Biblical Events Artwork

Dramatic depictions of biblical scenes with rich detail, including characters like Christ, anxiety, and somber tones from famous artists.

The Passion: The Betrayal of Christ, 1598. Hendrick Goltzius (Dutch, 1558-1617). Engraving;

The Fall and Redemption of Man: The Death of the Virgin, c. 1515. Albrecht Altdorfer (German, c. 1480-1538). Woodcut;

The Poet Virgil in a Basket 1512 Lucas van Leyden Netherlandish. The Poet Virgil in a Basket 336254

Judge who points out a judgment; History of Emperor Trajanus. A judge is in an increase. It is flanked on either side by two men. A level lower are two men, two women and a child.

Heinrich Aldegrever, David Casting Off His Robes at the News of the Death of His Son, 1540 David Casting Off His Robes at the News of the Death of His Son

The Betrayal of Christ, from The Passion of Christ. Artist: After Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem); Nicolas Cochin (French, Troyes 1610-1686 Paris). Dimensions: Sheet: 5 7/16 × 38 3/16 in. (13.8 × 97 cm). Publisher: Jean I Leblond (French, ca. 1590-1666 Paris). Date: mid 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Artist: Albrecht Dürer, German, 1471-1528, The Mass of SaintGregory, Woodcut, 29.7 × 20.5 cm (11 11/16 × 8 1/16in.), Made in Germany, German, 16thcentury, Works on Paper -Prints

Feeling, anonymous, 1630 - 1664 print A farmer is tied up on a chair. A chimney tractor pulls a molar from his mouth with a pipeline. In the background on the right, a patient comes through two men supports the door of the departure. In the middle of the number 3. In the margin a two -way rhyme. paper etching quack extracting teeth or molars

Master MZ, The Testing of the King's Sons, c 1500 The Testing of the King's Sons

The Passion: Descent into Limbo, 1521. Lucas van Leyden (Dutch, 1494-1533). Engraving;

After Lucas van Leyden, Descent from the Cross, engraving.

Joseph Sold to the Merchants, from The Story of Joseph 1546 Georg Pencz German. Joseph Sold to the Merchants, from The Story of Joseph 431823

Man at the age of seventy, Crispijn van de Passe (I), 1574 - 1637 print An old man with glasses sits next to a table on which a globe, a book and writing utensils. Behind the man a boy who wants to put him on a winged hat and a donkey. In the frame an edge in Latin. Seventh print from a series of ten with the ten ages of man. unknown paper engraving 60-70 years. old man

The Last Supper. Dated: 1522. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Sebald Beham.

Woodcut by Hans Holbein the Younger showing the emperor, created around 1525-1540.

The Flagellation, from The Large Passion. Albrecht Dürer; German, 1471-1528. Date: 1496-1497. Dimensions: 383 x 276 mm (image); 387 x 280 mm (sheet). Woodcut in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA. Author: ALBRECHT DÜRER.

Hendrik Goltzius (1561-1641). "The worship of the Magi (Bartsch 19)". Chisel. Museum of Fine Arts of the City of Paris, Petit Palais. 112279-29 Goal

Dancing Couple. Dated: 1551. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Heinrich Aldegrever.

St. John the Evangelist on Patmos. Martin Schongauer; German, c. 1450-1491. Date: 1475-1485. Dimensions: 160 x 113 mm (image); 163 x 117 mm (sheet). Engraving on paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Jozef explains the dreams of Pharaoh, Jan Harmensz. Muller (Possibly), After Lucas van Leyden, 1550 - 1617 print Copy in mirror image. Pharaoh at the table, Joseph Kneelt Kneeling and explains his dreams. A group of people listen from behind a balustrade. paper engraving Joseph interpreting Pharaoh's dreams

Solomon's Idolatry. Artist: Albrecht Altdorfer (German, Regensburg ca. 1480-1538 Regensburg). Dimensions: Sheet: 2 1/2 × 1 11/16 in. (6.3 × 4.3 cm). Museum: Metropolitan Museum of Art, New York, USA.

Two musicians and a girl. Two musicians, a bagpipe player and a man with a flute, pass a girl who looks at them.

Lot stops the violence of Sodom residents, from the cycle: The History of Lot. Aldegrever, Heinrich (1502-1555/1561), graphic artist

Drawing by Dirk Jakobsz. Vellert depicting the adoration of the kings, executed with brown pen and brown lavated over black chalk, showing the three kings, Mary, child, and surrounding figures in 1532.

The Departure of the Prodigal Son, plate one from The History of the Prodigal Son. Sebald Beham; German, 1500-1550. Date: 1520-1550. Dimensions: 58 x 97 (image/plate); 59 x 98 mm (sheet). Engraving in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, USA. Author: Hans Sebald Beham.

Nuremberg, Dürer, Albrecht, Life of Mary, Visitation, verso lower left - stamped, Mary and Elizabeth, both newly pregnant, meet at a house. A man stands in the doorway, several women stand behind Mary and Elizabeth. In the background a mountain landscape. This print is part of a series of 20 prints, consisting of a title print and 19 prints with scenes from the life of Mary., print, prints, height 299 mm, width 211 mm, German, 1471-05-24 - 1528-04-05, print maker, printmaker, 1503 - 1504, first quarter 16th century, paper, woodcut

Engraved copies of The Little Passion n.d. After Albrecht Dürer German. Engraved copies of The Little Passion 388853

Pieter de Jode's drawing shows the adjoining of two kings, rendered in brown ink with brown lavation over graphite pencil on octagonal paper, highlighting crowns, robes, and gestures.

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Sebald Beham, The Last Supper, 1522 The Last Supper

Albrecht Dürer (1471-1528). The great passion on wood: Christ in the garden of olive trees (Bartsch 6). 1497. Museum of Fine Arts of the City of Paris, Petit Palais. 77215-26 Chretian art, religious art, bible, Christianity, New Testament, passion of Christ, biblical character, holy character, biblical reward, Christian religion, renaissance, biblical scene, religious scene, life Christ, engraving engraving

Depicts 'Here Is' from the Passion series by Lucas Cranach the Elder, created as a woodcut and type print in 1509, showing a scene with Jesus and figures during the Passion.

Copper engraving 'Mary's Death' by Israhel van Meckenem, late 15th century, depicting the death of Mary with figures and compositional elements.

Four soldiers in a forest, Lucas van Leyden, 1505 - 1509 print Low Countries paper engraving the soldier; the soldier's life. forest, wood

A metal cut by Hans Holbein the Younger after 1524 depicting Christ healing the sick, including a man on a deathbed, with detailed figures and gestures.

"Copper engraving by Pieter van der Heyden from 1567 depicting a scene titled 'The Fool's Kitchen', showing figures engaged in activities in a detailed interior setting."

Saint Roch. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Israhel van Meckenem.

Illustration for the Decamerone of Boccaccio, Romeyn de Hooghe, 1697 print Illustration for the Boccaccio Decamerone, History LXVII. Egano is beaten by Hannquin in the garden with a stick. Netherlands paper etching (scenes from) specific works of literature: Boccaccio, Decamerone

Heinrich Aldegrever (German, 1502 - 1555-1561), Dancing Couple, 1551, engraving

'Drunkenness of Noah'. The Netherlands. The Netherlands, 1530s. Dimensions: 15,2x26 cm. Museum: State Hermitage, St. Petersburg. Author: Aetrgen van Leyden.

Woodcut by Jacob Cornelisz van Oostsanen depicting Veronika holding the cloth with Christs image, created 1520-1521.

Thomas Jones verjaagt schurken.Mr DES Huizes who has just come home has been attacked by villains. Thomas Jones hunts them away with his saber. The old woman looks out of the skylight.

Jozef is sold to merchants on their way to Egypt, Georg Pencz, 1546 print The brothers of Jozef sell him for twenty silver pieces to passing Ismaelite merchants who take him to Egypt. There are camels behind the men. paper engraving Joseph is sold for twenty pieces of silver

Diogenes asks Alexander the Great to go out of the sun, Jonas Umbach, 1634 - 1693 print Diogenes sitting in a ton, asks Alexander the Great and his entourage not to stand in front of the sun. paper etching Alexander's visit to Diogenes, who sits by his barrel and asks Alexander to get out of his light

Return of the Prodigal Son, from The History of the Prodigal Son ca. 1540 Sebald Beham German. Return of the Prodigal Son, from The History of the Prodigal Son 389818

The dance of death: the queen. Woodcut by Hans Holbein the younger.

The Stoning of Zacharias and Isaias, page 9 from the Treasury (Schatzbehalter). Michael Wolgemut and Workshop (German, 1434/37-1519); published by Anton Koberger (German, 1440-1513). Date: 1491. Dimensions: 250 x 173 mm. Woodcut on ivory laid paper with letterpress on verso. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Martin Schongauer, The Nativity, c 1470 1475 The Nativity

Netherlands, Leyden, Lucas van, Stomme Passion, Christ and the Samaritan Woman, verso lower left - stamped, print, book illustration, prints, height 112 mm, width 79 mm, Work conception, Northern Netherlands, 1494-06 - 1533-08, after print by, 1518 - 1522, first quarter 16th century, paper, woodcut, pen, print maker, printmaker

Nuremberg, Dürer, Albrecht, Crucifixion, on loose sheet with print - stamped, Christ on the cross. On his right side is Mary, on his left John the Evangelist. This print was originally part of an 'Andachtsflugblatt': a poem for the seven hours of the day with accompanying image, printed together on 1 sheet, both by Dürer., print, prent, prints, prenten, height 120 mm, width 97 mm, German, 1471-05-24 - 1528-04-05, print maker, prentmaker, 1510 - 1510, first quarter 16th century, paper, woodcut

De Kwakzalver, Cornelis de Wael, 1630 - 1648 print A company watches while a man pulls the tooth of an old woman. On the right a donkey. Italy paper etching / engraving quack extracting teeth or molars. ass, donkey

Woodcut by Albrecht Dürer depicting the Holy Christophorus, showing a standing figure carrying the Christ child, created in 1511, with edges trimmed to the plate.

Italy, Life of Simon of Trent, Simon of Trent is Found, verso attachment sheet - stamped, The body of the young Simon of Trent is found on the bank of a river., print, prent, prints, height 124 mm, width 83 mm, print maker, prentmaker, 1550 - 1649, paper, papier, etching, etsen

The virtuous woman buys a field; Praise on the virtuous housewife. The virtuous woman gives a scholarship to a trader. She has bought the field in the background. The print is based on spells 31:16: "If she puts her sights on a field, she buys him." The image has a German caption and is part of a six-part print series that praises the activities of the virtuous housewife.

Copy of The Good Samaritan Putting the Traveller on His Donkey, from The Parable of the Good Samaritan after 1554 Anonymous At left, the Good Samaritan lifts the limp body of the traveller onto the donkey. In the background at right, the inn with figures out front and a well. Plate 3 from a series of four engravings depicting Luke 10:30-35.. Copy of The Good Samaritan Putting the Traveller on His Donkey, from The Parable of the Good Samaritan 428013

Copper engraving by Melchior Lorch from 1547 depicting a bagpiper, showing musical instrument, figure, and detailed composition.

Consequences of wealth, Philips Galle, After Maarten van Heemskerck, 1563 print In the procession behind Queen Money follow honor (Honor), Luister (Splendor) and Roem (Fama). Although positive, their attributes indicate their transience. Honor has flowers and a lane pot, listen to a sealed document and fame blows on a praise. Between them in four Pluimstrijkers (Parasiti), who benefit from other people's wealth and success. The print has a Latin caption and a Dutch and French caption in book print. The print is part of a series on the subject of the misery that wealth brings. paper engraving / letterpress printing Honour, Glory; 'Amplitude of the glory', 'Gloria', 'Gloria de Prencipi', 'Gloria & Honore', 'Honore', 'Sublimatã della Gloria' (Ripa). Hunger; 'Fama', 'Good fame', 'Chiara fame' (Ripa). Repute, renown; 'Splendor of the name' (Ripa). Sponging, parasitizing (+ abstract concept repriation from bad figures). Contemplating One's Own Riches

Two representations of a plate. Numbered top right: 69 and 75., Joseph receives his brothers / Joseph's cup found in Benjamin's grain sack, print maker: Caspar Luyken, (mentioned on object), publisher: Barent Visscher, publisher: Andries van Damme, Amsterdam, 1698, paper, etching, h 159 mm × w 89 mm

Giovanni Fieschi. Dated: 1619. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Jacques Callot after Matteo Rosselli.

This 16th-century woodcut by an anonymous artist depicts a Supper scene, showing figures gathered at a table in a religious context.

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Susanna and the Elders. Two Elders, men held in high esteem, spy upon Susanna bathing in her garden. Overcome by lust, they try to persuade her to have intercourse with them. Should she refuse, they will accuse her of adultery. The man at the right entreats his companion, who still wavers, to go along with his sordid plan. Fully clad, Susanna is bathing her feet.

Salome receiving the head of John the Baptist, surrounded by three men and a child bearing a torch, the Baptist's body lies on the ground, an oval composition ca. 1630-68 Balthazar Moncornet French. Salome receiving the head of John the Baptist, surrounded by three men and a child bearing a torch, the Baptist's body lies on the ground, an oval composition 414243

Lucas van Leyden, Esther before Ahasuerus, 1518 Esther before Ahasuerus

A Farmer and his Patron, from Hymmelwagen auff dem, wer wol lebt... Artist: Hans Schäufelein (German, Nuremberg ca. 1480-ca. 1540 Nördlingen). Author: Hans von Leonrodt. Dimensions: Sheet: 4 1/2 × 4 1/16 in. (11.4 × 10.3 cm). Publisher: Silvan Otmar (German, active Augsburg, 1513-40). Date: 1517. Museum: Metropolitan Museum of Art, New York, USA. Author: Hans Schäufelein.

The Presentation in the Temple, from The Fall and Redemption of Man. Albrecht Altdorfer; German, c.1480-1538. Date: 1510-1518. Dimensions: 72 x 49 mm (image/block/sheet). Woodcut in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

November, Cornelis Dusart, 1679 - 1704 print A man slaughter a boar while a woman catches the blood of the beast in a pan. Two children with a pig bladder play in the foreground and a second pig is boned in the background. The print is part of a series of twelve prints with the twelve months of the year. Print Maker: Haarlem Publisher: Amsterdam paper engraving November and its 'labours'. butcher, slaughterman

The Presentation of Mary in the Temple. Artist: Anonymous, Netherlandish, 16th century. Dimensions: sheet: 10 9/16 x 8 in. (26.8 x 20.3 cm). Former Attribution: Formerly attributed to Cornelis Engebrechtsz (Netherlandish, ca. 1461-1527). Date: ca. 1520. Museum: Metropolitan Museum of Art, New York, USA.

The Flagellation, from The Large Passion. Albrecht Dürer; German, 1471-1528. Date: 1496-1497. Dimensions: 384 x 277 mm (image); 387 x 278 mm (sheet). Woodcut in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Pilate Washing his Hands, from The EngravedPassion. Artist: Albrecht Dürer, German, 1471-1528

Netherlands, Leyden, Lucas van, Large series of Women's Cunning, Virgil in the basket, verso bottom left - stamped, Virgil in basket hanging along wall, crowd below him looking and pointing., print, prent, prints, enten, height 410 mm, width 287 mm, Noord-Nederlands, 1494-06 - 1533-08, print maker, printmaker, 1512 - 1516, first quarter 16th century, paper, woodcut

Saint Peter, from The Martyrdom of the Apostles 1507-1517 Germany. Woodcut in black on ivory laid paper . Lucas Cranach, the Elder

Ecce Homo, from The Passion 1512 Albrecht Dürer German. Ecce Homo, from The Passion 391378

Do Not Give Your Right Hand to All and Sundry' fol. 13 recto, c. 1512/1515, Speculum principis (Mirror for Princes), pen and brown ink on laid paper, overall: 16.3 x 10.7 cm (6 7/16 x 4 3/16 in.), French early 16th Century (artist)

Albrecht Dürer (1471-1528). "Saint Christophe crossing water Bartsch 103". Wood engraving, 1511. Museum of Fine Arts of the city of Paris, Petit Palais. Catholic, Christian, Christ, Water, Child, Wooden Engraving, Porter, Saint, cross

Potiphar's Wife Acuses Joseph 1512 Lucas van Leyden Netherlandish. Potiphar's Wife Acuses Joseph 364794

Peter from the Martyrdom of the Twelve Apostles Lucas Cranach the Elder German. Peter from the Martyrdom of the Twelve Apostles 435299

Lucas van Leyden, The Two Couples in the Forest, c 1509 The Two Couples in the Forest

The Resurrection ca. 1435-1491 Martin Schongauer German. The Resurrection 366998

Chira looking for the prostitute; History of Judah and Tamar. Chira is looking for the prostitute that his friend had met Judah. He must bring her a goal book. The print is part of a series about the history of Judah and Tamar

Jaël and Sisera, Anonymous, After Jan Saenredam, After Lucas van Leyden, 1589 - 1607 print Sisera sleeps on the floor of a derelict building. He wears armor and his club and his helmet lie with him. Jaël keeps a pin on his sleep and in her lifted right hand she has a hammer. Rear to the right gives him to drink milk and the battlefield is to be seen. Under the show a two -line, Latin text with a description of the murder scene. paper engraving Jael kills the sleeping Sisera by hitting the nail through his temples. Sisera asks for water and is given milk by Jael

Iphigenia recognizes orests. Iphigenia, priestess of Diana, recognizes her brother Orestes and his companion pylades. The men are fascinated to be sacrificed to Diana.

Matejko sentenced. Łopieński, Ignacy (1865-1941), graphic artist, Matejko, Jan (1838-1893), painter

Decapitation of Johannes de Baptist, Anonymous, 1550 - 1650 print The executioner puts the head of John the Baptist on the scale, which Solomé holds. On the right a prisoner who is chained on the wall. Through the doorway you can see how Salomé offers the scale with its head to Herod and Herodias. Under the show a two -line text in Latin and a reference to the Bible text in Mat. 14. Low Countries paper engraving Salome is given the head of John the Baptist by the executioner. the head of John the Baptist brought to or lying on the banqueting table

Woodcut by Lucas Cranach the Elder around 1508/1509 depicting the beheading of John the Baptist.

Man walks past a fabric store to a arms trade, Anonymous, Hans Weiditz (II), 1514 - 1531 print The woman on the left sells textile but is turned back by the potential buyer while this direction the merchant is on the right that offers harnesses and weapons. Print is part of an album. paper letterpress printing merchant, salesman. textile fabric, cloth. military clothing and other equipment (uniforms, cap, armour, helmet, etc.)

Albrecht Dürer, The Sudarium Held by Two Angels, 1513, engraving on paper.

The Adoration of the Magi 1602-1617 France. Jacques Bellange was the court painter for the dukes of Lorraine from 1602 until his death in 1616. Although very few paintings and only about 100 drawings can be attributed to his hand, the 47 creative etchings Bellange produced beginning in 1610/11 are his legacy. This, his largest etching on one plate, presents a swirling mass of over 30 figures, including a young page with a parrot on his arm and a king holding an elegant chalice.. Etching on ivory laid paper . Jacques Bellange

The Lamentation of the Virgin, from The Fall and Redemption of Man. Albrecht Altdorfer; German, c.1480-1538. Date: 1510-1518. Dimensions: 72 x 48 mm (image/block). Woodcut in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Architect in His Study Holding a Compass and Conversing with Three Men 17th century Attributed to Agostino Tassi Italian. Architect in His Study Holding a Compass and Conversing with Three Men 340538

Lucas van Leyden, The Pilgrims, in or before 1508 The Pilgrims

Christ Scourged, from Speculum passionis domini nostri Ihesu Christi. Artist: Hans Schäufelein (German, Nuremberg ca. 1480-ca. 1540 Nördlingen). Author: Ulrich Pinder (German, active 1493-before 1519). Dimensions: Sheet: 9 3/8 × 6 3/8 in. (23.8 × 16.2 cm). Publisher: Published for Ulrich Pinder, by Friedrich Peypus (Geman). Date: 1507. Museum: Metropolitan Museum of Art, New York, USA. Author: Hans Schäufelein.

Netherlands, Master of the Virgo inter Virgines, Master of the Delbecq-Schreiber Passion, Master of Delft, Christ choosing his first disciples, Christ and five men in a landscape., print, book illustration, prints, height 98 mm, width 142 mm, Northern Netherlands, unknown, 1480 - 1500, fourth quarter 15th century, first quarter 16th century, paper, woodcut, Southern Netherlands

Les mendiants de Bruges , Beggars, Alphonse Legros (1837-1911)

Rome, Schiaminossi, Raffaello, Quindecim Mysteria Rosarii Beatae Mariae Virginis, Fifteen Mysteries of the Rosary, Presentation of Christ in the Temple, recto lower right - handwritten in brown ink, Mary offers the Christ Child to the high priest Simeon. Joseph stands on the right with two doves. In the bottom margin a two-line Latin text., print, prent, prints, verso - stamped, 4, height 110 mm, width 154 mm, Italian, 1572 - 1622, print maker, printmaker, 1602 - 1604, paper, papier, etching, etchings, Work conception, after own design by

Monogramist GRAE, The Peasant Couple at Market, 1514, engraving on paper.

Copper engraving by Meister E.S. from the second third of the 15th century depicting a knight and a lady, with helmet and lance, showing figures and attire.

Albrecht Dürer (1471-1528). "The arrest of Christ, B 5". Chisel and wood. Museum of Fine Arts of the City of Paris, Petit Palais. 33396-7 Arrest, stop, chisel, Catholic, Christian Christian, Christ, son God, strike, guard, New Testament, biblical scene, hold torch, violence, wood

The Rich Old Woman. Agostino Veneziano (Italian, 1490-1540). Engraving; platemark: 15.4 x 12 cm (6 1/16 x 4 3/4 in.); sheet: 16 x 12.5 cm (6 5/16 x 4 15/16 in.).

Birth of the son of Gauthier and Griselda, Pieter Cornelisz. called art, 1517 drawing On the right the young mother in bed. Next to her a servant with a bowl of dad. On the left in the foreground the father, Gauthier, who gives the son away to another woman. paper. ink pen Griselda

Saint Christopher crossing the river with Christ in the form of a putto on his shoulders and a hermit in the foreground, after Dürer ca. 1500-1534 Marcantonio Raimondi Italian. Saint Christopher crossing the river with Christ in the form of a putto on his shoulders and a hermit in the foreground, after Dürer 342745

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