Biblical Narratives in Art

Engravings depicting scenes from biblical narratives, focusing on figures in dramatic poses, conveying emotional depth and intricate costumes across different styles.

Italy, Raphael, Raimondi, Marcantonio, Veneziano, Agostino, Lamentation, verso - stamped, The body of Christ is mourned by the Marys and other followers. In the background Golgotha with the three crosses., print, prent, prints, height 242 mm, width 168 mm, Italian, 1490 - 1536, print maker, printmaker, 1500 - 1536, paper, papier, ink, inkt, engraving, engraving (printing process), pen, Work conception, 1482 - 1534, after print by, 1483-04-07 - 1520-04-07, intermediary draughtsman

Adoration of theKings. Woodcutter: Giuseppe Niccolò Vicentino, Italian, active 1540-50 After: Parmigianino, Italian, 1503-1540

Salome receives the head of John the Baptist. Draughtsman: Lattanzio Gambara (attributed to). Dating: 1550 - 1574. Measurements: h 240 mm × w 188 mm. Museum: Rijksmuseum, Amsterdam.

Ecce Homo, from The Passion, #8 in a series of 12engravings. Artist: Hendrick Goltzius, Dutch, 1558-1617

Apollo on Parnassus (Apollon sur le Parnasse) 1540-83 Etienne Delaune French. Apollo on Parnassus (Apollon sur le Parnasse) 399352

Raphael, Raimondi, Marcantonio, Delessert, Benjamin, Marc Antoine Raimondi, La Vierge à la longue cuisse, Photo reproduction of an engraving of the Holy Family by Marcantonio Raimondi, photograph, photo, reproduction, page, photos, photographically illustrated books, height 392 mm, width 258 mm, French, 1817 - 1868, photographer, 1848 - 1853, photographic paper, photo paper, salted paper print, salt print, Work conception, Italian, 1482 - 1534, after a print by, 1483-04-07 - 1520-04-07, intermediary draughtsman

Two men at the open door of a room, print maker: Jan Luyken, Pieter Arentsz II, wed. Pieter Arentsz & Cornelis van der Sys II possibly, 1678 - 1699

Annibale Carracci, Susanna and the Elders, c 1590 1595 Susanna and the Elders

Young couple and an old man with money box (unequal love), Anonymous, after Jan Saenredam, after Hendrick Goltzius, 1589 - 1607 print A young woman stands among an old man who offers her money and a young man she leans on. She wears an arc hat on the head, a wide pleated collar and a cover with shoulder wheels. The old man grabs her and points her to the filled money box on the table and his stick fair. He is wearing a bunch of keys to his belt. Under the compound a four -line, Latin text. After Print by: Northern Netherlandsfter Design by: Haarlemnoord-Nederland paper engraving dress, gown (+ women's clothes). sleeves (+ women's clothes). head-gear (with NAME). head-gear: hat (+ men's clothes). head-gear: cap (+ men's clothes). trousers, breeches, etc. (BREECHES) (+ men's clothes). clothing for the upper part of the body (DOUBLET) (+ men's clothes). neck-gear ~ clothing (with NAME) (+ women's clothes). purse, money-bag. one-sided courting; pursuit; difficult choice. money-chest, treas

Italy, Carracci, Annibale, Rome, Stefanoni, Pietro, Holy Family with John the Baptist, verso - stamped, Mary seated with the Christ Child on her lap and a cradle next to her. On the left stands the young John the Baptist with a cloth filled with cherries. On the right stands Joseph with a book. Dedication and two columns of Latin text., print, prent, prints, enten, height 388 mm, width 278 mm, Italian, 1589 - 1627, print maker, prentmaker, 1599 - 1627, paper, papier, etching, etchings, plaattoon, 1560-11-03 - 1609-07-15

The Emperor and Death. Wenceslaus Hollar (Czech, 1607-1677); after Hans Holbein the younger (German, c.1497-1543). Date: 1651. Dimensions: 73 × 50 mm (sheet, trimmed within plate mark). Etching on ivory wove paper. Origin: Bohemia. Museum: The Chicago Art Institute, USA.

A dying man in bed being read the last rites. Lithograph by F. Piloty after L. Bramer.

Ecce Homo. Dimensions: plate: 27.9 x 19.7 cm (11 x 7 3/4 in.) sheet: 28.9 x 20.5 cm (11 3/8 x 8 1/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Hans Weiner.

St. James the Less, from Christ, the Apostles and St. Paul with the Creed ca. 1589 Hendrick Goltzius Netherlandish. St. James the Less, from Christ, the Apostles and St. Paul with the Creed 398817

Esther before Ahasuerus. Dated: 1518. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: LUCAS VAN LEYDEN.

Pilate Washing His Hands ca. 1435-1491 Martin Schongauer German. Pilate Washing His Hands 366994

Jupiter and Mercury sit at the table in the house of the Elderly Couple Philemon and Baucis. Philemon tries to take a fleeing goose but Jupiter stops him.

Gundeberga, Queen of the Lombards, looks at the Duel, Raphaël Sadeler (I), after Johann Mathias Kager, 1615 print Gundeberga, Queen of the Lombards, is trapped in a cell. She is accused of a murder attempt on her husband. She looks from her window to the game between two knights that her fate will determine. The print has a Latin caption and is the fourteenth print of a 60-part series on the subject of the saints of Bavaria. München paper engraving / etching historical persons - BB - woman. judicial duel. prison, jail. queen, empress, etc. (wife of a ruler) Bavaria

The Holy Spirit as a bird descending with spread wings at top center; the twelve Apostles standing below gesturing to it in front of an archway. Artist: Domenico Campagnola (Italian, Venice () 1500-1564 Padua); Possibly after a design by Titian (Tiziano Vecellio) (Italian, Pieve di Cadore ca. 1485/90-1576 Venice). Dimensions: Plate: 7 3/8 x 6 7/8 in. (18.7 x 17.5 cm)Sheet: 7 5/8 × 7 11/16 in. (19.4 × 19.5 cm). Date: 1518. Museum: Metropolitan Museum of Art, New York, USA.

The Knight and the Lady 15th century Master ES German. The Knight and the Lady 336140

After Albrecht Dürer, The Entombment, After 1512, engraving on paper.

Cigarger; Medallions with ambiguous peripherals. Medallion with a couple in an interior. The woman sits in front of a fireplace a net. Behind her is a man who leans against her chair. On a table a can and glass. At the feet of the woman a cat eats a fish. Around an ambiguous randboard in German with a reference to the woman's nightly escapades.

Old Woman is approaching her grave, Marcantonio Raimondi (Possible), After Rafaël, 1510 - 1527 print Old woman with a basket with gathering wood runs with curved back and stick towards an open grave where a skeletal arm shows a winged hourglass. paper engraving the ages of man (+ old female (human being)). hourglass. symbols of Death

Conrad Meyer, Lodging of the Travelers Lodging of the Travelers

Christ Crowned with Thorns 1519 Lucas van Leyden Netherlandish. Christ Crowned with Thorns 364792

RomeINSE Rechtspraak, Philippe Louis Parizeau, After Louis Félix de la Rue, 1770 print A man in a gown sitting on a seat, behind him are five men and a young woman kneels before him. paper etching law and jurisprudence (+ judge)

The Virgin and Child Artist's working dates 1493-1531 Germany. Woodcut on paper . Hans Burgkmair, the elder

Albrecht Dürer, The Little Passion: The Deposition, 1509-1511, woodcut on paper.

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Doornenkroning, 1597 print Nummered at the bottom left: 7. Haarlem paper engraving the crowning with thorns: soldiers with sticks place a thorny crown on Christ's head and give him a reed (Matthew 27:27-31; Mark 15:16-20; John 19:2-3)

Antwerp, Vrints, Johannes Baptista (I), Vos, Maerten de, Weert, Jacob de, Vita b. Ioannis Baptistae graphicè descript, Life of John the Baptist, Visitation, verso lower left - stamped, Elisabet stands in front of her house. Behind her, Zacharias stands in the doorway. On the left, Mary can be seen. She carries a stick. In the distance, a few more houses are depicted in a mountainous landscape. Below the representation is a two-line Latin text describing the visitation from Luke 1., print, prints, height 107 mm, width 92 mm, South Netherlands, 1569-09-12, print maker, printmaker, 1580 - 1600, paper, papier, engraving, graveren (drukprocedé), Work conception, 1532 - 1603-12-04, after a design by, Publication (Event), Publication, 1555 - 1610, publisher

Susanna and the elders. The bathing Susanna is harassed by two old men who are in danger of giving her to accusation of adultery if they resist them. In the foreground on the right a fountain with a putto on a turtle and a nakest figure standing on a shell. A landscape in the background. Text and coat of arms in undermarge.

Ill-Matched Couple n.d. Albrecht Dürer German. Ill-Matched Couple 391026

Christ at Emmaus. Israhel van Meckenem; German, c. 1440/45-1503. Date: 1465-1503. Dimensions: 207 × 145 mm (sheet trimmed within plate mark). Engraving on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, USA.

Albrecht Dürer, The Peasant Couple at Market, 1519, engraving on paper.

Matham, Jacob, Schonaeus, Cornelius, Bloemaert, Abraham, Haarlem, Maria met kind en twee engelen, verso lower left - stamped, print, prent, prints, prenten, height 175 mm, width 120 mm, Noord-Nederlands, 1571-10-15 - 1631-01-20, print maker, printmaker, 1599 - 1599, paper, papier, engraving, engraving (printing process), Work conception, 1566-12-25 - 1651-01-27, after a design by, 1541 - 1611-11-23, writer, Publication (Event), Publicatie, publisher

Nuremberg, Solis, Virgil, Figures playing, dancing, playing and drinking, Dancing couple, verso - handwritten in brown ink, Numbered top left: 6., print, prints, verso - stamped, 140, height 58 mm, width 46 mm, German, 1514 - 1562-08-01, print maker, printmaker, 1545 - 1545, second quarter 16th century, paper, papier, etching, etchings

Print made by Adamo 'Ghisi' Scultori, ca.1530-1585, The Prophet Isaiah, 1550 to 1585. Engraving on medium, slightly textured, cream laid paper.

The Last Supper. Jan Harmensz Muller (Dutch, 1571-1628); after Lucas van Leyden (Netherlandish, 1494-1533). Date: 1610-1625. Dimensions: 117 x 77 mm (image); 118 x 80 mm (plate/sheet, trimmed to plate mark). Engraving in black on ivory laid paper. Origin: Holland. Museum: The Chicago Art Institute, USA.

Cornelia and Gracchus indoors; Performances from Roman history. Cornelia and her husband Tiberius Sempronius Gracchus have shown indoors. Gracchus kills two hoses on the left, right is Cornelia in the midst of three women. In the margin below the performance, a text is listed in Latin, at the bottom right of mirrored: 6. The print is part of a series of prints that represent events from Roman history.

The Peasant Couple at Market 1519 Albrecht Dürer German. The Peasant Couple at Market 391272

Cornelia en Gracchus, 1573 print Cornelia and her husband Tiberius Sempronius Gracchus are displayed indoors. Gracchus kills two snakes on the left, on the right Cornelia is crafted in the midst of three women. In the margin under the show there is a text in Latin, mirrored at the bottom right: 6. The print is part of a series of prints that depict events from Roman history. paper engraving (Story of) Cornelia, mother of the Gracchus. (Story of) Gracchus Tiberius

Flight into Egypt, 1515, Woodcuts, approx. 2 13/16 x 1 15/16 in. (7.2 x 4.9 cm), Paper / Sheet approx. 3 x 2 1/16 in. (7.6 x 5.2 cm), Stamped in black ink, verso Y.W. enclosed in circle (Lugt 2669), Cream laid

Rader, Matthäus, Kager, Johann Mathias, Munich, Sadeler, Raphael (I), Bavaria sancta I, Saints of Bavaria I, S. Henricvs imperator, Emperor Henry II the Saint on his deathbed, verso lower left - stamped, Emperor Henry II the Saint lies on his deathbed. He tells his courtiers that his wife, St. Cunegundes of Luxembourg, is still a virgin and may not remarry after his death. The print has a Latin caption and is the 38th print in a 60-part series on the subject of the saints of Bavaria., print, prints, width 156 mm, height, 220 mm, South Netherlands, 1560, print maker, printmaker, 1615 - 1615, paper, papier, engraving, engraving (printing process), etching, German, 1575 - 1634, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1561 - 1634-12-22, publisher

Holy Family with the Infant Saint John the Baptist and Two Male Saints Artist's working dates 1588-1646 Italy. Pen and brown ink, with brush and gray wash and traces of graphite, on tan laid paper, squared in graphite, laid down on buff wove card . Alessandro Albini

A woman with wings on her head shows an enthusiastic young man a bas-relief depicting Apollo in his sun chariot, Woman with winged head shows bas-relief to young man, print maker: Louis Fabritius Dubourg, (mentioned on object), Amsterdam, 1720, paper, etching, h 158 mm × w 113 mm

Rembrandt van Rijn, Death Appearing to a Wedded Couple from an Open Grave, 1639 Death Appearing to a Wedded Couple from an Open Grave

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Frans Crabbe's early 16th-century copper engraving depicts a proclamation scene, showing figures, gestures, and a public setting.

Germany, Altdorfer, Albrecht, The Fall and Redemption of Mankind, Lamentation over Christ, verso bottom center - handwritten, The dead body of Christ, lying on the ground, is mourned by Mary, John and Mary Magdalene. Thirty-second print from a series of forty., print, prent, prints, prenten, 58, height 72 mm, width 48 mm, 1480 - 1538, print maker, prentmaker, 1506 - 1538, first quarter 16th century, second quarter 16th century, paper, papier, houtsnede

Psyche is visited by her sisters, master of the dice, after Michiel Coxie (i), c. 1530 - c. 1560 print Psyche receives a visit from her two sisters. At the top right, the sisters for Zephyrus (the personification of the Westenwind) are brought to Psyche. Italian text in two cartouches in STUDMARGE. Twice numbered bottom left: 11. Italy paper engraving Psyche's sisters are brought to her by Zephyrus

Albrecht Altdorfer, The Annunciation, 1513 The Annunciation

Creation of Eva, Hans Schäufelein (Possible), Hans Schäufelein, 1490 - 1538 print The creation of Eva from the rib of Adam by God. paper letterpress printing Eve emerges from Adam's body

Elegant couple, standing before a well, dressed according to Dutch fashion ca. 1620. First print of a series of eight costume prints, Elegant dressed couple A Costumes (series title), print maker: Jan van de Velde (II), (mentioned on object), publisher: Claes Jansz. Visscher (II), (mentioned on object), Amsterdam, 1603 - 1652, paper, etching, engraving, h 133 mm × w 100 mm

Coxie, Michiel (I), Italy, Master of the Dice, Story of Amor and Psyche, Psyche punished by Pain and Sorrow, verso - stamped, The personifications of pain and sorrow punish Psyche by order of the goddess Venus. Venus sits on a chair to the right and looks on. Italian text in two cartouches in the bottom margin. Numbered twice lower left: 21., print, prent, prints, prenten, height 200 mm, width 225 mm, Italian, German, print maker, printmaker, 1530 - 1560, paper, engraving, engraving (printing process), plate tone, Work conception, Southern Netherlands, 1499 - 1592-03-10

The Virgin Appearing to Saint John, Frontispiece to the Apocalypse. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: Sheet: 7 3/8 × 7 1/16 in. (18.7 × 17.9 cm). Date: 1511. Museum: Metropolitan Museum of Art, New York, USA.

Hooghe, Romeyn de, Netherlands, Illustration for the Decameron by Boccaccio, history XXXIV. Isabelle with the exhumed head of her murdered lover., print, book illustration, prints, height 73 mm, width 81 mm, Northern Netherlands, 1645-09-10 - 1708-06-15, print maker, printmaker, 1697 - 1697, fourth quarter 17th century, paper, etching, etchings, Work conception, after own design by

David plays Harp for Saul, Lucas van Leyden, 1506 - 1510 print Saul sits on a throne with spear in the left hand, David stands for him and plays a harp. Two men lean in conversation against throne, behind it a group of soldiers. Low Countries paper engraving David playing his harp before Saul. head-gear: turban (+ men's clothes). boots (+ men's clothes)

The Nativity. Dated: c. 1490/1500. Dimensions: sheet (trimmed to plate mark): 26.8 x 18.7 cm (10 9/16 x 7 3/8 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Israhel van Meckenem after Hans Holbein the Elder.

Jael and Sisera. Sisera is sleeping on the floor of a derelict building. He wears a armor and his knots are with him and his helmet. Jael holds a pin on his sleep and she has a hammer in her right hand. Right right yield gives him milk to drink and the battlefield can be seen at the left. Under the show a two-person, Latin text with a description of the murder scene.

The Story of the Prodigal Son, from a series of 6prints. Artist: Nicolaes de Bruyn, Flemish, 1571-1656 Publisher: Ahasuerus van Londerseel, Dutch, 1572-1635

Artist: Bartolomeo Coriolano, Italian, ca. 1599-ca. 1676, ASibyl, 17thcentury, Chiaroscuro woodcut, sheet: 26.19 × 18.73 cm (10 5/16 × 7 3/8in.), Italian, 17thcentury, Works on Paper -Prints

Lord and lady seated, holding skulls and a cup, surrounded by vanitas symbols Death with banding in air Around representation border with bones, dead body and angel and devil, Vanitas Lord and lady with skull, print maker: Monogrammist XXX met L, (attributed to), Low Countries, 1550 - 1570, paper, engraving, h 116 mm × w 85 mm

The Adoration of the Magi, from Ewangeli und Epistel. Artist: Hans Schäufelein (German, Nuremberg ca. 1480-ca. 1540 Nördlingen). Author: Johann Geiler von Kaisersberg (German (born Switzerland), Schaffhausen 1445-1510 Strasbourg). Dimensions: Sheet: 9 1/8 × 6 1/4 in. (23.2 × 15.9 cm). Publisher: Hans Schönsperger. Date: 1512. Museum: Metropolitan Museum of Art, New York, USA. Author: Hans Schäufelein.

The Annunciation. Heinrich Aldegrever; German, 1502-c.1560. Date: 1553. Dimensions: 108 x 68 mm (image/plate). Engraving in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Wenzel von Olmutz after Master of the Housebook (German, active 1481-1497), Farmer and Wife with Goose, c. 1490, engraving

Lucas van Leyden, The Visitation, 1520 The Visitation

Dancing company, Lambertus Antonius Claessens, After Jacques Kuyper, 1800 print A group of dancers dances the Fandango, a popular dance in the 18th century in Spain. A man plays on a lute. paper etching more than one couple dancing

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Munich, Aachen, Hans von, unknown, Italy, Sadeler, Raphael (I), Holy family with two angels, verso lower left - stamped, The Holy Family is seated on a bench. Two angels offer the Christ Child a bowl of fruit and a lily flower., print, prent, prints, width 166 mm, height, 200 mm, Work conception, Southern Netherlands, 1560, after a print by, 1598 - 1658, paper, papier, engraving, engraving (printing process), etching, print maker, printmaker, German, 1552 - 1616-01-06

A chalk drawing by an anonymous artist depicts two men, one wearing a coat and wide-brimmed hat, the other shown from the back without headgear, rendered in reddish tones.

Christ as the Man of Sorrows with the Virgin and St. John. Artist: Martin Schongauer (German, Colmar ca. 1435/50-1491 Breisach). Date: 15th century. Museum: Metropolitan Museum of Art, New York, USA.

Anger, 1575 print Personification of anger in the form of a woman in armor. She has a helmet on her head and a saber in her left hand. She has a shield in her right hand. She is in a landscape for an antique building. A building is on fire in the background. On the right a dog. In the margin a single -line caption in Latin. paper engraving Anger; 'Ira' (Ripa) ~ personification of one of the Seven Deadly Sins. armour. dog. setting on fire (of conquered city)

A Couple Addressing a Gesticulating Young Man, 1595/1596, The Masquerades, engraving on laid paper, plate: 23.9 x 17.2 cm (9 7/16 x 6 3/4 in.), sheet: 39.9 x 27.2 cm (15 11/16 x 10 11/16 in.), New Hollstein, no. 167, State only, Zacharias Dolendo (artist) Dutch, active 1581/1598, Jacques de Gheyn II (artist after) Dutch, 1565 - 1629, Jacques de Gheyn II (publisher) Dutch, 1565 - 1629

Christ and the Samaritan woman. Draughtsman: Lorenzo Pasinelli. Dating: 1639 - 1700. Measurements: h 142 mm × w 118 mm. Museum: Rijksmuseum, Amsterdam.

Master ES, The Martyrdom of Saint Barbara, c 1450 The Martyrdom of Saint Barbara

Birth of the son of Gauthier and Griselda. On the right the young mother in bed. In addition to her a servant with a bowl of porridge. Left in the foreground The Father, Gauthier, who gives the Son away from another woman.

Elia and the widow of Sarefat. Elia meets the widow of Sarefat and her son, who gather wood together outside the city gate. The print is part of an album.

Consequences of the waste in the marriage. A man and a woman with two children sit in a poor room just lit by an oil lamp. The children cry and the parents also erase the tears from their face. The man keeps his empty exhibition up as a sign that the money is up. The performance shows, as the fresh explains, that the result of an extravagant life 'Pannetgen Magher' is.

Depicts a couple walking to the left by Sebald Beham, created as a copper engraving showing clothing, posture, and interaction.

Reproduction of a painting: Aleksander Lesser (1818-1884), Jadwiga błogosławi na wyprawę syna Henryka Hedwig blesses her son, Henryk, before the excursion; from: `Kłosy` 1884, vol. XXXIX, no. 1007, p. 256. Gorazdowski, Edward (1843-1901), engraver, Lesser, Aleksander (1814-1884), painter

Rest during escape in Egypt Lucas de Leyde (1494-1533). Rest during escape in Egypt.

Farmer speaks with an olive branch in hand to the prince and his counsel, Jan Luyken, 1693 print Amsterdam paper etching / letterpress printing farmers. ruler, sovereign

The Prodigal Son Squanders his Fortune with Prostitutes. Artist: Augustin Braun (German, Cologne ca. 1570-1639 Cologne). Dimensions: sheet: 8 1/8 x 6 15/16 in. (20.7 x 17.6 cm). Former Attribution: Formerly attributed to Sebastiaen Vrancx (Netherlandish, Antwerp 1573-1647 Antwerp). Date: late 16th-mid-17th century. Museum: Metropolitan Museum of Art, New York, USA.

Biagio Pupini (Italian, active 1511 - 1551), The Adoration of the Magi, 1551, pen and brown ink with brown and gray wash, heightened with white gouache on blue paper

Mediolanensis Viri Feminaeque Ornatus, from Fashions of Different Nations n.d. Pieter de Jode I Netherlandish. Mediolanensis Viri Feminaeque Ornatus, from Fashions of Different Nations 388671

Lucas van Leyden, Herod and Herodias, c 1512 Herod and Herodias

The Adoration of the Shepherds. Dated: c. 1532/1533. Dimensions: sheet: 41.2 x 51.7 cm (16 1/4 x 20 3/8 in.). Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Giovanni Britto after Titian.

Man counts coins and a boy brings him money bags; Reispose Ihms der Teuffel.

Johann IV., King of Portugal.

The Adoration of the Magi. Artist: After Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp); Nicolaes Lauwers (Flemish, ca. 1632-ca. 1685). Dimensions: Sheet: 23 3/4 × 17 5/16 in. (60.3 × 44 cm). Date: early 17th-late 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Martin Schongauer, The Entombment, c 1480 The Entombment

Hendrik Goltzius in the style of Albrecht Dürer, The Circumcision, 1594 The Circumcision

Lord and lady sat in a landscape, Lucas van Leyden, 1520 print Lord and lady sitting in a landscape. The man offers the woman a cup. paper engraving male sex; man. female sex; woman. cup

Madonna and Child with a Finch. Simone Cantarini; Italian, 1612-1648. Date: 1634-1636. Dimensions: 218 x 146 mm. Etching on paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Netherlands, Crabbe van Espleghem, French, Adoration of the Shepherds, verso lower left - stamped, Mary, Joseph, angels and shepherd around crib with Christ child in a ruin. View through landscape with annunciation by angel to shepherds., print, prent, prints, height 244 mm, width 175 mm, 1480 - 1552-02-20, print maker, printmaker, 1490 - 1552, fourth quarter 15th century, first quarter 16th century, second quarter 16th century, third quarter 16th century, paper, papier, engraving, engraving (printing process)

The peasant couple at market., 1519, Germany, by Albrecht Dürer. Gift of Bishop Monrad, 1869.

Rader, Matthäus, Kager, Johann Mathias, Munich, Sadeler, Raphael (I), Bavaria sancta I, Saints of Bavaria I, Theodolinda Longobard. regina boia, Conversion of the King of the Lombards by Queen Theodolinda, verso lower left - stamped, Theodolinda, Queen of the Lombards, shows the King of the Lombards a painting of the Holy Trinity. Upon seeing the painting, the king converts. The print has a Latin caption and is the thirteenth print in a 60-part series on the subject of the saints of Bavaria., print, prints, width 156 mm, height, 220 mm, South Netherlandish, 1560, print maker, printmaker, 1615 - 1615, paper, papier, engraving, engraving (printing process), etching, German, 1575 - 1634, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1561 - 1634-12-22, publisher

Susanna and the Two Elders, c. 1508. Lucas van Leyden (Dutch, 1494-1533). Engraving;

Holy family under an arc, Marcantonio Raimondi, After Michelangelo, 1500 - 1530 print paper engraving Holy Family, and derived representations

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