Biblical Narratives in Art

Detailed etchings illustrating key biblical events with figures from scripture, captured in baroque style, showcasing historical and religious significance.

Religious offering by Anonymous artist, print, Private Collection, 20, 9x26, 4

Opwekking by Lazarus, Raphaël Sadeler (I), After Hans Rottenhammer (I), 1598 - 1604 print Lazarus gets up from the dead by the order of Christ. A crowd has been collected around them. print maker: Italyafter design by: München paper engraving / etching the raising of Lazarus ('Lazarus, come out')

Dresses of the nudes, 1643 print In an interior, men and women hand out clothing to people who don't have clothes. Christ is in the middle of space. Under the show a reference in Latin to the Bible text in mat. 25:36. This print is part of an album. Amsterdam paper engraving clothing the naked, 'nudus vestitur' ~ one of the (seven) Acts of Mercy - VV - Christ present

Joseph divides the grain in Egypt.

King Josia has destroyed the Temple of Baal; History of King Josia. King Josia orders to destroy the Temple of Baal and kill the Baalpriests. All objects that are made in honor of the idol are burned from Josiah's soldiers outside the city. The rear right can be seen.

Christ for Herod; Life and passion of Christ; Thesaurus Novi Testamenti Elegantissimis Iconibus Expressus Continens Historias Atque Miracula Doni Nostri Iesu Christi. King Herod intersects Christ, but it doesn't answer him. Herod and his soldiers mocked in Christ. They attract him a show away. Under the show a four-line verse in Latin. This print is part of an album.

Bruiloft Te Kana, Jacob Matham, After Taddeo Zuccaro, 1616 print Christ at the table during the wedding in Kana. In the foreground, food and drinks are provided by servants. Haarlem paper engraving the marriage-feast at Cana (John 2:1-11)

Adoration by the Kings, Jacques Callot, 1621 - 1635 print Maria is sitting on his lap with the Christ child at the entrance of a derelict building. Behind her is Joseph. The three kings or pointing from the east offer Christ their gifts. Under the show an empty margin. Nancy paper etching adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh)

Copper engraving by Schelte Adamsz. Bolswert from 1604-1659 depicting the coronation of Christ, showing figures, gestures, and religious iconography.

Revival of the son of the widow from Naïn, 1643 print Christ brings the son of the widow from Naïn to life. The boy sits down on his corpse and looks at Christ. The funeral procession leaves the gate of the city. Under the show a reference in Latin to the Bible text in Luc. 7:11. This print is part of an album. Amsterdam paper engraving Christ touches the bier of the son of the widow of Nain: the young man sits up

Father of psyche consults the oracle; Story of Amor and Psyche. The father of Psyche consults Apollo's oracle. On the right a number of men with animals that are ready to be sacrificed. Italian text in two cartouches in undermarge. Twice numbered bottom left: 4.

Allegorical performance with an angel. An angel reaches a monk a roll of paper. In the foreground is an old man with a beard to write a book, next to him a woman. In the background the figures with symbols of true faith.

Healing of a Lamme, Jan Luyken, 1703 print Print Maker: Haarlem Publisher: Amsterdam paper etching a paralytic is let down through the roof of the house where Christ is preaching

The rich man and the poor Lazarus.

Amsterdam, Visscher, Claes Jansz. (II), Florence, Straet, Jan van der, Antwerp, Galle, Philips, Acta Apostolorum, Acts of the Apostles, Paul Casts Out the Evil Spirits in Ephesus, verso bottom center - stamped, In the center the apostle Paul casts out an evil spirit from the body of a madman. Around him, magicians and high priests flee who had tried the same but failed. In the background, these magicians burn their books and convert to Christianity. The print has a Latin caption and is part of a 35-part series on the subject of the Acts of the Apostles., print, prent, prints, prenten, height 202 mm, width 262 mm, Noord-Nederlands, 1586 - 1652-06-19, print maker, printmaker, 1643 - 1646, paper, papier, engraving, engraving (printing process), Work conception, Zuid-Nederlands, 1537 - 1612-03-29, after print by, 1523 - 1605-11-02, after design by, Publication (Event), Publicatie, publisher

Holy Family; Youth of Christ; Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae. The holy family with the holy Anna and other women, men and children in a living room. Maria is in the middle with the Christ child on her lap. Anna adores the child. Two other women with small children sit on both sides of Mary. Jozef leans left against a pillar. Under the show a text in Latin. This print is part of an album.

Foot washing of Petrus ..

. AGABUS predicts Paul that he will be tied to your hands and feet in Jerusalem. Biblical performance out of hand. 21:10 With the title of the show in six languages in the margin.

Job offers a lamb for the sins of his children; History of Job. Job kneels together with his wife and children for a sacrificial allegator with a burning sacrifice. In the background a house can be seen in which men are around a table.

Annunciatie, Domenico Tibaldi, After Orazio Samacchini, 1551 - 1583 print The angel Gabriel announces Mary that she will become pregnant. Maria is behind a reader. The Holy Spirit drops like a pigeon. God the Father appears, surrounded by angels, between clouds at the top left. Italy paper engraving the Annunciation: Mary, usually reading, is visited by the angel (sometimes a woman overhears the conversation)

Judgment of Solomon. .

Christ Driving the Money Changers from the Temple ca. 1665-70 Matthias Scheits German. Christ Driving the Money Changers from the Temple 334707

Two representations on one plate. Above: the Holy Empress Flaccilla distributes food to a sick woman in the hospice. In the background other sick people. Below: St. Deogratias, Bishop of Carthage, has furnished his church as a hospital and, together with other Christians, cares for the sick., Holy Empress Flaccilla nurses the poor and sick and St. Deogratias cares for the sick in the church The Empress Flacilla serves the poor / The Bishop Deogratias uses the Church as a Hospice , print maker: Jan Luyken, (mentioned on object), publisher: Jacobus van Hardenberg, bookseller: Jacobus van Nieuweveen, Amsterdam, 1700, paper, etching, h 274 mm × w 160 mm

Moses' trial at the pharaoh. To put the little Moses to the test, the pharaoh left two dishes, one with smoldering coal and the other with cherries - or according to a radical-occupied ring. Moses chose the coals and put them in his mouth so that he burned it. To the right of the middle is Moses with the daughter of the Pharaoh for the scale with coal where he has just stopped one of his mouth. The pharaoh has risen from his throne. In the background, on the right, employees and on the left are servants of the Pharaoh. Under the show there is a line of text in Latin.

Scene from the Old Testament Mardocheus before the Persian king Ahasver Tempesta, Antonio (1555 1630)

Invitation to the sick and poor; Similarity of a wedding party. The King's messenger invites all the sick and arms of the city to come to the king's wedding party. The print has a Latin caption and is part of a six-part series about the parable of a wedding party.

Salome receives the head of John the Baptist.

A Pope Recieving a Saint 18th century Anonymous, German, 18th century German. A Pope Recieving a Saint 335778

The return of the lost son; Parable of the lost son. The lost son returns home and is received by his father with open arms. His brothers help him in clean clothes. The old pork powder clothes are on the right of the ground.

The apostles Paul and Barnabas sit before a temple and preach to a group of people. The people are listening intently. In the right corner, a cripple sits with a crutch., Paul and Barnabas preaching in front of the temple, print maker: Louis Fabritius Dubourg, (mentioned on object), Louis Fabritius Dubourg, (mentioned on object), Amsterdam, 1713 - 1775, paper, etching, h 263 mm × w 400 mm

Presentation of Maria in the temple. Maria considers the stairs of the temple. At the bottom of the stairs are her parents Joachim and Anna. Above the high priest of Zacharias. On the right in the foreground are two figures of which one with a basket with poultry.

The Holy Rochus tells alms. View in a structure with columns and round arches. On an increase on the left, the Saint Rochus alms can be divided to a crowd men, women, children and lams.

Last Supper, Adriaen Collaert, After Maerten de Vos, 1598 - 1618 print Christ and his students around an oval table. Christ holds a cup of wine (Matthew 26: 20-25). Judas, on the right in the corner, leaves the table with a money pouch in his hand, symbol of his betrayal. The print has a Latin caption. The print is part of a series about the life of Christ. Antwerp paper engraving institution of the Eucharist, i.e. Christ showing or blessing bread (host) and/or wine (Matthew 26:26-27; Mark 14:22-23; Luke 22:19-20; John 13:26; 1 Corinthians 11:23-25). Judas Iscariot is revealed as Christ's betrayer (communion of Judas)

Ananias and Saffira; Acta Apostolorum; Acts of the Apostles; Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae. Petrus rebuke Ananias and Saffira, who had hidden part of their possessions to do not share them with the Christian community. Both die by Petrus' words. Their seems are buried in the background. Under the show a reference in Latin to the Bible text in hand. 5: 1. This print is part of an album.

La Madeleine aux pieds de Jésus (The Banquet in the House of Simon thePharisee). Artist: Pierre Subleyras, French, 1699-1749

Petrus and Johannes heal a paralyzed man. For the entrance to a temple, the Apostles are Petrus and John. Peter stands up in the direction of two kneeling men. In addition to him, John also extends his arm. Some bystanders watch.

De Israëlieten en de Moabitische vrouwen; Het hoereren van Israel met de Moabitesche dochteren.Around a richly covered table, the Israelites with the Moabite women, each holding an idol picture. After that, Israelites bow for an idol in a temple, turned on by the pagan women. In a tent camp in the background you can see how Pinechas, the son of Eleazar, an Israelite and a moaby woman with a spear. Before that you can see how the men of Israel are struggled to posts. Illustration of the bible text num. 25: 1-8. Under the show the title in Hebrew, English, German, Latin, French and Dutch.

Healing of a woman suffering from hemorrhages, Jan Luyken, Pieter Mortier, 1703 - 1762

Solomon's first judgment.

Herod and Love (Caritas), 1576 print Love (caritas) is in the foreground for an antique building. Three children around her, a smoking fire pot next to her. On the right Herod that looks up at her. In the background the murder of the children of Bethlehem. The print has a Latin, French and Dutch caption and is part of a series about the seven virtues. paper engraving Charity, 'Caritas'; 'Carití' (Ripa) ~ one of the Three Theological Virtues. Herod (not in biblical context). the massacre ot the innocents; sometimes Herod looking on

Visitation, Anonymous, After Andrea Del Sarto, 1561 print Maria's visit to her niece Elisabet. Joseph and Zacharias are also present. On a staircase is a woman who carries a bag in her arms and a man who wears a bag on his head. Latin text in a cartouche right. print maker: Italyafter painting by: Florencepublisher: Rome paper engraving Visitation (possibly Joseph and/or Zacharias present) (Luke 1:39-56). carrying something on the head or on the shoulders

Amsterdam, Visscher, Claes Jansz. (II), Groeningen, Gerard van, Collaert, Hans (I), Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae, Miracles of Christ, Christ healing a woman suffering from hemorrhage, A woman suffering from hemorrhage kneels before Christ. She was healed when she touched his garment. Christ turns to her. On the right in the background the woman enters a house. On the left in the background Christ heals a blind man. Below the image a reference in Latin to the Bible text in Mark 5:25. This print is part of an album., print, album sheet, prints, height 209 mm, width 257 mm, Southern Netherlandish (before 1775), 1540 - 1581, print maker, printmaker, 1574 - 1574, paper, engraving, engraving (printing process), Southern Netherlandish, 1515 - 1599, intermediary draughtsman, after a drawing by, Publication (Event), Publication, Northern Netherlandish, 1586 - 1652-06-19, publisher

Rome, Schiaminossi, Raffaello, Quindecim Mysteria Rosarii Beatae Mariae Virginis, Fifteen Mysteries of the Rosary, Crowning with Thorns, recto lower right - handwritten in brown ink, Christ seated with the crown of thorns on his head and a reed scepter in his hand. Around him soldiers are beating him with a reed. On the left and in the background bystanders are watching. In the bottom margin a two-line Latin text., print, prent, prints, prenten, verso - stamped, 8, height 112 mm, width 155 mm, Italian, 1572 - 1622, print maker, printmaker, 1602 - 1604, paper, papier, etching, etchings, Work conception, after own design by

Death of the Holy Cecilia. The dying Cecilia leans against the bath in which they were cooked alive. After they survived the bath, Cecilia underwent three swords and was injured in her neck. Several figures look and two women penetrate the blood from the floor. Left Pope Urbanus I and above an angel with laurel wreath and palm branch of martyrdom. Inscription and coat of arms in the sub-margin.

Tobias and the angel arrive at Raguel, 1643 print Raguel receives Tobias and hugs him. His wife Edna embraces the angel. In the background, Tobias and the angel are welcomed at the table by them. Raguel gives his daughter Sara to Tobias. In the bedroom, Tobias and Sara kneel in prayer to ask for God's blessing and protection about their marriage. On the right the servants of Raguel dig a grave. Under the performance a reference in Latin to the Bible text in Tobit. 7: 1. This print is part of an album. Amsterdam paper engraving Tobias and the angel in Raguel's house. Tobias and Sarah praying. Raguel digging a grave for Tobias

Paulus preaches in Athens, Anonymous, After Marcantonio Raimondi, After Rafaël, 1624 - 1628 print Paulus preaches in Athens for the Areopagus, the highest Athenian Court of Court. In the foreground, Dionysius de Areopagiet repeats itself to Christianity. paper engraving Paul in Athens: on the Areopagus he discusses with philosophers (in front of the temple of Mars)

Persecution of Christians with scenes of martyrdom behind. Engraving by J. Wierix after M. de Vos.

Worship by the Kings, Niccolò Vicentino (attributed to), after Parmigianino, 1605 print Maria is left with the Christ child. The kings offer gifts and behind them there is a camel. Italy paper adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh). hoofed animals: camel

King Josia is destroyed the temples of Astarte, Kemos and Mildom; History of King Josia. King Josia has destroyed the temples in honor of the pagan gods Astarte, Kemos and Mildom and make all images of the idols in pieces. Two men are busy drawing a large statue of his base. Other men store the temple to pieces with hammers.

Visits the prisoners. .

Copper engraving by Marten de Vos depicting 'Death (The Last Four Things)', showing allegorical representations of death, judgment, heaven, and hell.

Bible posts 12 pieces. To J. Buys. .

Recha team consults the elders and the young men; History of Jeroboam and Rechabeam; Thesaurus Sacrarum historiarum Veteris Testamenti (...). King Recha team consults the elders who had assisted his father Solomon after the Israelites asked him to relieve their yoke. The elders advise him to be kind of people, but Rechabeam ignores their advice. On the left in the background, he then consults the young men with whom he grew up. They advise him not to meet the people's request and to aggravate their yoke. Under the show a reference in Latin to the Bible text in 1. 12.

Maria with child, with saints, Paulus Pontius, after Peter Paul Rubens, 1613 - 1658 print This print is part of an album. Antwerp paper engraving Madonna accompanied by saint(s). the warrior martyr George (Georgius); possible attributes: banner (red cross on white field), (red) cross, dragon, (white) horse, broken lance, shield (with cross), sword. the monk and hermit Jerome (Hieronymus); possible attributes: book, cardinal's hat, crucifix, hour-glass, lion, skull, stone

Emperor heliogabal in debate with the philosophers; About the power of women. Emperor Heliogabal amidst his female court. He is portrayed as a young frost and is in conversation with two scholar philosophers that seem to bring him to other thoughts. There is a monkey for the throne. In the background right the fate of Emperor Heliogabal: he is castrated.

Saint Peter and Saint John healing the lame man at the entrance to the Temple in Jerusalem. Engraving by Claudia Bouzonnet-Stella, 1679, after N. Poussin.

Paulus van Samosata preaches for the early Christian community, Jan Luyken, 1700 print The interior of a church. Paulus of Samosata is stated on the sermon. He is having a hard time preaching for the early Christian community. Amsterdam paper etching the early Christian Churches, e.g. Armenians, Copts, Syrians. preaching (in general)

Paul for the members of the Areopagus in Athens.

Amsterdam, Visscher, Claes Jansz. (II), Vos, Maerten de, Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae, Seven Works of Mercy, Inns of Strangers, A man welcomes strangers and pilgrims with open arms. Christ stands behind him on the left. On the right is a view of the interior of a house. Below the representation is a reference in Latin to the Bible text in Mat. 25:35. This print is part of an album., print, album sheet, prints, height 204 mm, width 248 mm, Southern Netherlands, 1532 - 1603-12-04, intermediary draughtsman, after a drawing by, 1585 - 1585, paper, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher

Saint Rochus hands out alms, Anonymous, After Annibale Carracci, 1610 print Face in a structure with columns and round arches. On an elevation on the left, the holy Rochus alms are distributing to a crowd of men, women, children and crackling. Italy paper etching St. Roch distributes his riches to the poor, and leaves on a pilgrimage

One of the seven Acts of Mercy: Extend Hospitality to those who arrive. Line engraving by S. Bourdon after himself.

Gallia and the French Catholic Church watch how the Reformed Church is lashed, Adriaen Haelwegh, Jan Luyken, Jan Claesz ten Hoorn, 1696

Parable of the Pharise and the publican, 1643 print Christ, standing left, tells the similarity of the Pharise and the Tollenaar. On the right, the publican kneels in the temple repentedly and asks God for grace. In the altar in the background, the Pharise, who thanks God, prays that He is not like the publican. Under the show a reference in Latin to the Bible text in Luc. 18:10. This print is part of an album. Amsterdam paper engraving the praying Pharisee and the repentant publican in the temple (Luke 18:10-14)

Paul and Barnabas preaching at lystra. .

Parable of the five wise and the five foolish virgins, Jan Luyken, 1703 print Print Maker: Haarlem Publisher: Amsterdam paper etching the wise and the foolish virgins ~ parable of Christ (Matthew 25:1-13)

Saint Roch at left distributing alms to a group of people gathered around him, after Annibale Caracci ca. 1590-1600 Francesco Brizio Italian. Saint Roch at left distributing alms to a group of people gathered around him, after Annibale Caracci 396953

Footsing of Petrus, Anonymous, After Jan Luyken, 1712 print Amsterdam paper etching Christ washes Peter's feet

Petrus and John heal a paralyzed man at the Temple Gate, Anonymous, After Louis Chéron, 1670 - 1713 print The performance is based on the text from Acts 3: 4-31. after design by: Francepublisher: Paris paper engraving / etching healing of a lame beggar at the Beautiful Gate of the temple by Peter and John (Acts 3 - 4:31). disabilities, deformations

Mocking of Christ, Hieronymus Wierix, 1563 - Before 1573 print After his thorns of ropes, the Christ's ropes are mocked by two Jews. The gelsels are tied to the column behind him. In the margin a six -line caption, in two columns, in Latin. Antwerp paper engraving in Caiaphas' palace Christ is mocked by Jews (Matthew 26:67-68; Mark 14:65)

Antwerp, Jode, Gerard de, Groeningen, Gerard van, Doetechum, Joannes van (I), Lucas van, Memorabilium, novi testamenti, in templo gestorum icones tredecim elegantissimi ac ornatissimi, Events in and around the temple, Christ and the adulterous woman, In the temple, several Pharisees bring a woman who has been caught in adultery to Christ. The Pharisees ask what Christ thinks of the law of Moses, which states that such women should be stoned. Christ looks at them, after writing on the ground with his finger, and says that the one who is without sin should cast the first stone. Below the representation is a reference in Latin to the Bible text in Joh. 8. This print is part of an album., print, album sheet, prints, height 201 mm, width 289 mm, - 1589, print maker, printmaker, 1570 - 1574, paper, engraving, engraving (printing process), Northern Netherlands, 1530 - 1605, Work conception, Southern Netherlands, 1515 - 1599, after a design by, Publication (Event), Publication, 1509 - 1591-02-

Ignatius in Barcelona, Adriaen Collaert, after Juan de Mesa, 1610 print Five scenes from the life of Ignatius of Loyola. Ignatius passes in Barcelona. In the top left corner he prays for the soul of a suicide. In the left corner he is abused by young people. In the scene in the middle of the top he gets into a trance during a prayer in the house of Juan Pascual and starts to float. Loyola's head glows on the right while listening to a sermon. After his death, Loyola appears to his friend Juan Pascual in the right corner. The print has Latin captions with references to the scenes in the print. The print is part of a fifteen -part series about the life of Ignatius of Loyola. print maker: Antwerpafter painting by: Madridpublisher: Antwerp paper engraving personal devotion of St. Ignatius of Loyola - male saint meditating, in ecstasy. miraculous healings of St. Ignatius of Loyola. post-mortem occurrences ~ St. Ignatius - posthumous deeds, appearances of male saints. miraculous activities a

Jesus is stripped of his clothes. / No. 13. (TA) | The Passion of Christ (IFF 201 to 236). (title of all)

The martyrdom of Saint Justina van Padua (bottom half), Agostino Carracci, After Paolo Veronese, 1582 print The Holy Justina of Padua is on an elevation and is tied by soldiers. She has a sword in the chest. There are spectators and a city in the background. Text in STUDMARGE. print maker: Italyafter painting by: Italypublisher: VeniceVaticaanstadVenice paper engraving St. Justina of Padua is stabbed in the chest; Christ, Mary, and saints may appear to her

Healing a woman suffering from blood flows.

Paulus and Barnabas Preaching the Temple, Louis Fabritius Dubourg, 1713 - 1775 print The Apostles Paul and Barnabas sit for a temple and preach for a group of people. People listen carefully. On the right in the corner is a man next to his crutches. Amsterdam paper etching Paul and Barnabas preach in the synagogue at Salamis. person with a physical disability. crutches

Sinful humanity before the last judgment; Ita erit et adventvs filii hominis. An elegantly dressed company on a set table. They drink, eat, make music and commit fornication. In the background links the final judgment with Christ who judges humanity. In the background right a fighting soldiers and burning houses. The print has a Latin caption with explanation.

Worship of the golden calf. The Israelites dance and kneel for the golden calf. Aaron stands next to the image and points to the calf with his hand. Left rear is to see Moses that comes back from the Sinai mountain where he has received the stone tablets. He throws the dining pieces from anger about the idolatry of the Israelites.

Italy, Christ addresses the apostles, verso inset sheet - handwritten in pencil, print, prints, verso inset sheet - stamped, f 220 : - : -, height 179 mm, width 261 mm, print maker, printmaker, 1540 - 1540, paper, papier, engraving, engraving (printing process)

Similarity of the Pharise and the Tollenaar, Anonymous, After Adriaen Collaert, After Lucas van Doetechum, after Joannes van Doetechum (I), After Maerten de Vos, 1643 print Christ, standing left, tells the similarity of the Pharise and the Tollenaar. On the right, the publican kneels in the temple repentedly and asks God for grace. In the altar in the background, the Pharise, who thanks God, prays that He is not like the publican. Under the show a reference in Latin to the Bible text in Luc. 18:10. Amsterdam paper engraving the praying Pharisee and the repentant publican in the temple (Luke 18:10-14)

Worship through the kings.

Anonymous drawing of Saint Teresa of Avila kneeling on a cloud before an altar, with an angelic putto raising the host and worshippers kneeling on both sides, executed in pen, gray wash, and red chalk.

Saint Peter and John heal a Lamme in a temple, Battista Franco, 1520 - 1561 print Saint Peter and John heal a lame in a temple. A crowd of men and women watches. A mountain landscape in the background. Italy paper etching / engraving healing of a lame beggar at the Beautiful Gate of the temple by Peter and John (Acts 3 - 4:31)

Mozes and Aaron at Pharaoh, Johannes Wierix, after Marten van Cleve (I), 1639 print Moses and Aaron speak with the Pharaoh. Aaron has thrown his staff on the floor and the staff has turned into a snake. The court of the Pharaoh looks surprised. The print has a Latin caption. Antwerp paper engraving Moses and Aaron before Pharaoh; Aaron performs the miracle of the rod changing into a snake

. The three kings visit king Herod in Jerusalem. They are questioned and get the order to return after their visit to the Christ child and report on his birth. The print has a Latin caption with a Bible text.

Antwerp, Jode, Gerard de, Groeningen, Gerard van, Doetechum, Joannes van (I), Lucas van, Memorabilium, novi testamenti, in templo gestorum icones tredecim elegantissimi ac ornatissimi, Events in and around the temple, Jews in the temple throw stones at Christ, In the temple Jewish men pick up stones to throw at Christ, after Christ has said that he was there before Abraham. Christ flees. Below the image is a reference in Latin to the Bible text in John 8. This print is part of an album., print, album leaf, prints, height 204 mm, width 292 mm, - 1589, print maker, printmaker, 1570 - 1574, paper, engraving, engraving (printing process), Northern Netherlands, 1530 - 1605, Southern Netherlands, 1515 - 1599, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1509 - 1591-02-05, publisher

Christ and the Samaritan woman, Jan de Bisschop, After Annibale Carracci, 1669 print Christ is at a source and asks a Samaritan woman if she can water him. His apostles can be seen in the background. paper etching Christ and the woman of Samaria: sitting at Jacob's well he asks her for a drink from her jug. well

Amos, Zechariah and Malachi; Twelve prophets; Thesaurus Sacrarum historiarum Veteris Testamenti (...). The prophets Amos, Zechariah and Malachi are located next to each other in a landscape. Amos with shepherd's staff and sheep, Zacharis looks at the landscape in which the temple is rebuilt, Maleachi with an angel. Under the show explanations in Latin.

Antwerp, Cock, Hieronymus, Heemskerck, Maarten van, Netherlands, Story of David and Saul, David is anointed by Samuel, verso center bottom - stamped, David kneels before the prophet Samuel, who anoints him as king with oil from a horn. His harp lies in front of David. His father Jesse and David's brothers, among others, look on. Behind Samuel, the head of a cow is sacrificed. At the left, Samuel asks God for advice and at the right, David is picked up to appear before Samuel appear. In the margin a one-line caption in Latin from 1 Sam. (incorrectly indicated as 1 Kings on the print)., print, prints, height 202 mm, width 249 mm, print maker, printmaker, 1555 - 1570, paper, papier, engraving, engraving (printing process), Work conception, Northern Netherlands, 1498 - 1574, after a design by, Publication (Event), Publication, Southern Netherlands, 1518 - 1570-03-10, publisher

Death of the firstborns in Egypt, including the son of the Pharaoh.

Voetwessing, Jacob Matham, After Taddeo Zuccaro, 1617 print Christ washes the feet of the apostles. paper engraving Christ washes the feet of the apostles (John 13:1-20)

Paul proclaims the doctrine of Christ in Rome; Acts of the Apostles; Acta Apostolorum. The apostle Paul preaches the doctrine of Christ in Rome. All kinds of people listen to him. Soldiers guard Paul. The print has a Latin caption and is part of a 34-part series with the actions of the apostles as the subject.

Junius, Hadrian, Heemskerck, Maarten van, Muller, Harmen Jansz, Seven bleedings of Christ, Flagellation, verso - stamped, Christ, tied to the flagellation post, is beaten by two men with rod and rope. On the left, Pilate looks on. At the bottom in the margin, a verse in Latin. Print is part of a series on the seven bleedings of Christ., print, prints, height 205 mm, width 248 mm, Dutch, 1540 - 1617-10-07, print maker, printmaker, 1565 - 1565, paper, engraving, engraving (printing process), Work conception, Northern Netherlands, 1498 - 1574, after a design by, 1511-07-01 - 1576-06-16, writer

Christ expands the money exchangers from the temple. Christ releases the traders with a branch forest. On the right a man falling over a low table and a man with a big juvenile bag. Left a man on his knees at a money pouch. In the background cattle traders with an os and pigeons.

The oldest brother of the lost son is furious; Parable of the lost son. The oldest brother of the lost son returns from work on the land and belongs to a servant that his brother is back. He is angry about the warm-up of his brother who has already wasted his money. The father susted the anger of the oldest son.

Procession in Egypt with a cat being led to an altar, Sacrifice of a cat, print maker: Bernard Picart, (mentioned on object), Bernard Picart, (mentioned on object), Amsterdam, 1718, paper, etching, engraving, h 83 mm × w 105 mm

Tamar shows the staff and ring of Judah, Harmen Jansz Muller, after Maarten van Heemskerck, 1643 - 1646 print Judah lets the fire heat up to burn his daughter -in -law Tamar. He wants to punish her because she has behaved like a whore and therefore became pregnant. Tamar, however, shows him his staff and signet ring, with which she proves that he made her pregnant. Then Judah acknowledges that he is guilty and not Tamar. At the bottom of the margin a verse in Latin. Amsterdam paper engraving the burning of Tamar being ordered, she shows the signet(-ring), bracelets and staff to Judah, who recognizes them as his

Death of the firstborns in Egypt, including the son of the Pharaoh.

The head of John the Baptist is brought to Herod; The life of John the Baptist. Herod lies under a canopy to his banquet. Salomé hands the scale with the head of John the Baptist to a servant. Front right. Outside is to see Christ with his disciples. Under the show a Latin fresh.

Anointing from King Salomon. The priest Sadok bumps Salomon on a square for the temple with oil. Salomon stands on a bordes of two steps and kneels forward. The people welcomed and many men blink as a sign of joy on ram horns.

Presentation of Christ in the temple; MEMORABILIVM NOVI Testaments in TemploVM ICONES Trodecim Elegantissimi AC Ornatissimi. In the temple there is a group of people around the altar. The high priest Simeon holds the child in his arms. Maria is on the other side of the table. In addition to her, a woman is busy opening a bird cage with two young pigeons. In the background you can see how Maria walks to Simeon with the child in her arms.

After Lucas van Leyden, Adoration of the Magi, engraving.

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