught; Ovidius' metamorphoses; Reflections by P. Ovidius Naso. Mars and Venus are in bed together. Helios or Apollo, on a cloud of the foot end, extends a accusing finger to them. The other gods, including Neptunus and Mercury, are behind him. Right is vulcanus that has just caught his wife and lover on the bed with a ragch. Under the show twice two fresh rules in Latin. The print is part of an album.A chalk and feather illustration by Heinrich Friedrich Füger for Klopstock's 'Messiade', with whipped brown laves on blue paper, dated 1797, depicting a narrative scene.The Passion for Gambling. Artist: Claude Gillot (French, Langres 1673-1722 Paris); Engraved by Jacques Gabriel Huquier (French, Paris 1730-1805 Shrewsbury). Dimensions: sheet: 10 1/4 x 15 7/8 in. (26 x 40.3 cm)image: 8 11/16 x 14 5/16 in. (22 x 36.3 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.Saint Ignatius of Loyola Preaching. Artist: Johann Wolfgang Baumgartner (German, Kufstein 1712-1761 Augsburg). Dimensions: sheet: 11 1/8 x 13 7/16 in. (28.3 x 34.2 cm). Date: before 1761. Museum: Metropolitan Museum of Art, New York, USA.Artist paints at a nude model, 1596 print A painter is behind the donkey in his workshop. He paints a nude model. A group of models is chatting for the donkey. Frankfurt am Main paper engraving workshop, studio ~ painter. artist's model, sitterAttributed to Giovanni Francesco Romanelli, the feather drawing depicts the Holy Family, emphasizing figures, composition, and sacred iconography, created 1610-1662.Hippocrates refusing the gifts of Artaxerxes. Engraving by Raphael Massard, 1816, after A.L. Girodet-Trioson, 1792.Allegory on the acceptance of city harvester by Prince Willem V..Marktplein, Johannes de Groot (II), 1698 - 1776 print Various people are drinking for an inn located on a market square. In the background, two travelers let their horses drink from the fountain. Northern Netherlands paper inn, coffee-house, public house, etc.. village square, place