Biblical Scenes in Art

Prints depicting key biblical moments such as Christ's passion and stories from the Old Testament, highlighting religious narratives in various styles.

Goltzius, Hendrick, Netherlands, The Passion, Flagellation of Christ, verso - stamped, Christ is tied to a pillar and is beaten by two men with a bundle of branches and a scourge. In the foreground a man is tying together a bundle of branches., print, engraving, prints, height 200 mm, width 133 mm, print maker, printmaker, 1597 - 1597, paper, engraving (printing process), Work conception, Northern Netherlands, 1558-01 - 1617-01-01, after print by, 1597 - 1667

Ferdinand of Austria, Governor of the Southern Netherlands, Rubens, Peter Paul, Antwerp, Jode, Pieter de (II), Visitation, verso lower left - stamped, The visit of Mary to her cousin Elizabeth. Joseph and Zacharias shake hands. On the right on the stairs stands a woman with a basket on her head. In the foreground a man with a donkey, who looks up at them. In the margin a Bible quotation from Luke. 1 in Latin., print, prints, height 647 mm, width 505 mm, South Netherlands, 1606-11-22 - 1674, print maker, printmaker, 1628 - 1670, paper, papier, engraving, engraving (printing process), 1577-06-28 - 1640-05-30, after, after painting by, 1609-05-16 - 1641-11-09, granter of privilege

Italy, Veronese, Paolo, Carracci, Agostino, Mystical Marriage of Saint Catherine, verso - stamped, Mary sits with the Christ Child on her lap. Christ is about to put a ring on the finger of Saint Catherine of Alexandria. On the left three angels playing music. On the right an angel with a palm branch., print, prent, prints, prenten, height 307 mm, width 223 mm, Italian, 1557 - 1602-03-22, print maker, printmaker, 1585 - 1585, paper, papier, engraving, engraving (printing process), 1528 - 1588-04-19

J. Muller (1700-1700), Illustration Til Adam Olearius, "Persian Rosenthal of a meaningful poet Schich Saadi ...", Schleswig 1660, 1660

The Betrothal of the Virgin, from The Life of the Virgin. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 11 11/16 x 8 3/8 in. (29.7 x 21.2 cm). Date: ca. 1504. Museum: Metropolitan Museum of Art, New York, USA.

The Mouth of Truth. Artist: Lucas van Leyden (Netherlandish, Leiden ca. 1494-1533 Leiden). Dimensions: sheet: 16 3/16 x 11 1/2 in. (41.1 x 29.2 cm). Date: ca. 1514. Museum: Metropolitan Museum of Art, New York, USA.

Saint Peter and Saint John at the Gate of the Temple, from The Passion. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: Sheet: 4 3/4 × 3 1/16 in. (12 × 7.7 cm). Date: 1513. Museum: Metropolitan Museum of Art, New York, USA.

Two craftsmen prepare 'bighead' masks for the pantomime season Date: 1870

Elisa visits the Sunnemitic wife, Hans Collaert (I), After Maerten de Vos, 1643 print The prophet Elisa comes to eat with a couple from the city of Sunem. Later in the evening the woman comes to him. As a reward for her hospitality, he blesses her and blends her pregnant with a son within a year. The print has a Latin caption and is part of a series about Elisa and the Sunnemite woman. print maker: Antwerpafter design by: Antwerppublisher: Amsterdam paper engraving the Shunammite woman's hospitality. Elisha promises the Shunammite woman a son in return for her hospitality

Birth, 1570 print The three branch goddinnen Lachesis, Atropos and Clotho are in a room and spinning the thread of life. They determine the life course and the lifespan by measuring and cutting the thread of life. The one holds the Spintol, the other turns the thread and the third cuts it off. In the background, children play, on the left a woman is in bed and three women take care of a newborn child. Under the show is a text in Latin, numbered on the left in the margin: 1. The print is part of a series of allegorical prints on human life. Antwerp paper engraving Fates, Parcae (Moirae). the life of man. tools, aids, implements ~ crafts and industries: scissors. spindle. distaff. lying-in room. implements for learning to walk, go-cart. the first years ~ the ages of man

Workshop of Andrea Mantegna or Attributed to Zoan Andrea, Flagellation of Christ, with the Pavement, c 1475 1480 Flagellation of Christ, with the Pavement

After Lucas van Leyden, Ecce Homo, engraving.

Departure of the Engel Rafaël, Anonymous, After Maerten de Vos, 1643 print The Engel Rafaël is familiar with Tobit, Anna, Tobias and Sara. They kneel on the floor. Tobit has returned home and is received on the left by his parents Tobit and Anna. Even further in the background the reception of Tobias' wife Sara. On the right in the house the healing of Tobit. Under the performance a reference in Latin to the Bible text in Tobit 12: 4. Amsterdam paper engraving the meeting of parents and son ~ Tobias' return. the healing of Tobit: Tobias puts the gall of the fish on his father's eyes. Sarah's arrival ~ Tobias' return. the angel Raphael disappears into the sky

Joseph Sold by his Brothers. Master of the Die (Italian, active c. 1530-1560); after Raffaello Sanzio, called Raphael (Italian, 1483-1520). Date: 1533. Dimensions: 212 x 286 mm (sheet). Engraving, printed in black, on paper. Origin: Italy. Museum: The Chicago Art Institute, USA. Author: Master of the Die.

The Lost Son wasted his legacy, 1643 print The lost son wastes his inheritance in a brothel. In a garden he is embraced by a prostitute. Another woman pours his glass full. On the left a dancing woman with tambourines and on the right an orchestra. Behind the lost son is a dar. Under the show a reference in Latin to the Bible text in Luc. 15:13. This print is part of an album. Amsterdam paper engraving the prodigal son in the midst of prostitutes feasting and dissipating his patrimony, usually in a brothel or inn. small group of musicians, chamber orchestra, jazz band. wind instruments. court jester, court fool

Venus carries Psyche on grain to sort, master of the dice, after Michiel Coxie (i), c. 1530 - c. 1560 print On the right, Venus Psyche points to the mountains of grain that Psyche has to sort. In the middle again Venus and Psyche. On the left, Venus is watching a table. Italian text in two cartouches in STUDMARGE. Numbered twice in the bottom left: 22. Italy paper engraving Psyche performing various tasks set to her by Venus

Joseph travels in a chariot throughout Egypt to check on the storage of grain in the seven good years, Joseph travels in a chariot throughout Egypt History of Joseph (series title), print maker: Robert de Baudous, Lucas van Leyden, Northern Netherlands, 1591 - 1659, paper, engraving, h 286 mm × w 203 mm

Italy, Boldrini, Nicolò, Venice, Titian, Six standing saints, verso - stamped, Six saints, standing side by side: Sebastian with arrow in his chest, Francis with cross, Anthony with lily, Peter with key, Nicholas of Myra with book and crosier and Catherine with palm branch of martyrdom., print, prent, prints, height 373 mm, width 531 mm, Italian, 1488 - 1576-08-27, print maker, printmaker, 1535 - 1535, second quarter 16th century, paper, papier, ink, inkt, houtsnede, brush, Borstel, 1500, block cutter, paintbrush

Parable of the Royal Wedding Party. A king gives his servant the assignment to invite guests for a big party. All guests refuse to come because they have other things: the one had bought a homestead, the other had bought five span oxen and had them inspected, the third was just married and could not come. The king then gives the mission to invite everyone on the street: the poor, weak, blind and moors. With various elements from the show are letters. The print is part of an album.

Italy, Wael, Cornelis de, Genre scenes, Drunken company at a city gate, verso lower left - stamped, A drunken company stumbles through a city gate. One man is carried by two others. On the right a woman with a child in her arms., print, prent, prints, prenten, height 116 mm, width 148 mm, Zuid-Nederlands, 1592-09-07 - 1667-04-21, print maker, prentmaker, 1630 - 1648, paper, papier, etching, engraving, engraving (printing process)

The Triumph of Mordecai. Lucas van Leyden; Netherlandish, 1494-1533. Date: 1515. Dimensions: 208 x 285 mm (image/sheet, trimmed within plate mark). Engraving in black on cream laid paper. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA.

Lot leaves the city of Sodom with his daughters. Two angels show them the way. In the background the burning city. On the road, Lot's wife remains as a pillar of salt. At the bottom of the margin a two-line text in Latin, Lot leaves Sodom Cum ultione misericordia juncta, Geschiedenis van Lot (series title), Frans Menton, print maker: anonymous, publisher: Hieronymus Cock, (possibly), print maker: Netherlands, publisher: Antwerp, 1550 - 1570, paper, engraving, h 205 mm × w 253 mm

The Visitation, from 'The Life of the Virgin', Albrecht Dürer, German, 1471-1528, Woodcut on laid paper, Saints Mary and Elizabeth, center, embrace one another. Mountainous landscape in the background. Monogram of Dürer on tablet, lower center. Initial 'B,' in margin, lower right. Text on reverse, 26 lines., Germany, before 1506, Print, Print

The Death of the Virgin, from The Life of the Virgin. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 11 9/16 x 8 3/16 in. (29.4 x 20.8 cm). Date: 1510. Museum: Metropolitan Museum of Art, New York, USA.

Allaert Claesz, Dance of Death IV, 1562 Dance of Death IV

The Congress of Princes at Vienna. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 6 7/8 x 5 7/8 in. (17.5 x 15 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Samuel willing David; Paintings in the Loggia of Rafaël. View in a room where Samuel David bumps. There are four figures behind Samuel and there are another four figures behind David. An altar in the foreground on the left.

Groeningen, Gerard van, Nagel, Pieter, Works of mercy, Quenching the thirsty, verso - stamped, A man pours water from a pitcher into a man's drinking cup. On the left a woman with a child on her back. In the background a colonnade, where people are given a drink. At the bottom in the margin a line of text in Latin. Print from a series on the works of mercy., print, prints, height 204 mm, width 249 mm, South Netherlandish, print maker, printmaker, 1571 - 1571, paper, engraving, engraving (printing process), Work conception, 1515 - 1599

Charles V Let a monastery building, c. 1555; Triumphs of Karel V. Keizer Karel V in consultation with the architects of the monastery that he lets to be able to rest here from his relation period. In the background construction work. With caption of four rules in Latin. This print is part of a series of eight prints, each proposing a triumph of Charles V.

The Departure of the Prodigal Son. Dimensions: Overall: 36.4 x 29.9 cm (14 5/16 x 11 3/4 in.) support: 41.2 x 32.7 cm (16 1/4 x 12 7/8 in.). Medium: pen and brown ink with brown wash heightened with white on laid paper. Museum: National Gallery of Art, Washington DC. Author: Karel van Mander I.

Birth, Pieter Jalhea Furnius, after Jan van der Straet, 1570 print The three branch goddinnen Lachesis, Atropos and Clotho are in a room and spinning the thread of life. They determine the life course and the lifespan by measuring and cutting the thread of life. The one holds the Spintol, the other turns the thread and the third cuts it off. In the background, children play, on the left a woman is in bed and three women take care of a newborn child. Under the performance is a text in Latin, numbered on the left in the margin: 1. The print is part of a series of allegorical prints on human life. Antwerp paper engraving Fates, Parcae (Moirae). the life of man. tools, aids, implements ~ crafts and industries: scissors. spindle. distaff. lying-in room. implements for learning to walk, go-cart. the first years ~ the ages of man

Brennus throwing his sword on the scales before Camillus 1540-56 Léon Davent French. Brennus throwing his sword on the scales before Camillus 337467

Amsterdam, Visscher, Claes Jansz. (II), Vos, Maerten de, Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae, History of David and Abigail, History of David and Saul, Abigail gathers food, Abigail, Nabal's wife, has donkeys loaded with loaves of bread and jars of wine. She will bring the food to David. Abigail speaks with one of her servants, who is a shepherd. Below the image is a reference in Latin to the Bible text in 1 Sam. 25. This print is part of an album., print, album leaf, prints, height 198 mm, width 257 mm, Work conception, South Netherlands, 1532 - 1603-12-04, after a design by, 1585 - 1585, paper, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, North Netherlands, 1586 - 1652-06-19, publisher

The Judgment of Solomon. Dated: c. 1480. Dimensions: sheet: 25.6 x 21.3 cm (10 1/16 x 8 3/8 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Master FVB.

Sichem, Christoffel van, Zuccaro, Taddeo, Rome, Cort, Cornelis, Presentation of Mary in the temple, verso - stamped, Mary is accompanied to the temple by her mother Anna. At the door of the temple she is met by the high priest Zacharias., print, prints, height 273 mm, width 193 mm, Work conception, Northern Netherlands, 1533 - 1578, after print by, 1570 - 1620, paper, engraving, engraving (printing process), Italian, 1529-09-01 - 1566-09-02, after design by, Publication (Event), Publication, publisher

Amsterdam, Visscher, Claes Jansz. (II), Groeningen, Gerard van, Muller, Harmen Jansz, Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae, Parable of the Talents, Lord asks his servants to account, The Lord asks his three servants for an accounting. Those with five talents and two talents have both earned the same amount. The last servant puts his bundle with one talent on the table and gives the master exactly the same amount back as what he had received. Below the image is a reference in Latin to the Bible text in Mat. 25:20. This print is part of an album., print, prent, albumblad, prints, prenten, height 205 mm, width 288 mm, Dutch, 1540 - 1617-10-07, print maker, printmaker, 1565 - 1572, paper, papier, engraving, graveren (drukprocedé), Work conception, Zuid-Nederlands, 1515 - 1599, after a design by, Publication (Event), Publicatie, Noord-Nederlands, 1586 - 1652-06-19, publisher

The Holy Family with Saints and Two Musical Angels. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 8 1/4 x 8 5/16 in. (21 x 21.1 cm). Date: 1511. Museum: Metropolitan Museum of Art, New York, USA.

Germany, Cranach, Lucas (I), Martyrdom of the Twelve Apostles, James the Less thrown from balcony, James the Less (Jacobus Minor) is thrown from a balcony where a man is ready to beat him with a club. Several men watch as the saint dies a martyr's death. In the middle above hang two shields with the Electoral and Ducal coats of arms of Saxony., print, prints, height 162 mm, width 126 mm, German, 1472 - 1553-10-16, print maker, printmaker, 1510 - 1514, first quarter 16th century, paper, woodcut

Ajax and Odysseus argue for the weapons of Achilles, Antonio Tempesta, 1606 - 1638 print Odysseus and Ajax fight about Achilles' armor. Title in Latin in STUDMARGE. paper etching fight between Ulysses and Ajax the Great for Achilles' arms

Scipio is seated on his throne under a tent canvas and surrounded by soldiers. A fair maiden is brought before him. Scipio makes a dismissive gesture. In lower margin text in Latin, Nobility of Scipio., print maker: Pietro Sante Bartoli, (mentioned on object), Giulio Romano, (mentioned on object), Italy, 1645 - 1700, paper, etching, engraving, h 210 mm

Woman explains her innocence, Georg Pencz, 1533 - 1534 print A woman accused of adultery declares her innocence under oath. She kneels in front of a sitting judge and keeps her hand in the mouth of a statue of a lion. Behind her is a nar. paper engraving 'Bocca della Verití' (woman accused of adultery putting her hand into sculpted figure's mouth to prove her innocence)

Albrecht Dürer (1471-1528). The great passion on wood: flogging (Bartsch 8). 1497. Museum of Fine Arts of the City of Paris, Petit Palais. 77215-27 Chretian art, religious art, bible, Christianity, flogging, New Testament, passion of Christ, biblical character, holy character, biblical refection, Christian religion, renaissance, biblical scene, religious scene, suffering, life Christ, engraving engraving

RETHORICA CHRISTIANA - FRAILE PREDICANDO CON PUNTERO. Author: Valadés. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

Saint Jerome. Engraving by G. Guadagnini after F. Rosaspina after Agostino Carracci.

The Beggars of Bruges, c. 1880. Alphonse Legros (French, 1837-1911). Etching;

Raffaello Schiaminossi, Margaret of Austria Being Carried in a Chaise, 1612 Margaret of Austria Being Carried in a Chaise

Netherlands, Beheading of John the Baptist, verso - stamped, The executioner places the head of John the Baptist on the platter held by Salome. On the right a prisoner chained to the wall. Through the doorway Salome can be seen offering the platter with the head to Herod and Herodias. Below the scene a two-line text in Latin and a reference to the Bible text in Mat. 14., print, prent, prints, prenten, height 258 mm, width 201 mm, print maker, prentmaker, 1550 - 1650, paper, papier, engraving, engraving (printing process)

Two debating men, Anonymous, Hans Weiditz (II), 1514 - 1531 print Print is part of an album. Augsburg paper letterpress printing debate, discussion (~ meeting)

Print made by John Bell, 1811-1895, British, And This Was Caesar, between 1838 and 1850. Etching and stipple engraving on moderately thick, slightly textured, beige wove paper with cream chine collé.

The Fountain of Life before 1604 Antonius Wierix, II Netherlandish. The Fountain of Life 426208

Artist: Albrecht Dürer, German, 1471-1528, Saints Peter and John at the Gate of the Temple, from The EngravedPassion, Engraving, 12.1 × 7.7 cm (4 3/4 × 3 1/16in.), Made in Germany, German, 16thcentury, Works on Paper -Prints

Die Bekleidung derNackten. Artist: Marx Anton Hannas, German, died 1676

The Fortune Teller, John Smith, 1652-1743, British, after unknown artist, c.1700, Mezzotint, Sheet: 4 x 7in. (10.2 x 17.8cm)

. Satire with the painting of the Antichrist, approx. 1650. Interior of an inn in which a painter paints the portrait of the called antichrist or devil on the bare hind of a progressed man with a crown on the head. The devil is on a cloud of smoke, here a globe and tongs. Links to a table a man with a glass of wine, a luit player and a young woman. Behind the painter a fool with a top hat, large collar and big nose. Behind it is a man with a model of a castle. On the right a Dutch sailor with fur hat overlooks. In the caption a verse of twice five lines. The verse speaks of a Red Cross Meeting of the Red Cross Rose Cruisers or Rose Cruisers, the clothing of two of the persons is decorated on the sleeve with a cross. Probably the show relates to the poet Mattheus Gansneb Tengnagel.

Amsterdam, Schabaelje, Jan Philipsz, Estius, Franco, Mander, Karel van (I), Matham, Jacob, Parable of the prodigal son, Homecoming of the prodigal son, The prodigal son welcomed by his father., print, prints, height 236 mm, width 171 mm, Northern Netherlands, 1571-10-15 - 1631-01-20, print maker, printmaker, 1592 - 1592, paper, engraving, engraving (printing process), Work conception, Southern Netherlands, 1548-05 - 1606-09-11, after a design by, writer, Publication (Event), Publication, 1592 - 1656-04, publisher

Amsterdam, Rieuwertsz., Jan, Luyken, Pelgrims in gesprek met een reus, verso - stamped, Print numbered top right: 301. In the margin a two-line caption with a reference to the Bible book Mat. 23:12., print, book illustration, prints, height 126 mm, width 72 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1683 - 1683, paper, etching, etchings, Publication (Event), Publication, publisher

Gonzalo Gustos visits Ruy Velazquez to promise satisfaction for the acts of his son; Historia Septem Infantium de Lara / Historia de los Siete Infantes de Lara; The seven infants of Lara. Explanatory numbers in the show. Caption in Spanish and Latin.

This copper engraving by Marcantonio Raimondi from the first half of the 16th century depicts a cardinal, showing posture, clothing, facial expression, religious attire, and hierarchical status.

Luigi Ademollo, Italian (1764-1849), Moses and Aaron before Pharaoh, with the Rods Turned into Serpents, pen and black ink, with black wash and white gouache on wove paper

Antwerpen, Jode, Gerard de, Heemskerck, Maarten van, Amsterdam, Galle, Philips, Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, History of King Josiah, King Josiah has the Book of the Law read to the people, Antwerp, King Josiah stands on the steps of the temple and has the recovered Book of the Law of God read to the people of Israel. Josiah raises his hand and swears that he will follow God and keep his laws. Below the depiction is a reference in Latin to the Bible text in 2 Kings. 23. Print is part of an album., print, album sheet, prints, height 205 mm, width 252 mm, Southern Netherlands, 1537 - 1612-03-29, print maker, printmaker, 1567 - 1571, paper, engraving, engraving (printing process), Northern Netherlands, 1498 - 1574, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1509 - 1591-02-05, publisher

Martyrdom of Saint Laurentius, Justus Sadeler (Possible), After Giuseppe Salviati, 1600 - 1620 print H. Laurentius is burned alive by soldiers on a schedule by the command of Emperor Valerian. paper engraving St. Laurence is roasted on a gridiron

Sudarium Displayed by Two Angels. Jerome Wierix (Flemish, 1553-1619); after Albrecht Dürer (German, 1471-1528). Date: 1568. Dimensions: 101 × 138 mm (image/plate); 102 × 139 mm (sheet). Engraving in black on cream wove paper. Origin: Flanders. Museum: The Chicago Art Institute, Chicago, USA.

Saint Paul preaching in Athens, after Raphael. Artist: Marcantonio Raimondi (Italian, Argini () ca. 1480-before 1534 Bologna ()); After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483-1520 Rome). Dimensions: 10 3/8 x 14 1/16 in. (26.3 x 35.7 cm). Date: ca. 1517-20. Museum: Metropolitan Museum of Art, New York, USA.

Nuremberg, Solis, Virgil, Crucifixion of Christ in a scrollwork frame, verso - stamped, print, prints, height 78 mm, width 57 mm, German, 1514 - 1562-08-01, print maker, printmaker, 1568 - 1568, paper, papier, engraving, engraving (printing process)

Hooghe, Romeyn de, Netherlands, Illustration for the Decameron by Boccaccio, history XLV. Joan of Procida and his mistress Restitua are tied to a stake to be burned., print, engraving, book illustration, prints, engravings, height 75 mm, width 80 mm, Northern Netherlands, 1645-09-10 - 1708-06-15, print maker, printmaker, 1697 - 1697, fourth quarter 17th century, paper, etching, etchings, Work conception, after own design by

The Flagellation ca. 1552-61 Battista Franco Italian. The Flagellation 371921

A copper engraving by Marcantonio Raimondi from 1515-1527 depicting the unbeliever Thomas, showing Thomas touching Christ's wounds and surrounding figures.

Pierre Woeiriot, Pharaoh and the Plague of Frogs Pharaoh and the Plague of Frogs

Mission in the temple. Draughtsman: anonymous. Intermediary draughtsman: Luca Cambiaso (possibly). Dating: 1540 - 1620. Measurements: h 230 mm × w 230 mm. Museum: Rijksmuseum, Amsterdam.

Ludwig Xiv., King of France Stitch according to the own design of François POILLY

. The personification of the lusty man (gay carnalis) crown a donkey with a beautiful headdress. This donkey symbolizes his body (Caro). Behind him on a street corner is a poor dressed woman, the personification of the soul neglected by man (Anima). Print from a series of four prints about the care of man in front of the body and ignoring the soul. Each print with a caption in Latin, French and Dutch.

Plate 9: Joshua, standing at right, speaks to the people of Israel, after a lost fresco in the basamento of Bay 10 of the Vatican Loggia 1650-77 Pietro Santi Bartoli Italian This plate is bound with three series after Raphael's designs for the Vatican Stanze.. Plate 9: Joshua, standing at right, speaks to the people of Israel, after a lost fresco in the basamento of Bay 10 of the Vatican Loggia. Series of 44 plates depicting the stucco medallions by Raphael's workshop designed for the Vatican Loggie. Pietro Santi Bartoli (Italian, Perugia 1615-1700 Rome). 1650-77. Etching. Giovanni Giacomo De Rossi (Italian, Rome 1627-1691 Rome). Prints

Antwerp, Jode, Gerard de, Cleve, Marten van (I), Sadeler, Johann (I), Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, History of David and Bathsheba, Uriah Recalled from War by David, King David has recalled Uriah, Bathsheba's husband, from war. Uriah kneels before him, dressed in his armor. David urges Uriah to relax and accept the wine and food brought by the servants. However, Uriah does not go home to sleep with his wife Bathsheba. Below the representation is a reference in Latin to the Bible text in 2 Sam. 11. This print is part of an album., print, album page, prints, height 196 mm, width 291 mm, South Netherlands, 1550 - 1600-08, print maker, 1585 - 1585, paper, engraving, engraving (printing process), Work conception, 1527 - 1581, after a design by, Publication (Event), Publication, Northern Netherlands, 1509 - 1591-02-05, publisher

Two Biblical Scenes: Festus judging Saint Paul at left and Saint Paul Baptizing the Christians of Corinth at right, from a series of 15 plates depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries 1650-70 Pietro Santi Bartoli Italian This series consists of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries. The series is dedicated to Niccolò Simonelli.. Two Biblical Scenes: Festus judging Saint Paul at left and Saint Paul Baptizing the Christians of Corinth at right, from a series of 15 plates depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries. Series of 15 plates depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries. Pietro Santi Bartoli (Italian, Perugia 1615-1700 Rome). 1650-70. Etching. Giovanni Giacomo De Rossi (Italian, Rome 1627-1691 Rome). Prints

Antwerp, Cock, Hieronymus, Heemskerck, Maarten van, Galle, Philips, History of Susanna, Daniel goes against the conviction of Susanna, Susanna is led away by soldiers, after she has been accused of adultery by the two elders and the judge has pronounced the death penalty. Susanna looks up and prays to God that He knows what really happened and that they are falsely accusing her. The young Daniel in the middle shouts loudly that he is not guilty of Susanna's blood. He addresses the judge and points to the two elders. Daniel is then allowed to question the elders to expose the false testimony of the two. Below the representation is an explanatory text in Latin. This print is part of an album., print, prent, albumblad, prints, prenten, height 205 mm, width 249 mm, Zuid-Nederlands, 1537 - 1612-03-29, print maker, prentmaker, 1563 - 1563, paper, papier, engraving, engraving (printing process), Noord-Nederlands, 1498 - 1574, intermediary draughtsman, after a drawing by, Publication (Event),

Bandinelli, Baccio, Italy, Veneziano, Agostino, Iphigenia recognizes Orestes, on loose leaf - stamped, Iphigenia, priestess of Diana, recognizes her brother Orestes and his companion Pylades. The men are bound to be sacrificed to Diana., print, engraving, prints, verso - stamped, height mm, width mm, Italian, 1490 - 1536, print maker, printmaker, 1500 - 1536, paper, engraving (printing process), Work conception, 1493 - 1560-02-07

At the door of his house Lot tries to calm the men from Sodom. The men ask him to let his guests out so that they can take them. One of the angels draws Lot inside. At the bottom of the margin a two-line text in Latin, Lot exhorts the crowd to calm Incestus, History of Lot (series title)., Frans Menton, print maker: anonymous, publisher: Hieronymus Cock, (possibly), print maker: Netherlands, publisher: Antwerp, 1550 - 1570, paper, engraving, h 208 mm × w 252 mm

Return of Grand Duke Cosimo I from Tuscany to his palace, Jan van der Straet, 1570 - 1583 drawing After his coronation, Grand Duke Cosimo I de 'Medici returns to his palace, 1569. paper. paint (coating). ink. chalk pen ceremonial celebration of installation of a ruler Rome

Rome, Rossi, Giovanni Giacomo de', Italy, Pedrignani, Girolamo, Liberation of Peter from prison, verso - stamped, After Peter has been thrown into prison by Herod, he is freed by an angel and led out of prison. In the foreground three soldiers in armor., print, prints, height 307 mm, width 210 mm, Italian, print maker, printmaker, 1637 - 1691, paper, etching, etchings, Work conception, after own design of, Publication (Event), Publication, 1627 - 1691, publisher

Woodcut by Jacob Cornelisz van Oostsanen depicting the mocking of Christ, created in 1517.

Four Travelers Sharing a Meal. Artist: Anonymous, Italian, mid-16th century. Dimensions: 7 15/16 x 7 1/2 in. (20.2 x 19 cm). Date: mid-16th century. Museum: Metropolitan Museum of Art, New York, USA.

Woodcut by Hans Baldung Grien depicting the holy clan with rabbits, created around 1510/1511, showing figures, animals, gestures, and composition details.

Genoa, Wael, Cornelis de, Harbours with slaves and sailors, Sailors resting at a fountain, verso lower left - stamped, Sailors have gathered at a fountain. Some of them are talking. The others are smoking and sitting on the ground. A slave accompanies them., print, prints, height 109 mm, width 142 mm, Work conception, South Netherlands, 1592-09-07 - 1667-04-21, after a design by, 1647 - 1647, paper, etching, engraving, engraving (printing process), print maker, printmaker

The lost son receives his inheritance and goes on a journey, Nicolaes de Bruyn, 1581 - 1656 print The lost son receives his inheritance from his father and says goodbye to his family. He is already on his horse and waves his hat. Netherlands paper engraving leave-taking and departure of the prodigal son. waving farewell ~ departure on a journey. riding a horse, ass, or mule; rider, horseman

EL CORDERO PASCUAL. Grabado de 1889. Álbum de Historia Sagrada (La Santa Biblia en imágenes). Dibujo de Julio Schnorr de Carolsfeld.

Albrecht Dürer (1471-1528). "The birth of the Virgin Bartsch 80". Wood engraving, around 1503-1504. Museum of Fine Arts of the City of Paris, Petit Palais. Catholic, Christian, wood engraving, birth, New Testament, Holy, Virgin

Fear of God (Timor Dominus) blesses the marriage between Labour (Labor) and Industry (Dilligentia). The personification of Hope (Spes) presents the dowry: a pack mule laden with tools. On the head of the donkey is a cock. Donkey and cock are respectively symbols for labour and tirelessness. The print has a Latin caption and is part of a series on the rewards of human labour, Marriage between labour and labour Rewards for labour and industriousness (series title)., print maker: Philips Galle, Maarten van Heemskerck, publisher: Joannes Galle, print maker: Haarlem, Haarlem, publisher: Antwerp, 1572 and/or 1638, paper, engraving, h 210 mm × w 247 mm

Simson in Samuel, 1585 print In the foreground the last two judges of Israel: Simson and Samuel. Two stories from their time in the background. In the middle, Simson fights with a lion and kills him with his bare hands. On the right Samuel Koning Saul. The print has a Latin caption. Antwerp paper engraving Samson kills the lion with his bare hands. the anointment of Saul by Samuel. male persons from the Old Testament (with NAME) (not in biblical context).

Weerdt, Adriaan de, Goltzius, Hendrick, Haarlem, The history of Ruth, Ruth gleans ears of corn in the field of Boaz, verso bottom center - stamped, Ruth and Boaz in the foreground. In the background the ears of corn are harvested. Two lines of Latin and two times two lines of German in the margin below the print., print, prints, 1580, bottom right - engraved, height 208 mm, width 274 mm, Noord-Nederlands, 1558-01 - 1617-01-01, print maker, printmaker, 1580 - 1580, fourth quarter 16th century, vier kwart 16e eeuw, paper, papier, engraving, graveren (drukprocedé), Work conception, after own design by, Zuid-Nederlands, 1510 - 1590, inspirator

Lützelburger, Hans, Holbein, Hans (II), Dance of Death, Preacher and Death, A preacher stands on a pulpit in the church and preaches to the men and women present. On the left sits a sleeping man. Behind the preacher on the pulpit stands Death with an hourglass. In the margin above the pretn is the text Isaie V., print, book illustration, prints, height 65 mm, width 50 mm, German, 1498 - 1543-11-29, print maker, printmaker, 1524 - 1526, first quarter 16th century, second quarter 16th century, paper, woodcut, - 1526-06-23, block cutter, 1538 - 1538

Hunger visits Erysichthon; Metamorphoses from Ovid. Hunger visits Erysichthon in his bedroom. She skips her arms around him and blows her breath through his mouth and throat to his lungs. In the margin a four-line caption, in two columns, in Latin.

Personification of the city of Rome, Adriaen Schoonebeek, 1693.

The White King Learning to Conduct a Kitchen, from Der Weisskunig 16th century Hans Burgkmair German Der Weisskunig (the white king) is a loosely biographical account of the life of Emperor Maximilian I. The text, composed by Maximilian's secretary Marx Treitz-Sauerwein, is accompanied by illustrations by Burgkmair, Leonhard Beck, Hans Schäufelein, and Hans Springinklee, with the proofs completed between 1514 and 1516. However, they remained unpublished until the blocks were rediscovered in 1775, at which point they were published as a book by Hoffstätter in Vienna. The first edition was published again in 1799 by S. Edward in London with the French title, "Tableaux des principaux evénemens de la vie et du regne de l'empereur Maximilien I." It includes 236 woodcut illustrations.. The White King Learning to Conduct a Kitchen, from Der Weisskunig 431206

Antwerp, Galle, Philips, Southern Netherlands, Cornelis (I), The life of St. Catherine of Siena, Catherine cares for a sick man in his house, verso - stamped, Catherine cares for a sick man in his house. The man lies on the ground and Catherine binds up his wounds. Part of a series on Catherine of Siena consisting of a title print, a portrait and 32 numbered scenes from her life., print, prent, prints, prenten, height 150 mm, width 90 mm, 1576 - 1650-03-29, print maker, printmaker, 1603 - 1603, paper, papier, engraving, engraving (printing process), Publication (Event), Publicatie, 1537 - 1612-03-29, publisher

Frontispiece with oval portrait of Raphael, with three allegorical figures of the Arts supporting the tablet at center 1675 Pietro Aquila. Frontispiece with oval portrait of Raphael, with three allegorical figures of the Arts supporting the tablet at center. Pietro Aquila (Italian, Marsala, Sicily 1650-1692/1700 Rome). 1675. Etching. Giovanni Giacomo De Rossi (Italian, Rome 1627-1691 Rome). Prints

In a landscape, the H. Antonius of Padua has a miraculous way to grow the leg of a young man on the ground. The young man cut off his foot in an attack by repentation after he kicked his mother. Different bystanders watch how this miracle takes place. The print is part of a 53-part series of prints to paintings by Titian and Veronese.

Romulus gives laws to people of Rome. Orley, Bernart van (Netherlandish (before 1600) - Flanders, ca.1492-1542) (author of design, attr.) painter c. 1525-1530 Tapestry Dimensions: H 430 x W 500 cm Tapestry Materials/Techniques: wool (warp: 6.5-7/cm); wool & silk; metallic thread (gold); metallic thread (silver) Culture: Southern Netherlands Ownership History: Inventory of Carlos II (1701-1703). Inventory of Carlos III (1788). Inventory of Fernando VII (1834). Spain, Segovia, Segovia, Palacio de San Ildefonso, accno. A.359-12103 (or, PN. S. 14/4). Inscriptions: Inscription in central field, on standards sideways: SPQR Inscriptions: Inscription in upper border cartouche: ROMVLVS DAT LEGES POPVLO, CONSTITVIT DVODECIM / LICTORES, ELIGIT CENTVM PATRES, FRIGIT ASYLVM Romulus enthroned gives laws to Rome (center, middle ground); flanked by lictors, soldiers & women, some soldiers hold standards with inscriptions (L & R, middle ground); dog & mythical beast lie before throne (center, foregroun

The Israelites Gathering Manna. Artist: Battista Franco (Italian, Venice ca. 1510-1561 Venice). Dimensions: Sheet (Trimmed): 15 1/4 × 23 7/8 in. (38.7 × 60.7 cm). Date: ca. 1547. Museum: Metropolitan Museum of Art, New York, USA. Author: Battista Franco.

. A richly dressed woman (aura) and harlequin (a character from the Commedia dell'Arte), accompanied by a man holding a cat. According to the four-line poem in the margin (in French and German), Aura asks Harlequin to grab the cat (symbol of the female genitals), while choosing the spit (symbol for the male genitals).

Court of Love in 14th century Provence,France. Copy from ancient manuscript.

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