Boats On Tranquil Waters

A collection of etchings and lithographs depicting sailing and steamboats on calm lakes and rivers, highlighting serene waters and distant towers.

Billingsgate, 1859. James McNeill Whistler (American, 1834-1903). Etching;

Quay with walkers in Venice, Carel Nicolaas Storm van 's -Gravesande, 1851 - 1924 print paper drypoint pier, quay, wharf. canal Venice

Battersea Early Morning Made 1875 United States. Etching and drypoint with foul biting, with drypoint and scraped cancellation, in black ink on ivory wove paper . James McNeill Whistler

Jacopo de' Barbari, View of Venice (lower center block), 1500 View of Venice lower center block title QS:P1476,en:View of Venice lower center block label QS:Len,View of Venice lower center block label QS:Lde,Blick auf Venedig, unterer Mittelblock

Riva, No. 2. James McNeill Whistler; American, 1834-1903. Date: 1879-1880. Dimensions: 210 x 304 mm (image, trimmed within plate mark); 219 x 304 mm (sheet, with signature tab). Etching and drypoint with foul biting in brownish black, with selective wiping of plate tone, on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

The Little Venice 1880 United States. Etching in black ink on off-white laid paper . James McNeill Whistler

Sailing ship on a river, Elias Stark, 1859 - 1888 print Sailing ship on a river. In the foreground a deck in a ditch. Netherlands paper etching sailing-ship, sailing-boat. river

Le Chemin de Halage (TheTowpath). Artist: Johan Barthold Jongkind, Dutch, 1819-1891

Seascape with three-master. Seascape with links a part of a ship with a rowing boat. On the right in the background a three-master.

Une jetée en Angleterre (A Pier inEngland). Artist: Félix Hilaire Buhot, French, 1847-1898

View of the city of Rostock. In the foreground walkers along the river, View of Rostock., print maker: D.V. van de Grave, (mentioned on object), 1700 - 1800, paper, etching, w 264 mm × h 70 mm

The 'Adam and Eve', Chelsea, Edwin Edwards, 1823-1879, British, after Edwin Edwards, 1823-1879, British, 1872, Etching, Sheet: 11 3/4 x 9 1/2in. (29.8 x 24.1cm)

Landscape with two mills and a rowing boat, Elias Stark, 1886 print Nieuwer-Amstel paper etching windmill in landscape. rowing-boat, canoe, etc.

Village by a river, draughtsman: Jan van de Velde (II), 1603 - 1620, paper, pen, h 108 mm × w 363 mm

Boeier with four figures, Gerrit Groenewegen, 1791 print A Boeier with four figures on it, seen from the side. In the background the contours of vegetation and buildings. This print is part of a series of twelve prints with different sailing ships. paper etching ships (in general)

Dutch Winter Landscape with Windmills and Skaters, 1870 print paper etching landscapes in the temperate zone. windmill in landscape. skates (winter sports) Netherlands

View of Zaandam, Eugène Bejot, 1914 print Zaandam paper etching / drypoint windmill in landscape - II - ideal landscapes. sailing-ship, sailing-boat. harbour Zaandam

Auguste Lepère, Saint Servan, French, 1849 - 1918, 1917, graphite

Seacoast by Moonlight recto. Dated: c. 1865-1875. Dimensions: sheet: 10.8 × 17.46 cm (4 1/4 × 6 7/8 in.). Medium: graphite with white crayon on gray paper. Museum: National Gallery of Art, Washington DC. Author: attributed to Edward Moran.

Morning, Venice. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1908. Dimensions: 69 x 156 mm (image/plate); 96 x 198 mm (sheet). Etching in black on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

View of the quay of Ostend, James Ensor, 1887 print paper etching / drypoint pier, quay, wharf Oostende

Francis Seymour Haden (British, 1818 - 1910), Thames Fishermen, 1859, drypoint with etching

Face at Leiderdorp, draughtsman: Jacob Elias La Fargue, 1748 - 1771, paper, pen, brush, h 235 mm × w 374 mm

English ships at Hellevoetsluis, Willem van de Velde (I), 1666 drawing Face from the coast of the prizes conquered in the four -day sea battle, which are in Hellevoetsluis. With various captions by Van de Velde. paper. pencil brush sea (seascape). carrying off the spoils of war. booty, spoil. sailing-ship, sailing-boat. navy (+ sailing-ships) Hellevoetsluis

Eugène Bejot (French, 1867 - 1931). The Seine at the Trocadero (The Trocadero Seen from the Left Bank), 1894. Etching and aquatint on laid paper. Plate: 229 mm x 315 mm (9.02 in. x 12.4 in.).

Gezicht op Vlaardingen.Page 45 and page 46 from a sketchbook with 82 pages.

James McNeill Whistler, The Riva, NoI, 1879 1880 The Riva, No.I

Boat Sketch, Thomas Daniell, 1749-1840, British, active in India, William Daniell, 1769-1837, British, undated, Graphite on medium, slightly textured, blued white, laid paper; mounted on, moderately thick, slightly textured, cream, wove paper, Sheet: 4 5/8 × 5 7/16 inches (11.7 × 13.8 cm) and Mount: 6 3/4 × 9 15/16 inches (17.1 × 25.2 cm), boat, marine art, sail, sketch, water

- 1874, paper, papier, etching, etchings, drypoint, dry needle, plate tone

veleros, Narcís Puget Riquer, dibujo al carboncillo,museo Puget, casa noble de Can LLaudis , Dalt Vila, Ibiza, balearic islands, Spain.

Sunset at the port of Antwerp, Johan Barthold Jongkind, 1868 print View of the port of Antwerp from the water, with setting sun. A number of sailing ships and a sloop on the water. print maker: Antwerpprinter: London paper etching harbour. ships (in general) Antwerp

Two ships , Sailing ships, Boats. James McNeill Whistler (1834-1903). Lithographs

MARBLE HILL, from a Drawing by P. De Wint, 1819

Face in Delfshaven, Philip Zilcken, 1867 - 1890 print Water landscape with sailboat, mills, a hayfall and in the distance Delfshaven. Brussels paper. drypoint prospect of village, silhouette of village. windmill in landscape. sailing-ship, sailing-boat. hay-stack Delfshaven

Jarry died in a fight with the English, 1783, Reinier Vinkeles (I), After Jacobus Buys, 1791 print The hijacker ship 'De Vlissinger' by Kaperkapitein Nicolas Jarry in fights with an English warship, Jarry, January 1783, died at the fight. Amsterdam paper etching / engraving battle (+ naval force). Fourth Anglo-Dutch War

Willem van de Velde the Younger, 1633-1707, Dutch, active in Britain (from 1672), A Three Mast Warship, undated. Graphite on medium, slightly textured, cream laid paper.

James McNeill Whistler (American, 1834-1903), Rotherhithe, 1860, etching

Face in Naples, Antoine Eugène Ernest Buttura, 1851 - 1900 drawing Italy paper. pencil brush quay (+ city(-scape) with figures, staffage) Naples

Returning Sails at Tsukudajima, from the series Eight Views of Edo Utagawa Toyohiro (Japanese, 1773-1829). Returning Sails at Tsukudajima, from the series Eight Views of Edo, 1790-1799. Color woodblock print on paper, 9 3/4 x 14 11/16 in. (24.7 x 37.2 cm). The artist Utagawa Toyohiro took the Chinese motif of the returning sailboat and relocated it to the shores of a small island that was then situated at the mouth of the Sumida River, just outside of Edo (modern-day Tokyo). (The island has since been absorbed by landfill.) Delicate black lines and the use of gray and brown ink in this printand in the adjacent print by Toyohiro’s student, Hiroshigemake direct reference to traditional East Asian ink landscape paintings. Asian Art 1790-1799

Het Jaagpad, Johan Barthold Jongkind, 1862 print View on a mill on a water. In the foreground a man on horseback, in the background a boat and a second mill. This print is part of a series of six etched Dutch faces (the first two numbered), the whole preceded by a title page. Paris paper etching landscapes in the temperate zone. windmill in landscape. riding a horse, ass, or mule; rider, horseman. ships (in general) Holland

Moonlight through the Clouds off the Haneda Coast. Kobayashi Kiyochika; Japanese, 1847-1915. Date: 1929. Dimensions: 27.4 x 40.3 cm (10 13/16 x 15 7/8 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, Chicago, USA.

View of Amsterdam from the Kadijk, William Young Ottley, Rembrandt van Rijn, 1828 print paper etching city-view, and landscape with man-made constructions Amsterdam

Sailing ships on the water. .

Nocturne: salute. Whistler, James McNeill (1834-1903). Avery, Samuel Putnam, 1822-1904. Prints. 1879 - 1880. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Figures with sailing trees on a floating deck. .

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), the seated white sailot and the Negre Nègre sailor. (A. de Vesme 201; Dutuit 193) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Upright Venice 1879-1880 United States. Etching and drypoint with foul biting, with drypoint cancellation, in dark brown ink on ivory laid paper . James McNeill Whistler

Sailing ships for a coast, c. 1803 - c. 1818 Page 14 from a sketchbook with 74 pages. paper. pencil. coast. sailing-ship, sailing-boat

View of the west side of the river Maas, Brielle (Den Briel) in the background, View of Brielle Postcard (series title), print maker: Joost van Geel, Joost van Geel, printer: Jacob Quack, (possibly), Rotterdam, 1666, paper, etching, engraving, h 151 mm × w 421 mm

Paul César Helleu, The Painter Boudin at Trouville, 1897, drypoint on wove paper.

James McNeill Whistler, The Thames, 1896 The Thames

Ebb Tide, Putney Bridge, 1885. Frank Short (British, 1857-1945). Mezzotint; sheet: 16.7 x 23.8 cm (6 9/16 x 9 3/8 in.); platemark: 13.4 x 18.9 cm (5 1/4 x 7 7/16 in.).

Sketch of Captain Anderson's Sailing Vessel. Anders Zorn; Swedish, 1860-1920. Date: 1893. Dimensions: 233 x 144 mm. Graphite on tan wove paper. Origin: Sweden. Museum: The Chicago Art Institute, USA. Author: Anders Zorn.

Embarcadere à Trouville (Wharf at Trouville). Dated: 1877. Dimensions: plate: 19.4 × 27.3 cm (7 5/8 × 10 3/4 in.) sheet: 26.5 × 39.5 cm (10 7/16 × 15 9/16 in.). Medium: etching and drypoint on japan paper. Museum: National Gallery of Art, Washington DC. Author: Félix-Hilaire Buhot.

Political cartoon about the municipal administration of The Hague, 1882, 1882 print Political cartoon about the municipal administration of The Hague: a ship on the beach of Scheveningen. Plaat appeared at the Weekblad De Nederlandsche Spectator, no. 8, 1882. print maker: Netherlandsprinter: Netherlandspublisher: The Hague paper The Hague. Scheveningen

Broomielaw , Bridges, Rivers. Sir David Young Cameron (1865-1945). Prints

James McNeill Whistler (American, 1834-1903), The Riva, No.II, 1880, etching and drypoint

Inverary Pier Loch Fyne, Morning. Joseph Mallord William Turner; English, 1775-1851. Date: 1811. Dimensions: 180 × 264 mm (image); 216 × 293 mm (plate); 266 × 382 mm (sheet). Etching and aquatint in brown on ivory laid paper. Origin: England. Museum: The Chicago Art Institute, USA.

Stefano Della Bella, Marine, 1642 Marine

James H. Kernot, active early 19th century, St. Mawes, Cornwall, 1827-1838. Line engraving, engraver's proof, completed.

Schip Met Atalanta en Diana, Anonymous, After Remigio Cantagallina, After Giulio Paris, 1624 - 1631 print A ship with Zwijnskop as a figurehead, on the stern are Atalanta and Diana. paper etching ships (in general). the story of the Argonauts: the quest for the Golden Fleece. (story of) Diana (Artemis)

Assembly of German naturalists and doctors in Vienna in September , Water trip in Laxenburg, Unknown

Ready to Start. Dated: 1917. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

There's a Floating Corpse. Louis Auguste Lepère; French, 1849-1918. Date: 1892. Dimensions: 217 × 297 mm (image); 314 × 436 mm (sheet). Lithograph in black with scraping on stone on cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

A Venetian Lagoon. Dated: 1871/1874. Dimensions: sheet: 36.5 × 55.9 cm (14 3/8 × 22 in.). Medium: pen and brown ink with watercolor and gouache over graphite, with white heightening, on blue-gray wove paper. Museum: National Gallery of Art, Washington DC. Author: William Stanley Haseltine.

James McNeill Whistler (American, 1834-1903), The Little Lagoon, 1879-1880, etching

Friedrich Gauermann, German (1807-1862), A Ferry on the Königsee, 1827-1839, pen and brown ink with brown wash over graphite on wove paper

Rescue sloop with figures at a shipwreck, 1830 - 1860 Also a study of a sailing ship on the water. Page 14 Recto from a sketchbook with 46 sheets. paper. pencil Also a study of a sailing ship on the water. Page 14 Recto from a sketchbook with 46 sheets. paper. pencil

View of Oudewater. Leaf 38 Verso from a sketchbook with 41 sheets.

Paul Signac, Boats at Flushing (Bateaux à Flessingue), 1895 Boats at Flushing (Bateaux à Flessingue)

View of Venice with a gondola, Carel Nicolaas Storm of 's -Gravesande, 1851 - 1924 print In the foreground, two figures sail on a gondola for the city. paper prospect of city, town panorama, silhouette of city (+ city(-scape) with figures, staffage). gondola Venice

A few figures, one of which with raised arms, Johan Braakensiek, c. 1868 - c. 1940 drawing Possibly a design for a print. paper. pencil brush

Cabin Boy Hauling the Tow-Rope or Hauling by Rope 1862 Charles-François Daubigny. Cabin Boy Hauling the Tow-Rope or Hauling by Rope. Charles-François Daubigny (French, Paris 1817-1878 Paris). 1862. Pen and ink on tracing paper, redrawn in graphite on verso. Drawings

Kade Van Bourgogne in Bordeaux, Eugène Bejot, 1925 print Bordeaux paper etching / drypoint dikes, levee. ships (in general) - CC - more than one ship Bordeaux

View of London , Cities & towns, Rivers, Boats. Joseph Pennell (1857-1926). Prints and Drawings

Childe Hassam, Inner Harbor, 1918 Inner Harbor

Seascape, Pieter Idserts (possibly), 1708 - 1781, draughtsman: Pieter Idserts, (possibly), 1708 - 1781, paper, brush, h 183 mm × w 240 mm

Soupe à trois sous 1859 James McNeill Whistler American The title of this print translates as soup for three pennies and indicates that the men shown sit in a cheap café or bar (notes left by Whistler suggest it is the Café des Pieds-Humides ('Café of the Wet Feet') in Paris). Soon after making this etching, Whistler moved to London, took lodgings south of Tower Bridge, then recorded a similar scene in an etching titled "Longshore Men"). Black bottles on the tables here, near men who slouch or sleep, evoke the addictive properties of alcohol and the signature, etched at upper center on an otherwise unadorned wall, reads like a fragment of graphiti.. Soupe à trois sous 365955

Samuel Prout, 1783-1852, British, Como, undated. Graphite and gouache, with stumping on medium, slightly textured, cream wove paper.

Doghantalis in Veneti, linga gaatellel anter Francesco Guardi, 1835 - 1886 print print maker: Franceprinter: Paris paper etching / drypoint / engraving haff, lagoon created by sand, shingle bank ~ coast. palace. gondola Dogepalis

Brindisi, Seen From the Bridge on the Via Traiana, Henry Swinburne, 1743-1803, British, 1777 to 1778, Pen and brown ink, over graphite on medium, moderately textured, cream, wove paper, mounted on, moderately thick, slightly textured, cream, wove paper, Mount: 16 3/8 × 11 1/8 inches (41.6 × 28.3 cm) and Sheet: 4 3/16 × 8 1/8 inches (10.6 × 20.6 cm)

Windsor (Memorial). James McNeill Whistler; American, 1834-1903. Date: 1887. Dimensions: 132 x 96 mm (plate, approx.); 136 x 96 mm (sheet). Drypoint with foul biting in black ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

At night in Javel Charles Jacquin. At night in Javel. Pigment process. 1900.

Fishing Quarter, Venice 1883 United States. Etching and drypoint on ivory wove paper . Frank Duveneck

A corner of Bercy during the flood, painting by Luigi Loir at the 1879 show (dummy title)

Molen, Jacob Maris, 1847 - 1899 print paper counterproof windmill in landscape

Seascape with ship, Félix Hilaire Buhot, 1879 print paper etching sea (seascape). ships (in general) - CC - more than one ship Medway

Apple Market, Viewed from the Pont Louis-Philippe, plate seven from Le Long de la Seine et des Boulevards 1890 France. Wood engraving in black on cream Japanese tissue . Louis Auguste Lepère

Rejoicing fish from the departure of the foam. .

Extremely high water level at Scheveningen, December 1790, Jacobus Buys, 1790 - 1801, draughtsman: Jacobus Buys, Dec-1790 - 1801, paper, pen, brush, h 82 mm × w 56 mm

Dorf. Leistikow, Walter (1865-1908), graphic artist, Pan-Presse, Verlag Paul Cassirer (Berlin ; wydawnictwo ; 1908-1927), publishing house, Hoberg, Reinhold (1859-1932), engraver

Gracht in Moonlight, Carel Nicolaas Storm van 's -Gravesande, 1851 - 1902 print In the foreground a moored sailboat. paper drypoint canal. moonlight

Bomschuit on the beach near Katwijk. Two figures walk along the anchor line. On the left in the background Katwijk aan Zee, tide near Katwijk., print maker: Carel Nicolaas Storm van 's-Gravesande, (signed by artist), Netherlands, 1869 - 1902, paper, etching, drypoint, h 296 mm × w 495 mm

Rustic caprice with bridge and ruin tower Francesco Guardi (attributed to). "Rustic caprice with bridge and ruin tower". Oil on wood. Paris, Cognacq-Jay Museum.

Autumn, 1626 print A beautifully dressed lady and a gentleman are looking out over the water in which different sailing ships are located. Behind them is a boy with a saber. On the left a farmer's cart with grapes and fruit. A farmer's wife is busy with the harvest. Her son pees the cart. Presentation of autumn from a press series of the four seasons. The Hague paper etching / engraving autumn ~ human activities (the four seasons of the year). clothes, costume (+ men's clothes)

Title page for the musical score Faust" by Antoni Radziwiłł. Blaschnik, Arthur (1823-1918), draughtsman, cartoonist

Tweemaster, Lucie van Dam van Isselt, 1881 - 1949 print paper etching sailing-ship, sailing-boat

The evening river. From: Fourth Indian plates prints, etchings, works on paper

Norbert Goeneutte, Woman by the Sea, 1864-1894, drypoint and etching on laid paper.

Mill in a landscape, David Emile Joseph de Noter, 1840 - 1875 print paper counterproof / etching windmill in landscape. moon as celestial body

Landscape with mills along a canal near Amsterdam. On the right, some tree trunks lie in the water., Landscape with windmills along a canal, print maker: Willem Steelink (II), (mentioned on object), after: Jan Hillebrand Wijsmuller, (mentioned on object), Netherlands, 1888, paper, etching, h 173 mm × w 218 mm

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