Bullfighting and Classic Scenes

Etchings depicting bullfighting and classic mythological themes, featuring dynamic figures and detailed landscapes, capturing historical moments.

Francisco de Goya, Disparate de Carnabal (Carnival Folly), Spanish, 1746 - 1828, in or after 1816, etching and aquatint trial proof printed posthumosuly circa 1854-1863

Ivan Children Matejko, Jan (1838 1893), Maszyński, Julian (1847 1901), Gorazdowski, Edward (1843 1901), Lewental, Salomon (Franciszek Salesa) (1841 1902)

A drawing by Edward Jakob von Steinle of Genoveva using brown brush over pencil with white highlights, created in 1843.

Reproduction of drawing: Juliusz Kossak (1824-1899), Faithful companion; excerpt from a magazine. unknown, draughtsman, cartoonist, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher, Schübeler, Julian (fl. ca 1865-1890), woodcutter

Rome, Pinelli, Bartolomeo, New collection of costume prints from Rome and its environs, Costume prints with figures from Rome and its environs, Dama forastiera, sorpresa dei Briganti, Woman being attacked, A woman sitting on a horse is attacked by a group of men with guns. The print is part of an album., print, prent, albumblad, prints, prenten, height 200 mm, width 276 mm, Italian, 1781-11-20 - 1835-04-01, print maker, printmaker, 1819 - 1823, paper, papier, etching, etchings, intermediary draughtsman

Enterrar s callar /Bury them and keep quiet; board No. 18 from: Los Desastres de la Guerra The Disasters of War, ed. II, 1892 Goya, Francisco de (1746 1828)

Feder and brush study by Johann Christoph Dietzsch titled 'Moving People I,' executed in dark brown ink, depicting figures in motion.

Snowball Fight: Quai aux Fleurs, 1890. Auguste Louis Lepère (French, 1849-1918). Etching;

LePrince, Jean-Babtiste, work, Kalmukkeja tauolla, 1772, aquatint etching, graphics, plate width 18.6 cm, plate height 23, 9 cm, leaf width 26.2 cm, leaf height 35.5 cm

The Death of Raphael, Print made by John Henry Robinson, 1796-1871, British, after Thomas Stothard, 1755-1834, British, 1830, Etching and line engraving on medium, slightly textured, cream wove paper

Minne-Mall van Dicke Leendert, and Lijsje Teunis, with Ioncker Maerten. Design for a print.

Die Eroberung von Mexico: Illustration, 1919. Max Slevogt (German, 1868-1932). Lithograph;

Ox Jean-Victor Adam, said Victor Adam (1801-1866). "Suite of modern cars and harnessed horses (PL.18)". Gras beef. Color lithography.

Tea storage at the Nizhny Novgorod Fair. unknown, graphic artist, F.A. Brockhaus (Amsterdam, Lipsk, Wiesbaden ; wydawnictwo ; 1808-1953 ), publishing house, Henkel, W. E. (Petersburg ; wydawnictwo ; ca 1850-1870), publisher, Popov, Michaił Petrovicz (1837-1898), painter

Para eso habeis nacido (This Is What You Were Born For), pl. 12 from the series Los desastres de la guerra (The Disasters ofWar). Artist: Francisco Goya, Spanish, 1746-1828

Travellers when carriage overturned in landscape by moonlight, draughtsman: Benjamin Zix, 1782 - 1811, paper, pen, brush, h 127 mm × w 163 mm

Mounted Warrior with a Baton Giving Orders to His Troops 1590-1646 Belisario Corenzio Italian, born Greece The present drawing and a second one in the Museum's collection (acc. no. 68.203) were part of a group of eleven sold with an attribution to Belisario Corenzio in London in 1936. At that time, the whole series was purchased by Sir Robert Witt (1872-1952) who, after later dispersals of his collection, retained only three drawings, now in the Witt Collection at the Courtauld Institute Galleries, London (nos. 2789A, 2789B, 2789C.)After the Witt sale, of the remaining eight, two drawings found their way to the Metropolitan Museum of Art (nos. 68.203 and 66.127), one is in the National Gallery of Art, Washington, D.C. (inv. 2010.93.17, formerly in the collection of Joseph McCrindle, New York; and The Sir Anthony Blunt Collection, exhibition catalogue, Courtauld Institute Galleries, London, 1964, no. 8), three were recorded in 1992 in a private collection in Paris, while the present whe

Winter scene on the slide. Velde van der, Suntach, Antonio (1744 1828), Velde, Adriaen van de (1636 1672)

Scene from the Commedia dell'Arte with Pierrot doing the laundry, Gerardus Josephus Xavery, c. 1710 - c. 1800, Scene from the Commedia dell'Arte: a man cradles a child in a cradle, Pierrot does the laundry. Design for a print to accompany the 'Miraculous Illness of Harlequin'., draughtsman: Gerardus Josephus Xavery, c. 1710 - c. 1800, paper, pen, brush, h 135 mm × w 185 mm

Punchinellos Felling (or Planting) a Tree late 18th-early 19th century Giovanni Domenico Tiepolo Italian Domenico Tiepolos 104 drawings illustrating the life of Punchinello, a popular commedia dellarte character, trace the amusing story of the everyman in elaborate detail—from his parentage, birth, and childhood to his diversions and adventures in near and distant lands to his illness, his death, and the apparition of his ghost. Nine sheets from the series are in the Robert Lehman Collection. This energetic narrative of a group of Punchinello figures felling a tree may be an allusion to the so-called Tree of Liberty erected by Napoleonic troops as a symbol of their conquest of the Venetian Republic in 1797.. Punchinellos Felling (or Planting) a Tree 459938

Low Tide - From a Painting by Winslow Homer (Every Saturday, Vol. I, New Series). Artist: Winslow Homer (American, Boston, Massachusetts 1836-1910 Prouts Neck, Maine). Dimensions: image: 8 7/8 x 11 3/4 in. (22.5 x 29.8 cm)block: 9 3/16 x 12 3/16 in. (23.3 x 30.9 cm)sheet: 10 5/8 x 14 7/16 in. (27 x 36.7 cm). Engraver: W. H. Kingdom (American, active 1870). Date: August 6, 1870. Museum: Metropolitan Museum of Art, New York, USA.

Flock of Sheep at the Edge of a Wood. Charles Émile Jacque; French, 1813-1894. Date: 1877. Dimensions: 183 × 283 mm (image); 200 × 298 mm (plate); 333 × 448 mm (sheet). Etching and aquatint on cream laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Ice Entertainment, Claes Jansz. Visscher (II) (Possible), 1608 - 1610 print On a winter's day, people have fun on the ice with skating and sledding. Right in a skater. Amsterdam paper etching / engraving winter sports

Landscape with falconers and herdsman. Draughtsman: Jan Wildens (possibly). Draughtsman: Joos de Momper (II) (rejected attribution). Dating: 1596 - 1653. Measurements: h 199 mm × w 316 mm. Museum: Rijksmuseum, Amsterdam.

Ruin of the Sibyll Temple in Tivoli, Anonymous, 1600 - 1699 drawing prepared paper. ink pen / brush temple, shrine ~ Roman religion. ruin of a building ~ architecture TEMPEL VAN VESTA. Tivoli. Italy

Drawing by Franz Anton Maulbertsch depicting Christ falling under the cross, executed in stone chalk with brown wash on brownish paper, circa 1772.

Graphite on cream wove paper; laid down on off-white wove paper.

Jean-François Millet, Les glaneuses, c. 1855, etching on paper.

Essay on Stone with Brush and Scraper: The Convoy of Prisoners through a Woods, 1851. Adolph von Menzel (German, 1815-1905). Lithograph;

Close the Ranks. Denis Auguste Marie Raffet; French, 1804-1860. Date: 1832. Dimensions: 234 × 230 mm (image); 234 × 230 mm (sheet). Lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Print made by Richard Ansdell, 1815-1885, British, Sleepest or Wakest Thou, ca. 1853. Etching on moderately thick, smooth, cream card.

Les Glaneuses (TheGleaners). Artist: Jean-François Millet, French, 1814-1875

GOYA Y LUCIENTES, Francisco de (1746-1828). They can still be of use. 1810-1812. Plate 24 of 'The Disasters of War'. Etching. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. National Library.

Peasants Fighting. Dated: published 1728/1735. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Anton Joseph Prenner after Pieter Bruegel the Elder.

The Bulls of Bordeaux: Picador Caught by a Bull, 1825. Francisco de Goya (Spanish, 1746-1828). Lithograph;

Francisco de Goya y Lucientes, Bury them and keep quiet., 1810-1820, etching and aquatint.

Etching and aquatint by Francisco Goya from Los Proverbios series, circa 1810-1815, before first edition 1864, depicting female folly in a figurative scene with symbolic gestures.

Farm Workers Flailing Corn, James Ward, 1769-1859, British, undated, Graphite and gray wash on medium, slightly textured, beige laid paper, Sheet: 6 x 9 3/8 inches (15.2 x 23.8 cm), corn, farm, genre subject, labor, workers

Presenting the Trophy of the Foot, Photogravure Print from the Original 1872 Painting by Jean Richard Goubie, The Masterpieces of French Art by Louis Viardot, Published by Gravure Goupil et Cie, Paris, 1882, Gebbie & Co., Philadelphia, 1883

A statue for Frans Hals. A statue of Frans Hals has been established in a row with images of Rembrandt, Jan Steen and other artists. In the foreground paintings in boats are taken abroad. At the bottom of a verse of four lines. Appeared in the attachment of 'De Kroniek' of July 21, 1895.

Rustplace, George Andries Karsen, After Nicolaes Pietersz Berchem, 1861 print In a hilly landscape, a group of travelers pauses, three of whom are on a donkey, at a fountain. There are also two waxes at the fountain. On the right, a dog sniffs another dog. paper etching / drypoint dog. donkey-riding (on the beach). ornamental fountain. landscapes. stadia of travel

Maskerade of the Leiden students, 1850 (plate 1), 1850 Historically costumed parade of the students of the Leidse Hogeschool on 11 June 1850. The parade depicts the entry of Frederik Hendrik in Den Bosch in 1629. First plate with the groups numbered 2-9. Part of the series of thirteen sheets stuck. print maker: Netherlandsafter drawing by: Netherlandsprinter: The Haguepublisher: Leidenpublisher: Leiden paper Suffer. the Bosch Historically costumed parade of the students of the Leidse Hogeschool on 11 June 1850. The parade depicts the entry of Frederik Hendrik in Den Bosch in 1629. First plate with the groups numbered 2-9. Part of the series of thirteen sheets stuck. print maker: Netherlandsafter drawing by: Netherlandsprinter: The Haguepublisher: Leidenpublisher: Leiden paper Suffer. the Bosch

Mattheus Mair in Wier drowned, 1592, 1683 - 1685 print The Baptist Mattheus Mair in Wier drowned, 1592. A executioner lower the tied prisoner from a scaffolding into the water. On the jetty a judge and a monk. Northern Netherlands paper etching execution of heretic, e.g. by burning at the stake, 'auto-da-fé' TRUE

Wheelwright' by James McNeill Whistler, created between 1879 and 1880, is an etching

Ice Entertainment ..

Plate 7 from Pietro Paulo Bissari, Antiopa 1662 Mathäus Küsel Celebrates the birth of the Bavarian Crown prince, Max Emanuel, in Munich, 1662.. Plate 7 from Pietro Paulo Bissari, Antiopa 699765

Raid on Soplicowo, illustration to Pan Tadeusz" by Adam Mickiewicz. Gierymski, Maksymilian (1846-1874), draughtsman, cartoonist

Vine scene unknown

A Vision of Antiquity (or untitled), Puvis de Chavannes still image. Postcards. 1905 - 1915. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. Puvis de Chavannes, Pierre, 1824-1898

Reproduction of drawing: Juliusz Kossak (1824-1899), sketch for the `Memoirs of one putting in effort`; excerpt from a magazine. unknown, publisher

Les réfugiés de la Meuse , War relief, Refugees, World War, 1914-1918, Secours national France. Théophile Alexandre Steinlen (1859-1923). Lithographs

Clear Fantasy', 1819-1823 Artist: Francisco Goya. Plate 15 of 'Proverbs', published in 1864. 'Proverbs' is an album of twenty-two prints which is the last major series of prints by Francisco Goya.

Faust and Mephistopheles Galloping Through the Night of the Witches' Sabbath, from Faust. Eugène Delacroix; French, 1798-1863. Date: 1828. Dimensions: 210 × 293 mm (image); 285 × 427 mm (sheet). Lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

People living with the threat of avalanches; representing Winter. Etching.

Plate 29 of the 'Tauromaquia': Pepe Illo making the pass of the 'recorte'. 1816 Goya (Francisco de Goya y Lucientes) Spanish. Plate 29 of the 'Tauromaquia': Pepe Illo making the pass of the 'recorte'. 397902

Stage design for the opera Prince Igor by A. Borodin by Bocharov, Mikhail Ilyich (1831-1895)/ State Central A. Bakhrushin Theatre Museum, Moscow/ 1890/ Russia/ Coal, pen, Indian ink on paper/ Theatrical scenic painting/ 23,9x33,2/ Opera, Ballet, Theatre

Drawing reproduction:Grottger, Artur (1837-1867)-reproduction, Grottger, Artur (1837-1867). Lituani, Zdanowski, Edmund (1905-1984)-collection, office photographs, painting, Polish painting, January Uprising (1863-1864), purchase (provenance)

Joanna d'Arc; Süs, Wilhelm (1861-1933); 1894 (1894-00-00-1894-00-00);

Costumed Dancers Performing in a Garden Tavern, 1756. Gabriel de Saint-Aubin (French, 1724-1780). Brush and brown and gray wash, with gouache, watercolor, and traces of graphite; sheet: 19.8 x 31.3 cm (7 13/16 x 12 5/16 in.); secondary support: 19.8 x 31.3 cm (7 13/16 x 12 5/16 in.).

Reproduction of the illustrations of Stanis Way Kaczora-Batowski (1866-1946), to the song "O Mitt Hospodarsk" Teodor Jeske-Choi Z: "W Drowiec" 1903, No. 7 (February 1), p. 126; Wierzbicki B. and S-ka (Warsaw; Graphic Zaki; 1897-1944), W Drowiec (Warsaw; magazine; 1863-1906); 1903 (1866-00-00-1891-00-00);

A pencil drawing by Friedrich Gauermann from 1838 depicting shepherds in Folgaria near Rovereto, South Tyrol, showing figures, landscape, and pastoral activity.

King David's Sacrifice, Felice Giani, c. 1812 drawing Paris paper. chalk brush / pen David sacrificing (in general)

The Summit of Mount Washington, from Harpers Weekly, July 10, 1869. Artist: Winslow Homer, American, 1836-1910

Hyde Park, Rotten Row (Mid-day), Tristram J. Ellis, 1844-1922, British, after Tristram J. Ellis, 1844-1922, British, 1881, Etching

Drawing, Two Men Sawing a Plank; Italy; pen and brown-black ink, brush and gray wash on paper; 16.5 x 23.6 cm (6 1/2 x 9 5/16 in.)

Artist: Eugene Leroux, French, 1833-1905, After: Théodore Géricault, French, 1791-1824, Entrance to theArena, Lithograph, image: 18.9 × 25.3 cm (7 7/16 × 9 15/16in.), French, 19thcentury, Works on Paper -Prints

The fight at the Taborbrücke, on October , No, from, Fatherland picture chronicle from the history of the Austrian imperial state , After, Anton Ziegler -, drawer

1893 Art Work - A Monday; Entry into Pres-Saint-Gervais - Louis Auguste Lepere.

Willemynken talks to parrot and big bird poops on her head; Duyfkkens and Willemynkens Pilgrimagie to Haren Loved within Iervsalem.willemynken talks to a parrot that is sitting at a window and a large bird on the façade shovels on her head. The explanatory text in the Devotie booklet explains why it happens to it: she is guilty of gossip. Duyfken is waiting for her.

Reproduction of a painting: Kaczor-Batowski, Stanisław (1866-1946), Illustration for the novel `Mitra hospodarski` The hospodar’s mitre’ by T. Jeske-Choiński; from: `Wędrowiec` 1903, 1, 126. Wierzbicki, B. i S-ka (Warszawa ; zakład graficzny ; 1897-1944), reproduction atelier, Wędrowiec (Warszawa ; czasopismo ; 1863-1906), publisher

Painting depicting tribal migration in prehistoric times by Ferdinand Cormon (1845-1924) a French painter. Dated 19th Century

Les bêcheurs (The diggers), 1855-1856, France, by Jean-François Millet. Gift of Sir John Ilott, 1952.

Julian Fałat, Meetings. Julian Fałat (1853-1929), draughtsman, cartoonist, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher, Łoskoczyński, Józef (1857-1928), woodcutter

Departure of the Joads, from The Grapes of Wrath. Thomas Hart Benton; American, 1889-1975. Date: 1939. Dimensions: 327 x 470 mm (image); 403 x 601 mm (sheet). Lithograph on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, USA.

'Bonaparte at Arcole', 1796, (1896). Artist: M Haider.

This 1518 iron-wheeled etching by Albrecht Dürer, titled 'Landscape with a Cannon,' showcases a panoramic landscape with a large cannon in the foreground. The etching is noted for its detailed rendering of the landscape and the cannon.

The Horse Of The Plasterer, Théodore Géricault, 1822 print A restless horse, with a muzzle, tired for a cart. The plasterer comes running, two bags on his shoulder bearing. From a series of twelve prints. print maker: Franceprint maker: Franceprinter: Parispublisher: Paris paper horse (+ conveyance for transport of loads and cargoes). stuccoeing

Unknown (1900-1900); Joergen V. Sonne (1801-1890); , Illustration for "in the meadow", poem of Christian Richardt, 1858

Oxkar and figures on a country road, 1800 - 1899 Landscape with a cart drawn by two oxen accompanied by a group of men, women and children. Page 4 Recto from a sketchbook with 13 sheets. paper. watercolor (paint). chalk brush landscapes (+ landscape with figures, staffage). animal traction, animal-drawn vehicle (carriage etc.). ox

Picturesque Paris: apple market, 1897 (dummy title)

The Mirror of Venus 1896 United Kingdom. Engraving on vellum . Félix-Stanislaus Jasinski

Lazio Roma Castel Madama Castello0. Hutzel, Max 1960-1990 Medieval: 14th century architecure, portico, loggia with spolia, inscribed funerary monuments (fragments);. Post-medieval: Furniture, painting (c.17th century), maiolica, silver objects, choir stalls, wooden utensils, painted porcelain Antiquities: Funerary stele, fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Returning from Market.. Unknown

Pastoral Life of Saint Geneviève (left panel) 1883-1893 France. Lithograph on paper . Georges-William Thornley

Berchem, Nicolaes Pietersz., Amsterdam, Visscher, Cornelis (II), Haarlem, Rolling landscapes, Shepherd and shepherdess at a fort, verso - stamped, View of a hilly landscape with a shepherd on horseback and a shepherdess with a bale under her arm, wading through shallow water in opposite directions. On the right is a fort on a steep hill., print, prints, height 269 mm, width 213 mm, Northern Netherlands, 1629 - 1658-01-16, print maker, printmaker, 1657 - 1658, paper, papier, etching, etchings, engraving, engraving (printing process), Noord-Nederlands, 1620 - 1683-02-18, intermediary draughtsman

The crushed sloop is unloaded, 1597. The slippery crushed by the sliding ice is again unloaded, 1 July 1597. Copies to the original illustrations in the travelogue of the journey of Willem Barendsz and Jacob van Heemskerck in 1596-1597 and the stay on it Island Nova Zembla, No. 25.

Rugendas, Johan Christian, inventor: Georg Philip Rugendas, work, Two riders in a wood landscape, (1000 - 2000), mezzotinto bister and white, main class: graphics, image 12.2x17.7, leaf 12.6x17.7 (cut)

HOME REVISITED, DRAWN BY W. P. SNYDER, 1880, 19th century engraving, USA, America

Auguste Lepère, Poultry Market at St Jean de Mont (Marche a la volaille, a St Jean de Mont), 1892 Poultry Market at St.-Jean-de-Mont (Marche a la volaille, a St.-Jean-de-Mont)

Two farmers dig the ground of a field, Jean François Millet, 1856 print paper etching farmers. spading ~ soil cultivation

Emilia-Romagna Ferrara Ferrara Museo Civico di Schifanoia62. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

2nd board / singing 2nd. / In which country are we It's a deserted island. (Registered title (letter)) | The dream. (Title registered (letter))

From the series Herozen trains from , No, The heroic defense of the cypress hill at Spia dItalia by Major Vasz , Battle of Solferino on June , After, Wenzel Ottokar Noltsch -, Peinstre, after, Heinrich Reinhart Reinhardt, Peintre, Hof- und Staatratdruckerei Vienna -, Lithography Institute

Boarding and crew on a boat; Domestiques & marines à plate; Voyage and Italy, and Sicile et à Malte - 1778. Drawing from the album 'Voyage and Italy, and Sicile Et à Malte', 1778.

On the way to Emmaüs.

Skrzetuski and both meet Helen Piotrowski, Antoni (1853-1924); 1901 (1901-00-00-1901-00-00);Kurcewiczówna, Helena (lit.), Sienkiewicz, Henryk (1846-1916). With Fire and Sword, Skrzetuski, Jan (lit.), Witke-Jeżewski, Dominik (1862-1944)-collection, 17th century (history), 17th century (costume), riders, carriage, couples of lovers, Poland (culture ), illustration projects, Polish drawings, purchase (provenance)

Summer; The four Seasons. Design for a decoration.

Lionel had just time to get a glimpse of the wounded stag, which was stumbling pitifully along., "THE NEW PRINCE FORTUNATUS", BY WILLIAM BLACK, DRAWN BY W. SMALL, 1889.

Théodore Gericault and Nicolas Toussaint Charlet, Shipwreck of the Meduse, 1820 Shipwreck of the Meduse

Entrance to the Adelphi Wharf, plate 11 from Various Subjects Drawn from Life on Stone 1821 France. Lithograph in black on ivory wove paper . Jean Louis André Théodore Géricault

Mirror of Illusion. Dated: 1916. Dimensions: plate: 16.19 × 21.59 cm (6 3/8 × 8 1/2 in.) sheet: 23.81 × 29.85 cm (9 3/8 × 11 3/4 in.). Medium: drypoint with softground etching and roulette in black on laid paper. Museum: National Gallery of Art, Washington DC. Author: Arthur B. Davies.

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