Biblical Scenes and Miracles

A series of religious paintings depicting significant biblical events including the raising of Lazarus, nativity events, and worship scenes, rich in color and detail.

the worship of konige. 1511. (Hans suess of kulmbach; in 1480 kulmbach; nurnberg -1522)

The Holy Kinship, 1485-1496, by Geertgen Tot Sint Jans (ca 1460- ca 1490), oil on panel, 137.5x105 cm.

The capturing of Christ, by Baldassare di Matteo Carrari (ca 1460-ca 1520).

fine arts, Polack, Jan, (um 1435 - 1519), ""Saint Peter and Saint Paul bedazzling Simon Magus"", oil on wood 175 x 184 cm, ""Peter and Paul Altar"", Munich, Germany, circa 1490,

The Elect, from Deposition of Christ, 1435 (detail)

Stefan Lochner (ca.1400/1410-1451). German painter. The Last Judgement, ca.1435. Wallraf-Richartz Museum. Cologne. Germany.

The Nativity, 1510. Follower of Jan Joest van Calc.

Nativity of St John the Baptist, by Carrucci Jacopo know as Pontormo, 1527, 16th Century, oil on panel. Italy, Tuscany, Florence, Uffizi Gallery. Whole artwork. Recto. Table childbirth nativity parturient St Elizabeth man old father Zechariah birth newborn St John the Baptist women midwife red yellow pink black edge gold.

The Baptism of Christ. 1523. (Francesco Bacchiacca; gen. II Bacchiacca 1494 Florence Florence-1557)

A market with people buying and selling bread, eggs and chickens. Chromolithograph by H. Moulin after Ferdinand Séré.

Virgin and Child with Saints by Netherlandish (Ghent) Painter; Oil on wood; circa 1472

Filippino Lippi / 'Adoration of the Kings', c. 1480, Oil on wood, 57.5 x 85.7 cm. Museum: NATIONAL GALLERY, LONDRES, UK. SAINT JOSEPH. JESUS. INFANT JESUS. VIRGIN MARY.

Flemish School, 16th century. Triptych. Central panel shows Holy Spirit at Pentecost. Left panel: Francis of Assisi receiving stigmata and St Elisabeth. Right panel: St Catherine of Alexandria with Emperor Maximus and St Margaret. Private Collection

Painting Titled 'The Seven Works of Mercy' Painted by the Master of Alkmaar (active 1490-1510). Dated 16th Century

The Raising of Lazarus, Ouwater, Aelbert van, 1455.

Birth of Jesus, Adoration of the Shepherds, relief in the church of Saint Martin in Zagreb, Croatia Birth of Jesus, Adoration of the Shepherds, relief in the church of Saint Martin in Zagreb, Croatia Copyright: xZoonar.com/ZvonimirxAtletix 20617178

Painting. Martyrdom of St. Ursula. 16th cent. Souabe.

Life of Saint Francis: Test of Fire before the Sultan & Death of Saint Francis 1482-85 Domenico Ghirlandaio (1449-1494 Italian) Fresco Sassetti Chapel, Santa Trinita, Florence, Italy

Wedding at Cana, stained glass window, 19th Century

Christ shown to the people, 1508

The Seven Works of Mercy. Master of Alkmaa, 1504. Oil on panel. Rijksmuseum. Amsterdam. Netherlands. Author: MASTER OF ALKMAAR.

The Nativity with rabbits, Mark and Saint John the Baptist

Anonymous Valencian artist active 1450 -1460 (Active between 1450 -1460). The Crucifixion (ca. 1450 - 1460). Oil on panel. 44.8 x 34 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

Mary Magdalene annointing the feet of Jesus. "Bible" John 12. Chromolithograph c1860

Enea Silvio Piccolomini receiving the cardinal's hat from Calixtus III, detail from the Stories of Pius II, 1503-1508, by Bernardino Pinturicchio (ca 1452-1513), fresco. Piccolomini Library, Siena Cathedral.

'Fountain of Grace and Triumph of the Church Over the Synagogue', 1430, Oil on panel, 181 x 119 cm, P01511. Author: JAN VAN EYCK (1385-1441). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. VIRGIN MARY. SAN JUAN EVANGELISTA Y APOSTOL. DIOS PADRE.

Crucifixion / Justus van Gent / C15th

Miracle of the Miser's Heart, detail from Scenes from the Life of St Anthony of Padua, by Titian (ca 1490-1576), fresco. School of the Saint or Scoletta, Padua.

SPAIN - Tierra de Campos (district) - Castille and Leon - PALENCIA. Cathedral; flemish triptic picture by Juan de Flandes

St Peter Sitting on the Chair, Saint Prosdocimus Baptizes a Notable Between St Nicholas of Bari and St Catherine of Alexandria, by Damini Pietro, 1625, 17th Century, canvas. Italy, Veneto, Asolo, Treviso, Santa Maria Assunta Church. Whole artwork. Arched altarpiece marble cornice Saints St Prosdocimus baptism baptized man bowed head notable Saint bishop miter St Nicholas of Bari St Catherine of Alexandria martyr cogged wheel St Peter sitting on the See boo.

The Parable of the Wise and Foolish Virgins, unfinished, by the creator: Peter von Cornelius, Historical, digitally restored reproduction of a 19th century original1813

The Sermon of St. Stephen at Jerusalem by Carpaccio, Vittore (1460-1526) / Louvre, Paris / 1514 / Italy, Venetian School / Oil on canvas / Bible / 148x194 / Renaissance

Nativity, by Piero della Francesca, circa 1470-1475, National Gallery, London, England, UK, GB, Europe

LA SAGRADA FAMILIA TRABAJANDO - SIGLO XVII. Location: CONVENTO DE LAS CLARISAS / MUSEO DE ARTE SACRO. MONFORTE DE LEMOS. LUGO. SPANIEN. INFANT JESUS. VIRGIN MARY. SAN JOSE ESPOSO DE LA VIRGEN MARIA.

The Adoration of the Shepherds, 24x18 cm, detail from the side panel of the Modena Triptych, 1568, by El Greco (1541-1614), tempera on wood.

The Liberation of St Peter, 1444, panel from St Peter's altarpiece, by Konrad Witz (ca 1400-ca 1445), tempera on panel, 132x154 cm.

The Seven Works of Mercy. Master of Alkmaa, 1504. Oil on panel. Detail of one of panel. Rijksmuseum. Amsterdam. Netherlands. Author: MASTER OF ALKMAAR.

Ten Commandments by Luca Signorelli, Fresco, 1482-1484, circa 1441-1523, Vatican, The Sistine Chapel

Aert van den Bossche and workshop / 'Celebration of a Mass'. Ca. 1500. Oil on panel. Museum: Museo del Prado, Madrid, España.

Marriage of the Virgin (before restauration). 1504. Milan, Brera Art Gallery. Author: RAFAEL SANZIO O RAFAEL DE URBINO. Location: PINACOTECA DI BRERA. Milan. ITALIA. VIRGIN MARY. SAN JOSE ESPOSO DE LA VIRGEN MARIA.

The Elect (After a Detail of Fra Angelico's Last Judgement) Artist Unknown

Saint Antony of Padua healing the foot of a young man. Chromolithograph by L. Gruner, 1873, after E. Kaiser after Titian.

The Adoration of the Shepherds, by Bernardino Licinio (1489-1565).

The Adoration of the Shepherds, 1475-1480, by Hugo van der Goes (1440-1482), board, 147x242 cm.

The offering of the jews by Master of the Gathering of Manna (active 1460-1470) / Museum Boijmans Van Beuningen, Rotterdam / ca 1465 / The Netherlands / Oil on wood / Genre,Bible / 69,5x51,5 / Early Netherlandish Art

Nativity, by Scuola del Viti, 16th Century,

Unknown Netherlandish master. 16th century. Triptych of the Holy Family with angels, Saint Barbara and Saint Catherine (side panels), ca. 1520-1525. Oil on oak panel. From Palacio das Necessidades (Lisbon). National Museum of Ancient Art. Lisbon, Portugal.

The Adoration of the Magi, Hieronymus Bosch, circa 1475, Metropolitan Museum of Art, Manhattan, New York City, USA, North America

fine arts, Holbein, Hans the Elder (1465 - 1524), panel, ""Graue Passion"", Christ before Caiaphas, circa 1498, oil tempera on fir wood, 88 cm x 86 cm, F™rstlich F™rstenbergische Sammlungen, Donaueschingen, religious art, religion, christianity, Germany, Baden-Wuerttemberg, Baden, Wuerttemberg, painting, gothic, Fuerstlich, Furstlich, Fuerstenbergische, Furstenbergische, Jesus, high priest, interrogation,

Jaume Ferrer II (15th century). Epiphany. The Adoration of the Magi, 1457. Painting on wood. From Church de la Sang, Alcover, Tarragona. Diocesan Museum of Tarragona, Catalonia, Spain.

CORONACION DE LA VIRGEN - DETALLE SUPERIOR - HACIA 1490 - TECNICA MIXTA/TABLA - NP 1290 - HISPANO-FLAMENCO CASTELLANO. Author: MAESTRO DE LAS ONCE MIL VIRGENES (S. XV). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. JESUS. VIRGIN MARY.

The Annunciation, c. 1540, Girolamo da Santacroce, Italian (Venice), Italian (Venice), 1480/85-1556, 22 3/4 x 29 1/2 in. (57.79 x 74.93 cm) (canvas), Oil on panel, Italy, 16th century, Sent by God, the Christ Child floats in the air toward the Virgin Marywho crosses her arms in acceptanceunder the dove of the Holy Spirit. His incarnation in Mary’s womb is foretold by the archangel Gabriel, who has just entered on the left. Three reliefs decorate the walls: the creation of Eve; the Fall, when Adam and Eve disobey God by eating an apple from the Tree of Knowledge of Good and Evil; and their subsequent expulsion from paradise. In fact, the Virgin Mary here stands as a 'New Eve,' the Savior in her sinless womb, who has come to redeem humanity from Adam and Eve’s sin.

Predella depicting the death and ascension of St Nicholas, Perugia Altarpiece, 1438, by Giovanni da Fiesole known as Fra Angelico (1400-ca 1455), tempera on wood.

The Adoration of the Magi, painting by Sandro Botticelli (1445 - 1510), one of the most important Italian painters and draftsmen of the early Renaissance, historical, digitally restored reproduction from an original.

Adoration of the Magi or Strozzi Altarpiece, 1423, by Gentile da Fabriano (1370-ca 1427), tempera on wood, 203x282 cm.

Isenheim altarpiece c.1515 Temptation of Saint Anthony and conversation of Saints Anthony and Paul Hermit

Left panel open, 1426-1432, detail from the Ghent Altarpiece or Adoration of the Mystic Lamb, 1432, by Jan van Eyck (1390-1441), oil on panel. Saint Bavo Cathedral, Ghent, Belgium.

South America, Peru, Lima. Convent Santo Domingo, historic painting.

the crucifixion of christ 1500. (mair of landshut; active 1490-1504 in Bavaria)

Francesco del Cossa / Annunciation

Jesus hosted by Martha and Mary by Rocco Marconi, oil on canvas, circa 1490-1529, Venetian School, Russia, St Petersburg, State Hermitage, 119x171

Predella depicting the meeting of St Joachim with St Anne, detail from the Dispute of the Immaculate Conception, by Durante Nobili (1518-1578), in the style of the Lotto School..

Christ and the Adulteress Lucas Cranach the Elder (1472-1553/German)

The Annunciation to the Shepherds. Master of the Houghton Miniatures (Flemish, active about 1476 - 1480)

Angel of Lord by Dirk Bouts, oil on wood, 1464-1468, 1410/20-1475, Belgium, Leuven, St. Peter's Church, 88x71,3

The Nativity, scene from Life of the Virgin, Wurzach Altarpiece, 1437, by Hans Multscher (ca 1400-1467), panel, 148x140 cm.

Adoration of the Christ Child by Rogier van der Weyden, Oil on wood, circa 1455, circa 1399-1464, Germany, Munich, Alte Pinakothek, 138x153

Baptism of Christ, central panel of the Jean des Trompes Triptych, 1502-1508, by Gerard David (ca 1460-1523), oil on panel, 127.9x96.6 cm.

Crucifixion polyptic - right wing - obverse: Christ before the saw; Reverse: Isaac victim; Coter, Colijn DE (1450/1455-1522/1540); approx. 1500 (1490-00-00-1510-00-00);Christ before Pilate (iconogr.), Donation of Isaac (iconogr.), Pruszcz Gdański (Pomeranian Voivodeship), Court over Christ (iconogr.)

Pisanello, Antonio (1395-1455) National Gallery, London Painting 46,5x29 Bible The Virgin and Child with Saints Anthony Abbot and George

Baptism, Confirmation, Confession. Left door of the Seven Sacraments Triptych, by Rogier van der Weyden (1399-1464).

Legend of the Relics of St. John the Baptist. Date/Period: 1484 - 1490. Painting. Height: 1,720 mm (67.71 in); Width: 1,390 mm (54.72 in). Author: GEERTGEN TOT SINT JANS.

Adoration of the Magi (Matthew 2:10-11). Mistrz Syna Marnotrawnego (ca 1530-1560), painter

Retablo de la Transfiguración, 1445-1452. Detalle de la multiplicación de los panes y los peces. Pintura al temple sobre tabla. Catedral de Barcelona. Author: Bernat Martorell.

The Assumption of the Virgin with Saints Michael and Benedict. Artist: Luca Signorelli (Italian, Cortona, active by 1470-died 1523 Cortona) and Workshop. Dimensions: 67 1/4 x 51 3/4 in. (170.8 x 131.4 cm). Date: ca. 1493-96.This altarpiece combines the Assumption of the Virgin with two saints--the Archangel Michael subduing Satan, and Benedict. It was painted about 1493-95 for the Olivetan convent of Saint Michael in the artist's native Cortona. Although Signorelli designed the altarpiece and must also have painted the Virgin and Saint Benedict, other parts may be by an assistant.Much of the picture is abraded but the Virgin and Saint Benedict are relatively well preserved. The frame is sixteenth century. Museum: Metropolitan Museum of Art, New York, USA.

Boarding the Ark, 17th century painting on copper

'Adolescent Christ in the Jerusalem Temple'. Italy, 16th century. Dimensions: 69x59 cm. Museum: State Hermitage, St. Petersburg. Author: Giovanni Battista Naldini.

Polyptych of the crucifixion - lower left wing, left panel - obverse: The taking of Christ (capture); reverse: Reuben with his brothers. Coter, Colijn de (1450/1455-1522/1540), painter

Memorial tablet by Master of Spes Nostra (active c.1490-1510) Northern Netherlands (Delft), c. 1500, oil on panel. This memorial tablet was painted in commemoration of the four canons depicted on it. The partially decayed corpse in the open tomb reminds the viewer of his own mortality and asks for his prayers: Whoever passes by, look and weep. What you are, I once was, what I am, you will become, I beseech you to pray for me.

Nativity Scene with saints Julian and Francis, School of the Domenico Ghirlandaio in the Basilica di San Lorenzo in Florence, Italy Nativity Scene with saints Julian and Francis, School of the Domenico Ghirlandaio in the Basilica di San Lorenzo in Florence, Italy Copyright: xZoonar.com/ZvonimirxAtletix 20831238

Saint Barbara with Kneeling Donor Berbel or Barbara van der Noot, right outside panel of Triptych with Scenes from the Life of John the Baptist, Jan van Coninxloo (II), 1557

Woman holding infant, Gathering of the Manna, oil on wood, c.1460-70, detail

J.Fouquet, Birth of Christ /Illumination

Parable of rich man and Lazarus

Niccolo di Liberatore (1430-1502). St. Nicholas Predella, 1492. Jesus praying in Gethsemane. Author: Nicolaes Pieterszoom Berchem.

Saint Roch by German master, oil on wood, 15th century, Russia, Khabarovsk, Far Eastern Art Museum, 67x77

The Journey of the Magi ca. 1433-35 Sassetta (Stefano di Giovanni) Italian This scene, by the leading painter of fifteenth-century Siena, shows the three magi journeying to Bethlehem to worship Christ. It is a fragment from a small altarpiece showing the Adoration of the Magi. Originally, the star was shown above the tiled roof of the stable. The fur-lined hat worn by the magus in pink was inspired by the visit to Siena in 1432 of King Sigismund of Hungary. The picture may date about 1433-35. For more information about this painting and the other panel from the altarpiece, visit metmuseum.org.. The Journey of the Magi 437611

Three Miracles of Saint Zenobius ca. 1500 Botticelli (Alessandro di Mariano Filipepi) Italian The picture dates about 1500 and is painted in the harsh style Botticelli evolved during the years Florence was under the sway of the reforming preacher Savonarola. It belongs to a series of four panels illustrating the life of the fifth-century bishop of Florence, all of which are notable for their architectural settings. At left, Zenobius meets a funeral procession and restores a dead youth to life. At center, he raises a man who was killed while bringing relics (in the casket) from Saint Ambrose. At right, Saint Eugenius receives water and salt blessed by Zenobius and then hastens across the square to revive a dead relative.. Three Miracles of Saint Zenobius. Botticelli (Alessandro di Mariano Filipepi) (Italian, Florence 1444/45-1510 Florence). ca. 1500. Tempera on wood. Paintings

CAMPAÑA, PEDRO PINTOR FLAMENCO. 1503-1580 " PENTECOSTES " OLEO S/TABLA VIRGEN MARIA . ESPIRITU SANTO CAPILLA SANTA ANA. CATEDRAL DE BURGOS.

The Nativity, by an anonymous artist of the Cretan school in Venice, ca 1480-1500, Icon.

Joachim Anthonisz Wtewael, Moses Striking the Rock, 1624 Moses Striking the Rock

Painting depicting Saint Jerome in Meditation by the Master of La Seu d'Urgell. Dated 15th Century

Maestro de la Seu d'Urgell (activo el último tercio del siglo XV). San Jerónimo Penitente, h.1495. Procede de la Iglesia Parroquial de Santa María (Puigcerdà, Girona provincia). Museo Nacional de Arte de Cataluña. Barcelona. Cataluña. España.

The Seven Works of Mercy, Master of Alkmaar, 1504

Sketch for the Saint-Sulpice Church: the miracle of the ardents - Procession of the Chasse of Sainte Genevi�ve Louis Charles Timbal (1821-1880). Sketch for the Saint-Sulpice church: the miracle of the ardents - procession of the chass of Sainte Genevi�ve. Oil on canvas. 1860-1864.

Archangels Gabriel, Michael, and Raphael with Tobias and a FemaleDonor. Artist: Master of Serumido, Italian, act. 1500-1525

The Adoration of the Magi

Herod's banquet (detail)

The Adoration of the Shepherds. Date/Period: Ca. 1480. Panel painting. Oil on oak wood. Height: 97 cm (38.1 in); Width: 245 cm (96.4 in). Author: HUGO VAN DER GOES.

Lamech and his two women; History of the first people / about good and bad work; Boni et Mali Scientia. Lamech and are two women Ada and Silla at their house. Their children play around them. On the right in the foreground Jabal, the ancestor of people who love cattle, playing with a sheep. In addition to him tubal-cain at work with stones. He later said Smid and is all those who edit bronze and iron. On the left the whistling jubal, the ancestor of all playing winch or flute. All left daughter Naama. In the background in the landscape two murdered men. They are beaten by Lamech because they wanted to harm him. Under the show an explanatory text in Latin. This print is part of an album.

Deutschland Rheinland-Pfalz Speyer, Domkirche St. Maria und St. Stephan, Kaisersaal mit Schraudolph-Gemälden, Durchblick in den Dom *** Germany Rhineland Palatinate Speyer, Cathedral Church St Maria and St Stephan, Kaisersaal with Schraudolph paintings, Review in the Dom ,property released

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