Biblical Scenes of Reverence

Historic engravings depicting biblical events, including the Adoration of the Kings and the Visitation. Rich details, somber colors, and emotional expressions highlight religious themes.

Adoration of the Kings, Adriaen Lommelin, After Peter Paul Rubens, 1661 - 1684 print Maria and Joseph show the Christ child to the three kings. The three offer the child their gifts. Members of their entourage watch. Antwerp paper engraving adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh)

Wedding sacrament; Matrimonii Sacramentum; Seven sacraments. Wedding sacrament. A man and woman are kneeling and are married by a priest for an altar.

John Baptist Jackson after Veronese, Holy Family and Four Saints, 1739 Holy Family and Four Saints

The Last Supper early 17th-17th century Pierre Landry. The Last Supper. Pierre Landry (French, 1630-1701). early 17th-17th century. Engraving. Prints

The Resurrection of Lazarus (La Resurrection de Lazare), set in a cave, from the series 'The New Testament' (Le Nouveau Testament). Artist: Jacques Callot (French, Nancy 1592-1635 Nancy). Dimensions: image: 2 7/16 x 3 3/8 in. (6.2 x 8.5 cm). Publisher: Israël Henriet (French, Nancy ca. 1590-1661 Paris). Series/Portfolio: The New Testament (Le Nouveau Testament). Date: 1635. Museum: Metropolitan Museum of Art, New York, USA.

Last Supper (left sheet), Jan Harmensz. Muller, After Gillis Coignet (I), 1594 print Five disciples at the table at the Last Supper. On the left, a woman brings a bowl of food inside. Judas keeps the bag with silver pieces behind his back on the right. Amsterdam paper engraving Last Supper (in general) (Matthew 26:21-35; Mark 14:18-31; Luke 22:3, 22:15-23; John 13:21-38)

Visioen by H. Hermann Joseph, Paulus Pontius, After Anthony Van Dyck, 1613 - 1658 print The Virgin Mary appears to St. Hermann Joseph van Steinfeld. She is flanked by two angels. In the foreground the Biretta of the Saint and his attribute de Roos. In the margin a five -line caption in Latin. This print is part of an album. Antwerp paper engraving appearances of Mary. the Praemonstratense friar Herman Joseph of Steinfeld; possible attributes of St. Herman Joseph: book, branch of roses, cup (with roses), infant Christ, key, knife. head-gear

Installs, Enea Vico, After Rafaël, 1548 print The migration of Christ for the tomb. The body of Christ is supported by Joseph of Arimatea. Maria collapses in the arms of John the Evangelist. paper engraving / etching Christ's body supported

Saint Philip Neri with other figures. Engraving by L. Ciamberlano.

Woodcut by Hans Schäufelin from 1511-1512 depicting the Presentation in the Temple, showing Virgin Mary, infant Jesus, and Simeon in a devotional composition.

A woodcut by Albrecht Dürer, circa 1508-1509, depicting the Last Sacrament from the Small Passion series, showing figures, gestures, and composition.

De Grafgging, Julius Schnorr from Carolsfeld, 1853 drawing Design for a print. paper. ink pen Christ's entombment (possibly by angels)

Christ for the Sanhedrin and the elders, 1629 print Christ stands for the entire Sanhedrin, all high priests, elders and scribes. He tells them that he is the Messiah. There are letters with different elements from the performance. The print is part of an album. paper letterpress printing Christ before the Sanhedrin with Caiaphas as high priest, and possibly Annas; maybe a soldier about to strike Christ because he keeps silent (Matthew 26:57-66; Mark 14:53-64; Luke 22:54, 22:66-71)

Presentation of Christ in the Temple, Anonymous, After Cornelis Cort, After Federico Zuccaro, in or after 1568 - c. 1618 print Mary and Joseph bring Christ to the temple. Maria gives the child to the high priest who stands behind an altar with burning candles. On the right praying women and a girl with a basket with two pigeons on her head. The pigeons will be sacrificed instead of the first -born child. paper engraving presentation of the Christ-child in the temple, usually Simeon (and Anna) present (Luke 2:22-39)

Cross out. Christ is collected by Joseph of Arimatea and Nikodemus van het Kruis. John takes care of the corpse, helped by the three Maria's. Two other men also help. The print has a Latin caption.

EDWARD PRESENTING HIS INFANT SON TO THE WELSH

Depicts the Last Sacrament, part of Albrecht Dürer's Small Passion series, created around 1508/09 as a woodcut. Shows Christ performing the sacrament and surrounding disciples.

Christ Kniing for the Arma Christi, Mattheus Borrekens, After Cornelis Schut (I), 1625 - 1670 print Christ is sitting on his knees, half naked and squeezed. While crying, two angels show him the Arma Christi, the future tools of his agony: the rod and the scourge, the crown of thorns, the spear, the nails, the Nijtang and the hammer. The print has a Latin caption as well as a coat of arms. Antwerp paper engraving 'Arma Christi'. Christian religion (+ angel(s)). Christ in prison (alone)

Christ in the house of Marta and Maria, Nicolas Auroux, 1650 print print maker: Francepublisher: Lyonpublisher: Tarasconpublisher: Tarascon paper engraving / etching Christ in the house of Martha and Mary (Luke 10:38-42)

Doornenkroning, Annibale Carracci, 1606 print A soldier places the crown of thorns on the head of Christ. Another man gives Chritus a Staff of Riet. Italy paper etching the crowning with thorns: soldiers with sticks place a thorny crown on Christ's head and give him a reed (Matthew 27:27-31; Mark 15:16-20; John 19:2-3)

Christ predicts his suffering; Passion, death and resurrection of Christ; Passio, Mors et resurrection DN. Noostri Iesu Christ. Christ stands with his students in an inner room of a house. He predicts his own suffering and the course of the end time (Matthew 24: 1-51). The print has a Latin caption and is part of a series about the passion, death and resurrection of Christ.

unknown, Huybrechts, Gaspar, Quellinus, Erasmus (I), Southern Netherlands, Bolswert, Schelte Adamsz., Communion of St. Rose of Lima, Saint Rose of Lima kneels before a priest at an altar and receives communion. Angels scatter flowers from the heaven. Below the image is a quotation from the Bible text John 6, verse 56., print, prints, height 450 mm, width 338 mm, 1586 - 1659-12-12, print maker, printmaker, 1596 - 1659, paper, engraving, engraving (printing process), Work conception, 1584 - 1640, after a design by, Publication (Event), Publication, 1619-09-12, publisher, granter of privilege

Holy family with Elisabet and Johannes de Boper, Pieter Jalhea Furnius, 1550 - 1625 print Elisabet, Maria and Joseph sit with John the Baptist and Christ as a child for a house. Maria is sitting on her lap with Christ. John the Baptist stands with his lamb next to Mary and looks at Christ who holds the cross and grabbed the snout of the lamb. Under the show is a rule of text in Latin. paper engraving Holy Family with John the Baptist, Elisabeth present

Holy Paul of Egypt (II); Hermit: Thebani saints; Paulus simplex. The Holy Paul of Egypt (II), which is also sometimes called Paul's simple, drives the devil here at a possessed man. Print from a series of 80 prints and a title print with hermits from the 2nd to the 6th century.

Lot invites the two angels for a meal and an overnight stay at his home. At the bottom of the margin a two-line text in Latin, Lot and the two angels Hospitalitas, History of Lot (series title)., Frans Menton, (mentioned on object), print maker: anonymous, publisher: Hieronymus Cock, (possibly), print maker: Netherlands, publisher: Antwerp, 1550 - 1570, paper, engraving, h 209 mm × w 255 mm

A 17th-century copper engraving by an unknown engraver depicting the Adoration of the Kings with the nativity and surrounding biblical figures.

Paul is healed by Ananias of his blindness, Jan Luyken, 1712 print Amsterdam paper etching Ananias restores Saul's sight by laying on hands

Christ appears to Mary; Passion of Christ.

The Birth of Jesus, from The Life of the Virgin Artist's working dates 1612-1635 France. Etching on paper . Jacques Callot

Domenico Campagnola, The Descent of the Holy Spirit, 1518 The Descent of the Holy Spirit

Ink drawing by Matteo Rosselli showing Saint Dominic healing the horse-free nephew of the cardinal of Fossanova, with ink wash.

Christ giving the keys of the church to Saint Peter who kneels before him, after Guido Reni 1640-70 Gian Battista Bolognini Italian. Christ giving the keys of the church to Saint Peter who kneels before him, after Guido Reni 668383

Belisarius Begging for Alms mid-18th-early 19th century Heinrich Friedrich Füger German. Belisarius Begging for Alms 334853

The Tribute Money, Rembrandt van Rijn, c. 1634 print paper etching / drypoint Christ discussing the temple tribute with the apostles

Dentist. A quack (dentist) treats a man for an inn. The patient has divided his fists. A group of bystanders is around the spectacle.

Saint Theresa with the Christ Child in Her Arms, plate 12, from Raccolta di alcuni disegni del Barberi sic da Cento detto il Guercino (Collection of Some Drawings Engraved after Barbieri da Cento, called Guercino). Etcher: Francesco Bartolozzi, Italian, 1727-1815 After: Guercino (Giovanni Francesco Barbieri), Italian, 1591-1666

Clair-obscur woodcut by Alessandro Gandini showing Christ and participants at the host meal in the House of Pharisees, with table, figures, gestures, and interior details, created around 1540-1550.

The Holy Philippus admitted to the Servits, Antonio Tempesta, 1591 print Saint Philippus admitted to the napkets. He is kneeling for three clergymen. Text in Latin in STUDMARGE. Numbered below: 3. paper etching prior general of the Order of the Servites, Philip Benizzi of Florence; possible attributes: book, cross, lily, tiara at his feet

The Star of the Magi. Jan van de Velde II; Dutch, c. 1593-1641. Date: 1611-1621. Dimensions: 163 x 216 mm. Engraving in black on ivory laid paper. Origin: Holland. Museum: The Chicago Art Institute, USA.

Copper engraving by Lucas Hugensz. van Leyden, circa 1512, depicting 'Behold the Man' with Christ, figures, and detailed composition.

Christ for Kajafas. Soldiers lead Christ for Kajafas. The scribes and the elders have also met at the high priest. In the background you can see how Petrus has followed him up to the courtyard of the high priest's palace. With various elements from the show are letters. The print is part of an album.

Adoration of the Shepherds, Jan Luyken, Anonymous, 1712

Print at the top right numbered: 307.

The Treasury.

Holy Family and Four Saints. Dated: 1739. Medium: chiaroscuro woodcut in brown and gray trial proof. Museum: National Gallery of Art, Washington DC. Author: John Baptist Jackson after Veronese.

Saint Louis of Toulouse, giving alms. Etching by P. Rotari after his painting.

Bartolomaeus de Caesena, Seliger.

Hans Leonard Schäufelein, Saint Roch and Saint Sebastian, 1510 Saint Roch and Saint Sebastian

Tomb of Christ, Alexander Foot (i), After Pieter de Jews (i), 1628 - 1689 print Antwerp paper engraving Christ's entombment (possibly by angels)

Meal in Emmaus, Pieter de Jode (II), After Erasmus Quellinus (II), 1636 - 1670 print Interior with Christ and two apostles, sitting around a table. Christ breaks the bread and thus makes his identity known. The two apostles look shocked. In the margin a caption in Latin. Antwerp paper engraving / etching the supper at Emmaus: Christ is recognized while blessing or breaking the bread. Cleopas and Peter meet Christ (sometimes they are dressed as pilgrims)

The Nativity, Print made by Bernard Lens, 1659-1725, British, after Warner Jacobsz van den Valckert, c.1585-c.1627/8, Dutch, undated, Mezzotint on moderately thick, moderately textured, cream laid paper, Sheet: 5 5/16 × 3 7/16 inches (13.5 × 8.7 cm) and Image: 5 1/16 × 3 3/8 inches (12.9 × 8.6 cm), adoration of the Christ-child by the shepherds; Mary and Joseph present, baby, birds, birth, Christianity, cloth, cow, donkeys, halo, manger, New Testament, praying, religious and mythological subject, shepherds, staff, swaddling cloths, worship

SIZING, Jean Pesne, After Nicolas Poussin, 1640 - 1700 print France paper etching / engraving the mourning over the dead Christ

Saint Luke painting a picture of the Virgin and Christ Child. Etching by F. Bartolozzi after S. Cantarini.

. Announcement to Maria: In a room, Mary is kneeling on a prayer. She sticks out her hand to the kneeling angel for her holding a lily in hand. By a window an Italian landscape can be seen with a castle and low buildings.

Rome, Schiaminossi, Raffaello, Quindecim Mysteria Rosarii Beatae Mariae Virginis, Fifteen Mysteries of the Rosary, Birth of Christ, recto lower right - handwritten in brown ink, Mary and Joseph with the Christ Child in a stable. Around them are angels and the ox and the donkey. In the bottom margin a two-line Latin text., print, prent, prints, prenten, verso - stamped, 3, height 110 mm, width 155 mm, Italian, 1572 - 1622, print maker, printmaker, 1602 - 1604, paper, papier, etching, etchings, Work conception, after own design by

Conversation between Christ and Nikodemus, Anonymous, After Jan Luyken, 1712 print Amsterdam paper etching Christ talking with Nicodemus at night (John 3:1-21)

Veronica with the sweat cloth; The little passion. Veronica, flanked by Petrus and Paul, holds the sweat cloth with the impression of the face of Christ (Sudarium). This print is part of the 'De Kleine Passie' print series, consisting of a title print and 36 biblical scenes (mainly from the suffering story).

The Stoning of Saint Stephen. Rembrandt Harmensz. van Rijn (Netherlands, Leiden, 1606-1669). Holland, 1635 (later printing). Prints; etchings. Etching with touches of burin

Woodcut by Albrecht Dürer depicting the death of Mary from Marienleben series, sheet cut to plate edge, showing figures, gestures, and composition around 1510.

After Rembrandt van Rijn, Christ at Emmaus, 1762, etching on paper.

Jean Leclerc after Carlo Saraceni, Rest on the Flight into Egypt, c 1619 Rest on the Flight into Egypt

Christus in Emmaüs; De kleine Passie.Christ breaks the bread at the table with four men in Emmaüs. This print is part of the 'De Kleine Passie' print series, consisting of a title print and 36 biblical scenes (mainly from the suffering story).

Christ and the scribes: a sketch. Christ and the scribes: Sketch

Worship by the Shepherds, François de Poilly (I), After Guido Reni, 1655 - 1693 print France paper engraving / etching adoration of the Christ-child by the shepherds; Mary and Joseph present

Healing of the woman who suffered from blood flies, Dirck Volckertsz. Coornhert (attributed to), after Maarten van Heemskerck, 1548 print A woman who suffers from constant blood loss touches the hem of Christ's rug. Christ turns around and heals her. The apostles around them. The print is part of a thirty -part series with prints about the fall and Christ's passion. Haarlem paper etching healing of a woman with an issue of blood: she kneels before Christ after having touched his robe (Matthew 9:20-22; Mark 5:25-34; Luke 8:43-48)

Woodcut by Hans Schäufelin from 1510 depicting Anna Selbdritt, showing the Virgin Mary, infant Jesus, and Saint Anne in a devotional composition.

Albrecht Dürer (1471-1528). Copper passion: deploration (Bartsch 14). 1507. Museum of Fine Arts of the City of Paris, Petit Palais. 77213-10 Chretian art, religious art, bible, way of the cross, Christianity, deploration, pain, new will, passion of Christ, biblical character, holy character, biblical story, Christian religion, renaissance, biblical scene, religious scene, life Christ, 16th XVIth XVI 16th 16th 16 CENTURY, engraving

Descent from the Cross 1640 Wenceslaus Hollar Bohemian Descent from the Cross; Joseph of Arimathea and the Virgin Mary kneeling, supporting the body of Christ, St John standing at right, together with three crying women, beside the cross and ladder; after Hans Holbein the Younger.. Descent from the Cross 360736

Last Supper, Nicolaes de Bruyn, 1618

Saint Rosalia. Engraving by P. Pontius after Sir A. van Dyck.

The Parable of the Prodigal Son, Return of the Prodigal Son, New Testament, steel engraving 1853, digitally restored

Christ Disputing with the Doctors in the Temple, Andrew Geddes (Edinburgh, Scotland, 1783 - 1844) 1826

Of PreDikende Christus ('the small grave').

Epiphany. Three figures with a lantern at a door, at night. Behind it a village street with a parade of people, one with a three-kicks star over the shoulder.

Drie episoden shipped het leven van de Heilige Bernardinus van Siena, Bernardino Capitellius, after Ruptilio di Lorenzo Manetti, 1635 print Saint Bernardinus of Siena is kneeling for a child attacked by a bull and raises him back to life. They are surrounded by crying women. In the background a square with people running away in front of the bull (episode 13). On the right, Bernardinus lets luxury books and paintings burn with the image of Christ in Bologna (episode 14). In the background left Bernardinus who travels on foot through the fields to Mantua (episode 15). paper etching Bernardino of Siena, Franciscan friar; possible attributes: book, tablet (disk) with IHS monogram, three mitres at his feet - miraculous activities and events ~ male saint

Saint Antony of Padua and followers, bringing a sick infant back from the dead. Colour etching by S. Mulinari after V. Salimbeni.

Photo production of (presumably) a drawing signed by 'Jean Bremond', representing Christ and disciples in the Hof van Olives, c. 1880 - c. 1900 photograph Part of French artists' album. paper. photographic support albumen print the arrest of Christ ~ Garden of Gethsemane Mount of Olives

The Last Communion of Saint Jerome after the picture by Domenico (or Domenchino) Zampieri : Engraving from Lives of the Saints by the Reverend Sabin Baring-Gould, published 1898

Maria with the Christ child and Anna at a cradle. Maria with the Christ child on the arm. The Holy Anna progressed over the cradle.

Jesus blesses the little children (Mark 10:13-16) New Testament. Antique bible illustration by Gustave Dore (1832-1883)

The Last Supper, Ludovicus Siceram, After Hendrick Goltzius, 1623 print Christ uses the Last Supper in an architectural environment with his disciples. This print is part of a series of twelve passion performances. Antwerp paper engraving Last Supper (in general) (Matthew 26:21-35; Mark 14:18-31; Luke 22:3, 22:15-23; John 13:21-38)

The Last Supper, 17th century, (1908). 'La Cène'. Jesus and his disciples. Possibly after a work by Jean-Baptiste de Champaigne. From "La Revue De L'Art - Ancien et Moderne" - Volume XXIV, July-December 1908, Paris, 1908

The Dormition of the Virgin Mary, surrounded by the apostles. Engraving by B. Eredi after C. Maratta.

Copper engraving print by Domenico Campagnola from the early 16th century depicting the downcoming of the Holy Spirit with figures in a religious scene.

Qinite children come to me.

Conversation between Christ and Nicodemus.

. Thomas from Aquino meets a monk in a monastery garden in Bologna. Various figures watch. In the margin a five-line caption in Latin. Tweequarter print from a series of thirty prints that depicting Thomas's life story.

Wonder of Saint James, Nicolaes de Bruyn, After Lucas van Leyden, 1600 print The Holy James brings two people back to life. There are a king and a queen in the watching crowd. In the background, animals are given to a king. The print has a Latin caption with an explanation. Antwerp paper engraving the apostle James the Great; possible attributes: book, pilgrim's cloak, hat, shell, staff, and wallet, scroll, sword - miraculous activities and events ~ male saint

The Supper at Emmaus, Dominique Vivant Denon, French, 1747 - 1825, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 - 1666, Etching on paper, Christ, seated at the left, breaks bread with two travellers, one designated as a pilgrim by the shell of St. James on his cape., France, 1786, Print, Print

Louis Emile Benassit, L'Absinthe!, 1862 L'Absinthe!

Korbinian, holy.

Brown brush over pencil drawing attributed to Adam Friedrich Oeser depicting the Presentation in the Temple, showing figures, drapery, and architectural features, 1760-1790.

Saint Gregory the Great: he prays for intercession against the plague. Engraving by N.J. Voyez, 1769, after C. van Loo.

Wszyscy Święci w MNK Pannemaker, Adolphe François (1822 1900), Doré, Paul Gustave (1832 1883)

Birth of Christ, François Perrier, After Simon Vouet, 1633 print print maker: ParisFrance paper etching Christ-child in the manger

Adoration of the Shepherds. After Correggio with address by Arnold, print maker: Achille Désiré Lefèvre, after: Correggio, publisher: Ernst Arnold, 1808 - 1864, paper, etching, engraving

Conversation between Christ and Nikodemus, Jan Luyken, 1712 print Amsterdam paper etching Christ talking with Nicodemus at night (John 3:1-21)

Saint Basile dictant sa doctrine (Saint Basil preaching hisdoctrine). Artist: Félix-Henri Bracquemond, French, 1833-1914 After: Francisco Herrera the Elder, Spanish, active in Naples, ca. 1576-ca. 1654

Christ appears to Maria Magdalena, Pietro del Po, After Nicolas Poussin, 1620 - 1692 print Christ appears as a gardener with kick for Maria Magdalena. Italy paper engraving / etching Mary Magdalene kneeling before Christ, who is usually represented as a gardener with a hoe and/or a spade; 'Noli me tangere'

Last Supper, Nicolaes de Bruyn, 1618 print Christ uses the Last Supper with his disciples. Netherlands paper engraving Last Supper (in general) (Matthew 26:21-35; Mark 14:18-31; Luke 22:3, 22:15-23; John 13:21-38)

Ecce Homo; Passion of Christ. .

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