Biblical Narratives in Prints

Engravings depicting scenes from biblical stories, illustrating key moments and characters, rich in historical and religious context.

63. Conversion Paw A; 64. Aposto He calls the Coritan to true faith; Kosicki, Ludwik (1793-1846); 1840 (1840-00-00-1840-00-00);

Innkeeper and the Spirit, Daniel Nikolaus Chodowiecki, 1775 print An innkeeper who is plagued by a spirit has hired a poet for two nights. As soon as the poet starts before reading, the Spirit disappears. The third night, however, the Spirit appears again. When the innkeeper gives his servant instructed to go to the poet, the Spirit disappears forever. Numbered at the top right: 1. paper etching Literature. spirit, ghost. hotel, hostelry, inn

Lot and his daughters; Ebrietas; History of Lot; Historia Loth (...); Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. Lot is in a cave next to one of his daughters. His other daughter donates his cup full of wine. In the background the fire of the cities of Sodom and Gomorra and the woman of Lot as a salt pillar. Under the show a reference in Latin to the Bible text in Gen. 19. Print is part of an album.

En Scindit Duram Incontusa.... 1545. Salamanca, Antonio, -1562. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Pilatus washes his hands in innocence, Antonie Wierix (II), After Maerten de Vos, 1646 print Christ is sentenced to death and removed. Pilatus washes his hands in innocence. Before the crowd, he washes his hands in a bowl of water. Under the show a four -line verse in Latin. At the bottom right the letters: gg. This print is part of an album. paper engraving Pilate washing his hands (in innocence)

Invention of the Compass, preliminary design for 'Lapis Polaris Magnes,' plate 2 in the Nova Reperta (New Inventions of Modern Times) print series, Jan van der Straet, called Stradanus, Flemish, 1523-1605, Pen and brown ink, brush and brown wash, black chalk on paper, Recto: A scholar in his richly furnished study, seated at his desk using a compass. (He is identified in the related print as the legendary Flavius of Amalfi, thought to have invented the compass.) A low bowl stands in the right foreground supported by four lion feet over which human heads rise, representing the quarters of the globe: 'ocsidens / tramontane / levanus / meridiens.' A ship model hangs from the ceiling. Verso: an inscription in Stradanus' hand, 'brief vanden 25 jannuare 3 hebben...', Florence, Italy, ca. 1590, figures, Drawing, Drawing

Ariosto In Raziernia inflamed, Daniel Nikolaus Chodowiecki, 1771 print Canto twenty -four from 'Ariosto Furioso'. Ariosto ignites in frenzy when he finds out that Angelica is in love with the Shepherd Medor. Not only trees, but also shepherds who come his way, have to suffer. Nummered in the bottom left: 8. paper etching (scenes from) specific works of literature: Ariosto, Orlando Furioso. Rage, Anger. violent death, being killed; being mishandled and maltreated; seeking death

Susanna and the elders; The history of Susanna; History of Susanna; Den Grooten Figuer Bibel (...). Susanna, sitting on the edge of a basin to bathe, is harassed by the two seniors. Under the show a reference in Latin to the Bible text in. 13:19. This print is part of an album.

A small person as a night watchman with a magic lantern on his back, 1720, 1716 - 1720 A small person as a night watchman with a magic lantern on his back. Print printed within a decorative frame of a separate album with a singing and a violin -playing little person. In the caption a verse in two columns in Dutch. Numbered right in the middle: 2. Part of the second Dutch -bound edition from 1720 (and related to the wind trade in that year) of a series of caricatures of small people, known as the dwarf toneel, partly copied to an older German example. print maker: Northern Netherlandsprint maker: Northern Netherlandspublisher: Amsterdam paper etching A small person as a night watchman with a magic lantern on his back. Print printed within a decorative frame of a separate album with a singing and a violin -playing little person. In the caption a verse in two columns in Dutch. Numbered right in the middle: 2. Part of the second Dutch -bound edition from 1720 (and related to the wind trade

A Burial Scene (in Sketch Book With Drawings on Twenty-six Leaves). Artist: Frederic, Lord Leighton (British, Scarborough 1830-1896 London). Dimensions: Sheet (page): 7 7/8 x 10 7/8 in. (20 x 27.6 cm). Date: ca. 1849. Museum: Metropolitan Museum of Art, New York, USA.

Tapestry cartoons by Raphael. Raphael, 1483-1520. Knight, Charles, 1791-1873. Prints, Illustrations. 1858. Science, Industry and Business Library: General Collection. Art, Industrial arts, Tapestry cartoons, Art, Renaissance

Gustav Wasa addresses the Dalmänner, Meno Haas, after Johann David Schubert, 1819 print With caption in German and French. Numbered at the top right: 4. Gotha paper engraving / etching preaching (in general). city-view, and landscape with man-made constructions

Sloth is sleeping, 1579 print King Solomon runs through a vineyard and points his company to a sloth that sleeps in broad daylight in a stable, while his vineyard is decorating. A second sloth is sleeping in the field. To the Bible texts in Spr. 6: 9 and Spr. 24: 30-31. Under the performance an explanatory text in Latin. Print is part of an album. paper engraving Solomon as teacher. the book of Proverbs. sluggard

Relief with dancing women in draped robes and a bacchante; Borghese dancers; Roman sculpted reliefs; Icone et segment (...). Relief with a bacchante with a thyrsus (Staff of Bacchus) and a dead roe in her hands. Right three dancing women in draped robes. Text in Latin in undermarge. Print is part of an album.

114. Mier Samson; 115. Mier Absaloma; Kosicki, Ludwik (1793-1846); 1840 (1840-00-00-1840-00-00);

Wolfstein, Christian Albrecht Graf von.

A black and brown chalk drawing by Wouter Pietersz. Crabeth depicting spectators of the resurrection of Lazarus with a kneeling founder, executed with wash, showing paper disc tear.

Exit of the honorary gallery, 1594, 1594 - 1595 Exit of the honorary gallery. Decorated on the sides with weapon trophies. Drawn up from the bank to the St. Michaelsklooster. Part of the description of the entry of Archduke Ernst in Antwerp, 18 July 1594, by Joannes Bochius, Descriptio Publicae Gratulationis, Spectaculorum et Ludorum, in Adventu Sereniss. Principis Ernesti Archiducis Austriae, ex Officina Plantiniana, Antwerp 1595. print maker: Southern Netherlandspublisher: Antwerp paper etching Antwerp Exit of the honorary gallery. Decorated on the sides with weapon trophies. Drawn up from the bank to the St. Michaelsklooster. Part of the description of the entry of Archduke Ernst in Antwerp, 18 July 1594, by Joannes Bochius, Descriptio Publicae Gratulationis, Spectaculorum et Ludorum, in Adventu Sereniss. Principis Ernesti Archiducis Austriae, ex Officina Plantiniana, Antwerp 1595. print maker: Southern Netherlandspublisher: Antwerp paper etching Antwerp

The cobblestone cutter of 1720; BY Veele is the boulder in the hooft / to believe in the wind; The great scene of foolishness. Cartoon on the people who have been so stupid to participate in the wind trade in 1720. The victims let quackers cut the boulder from their heads. In the foreground a jester wipes his back with an action, at the top of a monk (brother Cornelis) the buttocks a non, also with different dwarfs and fools. Many image elements derived from older prints. In all details, inscriptions are in Dutch. Print in the bound first edition (304 B 11) from the great scene of foolishness with cartriders on the wind trade or action trade of 1720.

David saves the life of Saul; History of David and Saul; Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. David steals the spear and pitcher from King Saul, while the king and his subjects are sleeping in a tent camp. In the background David shows the spear and jug to Saul to show that he could have killed Saul, but saving his life. Under the show a reference in Latin to the Bible text in 1 Sam. 26. This print is part of an album.

Discussiemethoden, Daniel Nikolaus Chodowiecki, 1788 print Berlin paper etching debate, discussion (~ meeting). quarrel, argument

De Kleine Mens Rosmarinus van Schaaphuisen as shepherd, 1716, 1716 The Little Mens Rosmarinus van Schaaphuisen, the shepherd on whom Laudate or Scherszende Herderin is in love. In the caption verses in German, French and Dutch. Print within a decorative frame printed of a separate plate with dressed monkeys, at the bottom a smoking Chinese little person with an opium pipe. Numbered right in the middle: 24. Part of the Dutch -bound edition from a series of caricatures of small people, known as the dwarf toneel, copied to an older German example. print maker: Northern Netherlandsprint maker: Northern Netherlandspublisher: Amsterdam paper etching The Little Mens Rosmarinus van Schaaphuisen, the shepherd on whom Laudate or Scherszende Herderin is in love. In the caption verses in German, French and Dutch. Print within a decorative frame printed of a separate plate with dressed monkeys, at the bottom a smoking Chinese little person with an opium pipe. Numbered right in the middle: 24. Part

Eva mourns the death to Abel; History of Cain and Abel; Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. Adam and Eva think the corpse of their son Abel at the sacrificial place. He was murdered by his brother Cain. Eva is on her knees with him with hands in her hair. Left Adam's handswarming is on a stone. At the bottom of a reference to the Bible text in Gen. 4 in Latin. This print is part of an album.

A galei with a worldly and spiritual gentlemen, 1577. A galei with worldly and spiritual gentlemen and musicians, in the Nieuwe Vaart in Brussels. The boat decorated with branch green or trees and coats of arms from provinces. Part of the arrival of Willem van Oranje in Brussels, September 18, 1577.

October, Daniel Nikolaus Chodowiecki, 1777 print Numbered at the top right: 10. paper etching October and its 'labours'. wine ~ alcoholic drinks (+ taking (particular) foodstuffs: eating, drinking, smoking, chewing, etc.). slaughtered ox or pig

Battle between the gods and the giants, Virgilius Solis, 1569 print print maker: Neurenbergpublisher: Frankfurt am Mainpublisher: Frankfurt am Mainpublisher: Frankfurt am Main paper letterpress printing battle of the Giants against the gods: gigantomachy. scrollwork, strapwork ~ ornament

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), game of fables. Ceres. Sixteenth number of a sequence of 52 pieces. (A. de Vesme 538; Dutuit 116) (main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Two decorations for bracts for the publication 'Art and Society', c. 1893 Decoration with a spider in a web and a decoration for a bract with seahorses. On the back of the pasted leaf a pencil study of a plant. Page 12 recto from an album with 17 sheets. paper decoration of printed matter. spiders. sea-horse, hippocamp, 'hippocampus', (horse/fish) (mythological hybrid monster)

The Pharos of Ptolemy ; The Statue of Jupiter Olympus ; The Mausoleum ; The Temple of Diana still image. Reconstructions, Reproductions. 1894. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Seven Wonders of the World, Architects, Eagles , Mythology, Chisels & mallets, Jupiter (Roman deity), Lighthouses , Egypt , Alexandria, Temple of Artemis (Ephesus), Stone carving, Temple of Zeus (Olympia, Greece), Mausoleum (Halicarnassus), Wreaths (costume accessories)

Copper engraving by Jacob de Gheyn II from 1595-1596 depicting a series of masks with human and decorative elements in a compositional layout.

Columbus submits his plan to the Portuguese king, Daniel Nikolaus Chodowiecki, 1790 print Numbered at the top right: 1. With caption in German and French. Berlin paper etching History. exploration, expedition, voyage of discovery

Five amoritary kings hung; History of Joshua; Historia iosuae (...); Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. The five amoritary kings are hung on the command of Joshua, with the commander's staff in his hand. On the left the cave in which the kings were caught. Under the show a reference in Latin to the Bible text in JOZ. 10. Print is part of an album.

Actaeon torn by his dogs, Virgilius Solis, 1569 print Actaeon was turned into a deer by the goddess Diana, after which he was eaten by his own hunting dogs. print maker: Neurenbergpublisher: Frankfurt am Mainpublisher: Frankfurt am Mainpublisher: Frankfurt am Main paper letterpress printing scrollwork, strapwork ~ ornament. Actaeon as a stag is devoured by his own dogs

Here you can do and adversity, / from two Opregte, Brave Liên (...), 1805 - 1808 print Leaf with 12 performances of prosperity and adversity in the life of Hendrik and Anna. In the middle of the seal of society for the use of general. Under each image a two -way verse. Numbered at the top right: V. publisher: Amsterdamprint maker: Netherlands paper letterpress printing Good Behaviour

Coat of arms of King Louis XIV of France and the letter J with Pan, Bernard Picart (workshop of) in the background, after Bernard Picart, 1717 print Two performances on a leaf. Above: The coat of arms of Louis XIV, King of France, with in the middle of the order of the Order of the Holy Spirit, is crowned by Putti. In the background bookshelves. Below: the letter J with pan, which unpleases the globe and a mask. In the background the Mount Parnassus. Amsterdam paper etching / engraving coat of arms (as symbol of the state, etc.). study; 'studiolo'; library. cupids: 'amores', 'amoretti', 'putti'. historiated initial. (story of) Pan. Parnassus, sacred to Apollo Musagetes

Card No. 32. In the central part of the composition, the figure depicting the prophet Daniel in the Lviv cave. In: Manuel pour l'Inction de la Jeunesse Par Stoy Penzel, Johann Georg (1754 1809), Schellenberg

W: Kunnst and textbooks for the hitting boys . Amman, Jost (1539 1591), Walther, Johann Georg

Astolfo keeps Caligorant as a prisoner by his side, Louis Wilhelm Chodowiecki, After Daniel Nikolaus Chodowiecki, 1771 - 1772 print Nummered at the bottom left: 5. paper etching (scenes from) specific works of literature: Ariosto, Orlando Furioso. giants, colossi. imprisonment. pyramid (marking grave)

The Mysteries of the Passion, 1631. Jacques Callot (French, 1592-1635). Etching;

Drawing, The Four Continents: America, Asia, Africa, Europe; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and brown ink, brush and brown wash on light brown laid paper; 26.6 x 36.5 cm (10 1/2 x 14 3/8 in.)

Francesco I d'Este Displays Great Faculty in his Studies, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII ... 1659 Bartolomeo Fenice (Fénis) Italian This print is from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII ... collected in an album of brown boards. Four prints are hinged on each page of the album with a seventeenth- or eighteenth-century inscription pasted beneath the print on the album page. The prints are etched in the manner of Callot and illustrate Francesco I d'Este's virtuous nature as a ruler in battle, in religious matters, and in daily life. Three of the prints are signed by Jean Sauvé, who presumably worked with Fenice on the execution of the illustrations for this book. There are sixty-seven copper plates and forty-five preparatory drawings in the Museo Civico di Modena.. Francesco I d'Este Displays Great Faculty in his Studies, from L'Idea di un Principe ed Eroe Cristi

Feind meets an old friend, Daniel Nikolaus Chodowiecki, 1776 print Feind has decided that he wants to study theology in Oxford. In a church in London he meets an old friend who picks him up as his son. The condition is that he changes his name. From this moment on, Feind goes through life as preacher Gros and eventually ends up in the town of Haberstroh. Numbered at the top right: 4. paper etching Literature. interior of church

William Blake, 1757-1827, British, Book of Job, Plate 12, The Wrath of Elihu, 1825. Line engraving on medium, slightly textured, cream wove paper.

Six performances with human figures, Johannes Josephus Aarts, 1881 - 1934 print Leaf with six performances. At the top left a group of women on the street. In the middle of two walking women in dress and with hat. At the top right, three conversing women in robes. At the bottom right a standing, bearded man, seen on the back. In the middle of a man and woman who both lift a bag. At the bottom left Susanna who is watching two elders while bathing in her garden. paper etching the elders spying upon Susanna. woman (showing herself) undressed, quasi-nude. container of textile material: bag, sack. standing figure

Gustaaf Adolf II died in the Battle of Lützen, Daniel Nikolaus Chodowiecki, 1790 print Numbered at the top right: 9. With caption in German and French. Berlin paper etching History. battle. violent death, being killed; being mishandled and maltreated; seeking death (+ death during war). ruler, sovereign

Copper engraving by Pierre Dufour from 1565-1610 depicting the seven deadly sins through allegorical figures and symbolic representation.

Peace at Orleans between Huguenoten and Catholics, 1563; Series 3: French religious wars, 1559-1573. Peace at Orleans between Huguenoten and Catholics, March 13, 1563. The parties close peace on an island outside the city. With caption of 8 rules in German. Left below numbered: 36. The print is part of an album.

Print, Dedicatory page of the set "Mediceae familiae rerum feliciter gestarum Victoria et triumphi"; Designed by Jan van der Straet, called Stradanus (Flemish, 1523-1605); Made by Philips Galle (Flemish, 1537 - 1612); Netherlands; engraving on paper; Sheet: 30.9 x 41.9 cm (12 3/16 x 16 1/2 in.) Printing block: 21.1 x 30.8 cm (8 5/16 x 12 1/8 in.)

Lost son wastes his inheritance, Hans Sebald Beham, 1540 print Above the performance is the Latin Bible text DissipaPit SVBSTANMIAM SVAM Vivendo LVXVriose Luce XV paper engraving the prodigal son in the midst of prostitutes feasting and dissipating his patrimony, usually in a brothel or inn

Frau von Schmerling tries to let Fritz join the nobility, Daniel Nikolaus Chodowiecki, 1781 print Numbered at the top right: 5. paper etching conversation, dialogue; conversation piece. family lineage, pedigree, genealogical tree or table

Drawing (Italy); Designed by Felice Giani (Italian, 1758-1823); pen and brown ink with brown wash (iron gall ink)

Six Theseus Subjects for the Palazzo Gaddi, Forli, Felice Giani, Italian, 1758-1823, Pen and ink, brush and grey watercolor wash over black chalk on paper, Six octagonal drawings of Theseus subjects. Written top left, 'Camera di/ compagnia/ dipinto in/ Gaddi Forli/ 1819.' Top row: Theseus as boy sacrifices hair to Apollo in Delphi. Accompanied by mother, Aethra, and companions, boy raises hair to statue of gods. Priests stand right. Written with ink on top, caption 1: 'Teseo sacrifica a /Delfo il ciuffo dei suoi capelli.' Theseus takes sword and shoes of Aegeus beneath stone. Aethra stands behind him. Caption 2: 'Electtra mostra a Teseo la/ spada del padre e li calzari.' Central row: Theseus, showing sword at table is recognized by father. Caption 3: 'Egeo padre di Teseo riconosce/ Teseo per figlio.' Theseus presents himself in Athens to do battle against Minotaur. He stands beside priest, the secretary ready to draw lots for youths and maidens to be sent as tribute to Crete. 'REST' is

Man and a woman sleeping in the open air, Louis Spirinx, After Abraham Bloemaert, 1606 - 1669 This print is part of an album. paper etching This print is part of an album. paper etching

Woman opens the door for the neighbor, Daniel Nikolaus Chodowiecki, 1779 print paper etching Literature. open door

Slate table drawing, designed by the Kikeriki, when he is over Giskras resignation and the latest parliamentary events in Schiefrige , Karl Giskra, Kuranda, Brestel, Beust, Schiefratslahrt to Giskras resignation and the latest parliamentary events caricature from Kikeriki , Unknown

Sculpture of Pasquino; Alexandri Magni Miles, Vulgo Pasquinus Cum Focium Detinens (...); Antique sculptures in Rome; Antiquarum Statuarum Urbis Romae Quae in Publicis Locis Visuntur Icones. Sculpture of Pasquino, next to the Palazzo Braski, one of the talking images in Rome. Caption in Latin. Print is part of an album.

Two illustrations to a literary work . Langer, Sebastian (1772 1841)

Drawing, Eight Scenes from Life of San Giovanni Gualberto (recto and verso); Jan van der Straet, called Stradanus (Flemish, 1523-1605); Subject: Saint Giovanni Gualberto (Italian, 985 - 1073); Netherlands; pen and ink, brush and brown wash on laid paper

$Sculpture of the Nile. Sculpture of the river god Nile with as attributes a horn with fruits, a Sphinx, crocodiles and small boys. Around the show a list of fractions of crocodiles, hippos, oxen and small males in boats. The print is part of an album.$

Copper engraving by Pierre Lombard depicting the Supper at Emmaus, produced between 1620 and 1682 using etching techniques.

De Kleine Mens Vincent Calcoenradus Zepperling in a fur coat, 1716, 1716 The small man Vincent Calcoenradus Zepperling in a fur coat. In the caption verses in German, French and Dutch. Print within a decorative frame pressed from a separate plate with leaf work and devils. Numbered right in the middle: 3. Part of the Dutch -bound edition from 1716 of a series of caricatures of small people, known as the dwarf toneel, copied to an older German example. print maker: Northern Netherlandspublisher: Amsterdam paper etching The small man Vincent Calcoenradus Zepperling in a fur coat. In the caption verses in German, French and Dutch. Print within a decorative frame pressed from a separate plate with leaf work and devils. Numbered right in the middle: 3. Part of the Dutch -bound edition from 1716 of a series of caricatures of small people, known as the dwarf toneel, copied to an older German example. print maker: Northern Netherlandspublisher: Amsterdam paper etching

Schwind, Moritz von, Albert, Joseph, Photographic reproduction of a scene from the Brothers Grimm fairy tale Die Sieben Raben by Moritz von Schwind, recto - handwritten, This photograph is part of a cover with six photographs and a text sheet., photograph, photo, reproduction, photographs, photographically illustrated books, 5, height 108 mm, width 183 mm, 1825-03-05 - 1886-03-05, photographer, 1863 - 1868, photographic paper, photo paper, albumen print, albumine print, Work conception, Austrian, 1804 - 1871-02-08

Four classical history illustrations from one plate, numbered XVII through XX, all with captions Top left: Cyrus appointed donor to his grandfather Bottom left: Battle between the Medians and the Assyrians Top right: Cresus at the stake Bottom right: Deathbed of Cyrus Images XVII and XVIII marked at upper right: Opposite page 7 Images XIX and XX marked top right: Opposite page 37, Four representations from classical history Illustrations from classical history , print maker: Simon Fokke, (mentioned on object), Simon Fokke, (mentioned on object), Amsterdam, 1722 - 1784, paper, etching, h 223 mm × w 283 mm

Glama-Stroberle, Joaõ, 1708-1792, pencil, ink, chalk, wash, 1741, Sketchbook II of III is bound in contemporary vellum and dated 14 February 1741. dedicated to Sigr Abate Gioachino Rizzi Segretario dal Regimento di Ferrara. Two recipes, one for varnish and the other for acid for etching

Eurydice Gedood Door Een Slang, Virgil, 1569 print print maker: Neurenbergpublisher: Frankfurt am Mainpublisher: Frankfurt am Mainpublisher: Frankfurt am Main paper letterpress printing scrollwork, strapwork ~ ornament. Eurydice, while fleeing from Aristaeus, is killed by a snake

Four performances about the influence of human thoughts, Gottfried Chodowiecki, After Daniel Nikolaus Chodowiecki, 1774 print With caption: tab. XXV. paper etching asking the way. father and child(ren), man and child(ren) (family group). cat. bedroom. witch, sorceress. centaurs. merman - AA - mermaid, siren. Death as skeleton (+ Death with scythe). devil(s) and demons. quack, charlatan, mountebank, 'saltimbanco'

Putto with cross staff on scale, anonymous, 1600 - 1700 print Detail of a map of Poland. paper engraving scales of notation (arithmetic). cupids: 'amores', 'amoretti', 'putti' Poland

49. If you will not stand as a small children, you will not enter the kingdom of because; 50. Watch the right, because you don't know the day or time; Kosicki, Ludwik (1793-1846); 1840 (1840-00-00-1840-00-00);

St. Mary of Mont Carmel; St. Raineldis; St. Alexis; St. Arnold of Metz. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Pulcinella in Een Verrijdbare Stoel, Filippo Vasconi, After Pier Leone Ghezzi, 1719 print Pulcinella sitting in a mobile chair, surrounded by a donkey and three figures that feed it and wave coolness. In the foreground, there is five children to eat on the left, a young child is in a cradle in the middle. Italy paper etching kitchen-interior. types in 'commedia dell'arte': Pulcinella. wheelchair, bathchair

Portrait of Pietro Barbarigo and the Personifications from Board, Armed Forces and Nobles; Numismata virorum illustrium ex Barbadica Gente. Pedestal in the shape of a cartouche. Then a medallion with the portrait of Pietro Barbarigo on the front. On the back a closed book on a pillow and the text: Nobilitas Veneta. Around the pedestal, governance and armed forces offer their crown to the noble. Elheid has a lance and an image of Minerva in her hands. The print is part of an album.

Personification of youth; Numismata virorum illustrium ex Barbadica Gente. A console with a young man, crowned with floral wreath. His right hand is on a harp. He has a mirror in his left hand. His foot leans on an hourglass and behind him is a peacock. The print is part of an album.

Jacopo Ligozzi (artist), Anonymous engraver possibly Domenico Falcini, Lino Moroni (author), Chapel of Saint Sebastian (Cappella di San Sebastiano) (plate N), 1612 Chapel of Saint Sebastian (Cappella di San Sebastiano) plate N

Etching by Benoît Louis Prévost from 1773 titled 'The Study of the Drawing', showing figure, lines, and preparatory composition for artwork.

Various classicist illustrations of Proverbs, Johannes van Hiltrop, after Christophorus van den IJssel, 1766 print Sixteen classicist performances, of one album, with illustrations of different sound spells. Under each performance a rule in Latin, in the top right corner: PL: 2. Northern Netherlands paper etching personifications ~ the life of man

Analysis of beauty, pl. 2 , Ballroom dancing, Balls Parties. William Hogarth (1697-1764). Prints

The Book of Job: Pl. 12, I am Young and ye are very Old wherefore I was afraid, 1825. William Blake (British, 1757-1827). Engraving;

Ectypon Reginœ Semiramidis cum Leone concertantis.. Kircher, Athanasius, 1602-1680. Janssonius van Waesberge, Johannes, 1616-1680. Books. 1679. General Research Division. Rare books, Lions, Bows (Archery) , Assyria, Semiramis, Queen, consort of Shamshi-Adad V, King of Assyria, 9th cent. B.C.

Invention of the stringed instrument, Daniel Nikolaus Chodowiecki, 1771 print Scene from the beginning of humanity. A girl who learned to sing from the birds raises a song. From the bushes her singing is answered with music. It is a young hunter who has made a winch of the tendons of his bow. Numbered in the bottom left: 4. paper etching Literature. pastorals, Arcadian scenes. lyre, cithara, psaltery

Six moralistic and satirical performances, Daniel Nikolaus Chodowiecki, 1778 print Numbered: 7, 6, 9, 4, 11 and 2. paper etching

Drawing, Minerva, Design for Vaulted Ceiling, Sala dei Legislatori, Palazzo Conti-Sinibaldi, Faenza, 1787-1802; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and ink, brush and bistre wash over black chalk on laid paper; 10.8 x 18 cm (4 1/4 x 7 1/16 in.)

Beenamputatie, anonymous, 1500 - 1550 print paper amputation

The King of Nineve does a fine, Crispijn van de Passe (I), After Maerten de Vos, 1580 - 1588 print Jonah's prediction has reached the king of Nineve who, dressed in a fine, kneels on the floor. He calls on his subjects to improve their lives. The show is caught in a circular frame with a Bible quote from Jonah in Latin. paper engraving when the king of Nineveh hears about the destruction of the city in forty days, he rises from his throne and decrees a general repentance for man and animal: all men, cattle and sheep must fast, people must wear sackcloth and pray to God

Textile (France); cotton

Children of Geo III Semice, photographed during World War One by the Signal Corps. This image captures the descendants of Revolutionary War soldiers, with the children posing beside paintings depicting the war. The photograph was taken for record keeping purposes and was given the identification number 111-SC-7054.

Angel and child crown each other with flower wreath in garden; Pia desideria.a angel and a child sit in a garden and hold each other's hand. Both places a flower wreath on the head of the other as a token of love.

Farmers and rich sit together after the war; Boerenverdriet: The torments of the Spanish war. A company of elegant people and farmers, sitting at a table in front of a house under a tree. After the tensions between the two classes, they are now agreeing at the table. Left a lady next to a min who breasts her child. At the table a farmer and a nobleman who press each other's hand, a violin player and some card players. The Dutch verse describes how both parties have found each other again.

Narcissus in love with his own mirror image, Crispijn van de Passe (I), 1602 - 1607 print Narcissus, leaning on the edge of a fountain, falls in love with his own mirror image and languishes as he looks at himself. In the margin a four -line caption, in two columns, in Latin. Cologne paper engraving Narcissus, gazing in a fountain, falls in love with his own reflection; possibly the nymph Echo peeps at the scene

Drawing, Nuptials; Jan van der Straet, called Stradanus (Flemish, 1523-1605); Dedicatee: Charles Emmanuel I, Duke of Savoy (French, 1562 - 1630); Netherlands; pen and ink, brush and wash on laid paper; 10.7 × 14.7 cm (4 3/16 × 5 13/16 in.)

Sheep are led into a butcher, Jan Luyken, 1711 print Amsterdam paper etching

The soulsing anjouse monarchy (plate d), 1711; The untrify monarchy or the fourth part of the soulsing anjouse monarchy / la monstreuse monarchy D Anjou (...); Plates about 1711 / 't Lusthof from MoMus. The dying anjouse monarchy (plate D), 1711. Third plate in a group of 4 allegories on the failure of the Duke of Anjou as King Philip V of Spain. The donkey (Spain) is sick in bed. With inscriptions and verses in Dutch and French. Part of the plates over 1711, a group of 5 unprecedented cartriders on the French in the year 1711 of the Spanish Succession War. Part of the printing work under the collective title 't Lust Court of Momus with the bundled series of cartooning during the 1901-1713 of the Spanish Succession War.

Hippolytus, Anonymous, 1711 - 1732 print Koningszoon Hippolytus gets up from his grave and decreases the blindfold in a figure on the left. There is a blindfolded putti and a standing figure decreases her mask. At the top two putti with medallion with beheaded body. In the background, the body of Hippolytus' stepmother hangs in a tree and the monster that eats Hippolytus. paper etching / engraving (story of) Hippolytus. raising from the dead

Woodcut by Albrecht Dürer's workshop depicting a partial view of the honorary gate of Emperor Maximilian I, created in 1515 and printed between 1526 and 1559, showing architectural and decorative details.

Vignettes of cupids or genii playing at hunting and racing. Above, a dynamic depiction of the Genius of the Hunt with spears, dogs and stags. Below, two genii race chariots pulled by dolphins in the sea - one seems to be asleep like the famous ferryman of Aeneas. Copperplate engraved by Tommaso Piroli from his own "Antichita di Ercolano" (Antiquities of Herculaneum), Rome, 1789. Italian artist and engraver Piroli (1752-1824) published six volumes between 1789 and 1807 documenting the murals and bronzes found in Heraculaneum and Pompeii.

Phaëthon rides his father's car, 1728 Phaëthon drives his father's car, the sun god Helios, through the air. At the top left Aurora, goddess of the morning red and the new day. The wind and the sea is restless. Two times two verses in Latin under the performance. The print is part of an album. print maker: Haarlemafter design by: Haarlempublisher: Amsterdam paper engraving Phaëthon drives his father's car, the sun god Helios, through the air. At the top left Aurora, goddess of the morning red and the new day. The wind and the sea is restless. Two times two verses in Latin under the performance. The print is part of an album. print maker: Haarlemafter design by: Haarlempublisher: Amsterdam paper engraving

Two men at a Knekelhuis, Jan Luyken, 1710 print Amsterdam paper etching charnelhouse, ossuary

Judit beheaded Holofernes, Philips Galle, After Maarten van Heemskerck, 1564 print Holofernes is sleeping in his army tent. Judit grabs him with one hand by his head, in the other hand she holds a raised warp. Harness, helmet and other items of clothing are on the floor. Outside the tent the maid keeps watch. Haarlem paper engraving Holofernes beheaded by Judith with his own sword; the maidservant may be keeping watch

Étienne Delaune drawing depicting Manius Curius Dentatus refusing the treasures offered by the Samnites, executed with pen, ink, and brush with Bister wash on parchment.

Death of Karel de Fifth, Jan Luyken, 1659 - 1712 print paper etching

The new bridge "This great work was warehouse S." Popular image Anonymous (at Gallays). The new bridge This great work was undertaken. Popular image. Forter.

St. Thecla; St. Linus; Sts. Andochius and Thyrsus; St. Cleophas. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

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