Biblical Scenes and Allegories

This cluster showcases various etchings and engravings of biblical narratives, featuring figures like David, saints, and allegorical representations in intricate styles.

Etching by Gérard Audran depicting the death of Clorinda, a character from classical literature, produced between 1680 and 1703, showing a dramatic narrative scene in French Baroque engraving.

Copper engraving by Ferd. Gregori from 1770 depicting the three Parzen, mythological figures of fate, showing detailed figures, drapery, and symbolic elements.

An etching by Karl Rahl depicting a scene from Statius' Thebaid, showing figures, actions, and landscape elements from the text.

Copper engraving by the Sandrart family depicting the river god Nil (Nilus), created in 1679.

A copper engraving and etching by Louis Desplaces, created between 1713 and 1739, depicting Vulcan forging armor for Aeneas, illustrating a scene from Roman mythology with gods and heroic figures.

Ephraim Gottlieb Krüger's 'Judgment of Daniel' is a copper engraving and etching produced between 1776 and 1834, showing the biblical narrative with detailed figures and composition.

This copper engraving by Laurent Cars, created in 1733, depicts a portrait of Sébastien Bourdon. The print focuses on facial features, attire, and formal presentation in a detailed manner.

Sitting naked, c. 1585 Naked man, standing on one leg and turned to the left, with a garland of acorns. One of the 'Ignudi' (naked men) of Michelangelo's ceiling painting. Numbered in the bottom right: 3. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving Naked man, standing on one leg and turned to the left, with a garland of acorns. One of the 'Ignudi' (naked men) of Michelangelo's ceiling painting. Numbered in the bottom right: 3. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving

Le jin (sic) ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Etching by Giovanni Domenico Tiepolo depicting Tarquinius and Lukretia, and three women presenting Cleopatra's gifts, created in the 18th century, illustrating historical and narrative scenes.

Pencil drawing by Gilles Demarteau between 1742 and 1776 showing children in a garden setting, with natural elements and playful interaction.

Copper engraving by Jan Pietersz. Saenredam depicting the biblical parable of the clever and foolish virgins, created in 1605, illustrating early 17th-century European religious narrative and engraving techniques.

Woman with mirror; Paintings in the Sixtin Chapel. Standing woman with a mirror in hand. Figure from Michelangelo's ceiling painting. Numbered at the bottom right: 34. The print is part of an album.

A woodcut by Melchior Lorch after 1582 depicting a Turk in a hooded coat and a man with a moored hat and wide-legged trousers, showing attire, posture, and figure interaction.

Copper engraving print by François Voyez between 1766 and 1805 illustrating an elderly man overseeing an activity with careful 18th-century detail.

Copper engraving from 1535-1577 by an unknown engraver depicting the punishment of Tityos from Greek mythology, showing figures, torment, and landscape.

Etching and copper engraving by Sir Robert Strange, circa 1787, depicting the sleeping infant John in a domestic and devotional composition.

Copper engraving print by Robert Boissard depicting Herakles and Bacchus from classical mythology, created in 1613.

Johannes de Evangelist, John B. Skipper, 1781 - 1809 print Johannes de Evangelist, with opened book, sitting on an eagle. Part of an album with 26 pasted Clair-Obscur Houtcuts to Italian artists from the sixteenth century. paper. ink the apostle John the Evangelist; possible attributes: book, cauldron, chalice with snake, eagle, palm, scroll

Copper engraving and etching by François Chereau between 1700 and 1729 depicting the biblical scene of the Flight into Egypt with figures and landscape.

Etching by Cosimo Colombini between 1770-1812 depicting the Holy Family with putti, showing figures, drapery, and 18th-century religious composition.

Sitting woman with child and old man, Adamo Scultori, After Michelangelo, c. 1585 Figures from Michelangelo's ceiling painting. Numbered below: 46. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving Figures from Michelangelo's ceiling painting. Numbered below: 46. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving

Nicolas Dorigny's 'Luna; Gottvater' is a copper engraving and etching from around 1695, depicting the Roman goddess Luna and her father, the god Saturn, illustrating Dorigny's skill in classical mythology.

Copper engraving by Cornelis Cort from 1574 showing a warrior holding the body of a dead boy, a historical or narrative scene.

Copper engraving by Hendrick Goltzius from 1592 depicting Neptune, showing a detailed 16th-century mythological figure and European artistic style.

1744 etching by Johann Elias Ridinger showing a fable where deceitful flattery is eventually revealed, represented through expressive animal figures and detailed scenes.

Etching by Marcus Pitteri depicting a knife grinder at work, created between 1717 and 1786, showing a man sharpening knives with grinding tools in a workshop setting.

Copper engraving by Peter Paul Rubens depicting Maria with child, showing figures, gestures, and religious symbolism, created in the 17th century.

Sitting old man; Paintings in the Sixtin Chapel. Figure from Michelangelo's ceiling painting. Numbered at the bottom right: 50. The print is part of an album.

Copper engraving and etching by Bernard Picart depicting the widow of Oldenbarnevelt kneeling before Moritz of Orania, created in 1728, illustrating historical portraiture and ceremonial scene.

Copper engraving and etching by Jean Jacques Avril, created in 1779, depicting Venus taking revenge on Psyche from classical mythology.

Etching by Pietro Bettelini from 1785 in punctuation manner, titled 'The Duchess Deliverance,' presenting a narrative portrait subject.

Copper engraving and etching by Joseph Ignaz Huber, 1759-1773, depicting the aunt of Gerrit Dou, showing a seated figure and 18th-century European domestic interior.

Portret Van Elena Sanz Als Amneris in Aïda, c. 1872 - Before 1877 photomechanical print France paper portrait of opera-singer

Copper engraving and etching by Auguste de Saint Aubin in 1778 depicting a scene titled 'yy that meets them twits,' showing figures, attire, and interaction in detailed composition.

Pencil drawing by Nicolas Poussin from 1780-1790 showing studies of three male figures, with focus on posture and anatomical detail.

Photo production of an engraving of the annunciation by Schelte Adamsz. Bolswert, to the painting by Peter Paul Rubens, Jean Louis Bargignac, After Schelte Adamsz. Bolswert, after Peter Paul Rubens, c. 1853 - in or before 1858 photograph Brussels photographic support albumen print the Annunciation: Mary kneeling

Etching and copper engraving by Ignaz Sebastian Klauber, 1773-1817, depicting the wife of Frans van Mieris, focusing on portrait details and period clothing.

Etching by Baptiste Anthéaume depicting the birth of Christ, created around 1700, showing the nativity scene with human figures, animals, and architectural elements.

Etching by Edmé Jeaurat from 1718 depicting Pan with Syrinx, showing mythological figures, musical instruments, and pastoral elements.

Etching by Michel van Lochom from 1620-1647 depicting a grotesque figure, showing exaggerated features and pose.

Etching by Daniel Nikolaus Chodowiecki from 1757-1810 depicting studies of a rider falling, including figures, posture, and action for compositional analysis.

This copper engraving by Crispin van de Passe, produced between 1584 and 1637, illustrates 'Fons Vitae', highlighting allegorical elements and detailed composition in Renaissance engraving style.

Copper engraving and etching by Louis Surugue from 1706-1762 depicting Susanna in the bath in a detailed figurative composition using dotting technique.

Copper engraving and etching by Jean Baptiste Wicar depicting relief figures and cameos, created around 1800. The artwork emphasizes classical composition and human ornamentation.

Copper engraving and etching by Géraud Vidal illustrating the mythological figures Salmacis and Hermaphrodite, created in 1779.

Copper engraving and etching of a 'Dead Dance' allegory by an unknown engraver, created in the 17th century on copperplate.

Copper engraving and etching by Pieter de Jode II from 1636 illustrating a classical or allegorical scene titled 'Fit via VI', showcasing 17th-century engraving techniques and detailed composition.

Copper engraving by Adriaen Collaert depicting an equestrian statue of Caligula, created between 1587 and 1589, showing the figure, horse, attire, and compositional arrangement.

Reproduction of a painting: Henryk Siemiradzki (1843-1902), Geniusz łączący Piękno z Prawdą Genius fusing Beauty with Truth - central part of the curtain design for the Juliusz Słowacki Theatre in Kraków, 1894, oil on canvas ; illustration from a magazi??. unknown, graphic artist

Photo production of the painting De Genius of fame by Annibale Carracci, Anonymous, After Annibale Carracci, c. 1870 - in or before 1875 photograph Berlin paper albumen print Hunger; 'Fama', 'Good fame', 'Chiara fame' (Ripa)

Copper engraving and etching by Elisabeth Cousinet circa 1726 showing a Flemish family praying at a table, depicting figures, gestures, and domestic interior elements.

Michelangelo Maestri's copper engraving 'Love Als Wagenlenker' depicts the allegorical figure of Love as a charioteer, showcasing Maestri's skill in allegorical illustration.

Etching and copper engraving by Francois Joullain depicting a sick man attempting to flee from a group of doctors, created around 1727, illustrating human figures, interaction, and medical context of the period.

Portrait of Georg Philipp Rugendas by Johann Georg Bergmüller depicting the artist in a skiing pose, created in 1741, showing facial features, attire, and posture.

Etching by Albrecht Dürer depicting two women with a child seated on a bench, showing human figures, posture, clothing, and interaction, created in 1820.

Duplicate entry; etching by Stefano della Bella depicting Hosman, son of Emperor Ibrahim, created in 1646; shows portrait of historical figure with detailed attire and composition.

Copper engraving and etching by Jonas Suyderhoef from the 17th century depicting two farmers at a table and a fight between two card players, showing figures, gestures, and social interaction.

Etching by Simon François Ravenet around 1759 titled 'The Obstinate Donkey', depicting a scene with a donkey resisting control.

Etching and copper engraving by Isidore Stanislas Henri Helman in 1777 illustrating the joys of maternity.

Copper engraving and etching depicting Saint Sebastian by Giacopo Giovannini, dated between 1687 and 1717.

Sitting naked, c. 1585 Sitting naked man, turned to the left, with a garland of acorns behind him. One of the 'Ignudi' (naked men) of Michelangelo's ceiling painting. Numbered below: 13. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving Sitting naked man, turned to the left, with a garland of acorns behind him. One of the 'Ignudi' (naked men) of Michelangelo's ceiling painting. Numbered below: 13. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving

Sculpture of Cholera Victims by Antoine Étex, exhibited on the Great Exhibition of the Works of Industry of All Nations from 1851 in London, Anonymous, 1851 photograph London photographic support salted paper print piece of sculpture, reproduction of a piece of sculpture London

Etching by Cornelis Brouwer showing the biblical scene of Solomons judgment, produced in 1782 with a punctual technique, depicting figures in a narrative composition.

Copper engraving by Jacob de Gheyn II depicting an archer and a milk maid, created in the 17th century, showing figures, interaction, and compositional detail.

Etching by William Unger from 1886, depicting a figure titled 'Topharnly This Ganemed', illustrating detailed features and costume of the subject.

Copper engraving and etching by Bernard Lépicié depicting Jupiter, created between 1715 and 1755, showing a mythological figure and symbolic elements.

Etching by Bartolomeo Biscaino depicting the Madonna with the Christ Child and John the Child, produced between 1650 and 1657.

Painting by Cornelis Dusart around 1695 depicting a dancing couple on skis, showing movement, interaction, and Dutch genre leisure activity in winter landscapes.

Etching by Wenzel Hollar from 1635-1646 depicting multiple portraits, showing facial expressions, attire, and upper-body views.

Copper engraving and etching portrait by Jacob Houbraken depicting Mary, Queen of Scots, created between 1713 and 1780, showing the Scottish monarch known as Marie Reines of Scotland.

Photo production of a painting by Bartolomé Esteban Murillo, representing Johannes de Baptist as a child, Anonymous, After Bartolomé Esteban Murillo, c. 1870 - c. 1900 photograph Part of Reisalbum with photos of sights in Germany and Austria and of artworks. paper. photographic support albumen print John the Baptist; possible attributes: book, reed cross, baptismal cup, honeycomb, lamb, staff

Bound Print, Ornamental Vase Design; Designed by François Boucher (French, 1703-1770); Print Maker: A. Bouchet (French, active ca. 1730-1740); Published by Chez Le Pere et Avaulez; France; etching on cream laid paper

A copper engraving print by Claude Mellan from 1670 titled 'Portion,' depicting a figure in detail with focus on form and proportion.

Etching by Guido Reni from 1607 depicting a group of angels in glory, showing celestial figures and religious imagery.

Etching by Johann Elias Ridinger, 1718-1767, showing male figures for anatomical and compositional reference in art.

L'Héritier du bateau ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Etching by Jan van der Bruggen depicting a goldwager with two devils, created between 1690 and 1694. The print shows figures, gold coins, and allegorical devils in detailed composition.

Etching by Theodor Rombouts depicting a man playing cards at a table, created between 1620 and 1630, showing figures, gesture, and indoor scene composition.

Copper engraving by Cornelis Bloemaert depicting Maria with the Christ child and the birth of Christ, created between 1620 and 1692.

Etching by Pierre François Basan titled 'The Singular Effect,' produced between 1738 and 1789, depicting a scene emphasizing unique visual elements.

Michiel Mosyn created a copper engraving and etching between 1650 and 1680 showing Bacchus comforting the abandoned Ariadne in a mythological scene.

Etching in Dotier manner by Jean Baptiste Michel, 1783, showing the three Graces, mythological figures representing beauty, charm, and elegance in classical 18th-century style.

Copper engraving and etching by François de Poilly the Elder from 1640-1693 depicting the biblical prophet Ezekiel making an appeal, showing gestures, facial expressions, drapery, and symbolic religious elements.

Sitting naked, c. 1585 Sitting naked man, turned to the right with legs raised and a garland of acorns. One of the 'Ignudi' (naked men) of Michelangelo's ceiling painting. Numbered below: 20. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving Sitting naked man, turned to the right with legs raised and a garland of acorns. One of the 'Ignudi' (naked men) of Michelangelo's ceiling painting. Numbered below: 20. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving

Copper engraving and etching by Henri Guillaume Chatillon around 1818 depicting Hermes from Olympia.

The Maid. Artist: Henri-Charles-Antoine Baron (French, Besançon 1816-1885 Geneva); Bertauts, P. Cadet, Paris. Dimensions: Sheet: 17 3/16 × 11 1/8 in. (43.7 × 28.3 cm)Image: 8 1/16 × 5 3/8 in. (20.4 × 13.6 cm). Series/Portfolio: Les Artistes Anciens et Modernes. Date: ca. 1863. Museum: Metropolitan Museum of Art, New York, USA.

Sitting woman with man and child, c. 1585 Figures from Michelangelo's ceiling painting. Numbered below: 72. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving Figures from Michelangelo's ceiling painting. Numbered below: 72. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving

Etching and engraving depicting a man playing the violin and a peasant acting as a wound doctor, showing figures, instruments, medical tools, and interior elements. Produced between 1640 and 1677, emphasizing daily life and activity.

Johannes Riepenhausen's 1833 etching depicts multiple scenes from the life of Raffael, showing figures, gestures, and interactions within narrative settings.

Copper engraving by Wallerand Vaillant depicting the standard carrier and a portrait of Prince Rupert, created between 1640 and 1677

Woodcut by Sebald Beham from the first half of the 16th century depicting Kenan and his wife, showing figures, gestures, attire, and family representation in European early modern print style.

Design for a Cartouche Representing the Country of China, Jacques de Lajoüe, French, 1687-1761, Gabriel Huquier, French, 1695-1772, Engraving on white laid paper, Cartouche composed of a shell in reverse. Perched atop the shell, a Chinese woman holding a paddle and a Chinese man framed by animal horns and holding a long-handled pipe. A bow and arrow at right. The arrangement humorously refers to a lumbering, slow-moving 'dromedary,' or the lack of progress of China in comparison to France., France, 1740, ornament, Print, Print

Etching by Géraud Vidal titled 'The darling child,' produced between 1770 and 1801, showing a child in a punctuation manner style.

Etching by Maria Anna Angelika Catharina Kauffmann from late 18th to mid-19th century depicting the death of Jara Marous Anton, showing historical figures and event scene.

Copper engraving and etching by Aegidius Sadeler the Younger depicting portraits of Sergei Galba and Marcus Silvius Otto, created between 1585 and 1629.

Sitting young woman; Paintings in the Sixtin Chapel. Figure from Michelangelo's ceiling painting. Numbered at the bottom right: 56. The print is part of an album.

Reproductie van The favorite of the king door Etienne Prosper Berne-Bellecour, Goupil & Cie., after Etienne Prosper Berne-Bellecour, c. 1872 - in or before 1879 photomechanical print paper king. dog. ruler and his subjects

Etching by Comte Anne Claude Philippe de Caylus from 1737 depicting ancient sculptures, showing figures, reliefs, classical motifs, and compositional details.

This copper engraving and etching by Jean Couvay, dated 1639-1640, represents Cleobulus, one of the Seven Sages of Greece, emphasizing his philosophical stature in a formal portrait.

Copper engraving by Cornelis van Dalen depicting classical ancient statues, created around 1638, highlighting sculptural forms and textures.

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