Biblical Stoning Scenes

Historic illustrations depicting the stoning of biblical figures, showcasing intense emotions and dramatic storytelling in a classical engraving style.

Collect the manna in the desert, Johann Sadeler (I), after Chrispijn van den Broeck, 1579 print The Jewish people collects Manna in the desert. On the second plan Moses and Aaron. In the background it rains manna from heaven. The print has a Latin inscription and is the first print of a six -part series about the history of Moses and the Jewish people in the desert after the Exodus. Antwerp paper engraving in the morning manna falls to the earth ~ Exodus. the gathering of manna (in baskets and pots)

Worship of the kings; Those saints 3 Könige / Epiphania; Youth of Christ. The worship of the three kings. On the right are Maria and Joseph with the Christ child for the three kneeling kings. In the middle, an angel holds the star that points the way to the child. Left comes from the kings with gifts. Around the show Rocaille ornaments. In the underwear twice a seven-line German and Latin text.

Failed suicide on altar Olimpia (title on object), View of an altar where a woman wants to stab herself with a knife. A rushed priest intervenes. Figures walk around the altar, two women kneel by a sacrificial column. This print was made for Voltaire's tragedy 'Olimpia', tragedy, self-sacrifice, death in the service of a higher purpose - EE - death not certain, wounded person, Simon Fokke (mentioned on object), Amsterdam, 1764 - 1782, paper, etching, h 137 mm × w 90 mm

Doornenkroning, Jacques Callot, 1619 - 1624 print Soldiers push Christ, sitting in front of a building, a crown on the head. Three men watch from a balcony. This print is part of the unfinished press series 'The Great Passion', consisting of 7 scenes from the suffering story. Florence paper etching / engraving the crowning with thorns: soldiers with sticks place a thorny crown on Christ's head and give him a reed (Matthew 27:27-31; Mark 15:16-20; John 19:2-3)

Mardi Gras de coq with donkey (IT)

Return of the scouts from Canaan, Anonymous, After Maerten de Vos, 1585 print Two of the scouts, who had sent Moses to Canaan, return with a large grapesros on a branch. In the background a landscape in which the other scouts run. Under the performance a reference in Latin to the Bible text in Num. 13. This print is part of an album. paper engraving the spies take away some of the fruits of Canaan and return, usually carrying a large bunch of grapes on a pole

Jewish symbols and persons from the Bible, Johannes Jacobsz van den Aveele, After Wilhelmus Goeree (I), after Philip Tidemann, 1690 print Moses looks at how a woman writes the title of the book on a table. Next to him is a queen who designates another woman who, with a chisel, takes a reference to the Bible in a stone. In the background a globe and out of the window a face on the tower of Babel. paper etching / engraving Moses (not in biblical context); possible attributes: rays of light or horns on his head, rod, Tables of the Law. the Tower of Babel. globe

Case-law of the worldly power; The different tasks of the three positions. A king or emperor is sitting on a throne. A prisoner is brought by a priest and two soldiers. It is the king's task, along with the rest of the ruling class, to maintain the rule of law and to speak. In the background a legmars and the execution of a criminal by a sword. The print has a Latin caption and is part of a series about the different tasks of the three positions

Child murder in Bethlehem; Here Skiper Bethlems Kroost on one after; Fleelt already! But die there, and save the church out of her dragonfly. View of the city of Bethlehem where a great slaughter takes place. Soldiers jerked children from the arms of desperate mothers to kill them with swords. Countless dead children are spread across the ground.

This copper engraving by Giacomo Bossi depicts the Adoration of the Magi, showing the three kings, the infant Jesus, Mary, and attendants, created around 1790.

Parable of the workers in the Wijngaard, 1643 print Day laborers work in a vineyard where they dig and remove wood. On the left, the day laborers receive their salary. Those who only came to work later in the day will get as many as those who started early in the day. Under the show a reference in Latin to the Bible text in mat. 20: 1. This print is part of an album. Amsterdam paper engraving the labourers in the vineyard ~ parable of Christ (Matthew 20:1-16). at the end of the day the lord pays all the labourers equally; those that worked all day object

Two representations on a plate. Above: King Manasseh and his entourage kneel before idols in the main square of Jerusalem. In the background the Temple of Solomon. Below: King Josiah has all the idols destroyed and desecrates the altar of Jeroboam by digging up human bones and burning them on the altar., Idolatry of King Manasseh and the piety of King Josiah II Kings XXI vs. 1: idolatry of Manasseh / II Kings XXIII vs. 4: piety of Josiah , print maker: Jan Luyken, (mentioned on object), print maker: Jacobus Baptist, (mentioned on object), Ottmar Elliger (II), (mentioned on object), Amsterdam, 1700, paper, etching, h 363 mm × w 242 mm

Ceremony After the funeral of a Khoikhoi, Jan Caspar Philips, 1727 print Landscape with a khoikhoi that is buried in a cave, which is covered with leaves. The mourners leave the grave in a parade. In the background, the relatives sing lamentations while they are in a circle in front of their houses. Amsterdam paper etching / engraving Khoikhoi. funerary ceremonial. vocal music, singing - CC - out of doors South Africa

Copper engraving and etching by an unknown artist depicting Christ carrying the cross with a dog to the left, showing figures, gestures, and symbolic elements from the 17th century.

David tot koning gezalfd.Under the watchful eye of his father and brothers, Samuel David, who kneels before him. His shepherd staff is located next to him on the ground. A sacrifice burns on a high altar in the background. Illustration of the Bible text 1 Sam. 16: 13. Under the show the title in Hebrew, English, German, Latin, French and Dutch.

The copper hose. The Israelites are plagued by a poison hose plague. Moses tries to help the people and asks God what to do. He makes a copper snake and puts it down on a wooden stick. Whoever looks at the image of the snake does not die through the poison of the snakes.

Jacob coast Benjamin goodbye and beaker found in Benjamins bag; Jacob coast Benjamin, who draws with his brother after Egypten / Départ de Benjamin Pour l'Egyptede Beeker was found in Benjamins Bag / La Coupe Trouvée Dans Le Sac de Benjamin.two Biblical Performances From Gen. 43 and 44. Numbered at the bottom right: 22.

Priests fell on the ground, Bernard Picart (workshop of), 1717 print Four priests fell on the ground and are amidst books. Two groups of clergymen view the scene. One of them addresses the priests. Amsterdam paper etching / engraving organization, functionaries and dignitaries in Roman Catholic church; clergy in general. book. falling

. Two performances on a plate. Above: King Manasse and his consequences kneel for idols on the large square of Jerusalem. In the background the Temple of Solomon. Below: King Josia has all the idols destroy and dismissed the Jeroboam altar by digging people bones and burning on the altar.

Funeral. Veiled women and men watch with raised poor how two grave graves lower a coffin in the ground. Print at the top right labeled: II.

Presentation in the Temple, Louis Desplaces, After Jacopo Tintoretto, After Antonius Zanetti, 1692 - 1739 print print maker: Parisafter painting by: Venicepublisher: Paris paper engraving / etching presentation of the Christ-child in the temple, usually Simeon (and Anna) present (Luke 2:22-39)

Abimelech and Isaac urge each other an oath. Abimelech and Isaak swear one oath, no harm to each other. Illustration of the bible text gene. 26: 31. Under the show the title in Hebrew, English, German, Latin, French and Dutch.

Holy Family in Egypt, Johann Sadeler (I), After Maerten de Vos, 1581 print Interior of a living room. Maria gives the Christ child to eat. Engelen help her with the household. In the background an open gate with a view of a courtyard where Jozef works. The print has a Latin Bible quotation as a caption and is the tenth print of a twelve -part series about the birth and the first years of Christ. Cologne paper engraving stay of the Holy Family in Egypt (+ angel(s)). household occupations of Mary (+ angel(s))

The coffin of Memenberg is hung on the gallows, 1619. The coffin with the remains of Gilles from Membersberg is hung on the gallows, outside of The Hague, May 15, 1619.

Graflegging van Christus, Hans Witdoeck, after Peter Paul Rubens, 1625 - 1642 print Antwerp paper engraving Christ's entombment (possibly by angels)

Soldiers who surround Christ fall to the ground, 1643 print Christ makes himself known in the Hof of Getsemane. Judas, his traitor, and the soldiers shine backwards and fall to the ground. In the background, Simon Peter pulls his sword to turn the right ear of Malchus. Under the show a four -line verse in Latin. At the bottom right the letter: c. This print is part of an album. Amsterdam paper engraving Christ makes himself known; the soldiers fall to the ground ~ the kiss of Judas. Peter draws his sword and cuts off Malchus' ear

Moses on Mount Sinai, Gilliam van der Gouwen, after Gerard Hoet (I), 1728 print Moses speaks with God on Mount Sinai. The Jewish people in the foreground panic when hearing thunders and seeing flashes of light and smoke that comes out of the mountain (ex. 20:21). The print has a Hebrew, Latin, French, English, German and Dutch caption. print maker: Amsterdampublisher: The Hague paper etching / engraving Mount Sinai is covered by a thick cloud, thunder and lightning

Group people receive the Holy Spirit, Willem de Broen (Possible), After Bernard Picart, c. 1711 - c. 1720 print A group of people gathered in a large room. Beaming from a cloud and lights up at them. A young man is in the middle of the shadow of the cloud. Under the show a title in Greek, English, German, Latin, French and Dutch. paper engraving Peter and John lay hands on believers in Samaria, so that they may receive the Holy Ghost (Acts 8:14-17)

The martyrdom of Filippus, 1577 - 1582 print Philip is crucified; On the right next to the scene of his torture death, he is shown again, with a cross in one hand and a book in the other. Twice two lines of Latin under the performance. This print is part of a series of 13 prints of Christ (unnumbered) and the apostles (numbered), more specifically of the tortures they have undergone. paper engraving Philip is crucified (sometimes upside down). the apostle Philip; possible attributes: book, cross, dish with snake, lance, scroll, stone, sword - martyrdom, suffering, misfortune, death of male saint

Moses splits the water with his staff, Pietro Sante Bartoli, After Rafaël, 1645 - 1700 print Moses crosses the Red Sea with the Israelites. Behind them the soldiers drown from the Pharaoh and their horses. Title and reference to the Bible text in Submarge. print maker: Italyafter design by: Italyafter design by: Vaticaanstadpublisher: Rome paper etching / engraving passage through the Red Sea. Pharaoh and his army engulfed in the Red Sea (Israelites not or barely visible)

David in Hebron crowned king; Twelfth book; David and Saul. David was knocked down on a pillow and can be crowned under loud trumpet scales on the bordes. A crowd people attend the coronation. The print is part of a series about the story of David and Saul.

Joy about the Peace Sleep between the Batavian Republic and England, in Amiens on 27 March AO. 1802, 1802 print Joy about the peace closed in Amiens on March 27, 1802, between the Batavian Republic and France and Great Britain. On a pedestal are the British and Dutch virgins with their flags, between them in a horn of abundance with grapes and grain. To dance the monument the exuberant people, on the left a man with a binoculars by the sea, on the right weapons are buried and used to cut bread. Netherlands paper etching / engraving peace and prosperity, 'Pax et Abundantia'. signing of peace treaty, concluding the peace. personifications of countries, nations, states, districts, etc.. group dancing around someone or something (folk dancing). telescope Netherlands

Noah and his entourage come down from the ark and make a sacrifice to God. Etching by M. van der Gucht after G. Hoet.

Last judgement; Thronus Justitiae Duodecim Pulcherrimis Tabulis ArtificiosisSime Aeri Incisis Illustratus. Christ, on the clouds, speaks the final judgment. On his head a sword and a lily. The dead are on. On the left the salvation is included in heaven. On the right, the bad ones are drawn by devils in hell. Under the show two four-line verses in Latin. The print is part of an album.

Wonder der Bruden Enchristus runs over the water, Simon Fokke, 1791 print Two biblical performances from Mat. 14. Numbered below: 16. Amsterdam paper etching multiplication of loaves and fishes for a multitude of four or five thousand people (Matthew 14:13-21, 15:32-39; Mark 6:32-44, 8:1-10; Luke 9:10-17; John 6:1-14). story of Christ walking on the water, 'Navicella' (Matthew 14:22-33; Mark 6:45-52; John 6:15-21)

. The soldiers of Herod kill all the boys of two years and younger in Bethlehem. The mothers try to protect their children. Right on the bordes gives Herod's command to the massacre. (Mat. 2:16). The print has a Hebrew, Latin, French, English, German and Dutch caption.

Wedding ceremony at the Batavians, Harmanus Vinkeles, After Engelbertus Matthias Engelberts, 1786 print paper etching extinct, 'historical' peoples (with NAME). (civil) marriage ceremonies Netherlands

Interior of an Indian temple and procession for the God Vishnoe, Bernard Picart (workshop or), 1722 print Amsterdam paper etching temple, shrine ~ Hinduism, Buddhism, Jainism. worship and devotion (in general) ~ Hinduism, Buddhism, Jainism. Vishnu, protector and preserver of the world India

Three performances from Brandenburg History, Daniel Nikolaus Chodowiecki, 1792 print The prints are numbered at the top right. With caption and page reference in German. Berlin paper etching History. Asiatic races and peoples: Turks. signing of peace treaty, concluding the peace. tent. crown (symbol of sovereignty). coronation of a ruler. war. battle

King David sees the angel of death Scenes from the Old and New Testament (series title) Breviarium romanum (series title), An angel with a flaming sword attacks people from heaven. Kneeling King David sees the angel sowing death and destruction among the people of Israel. He begs God for mercy. The print is part of a series with scenes from the Old and New Testament., David sees the avenging angel in Jerusalem, he prays to God, Theodoor Galle (possibly), Antwerp, c. 1612 - c. 1616, paper, engraving, w 194 mm × h 299 mm

Simi cursed King David; History of David and Absalom; Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae. Simi cursed King David and throws stones to him. The soldiers of David want to defend him but the king stops them. Under the show a reference in Latin to the Bible text in 2 SAM. 16: 5. This print is part of an album.

Heliodorus's expulsion from the temple (left part). Heliodorus, sent by the king of Syria to steal the treasure from the Temple of Jerusalem, is driven out of the temple by a rider on horseback and two other men. On the right a crowd of spectators in the temple. In the background the High Priest Onias in prayer for an altar.

LOS CINCO RELIGIOSOS FUSILADOS EN MURVIEDRO - GRABADO SIGLO XIX. Author: GAMBORINO MIGUEL 1760/1828 Y CRUA ANDRES. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

Two men greet each other on a square. A man knives down a man for another man while greeting each other. In the foreground an increase with a bowl with a knife, an ax and a can.

Various nobles, plate t; Procession of Karel V with the Pope in Bologna after his coronation to Emperor, 1530. Various nobles, plate T. Procession of Karel V with the Pope Clemens VII in Bologna after his coronation to Emperor, February 24, 1530.

Utrecht cathedral of all Protestant objects stripped and blessed as a Catholic Church, 1672, Johannes Jacobsz van den Aveele, 1674 print The Utrechtse Dom is stripped of all Protestant objects on 9-10 July 1672 and blessed as a Catholic Church. At the top a cloth with the series title, above it three two -line verses in Dutch. First print in a series of five prints about the events occurring in Utrecht for the period 1672-74. print maker: Northern Netherlandspublisher: Amsterdam paper etching / engraving inauguration, consecration of person(s) ~ church Domkerk (Utrecht)

The return of the lost son, Cornelis Anthonisz., C. 1540 - c. 1550 print One of series of six. Son (Filius Prodigus) kneeled and embraced by father (Father). Around them love (dilectio), truth (Veritas), Hoop (Spes), repentance (Poenitentia) that tramples despair (Desperata Conscientia), and trust (Fides). Sun in heaven with the Word God in Hebrew, Greek and Latin letters. Print from the series of six woodcuts with the history of the lost son with six -line Latin captions in book print. The woodcut is hand -colored where the costumes of the proposed persons have been adjusted / modernized. paper. deck paint. watercolor (paint) letterpress printing the prodigal son kneels before his father who takes him in his arms

Sami goden, Bernard Picart (workshop of), 1726 print Leaf with four performances of Sami gods. At the top left: worship of the God Jumala. At the top right: Adoration of the God Wirku-Acha. In the foreground reindeer. Bottom left: an animal is sacrificed for the God Thoron. Bottom right: Adoration of the God Stor-Junkare. Amsterdam paper etching / engraving worship and devotion ~ non-Christian religions. altar ~ Germanic and Scandiavian religions - LL - in the open air. Europeans: Sami Sápmi

A gaggle of witches & impish demons making merry. Date: circa 1838

. Peter makes a blessing gesture to a lame beggar, sitting on the ground for the clean gate of the temple, with a stick next to him. Links Johannes. A crowd looks.

Christ driving the money changers from the temple, Rembrandt van Rijn, 1850 - 1906 print paper etching purification of the temple ('first' and 'second'): Christ driving the money-changers from the temple with a whip (Matthew 21:12-13; Mark 11:15-17; Luke 19:45-46; John 12:12-19)

Allegory of the conflict within the Lutheran Church in The Hague, 1738, Anonymous, 1738 - 1740 print In the middle lies a woman on the floor that Martin Luther symbolizes. Her cloak is pulled from two sides so that it tears. On the left, a figure with a animal head, the uncomfortable, pulls on the cloak. The snakes in his hand symbolize the envy that led to the conflict. On the pulpit on the left are greed and court skills. A scene can be seen in the background in the Lutheran church in The Hague. Under the print two verses that describe the performance. Left in Dutch, right in a mixture from German and Dutch. paper etching / letterpress printing

Performances of religious ceremonies of Indians. Sheet with two representations of religious ceremonies of Indians. Above: the Peruanes bring sacrifices to the sun. The fire is ignited by the sun with a special instrument on an altar. Below: the Incas have gathered on a square. The priest invites the sun to drink water from the dish. Under the performances a caption in French.

Baptism and funeral at the Orthodox (two illustrations); Picart, Bernard (1673-1733); 1732 (1732-00-00-1732-00-00);

Etching by Giuseppe Maria Mitelli depicting St. Dominic burning heretical books, created 1654-1718.

Revival of Lazarus. The grave of the dead Lazarus. Christ recommends Lazarus to come back to life (John 11: 43-44). Around him spectators who look shocked. The print has a Greek, Latin, French, English, German and Dutch caption.

. When a fierce farmer refuses to help David and his men, they threaten to punish him. Abigair, the farmer's wife, kneels for David and offers him and his soldiers eat and drink. She agreed that David was satisfied. Print is part of a series about the eight skimmings of Christ and illustrates the salvation: blessed the peacekeepers. On a square sticky at the bottom of this text. 5: 9 in Latin. At the bottom of the margin a verse in Latin about the willow discussion and the show.

Worship by the Shepherds, Lucas Kilian, After Jacopo Palma (Il Giovane), 1611 print Text in Latin in the lower margin. Augsburg paper engraving adoration of the Christ-child by the shepherds; Mary and Joseph present

Crossbreak; The round passion. Off series of twelve prints, surroundings cut away. Christ the Cross cared, helped by man. Soldier with rope hits Christ

Worship by the shepherds. Maria is bending over the Christ child in a stable. Three shepherds are approaching with the OS, donkey and a dead lamb. Behind Mary and Joseph two boys with a burning candle. Two pigeons and a peacock on the stable. This print is part of an album.

Arrival of Christ in Jerusalem; Christ inryding in Jerusalem on a donkey. Christ, seated on a donkey, drives towards the city gate of Jerusalem. Around him many people wave with palm branches and different people lay their coats for Christ on the ground (John 12: 12-15).

Copper engraving from 1693-1733 by an unidentified engraver showing the Adoration of the Magi with the kings before the Christ child.

Wszyscy Święci w MNK unknown

Christ predicts the destruction of Jerusalem and the parable of the five wise and the five foolish virgins, Jan Luyken, 1700 print Two performances on a plate. Upstairs: Christ sits with his students on the outskirts of the city of Jerusalem. He predicts the destruction of Jerusalem and the temple. Below: in the foreground the five wise and the five foolish virgins. The five wise virgins have lit their oil lamps and walk towards the groom in the background. The five foolish virgins are sleeping or try to light their empty oil lamps. Amsterdam paper etching Christ mourning over Jerusalem and its future destruction (Luke 19:41-44). when the bridegroom arrives, all wake up and the foolish virgins ask the wise virgins oil for their lamps

Goodness trait of the emperor. (IT)

Filippus baptized the Kamerling of Eunuch, Benjamin Martini, after Jan Luyken, 1777 - 1780 print Amsterdam paper etching Philip baptizes the Eunuch

Allegory on the covenant between prince and people, 1832, 1832 print Allegory on the covenant between Prince and People, 1832. To the left of an altar are King William I and his two sons. Right the justice and the Dutch Virgin. On the left the history leaning on a column on which the glorious events from Dutch history. In the air the religion and an angel with palm branch and laurel wreath intended for the king. In the background a temple on a hill and exploding the ship of Van Speijk. The king takes an oath and tears the Treaty of 24 articles with the date November 15, 1831. Symbols of the war, arts, trade and science on the ground. Two documents refer to the death of Van Speijk and the defense of the Citadel of Antwerp by Chassé. print maker: Germanyprinter: Cologne paper allegorical representations ~ religion; 'Religione', 'Religione de SS. Mauritio e Lazaro', 'Religione vera christiana' (Ripa). Justice, 'Justitia'; 'Giustitia divina' (Ripa) ~ one of the Four Cardinal Virtues. pers

Wonderful multiplication of bread and fish, Jean Audran, After Claude Audran (II), After Vernansal, 1677 - 1756 print Paris paper etching / engraving multiplication of loaves and fishes for a multitude of four or five thousand people (Matthew 14:13-21, 15:32-39; Mark 6:32-44, 8:1-10; Luke 9:10-17; John 6:1-14)

This red chalk drawing by an anonymous artist depicts the disputation of St. Katharina, executed with feather and white highlights on brown paper, emphasizing figure, gesture, and composition.

17th-century copper engraving depicting the Crucifixion of Christ, showing detailed religious imagery and traditional engraving techniques of the period.

Christ and Engel in the court of Getemane; Cristo Nell 'Orto. Christ is on the olive mountain. In addition to him an angel with a chalice that tries to comfort him. Some apostles in the garden of Getsemane at the foot of the mountain. On the other side of the mountain an angry crowd of Christ is waiting. Text in undermarge.

Christ runs over the water, Richard van Orley (II), after Jan van Orley, c. 1685 - Before 1700 print The boat from the apostles came into a severe storm and Christ comes to help them. He walks over the water with Peter. Peter is scared and clings to Christ's hand. Under the image a Latin verse from Math. 14. Brussels paper etching / engraving a storm arises; Christ returns, walking on the water

Crossbreak; The passion. Christ carries the cross on the way to the Golgota hill.

Emblem with angel who shows spiritual that the devil comes to get the soul after the death of a sinner, Boëtius Adamsz. Bolswert, 1620 print An angel shows a spiritual a dead man in his bed. Death and the devil come to get his soul while his friends and family abandon him and leave with his riches. With a life in virtue, on the other hand, the man can look forward to death with confidence. paper engraving the life of man

Beginning of the flood, Anonymous, After Johann Sadeler (I), After Maerten de Vos, 1586 - 1636 print The beginning of the flood. It rains and in the foreground people try to save themselves by getting on a higher country. Others drown. In the background the Ark of Noah. The print has a Latin top and caption. paper engraving the Flood and destruction of mankind ~ story of Noah (Genesis 7:10 - 8:17)

Christ in Simon's house in Bethania, Jean Pesne, After Nicolas Poussin, 1680 - 1694 print Sacrament of fine and reconciliation. paper etching confession; 'Confessione Sacramentale' (Ripa) ~ the third of the seven sacraments. Christ's feet are anointed by Mary (Magdalene). meal in Bethany (at the house of Simon the Leper) (Matthew 26:6-13; Mark 14:3-9; John 12:1-11). meal at the house of Simon the Pharisee (Luke 7:36-50)

Meekness refuses the sin of anger / heavenly and worldly wisdom / equity for the court / gate of fine. Four performances. Top left: Meekness refuses the main sin. In the background Cain kills his brother Abel. At the top right: on the left, heavenly wisdom, which indicates the Bible and who has a horn of plenty of godliness. On the right is the worldly wisdom to study while being crowned by fame. Bottom left: someone is guided before the dish because he has bent for idols. In addition to the right chair, the seven-member dragon, symbol for the seven deadly sins. In the background, people worship an idol. At the bottom right: a man walks over the narrow road and is going to be curved by the fine of the hand of God.

Cain strikes Abel. Cain is about to kill Abel with a large stone that he loves in his hand. Two sacrifices can be seen in the background. On the right the nozzle of Cain and on the left the sacrificed lamb of Abel. God's permission for the sacrifice of Abel is symbolized by the sun's rays that point to the left. With a caption in six languages.

Offerings of the Peruvians, 1671., 1671., London. Publisher, Printed by the author and are to be had at his house. America, West Indies, British, History

Copper engraving and etching by Grégoire Huret from 1626-1670 showing the conversion of Paul, depicting biblical narrative and religious figures.

Rituals of original inhabitants of Mexico around the turn of the century, Bernard Picart (workshop of), After Bernard Picart, 1721 print Leaf with two performances of Mexican rituals. Above: Mexicans mourn in the night at the end of the century. Below: Mexicans celebrate that the new century begins. They make music and dance at a temple. Amsterdam paper etching / engraving ritual practices ~ American Indian religions. temple, shrine ~ American Indian religions. Native peoples of Central America Mexico

Creation of the cross and the three crosses; Opregting from the Cross / La Croix Dresséechristus Crossed between two murderers / Jésus Crucifié Entre Deux Brigands.Two biblical performances from Joh. 19 and Mar. 15. Numbered at the bottom right: 36.

Original residents of Canada sacrifice to Gench Manitou, Jan Lucas van der Beek, after Bernard Picart, 1763 - 1818 print Amsterdam paper etching / engraving sacrificial feast ~ non-Christian religions

Outpouring of the Holy Spirit.

Copper engraving and etching by Jean Audran between 1682 and 1756 depicting Christ carrying the cross, showing figures, gestures, attire, and composition.

God is wearing Noah on the Ark, 1643 print On the left in the foreground, Noah is kneeling, the hands folded. God appears in the form of a circle of light with the tetragram in the middle. On the right, Noah gives instructions to one of the carpenters. In the background, carpenters are busy building the Ark. At the bottom a reference to the Bible text in Gen. 6:14 in Latin. This print is part of an album. Amsterdam paper engraving God announces a flood and commands Noah to build an ark. Noah building the ark with the help of his sons. building a ship, ship under construction. tetragram (in Roman or Hebrew script) ~ symbol of God the Father

. Presentation of a ritual ceremony where priests sing and dance to receive a mind. In the middle of the circle there are priests that blow tobacco on others. Under the show a caption in French.

. Two performances on a plate. Above: Christ is with his students on the edge of the city of Jerusalem. He predicts the destruction of Jerusalem and the temple. Below: in the foreground the five way and the five foolish virgins. The five wise virgins have lit their oil lamps and hiking towards the groom in the background. The five foolish virgins are sleeping or trying to light their empty oil lamps.

Stefano Mulinari's etching 'Christ Carries the Cross' depicts the moment of Christ bearing the cross on the way to his crucifixion, emphasizing a devotional Passion scene.

Emblem with the Christian Church that is protected against attacks by wicked such as Duivels, Anonymous, After Boëtius Adamsz. Bolswert, 1649 print For a round church building, people are displayed who represent the church such as Christ and clergy. Two angels protect the church against attacks of unbelievers or the wicked. A devil breaks the globe. The text with this illustration in the book encourages the reader to take care of the church and to protect her with godliness. paper engraving the life of man

Etching by Heinrich Friedrich Füger from 1799-1853 depicting a scene from 'The Messiah', showing human figures, gestures, and biblical symbolism.

Allegory on the obtained freedom of the Protestant religion in the Netherlands, 1577; The freedom acquisition of Protestant religion, in the Netherlands. Allegory on the obtained freedom of the Protestant religion in the Netherlands in 1577. Prince Willem I with lance and freedom hat in the personification of religion for a monument for the fight for freedom of faith with the graves of Egmond and Horne standing on the kneeling ALVA , in sun rays. Behind the Prince Geuzen flag. Here also death and Hercules. Right raging killing soldiers, a mother with children, a warrior kills a Catholic priest (possibly a reference to the martyrs of Gorkum). Centrally a fleeing spiritual (referral to the papal power). On the left a group of riders, one of which points his gun on the prince, in the background more riders with a banner with the bougondisch cross. Extremely left in the foreground A victim of the heretic burns.

Feeding the hungry, Cornelis van Merlen, After Abraham Bosse, 1664 - 1723 print paper engraving the (seven) Acts of Mercy. feeding the hungry, 'esuriens cibatur' ~ one of the (seven) Acts of Mercy

Christ and the adulterous woman; Events in and around the temple; Thesaurus Sacrarum historiarum Veteris Testamenti (...). In the temple, various Pharisees bring a woman who is caught overtime in Christ. The Pharisees ask what Christ thinks of the Law of Moses stating that such women should be stoned. Christ looks at them after being written on the ground with his finger, and says that the one who is without sin should throw the first stone. Under the show a reference in Latin to the Bible text in John. 8.

. Christ is captured by a group of soldiers. Judas kisses him on the cheek. On the left, Peter lifts his sword to hit the ear of Malchus. Under the show the title in Latin, four square verses in Dutch, French, German and English and a reference to the Bible text in matte. 26:48.

Crossing, Jan Punt, After Jacob de Wit, after Peter Paul Rubens, 1747 print Four men, including one soldier, set up the cross with Christ. Under the rectangular representation a verse in Latin from Joh. 3:14. Amsterdam paper etching / engraving raising of the cross to which Christ is nailed already Carolus Borromeuskerk

Christ between the grain roads, Jacques Callot, 1609 - 1611 print Christ stands on a street with two men who are taking off quantities of grain. Around them are carriers and traders busy. Under the show two lines of Latin text. Rome paper engraving Christ explaining his doctrine. measuring

Almanach for the year of grace mdclxxxi (IT)

A mass-execution where men are hung above a burning bonfire. Etching.

Christ in the house of Simon in Bethania (judge part), Jean Pesne, After Nicolas Poussin, 1680 - 1694 print Sacrament of fine and reconciliation. publisher: ParisFrance paper etching confession; 'Confessione Sacramentale' (Ripa) ~ the third of the seven sacraments. Christ's feet are anointed by Mary (Magdalene). meal in Bethany (at the house of Simon the Leper) (Matthew 26:6-13; Mark 14:3-9; John 12:1-11). meal at the house of Simon the Pharisee (Luke 7:36-50)

Third float in the procession for the Holy Rombout, 1825; Third parties Prael-Waegen. The third float in the Ommegang for the Holy Rombout. On the car The preaching of Rombout and the destruction of idols in Mechelen. The procession was held on June 28, 5 and 12, 1825. Illustration in a publication on the occasion of the 50-year celebration in 1825 of the Jubilee of the Saint Rumold or Rombout, patron saint of the city of Mechelen.

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