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Biblical Scenes of Resurrection

Artistic depictions of biblical events including the raising of Lazarus and the nativity, showcasing historical figures and religious themes in rich, detailed settings.

Pala Bentivoglio (the Bentivoglio Altarpiece)

Triptych of The Resurrection (Central panel) by Memling, Hans (1433/40-1494) / Louvre, Paris / c. 1490 / The Netherlands / Oil on wood / Bible / 62x45 / Early Netherlandish Art

Christ on the Mount of Olives. (Master of Mebkirch; active around 1520-1550 in the Upper Rhine)

The Last Supper altarpiece: The Gathering of Manna (right wing) by Bouts, Dirk (1410/20-1475) / St. Peter's Church, Leuven / 1464-1468 / The Netherlands / Oil on wood / Bible / 88x71,3 / Early Netherlandish Art

Adoration of the Magi - Johann Friedrich Overbeck, 1813

Andrea Vanni, Scenes from the Passion of Christ The Crucifixion (middle panel), 1380s Scenes from the Passion of Christ: The Crucifixion middle panel

The Adoration of the Magi. Date/Period: Ca. 1439. Painting. Oil on poplar wood. Author: DOMENICO VENEZIANO.

fine arts, Pleydenwurff, Hans, (1420 - 1472), painting, altar of the three Magi, 1460, Saint Lawrence Òs church, Nuremberg, Germany, Europe, Lawrences, religious art, religion, christianity, 15th century, gothic, 3, Saint Mary, Jesus Christ, child, adoration,

Christening of Jesus Christ, by probably Antonio Maria da Bozolo, 1555, 16th Century, Unknow. Italy, Lombardy, Monza, Brianza, Cathedral. Detail. Baptism of Christ trees crowd horse water river.

The Adoration of the Magi by Brueghel, Pieter, the Younger (1564-1638) / Royal Museum of Fine Arts, Antwerp / First third of 17th cen. / Flanders / Oil on canvas / Bible / 140x171,5 / Early Netherlandish Art

Meditation of St Anthony, by Jacob van Swanenburg (1571-1638).

Adoration of the Christ Child, circle of Jacopo del Sellaio, 1485 - 1520

The Virgin Mary Visiting St Elizabeth, by Lotto Lorenzo, 1525, 16th Century, fresco. Italy. Lombardy. Bergamo. San Michele al Pozzo Bianco Church. Whole artwork. The Virgin Mary, portrayed as a young woman with an aureole/halo wearing a white garment/dress and a veil, meets her cousin St.Elizabeth in her magnificent house (temple, columns, architrave, tympanum). St.Elizabeth is portrayed as an aged woman in wearing a green garment and a veil. Both women reveal their pregnancy showing their belli

Die Darstellung von Jesus The Presentation of Jesus, 17th century, Mateo Gilarte, baroque, oil on canvas, Huesca museum, Aragon community, Spain Copyright: xZoonar.com/BartomeuxBalaguerxRotgerx 22307770

Last Judgement Altar / Memling / 1471-73

The Dream of Saint Anthony

Adoration of the Christ Child by Ambrosius Benson, oil on wood, 1495-1550, Russia, St. Petersburg, State Hermitage, 26, 5x20, 5

Christ farewell to the frauen. About 1520. (champions of 1518 active at the beginning of 16.jh.in Antwerp)

Transportation Of the Blessed Sacrament, painting by a Lombard master, Basilica of St Lawrence, Milan. Italy, 15th century.

ADORACION DE LOS MAGOS. Author: JUAN CORREA DE VIVAR. Location: IGLESIA DE LA ASUNCION. MECO. MADRID. SPAIN. CARLOS V (CARLOS I). Charles I (V of the Holly Roman Empire).

PAREJA, Juan de (1610-1670). The Baptism of Christ. 1667. Baroque art. Oil on canvas. SPAIN. ARAGON. Huesca. Provincial Museum of Huesca (Huesca).

The Nativity, 1450. Weyden, Rogier van der.

Crete. "The Nativity". Tempera on wood. 1480-1500. Museum of Fine Arts of the City of Paris, Petit Palais. 144083-6 Chretian art, religious art, religious iconography, icon, nativitis, panel, religious painting, wood painting, holy family, religious subject

The Adoration in the Forest by Lippi, Fra Filippo (1406-1469) / Staatliche Museen, Berlin / 1459 / Italy, Florentine School / Tempera on panel / Bible / 129,5x119

Mary Magdalene (Greek Μαγδαληνή) was one of Jesus' most celebrated disciples, and the most important woman disciple in the movement of Jesus. Jesus cleansed her of 'seven demons', Luke 8: 2 Mark 16: 9 conventionally interpreted as referring to complex illnesses. She became most prominent during his last days, being present at the cross after the male disciples (excepting John the Beloved) had fled, and at his burial. She was the first person to see Jesus after his Resurrection, according to both John 20 and Mark 16: 9. Mary Magdalene is considered by the Catholic, Orthodox, Anglican, and Lutheran churches to be a saint, with a feast day of July 22. The Eastern Orthodox churches also commemorate her on the Sunday of the Myrrhbearers.

Adoration of the Shepherds, by Jacopo Bassano (ca 1510-1592).

Holy Family with two Angels / Di Cosmio

St. Jerome punishing the Heretic Sabinianus, Raphael, Raffaello S., 1502.

The Nativity by Piero del Fransesca. The Nativity is an oil painting by Italian artist Piero della Francesca, dated to 1470-75. The painting depicts a scene from the birth of Jesus, and is one of the latest surviving paintings made by the artist before his death in 1492.

The Deposition of Jesus Christ in the Sepulcher with the Virgin Mary Held up by St Mary Magdalene and Other Characters, by probably Conti Bernardino de', co-worker probably Conti Bernardino de', 16th Century, tempera and oil on canvas. Italy, Lombardy, Milan, Brera Art Gallery. Whole artwork. Deposition dead Jesus Christ corpse: dead body sepulcher Virgin Mary Madonna mother grief: sorrow despair Magdalene Pious Women apostle St John aureoles: halos view landscape hill mountain Golgotha: Calvary

The Virgin of the Rocks by Leonardo da Vinci.

The adoration of the Heilige three kings, The Adoration of the Magi, painting by Sandro Botticelli March 1, 1445 - 1510, one of the most important Italian painters and draftsman of the early Renaissance, historically, digitally restored reproduction of a template, Record date not stated

Gregório Lopes (active from 1513 to 1550). Portuguese painter. "The Presentation of the Child in the Temple", 1520-1525. Oil on oak panel. From the monastery of Sao Bento da Saúde, Lisbon. National Museum of Ancient Art. Lisbon, Portugal.

Finding of Moses by Eustache Le Sueur, oil on canvas, 1649, 1617-1655, Russia, St. Petersburg, State Hermitage, 218x148

Nativity; late 1400s; Oil on oak panels Master of Saint Ursula Legend; Netherlandish; active about 1470-1500

fine arts, Middle Ages, painting, Adoration of the Magi, Western Switzerland, circa 1440, Bavarian National Museum, Munich,

Paradise, detail from the Last Judgment, 1460-1465, by Giovanni di Paolo (active from ca 1420-1482).

St John in Patmos, by the Master of St John the Evangelist (15th century), painting on wood, 120x190 cm.

The capture of Christ, Anonymous, After Albrecht Dürer, 1508 - 1599 print Christ is betrayed by Judas with a kiss. Soldiers are ready to take him behind Christ. On the back 9 lines of Latin text in book print. This print is part of a series of prints with scenes from the suffering story, copies to Albrecht Dürers engraved passion. paper. parchment (animal material) engraving the kiss of Judas: accompanied by soldiers with torches and lanterns, he kisses Christ. Peter draws his sword and cuts off Malchus' ear

Pere Mates / Predicación de Santa Magdalena en Marsella, 1526. Museu-Tresor de la Catedral de Girona / Museo Tesoro de la Catedral de Gerona.

Christ in the "family of children; Noort, Adam Van (1562-1641); XVI/XVII century (1590-00-00-1640-00-00);Christ, Christ among children (iconogr.), Kolasiński, Wojciech (1852-1916), Kolasiński, Wojciech (1852-1916)-collection, painting, Flemish painting, religious scenes, purchase (provenance)

Jesus on the Mount of Olives Pieter Coecke van Aelst I (1502-1550 Netherlandish) Oil on wood Hermitage Museum, St Petersburg

The Visitation, by Robusti Jacopo known as Tintoretto, 1588, 16th Century, Unknow. Italy, Veneto, Venice, Scuola Grande di San Rocco, altar. Whole artwork. Women cousins saints embrace visitation Virgin Mary Madonna St Elizabeth cloth: drape cloaks: mantles red yellow white men husbands St Joseph St Zaccariah light halos: aureoles trees branches fronds.

Adoration Of Magi by Leonardo da Vinci, Tempera and oil on wood, circa 1480, 1452-1519, Italy, Florence, Galleria degli Uffizi, 243x246

Jesus Christ and Mary Magdalene by Titian, oil on canvas, circa 1514, 1488-1576, Venetian School, England, London, National Gallery, 110,5x91,9

The Meeting of the Three Kings with David and Isaiah. Date/Period: Before 1480. Painting. Oil and gold leaf on panel. Height: 628 mm (24.72 in); Width: 712 mm (28.03 in). Author: Master of the St. Bartholomew Altarpiece.

Christ in the garden. Północnoniemiecki malarz, painter, nieznany malarz północnoniemiecki, painter

The Adoration of the Shepherds, Bartolommeo Suardi (circle of), 1500 - 1535 painting The worship of the shepherds. Maria kneels behind a piping box and holds the Christ child in his arms, Joseph on the right and a shepherd, the donkey and ox on the left. Through the stable view of a rocky landscape with a village and a castle. panel. oil paint (paint) adoration of the Christ-child by the shepherds; Mary and Joseph present

The Rich Man's Banquet

'St John the Evangelist on Patmos', 1504-1505. Artist: Hieronymus Bosch

Calling of St. Peter Hans von Kulmbach (ca.1480-1522 German) Oil on canvas Galleria degli Uffizi, Florence, Italy

St John the Evangelist on Patmos', 1504-1505. Artist: Hieronymus Bosch. Hieronymus Bosch is one of the most notable artists of the Early Netherlandish painting school. His work, consisting of oil on wood paintings contains fantastic illustrations of religious concepts and narratives.

Photos from the cross; unknown painter of the oski; XVII century (1601-00-00-1700-00-00);Kierbeziowa, Eugenia (1855-1946), Kierbeziowa, Eugenia (1855-1946)-collection, photo from the cross (iconogr.), Dar (provenance), Italian painting, mosaics, biblical scenes

J.Fouquet, Burial of Mary / Illumination

EL DILEMA DEL CABALLERO CRISTIANO - SIGLO XVII. Author: ANONYMOUS. Location: DOM S. GIOVANNI BATTISTA. Badajoz. SPAIN.

fine arts, Holbein, Hans the Elder (1465 - 1524), panel, ""Graue Passion"", Christ at the Mount of Olives, circa 1498, oil tempera on fir wood, 88 cm x 86 cm, F™rstlich F™rstenbergische Sammlungen, Donaueschingen, religious art, religion, christianity, Germany, Baden-Wuerttemberg, Baden, Wuerttemberg, painting, gothic, Fuerstlich, Furstlich, Fuerstenbergische, Furstenbergische, Jesus, praying, disciples, sleeping,

Resurrection of Christ. Date/Period: From 1407 until 1411. Painting. Tempera, gold leaf and metal plate on wood. Height: 1,862 mm (73.30 in); Width: 1,152 mm (45.35 in). Author: Guerau Gener.

Adriaen Isenbrandt / 'Christ, The Man of Sorrow', First half 16th century, Flemish School, Oil on panel, 46 cm x 29 cm, P02818. Museum: MUSEO DEL PRADO, MADRID, SPAIN. Author: ADRIAEN ISENBRANDT.

Italy, San Martino, Adoration of the Shepherds

Adoration Of Magi by Fra Filippino Lippi, Tempera and oil on wood, circa 1480, 1457-1504, Great Britain, London, National Gallery, 57,5x85,7

Nativity scene by Guido Reni, oil on wood , circa 1640, 1575-1642, Russia, Moscow , State A. Pushkin Museum of Fine Arts, 100x100

Moses and the Burning Bush. Miniature. Montmorency Book of hours, 16th century. France.

Apostles history by Derick Baegert, Oil on wood, circa 1480, circa 1440-after 1502, Germany, Stolzenhain, Pfarrkirche

The Marriage Feast at Cana ca. 1500-1504 Juan de Flandes Netherlandish This was one of forty-seven panels representing the lives of Christ and the Virgin that were made for Isabella of Castile. It represents the marriage feast at Cana, when Christ performed his first miracle turning water into wine. Traditionally, the bride and groom are identified as Saint John the Evangelist and Mary Magdalen. Here the two quite possibly are disguised portraits of Prince Juan, and Isabellas daughter-in-law, Margaret of Austria, who married in 1497. Looking in from the courtyard at the left may be the portrait of a court functionary or possibly a self-portrait of the artist.. The Marriage Feast at Cana 436801

The Sermon of John the Baptist (Predica del Battista), by Franck Pauwels known as Paolo Fiammingo, 16th Century, Inv. nap. 89, Reg. Cron. 5937

'The Descent from the Cross', 15th century, Panel, 128 x 78 cm, P01298. Author: ANONIMO ESPAÑOL. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. JESUS. MARY MAGDALENE. JOSEPH OF ARIMATHEA. NICODEMUS. MARIA SALOME. Mary Of Clopas. SAN JUAN EVANGELISTA Y APOSTOL. CRISTO MUERTO. JESUS NUEVO ADAN. TRES MARIAS.

Vincenzo Civerchio, Christ Instructing Peter and John to Prepare for the Passover, 1504 Christ Instructing Peter and John to Prepare for the Passover

Last Judgment, attributed to Crispin van den Broeck (1523-between 1589 and 1591).

The journey to Emmaus

The Adoration of the Magi', by Hugo van der Goes, detail, 15th century. In this detail of the left wing of the altarpiece, we see the meeting of the Virgin Mary and Elizabeth, mother of John the Baptist. This is the symbol of the Union of the Old and New Testaments. In the foreground is the ritual of circumcision - forerunner of the christening ritual. Part of a triptych.

Saint Francis of Assisi and the miracle of the spring by Giotto di Bondone 1266-1337 (1979). San Francesco Upper Assisi.

Stories of St Anna and St Joachim of St Anna consoled by a Woman and Visitation, by Ferrari Gaudenzio, 1539 - 1539, 16th Century, fresco transferred to canvas, wooden frame. Italy, Lombardy, Milan, Brera Art Gallery. Whole artwork. St Anna consoled by a Woman and Visitation Virgin Mary Joachim old man embrace.

The Annunciation, by Gentileschi Orazio, 1633, 17th Century, oil on canvas. Italy: Liguria: Genoa: San Siro church. Whole artwork. The Annunciation lily Madonna wings red yellow blue tunic/robe mantle/cloak window Dove

Paradise, from The Last Judgement (left-hand panel)

The Lamentation over Christ by Isenbrant, Adriaen (1490-1551) / Museo del Prado, Madrid / First Half of 16th cen. / The Netherlands / Oil on wood / Bible / 54,5x40 / Early Netherlandish Art

Adoration of the Magi, by Lorenzo Sabbatini (ca 1520-1576), oil on canvas.

Holy conversation or Madonna Enthroned with Child, St John the Baptist, Saint Joseph, Saint Lucy and two angels, 1496, by Giovanni Battista Cima da Conegliano (1459-1517), oil on panel, 54x72 cm.

Brueghel / Carrying the Cross / Detail

Holy family with angels by Master of the Danube School, Tempera and oil on wood, circa 1510, active 1510-1515, Private Collection, 88x61

RETABLO MAYOR - RESURRECCION DE CRISTO - SIGLO XVI - RENACIMIENTO ESPAÑOL. Author: HERNANDO LLANOS y FERNANDO YANEZ DE LA ALMEDILLA. Location: CATEDRAL-INTERIOR. Valencia. SPAIN. JESUS. CRISTO RESUCITADO.

Royal Abbey of Fontevraud. Mural. Passion of Christ. Descent from the Cross. Fontevraud. France.

Last judgement; Ende Venturus Est Iudicare Vivos et Mortuos; Apostolic creed. Illustration of the seventh belief item (hence, he will come to judge the living and the dead) of the apostolic creed. Christ sits on a rainbow in the clouds with the Virgin Mary kneeling next to him. He judges all over the world during the last judgment. Around them angels and the apostles. On the earth all the dead resurrected from their graves. They are led by angels to heaven (left) or led by devils to hell (right). Above the performance a reference to the Bible text in mat. 24:30. Under the show two Bible texts and the seventh belief item from the apostolic creed in Latin. This print is part of an album.

Twelve-Year-Old Jesus Teaching in Temple by Ludovico Mazzolino, Oil on wood, 1524, 1480-1528, Germany, Berlin, Staatliche Museen, 256x182, 5

THE JOURNEY OF THE MAGI, by Sassetta, 143335, Italian Renaissance painting, tempera, gold on wood. Sassetta was the leading painter of 15th century Siena, shows caravan of the three magi to Bethlehem to worship the newborn Jesus Christ (BSLOC_2017_16_48)

JERONIMO, SAN. DOCTOR DE LA IGLESIA. 347-420. SAN JERONIMO PENITENTE. TABLA ATRIBUIDA AL MAESTRO DE LA SEO DE URGEL.. MUSEO DE ARTE DE CATALUÑA. BARCELONA.

Joachim Antonisz. Wtewael (Utrecht, 1566 -1638). The Holy Family with Saints and Angels (ca. 1606 - 1610). Oil on copper. 19.8 x 15.5 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

Bliżej Kultury Publisher by A.E. Seemann in Leipzig

Archangel GABRIEL, The Annunciation, c. 1530, detail

The Three Kings; Unknown Dutch painter; around 1550 (1545-00-00-1555-00-00);Gospel, New Testament, Magic bow

The Baptism of Christ. Christ's baptism. John the Baptist baptizes the kneeled Christ in the Jordaan. Left and right Naked bathing men and women. The pigeon of the Holy Spirit flies from an opening in the cloud cover. In the background a city and a ruin.

Adoration of the Magi, 1475, by Sandro Botticelli (1445-1510), tempera on wood, 111x134 cm.

In the Book of Genesis, Dinah is the seventh child and the only daughter of Leah and Jacob. The episode of the abduction of Dinah by Shechem, the son of a Canaanite or Hivite prince, and the subsequent revenge of her brothers Simeon and Levi, commonly referred to as the rape of Dinah, is recounted in Genesis, Historic, digitally restored reproduction from an original of the time..

Transitus Virginis (Death of the Holy Virgin Mary), by Domenico di Giacomo di Pace known as Beccafumi Domenico, 1518, 16th Century, fresco. Italy, Tuscany, Siena, San Bernardino al Prato oratory. Whole artwork. Death of the Virgin transitus: passing away putti: cherubs angels Jesus Christ Mary Madonna Apostles adoration contemplation green red blue light blue: azure white.

Saint Antony of Padua. Colour lithograph, 1873, by L. Gruner after E. Kaiser after Titian.

cuadro de San Magín, Iglesia de la Inmaculada Concepción, siglo XIX, Sant Matgi, Palma, Mallorca, balearic islands, Spain.

The Annunciation', c1485. Artist: Sandro Botticelli. Sandro Botticelli was an Italian painter of the Early Renaissance. He belonged to the Florentine School under the patronage of Lorenzo de' Medici.

PARROQUIA DE SAN MARTIN. DETALLES DEL RETABLO.

The Baptism of Christ. Joachim Anthonisz Uytewael (1566-1638). Oil on canvas. 99 x 144.1cm.

Sermon in the desert, by probably Antonio Maria da Bozolo, 1550, 16th Century, Unknow. Italy, Lombardy, Monza, Brianza, Cathedral. Detail. Apostles trees.

Saint John the Baptist Pointing Out Christ as the Lamb of God c. 1500 Oil on wood artist unknown

Illustration to the Old Testament prophecy. unknown, painter

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