Civil War Illustrations

Dynamic sketches representing Civil War scenes and figures, highlighting movement and emotion in a dramatic historical context.

Ekman, Robert Wilhelm, Resurrection of Christ; Composition sketch (two-sided work), drawing, 33 cm x 17.4 cm

The Young Tree, Gray's Inn. James Abbott McNeill Whistler (United States, 1834-1903). United States, 1887. Prints; etchings. Etching

A Cow in a Shed, draughtsman: Rembrandt van Rijn, Amsterdam, c. 1640, prepared paper, pen, brush, h 153 mm × w 182 mm

. .

Elihu Vedder, Father and Son, c 1859 Father and Son

Medelpad, Njurunda sn. Knipphammarsmedjan, Galtström. Drawing of Ferdinand Boberg Nordic

Christ seduced by the devil, c. 1660 - c. 1661 drawing Zwolle paper. pencil

James McNeill Whistler, Ramparts, Sandwich, c 1887 Ramparts, Sandwich

Two Fishermen, England, Winslow Homer, American, 1836-1910, Graphite on gray paper, Recto: Horizontal view of the beach with two fishermen's dories, and two men walking through shallow water carrying baskets., Verso: Slight sketch of a beached dory and fishermen, Cullercoats, England, USA, 1881-82, seascapes, Drawing, Drawing

A drawing by Johann Michael Rottmayr using ink applied with a feather, featuring overport and laves techniques.

Painter working to model. Painter for a donkey in his workplace, working to model, posing for a printing press.

On the Beach - At Berneval (Sur la plage - a Berneval). Dated: 1892. Medium: drypoint. Museum: National Gallery of Art, Washington DC. Author: AUGUSTE RENOIR.

Standing man in an inn lets someone knew, Johann Daniel Laurentz, after Rembrandt van Rijn, 1756 print paper etching head-gear: turban. prisoner with hands bound

Judgment of Paris. In a forest landscape, Pallas, Juno and Venus are opposite Paris with a shepherd's staff and a RAM next to itself. Above them, Amor floats that with Arrow and Arch focused on Paris. On the right, Mercury is hiding in a tree. In the undermaster a four-line Latin text.

Edelfelt, Albert, work, Sketch book, drawing, 16 cm x 10 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Boat-washroom on the Seine, 1891 (dummy title)

Loges dActrices (Actresses Dressing Rooms). Artist: Edgar Degas, French, 1834-1917

Study sheet with three figures, David Bles, 1856 print On the left is a man in an armchair, under a soldier with a hat on, on the right a bust of an older gentleman with glasses. The Hague paper. etching drawing, sketch. eyeglasses, spectacles

Adoration of the Magi 1735-1745 Italy. Etching on off-white laid paper . Giambattista Tiepolo

Klomp Johannes Franziskus (1865-1946), unaffected altar, church facility, sculptures and ornaments (0-0): Kreuzweg IV (for church in Berlin-Lankwitz) (Atelier Ferdinand Busch). Pencil on paper, 25.1 x 15.5 cm (including scan edges) Klomp Johannes Franziskus (1865-1946): Unzugeordnete Altäre, Kircheneinrichtung, Skulpturen und Ornamente

A Group of Men, and Other Sketches 1852-1862 France. Black crayon, over traces of charcoal, on ivory laid paper . Honoré-Victorin Daumier

Theater of Corneille: the comic illusion CORNEILER Theater: The comic illusion "by Hubert Gravelot (1699-1773). Museum of Fine Arts of the city of Paris, small palace.

Axel theodor kittendorff (1821-1868); Adolph Kittendoriff (1820-1902), to Grenader Paa a closetings, (1841)

Sitting woman with chained arms and four other figures; Capricci.

Sketch of sacrificial scene, Willem de Heusch, 1635 - 1692 drawing paper. pencil sacrifice ~ non-Christian religions

"A Reproof" 1870-1891 Charles Samuel Keene British This design for a wood-engraving published in Punch pokes fun at a man who has recently moved to the country from London and is trying his hand at shooting (hunting for birds). The related caption reads:Country Gent (lately a citizen, who has just missed an easy shot): 'Confound the thing!'Giles (with the bag): 'Oh Measter! Don' I wish as I'd had a stoan!' stoneKeene was a leading British illustrator who worked for Punch between 1864 and 1890. His imagery generally focused on humorous situations in humble surroundings, unlike his contemporary George Du Maurier who satirized London society.. "A Reproof" 342224

Drawing, Group of Angels; Francis Augustus Lathrop (American, 1849 - 1909); USA; graphite on laid paper; 18.7 × 24.3 cm (7 3/8 × 9 9/16 in.); 1914-38-238

Sketch for the decoration of the Sorbonne Theobald Chartran (1849-1907). "Sketch for the decoration of the Sorbonne". Charcoal and white chalk on canvas.

Escape of Champe. 1775 - 1890. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. New York (State) , History

Seven men, standing, sitting and walking, Herman Saftleven, 1619 - 1685, draughtsman: Herman Saftleven, 1619 - 1685, paper, brush, h 97 mm × w 155 mm

A Seated Shepherd with His Dog and Sheep 1830-75 Jean-François Millet French. A Seated Shepherd with His Dog and Sheep. Jean-François Millet (French, Gruchy 1814-1875 Barbizon). 1830-75. Conté crayon on wove paper. Drawings

Karl Rahl drawing depicting Emperor Friedrich Barbarossa in Milan, executed with gray and reddish pen and pencil.

Man Gesturing, Composition Study, Woman Petting Dog (from Sketchbook). Artist: Thomas Sully (American, Horncastle, Lincolnshire 1783-1872 Philadelphia, Pennsylvania). Dimensions: 9 x 11 1/2 in. (22.9 x 29.2 cm). Date: 1810-20. Museum: Metropolitan Museum of Art, New York, USA.

. Study sheet with links above three figures of which there is a fishing. In addition, the head of an older man with beard and hat and right at the bottom of a landscape with a river, trees and a farm.

Sketches of Two Women, a Man Fighting a Beast, Two Furniture Fragments (from Sketchbook) 1810-20 Thomas Sully American. Sketches of Two Women, a Man Fighting a Beast, Two Furniture Fragments (from Sketchbook). Thomas Sully (American, Horncastle, Lincolnshire 1783-1872 Philadelphia, Pennsylvania). American. 1810-20. Ink, graphite on paper

The Letter at Camp. Giovanni Fattori; Italian, 1825-1908. Date: 1893. Dimensions: 128 x 202 mm (image/plate); 140 x 215 mm (sheet). Etching on cream wove paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

Sinterklaas with two helpers on a roof, Willem van Konijnenburg, 1878 - 1943 drawing Possible design for a print. paper. pencil festivities on St. Nicholas (Eve) (December 5)

The Entombment, about a Sketch of an Executioner, draughtsman: Rembrandt van Rijn, Amsterdam, c. 1640 - c. 1641, paper, pen, h 156 mm × w 201 mm

Berndtson, Gunnar, work, Sketch book, drawing, 9 cm x 11.5 cm, Berndtson, Gunnar

Design for a room: two magazines each with two performances of images with women and children, Dionys van Nijmegen, 1715 - 1798 drawing Design for a painting. paper. ink. pencil pen piece of sculpture, reproduction of a piece of sculpture

Francisco de Goya y Lucientes, He deserved it., 1810-1820, etching and aquatint.

Francisco de Goya (1746-1828), with reason or without (2), 1810-1820

Lo mismo (The Same), pl. 3 from the series Los desastres de la guerra (The Disasters ofWar). Artist: Francisco Goya, Spanish, 1746-1828

The Adoration of the Kings, Giovanni Battista Tiepolo, Italian, 1692 - 1770, Etching on laid paper, First state, before the number, Italy, 1750-1760, Print, Print

Francisco de Goya, Los ensacados (The Men in Sacks), in or after 1816 Los ensacados (The Men in Sacks)

Sketch of fishermen in a harbor. Draughtsman: Leo Gestel. Dating: 1891 - 1941. Measurements: h 208 mm × w 258 mm. Museum: Rijksmuseum, Amsterdam.

Three farmers for farm. A standing and two sitting farmers for a farm. Smoke comes from the chimney.

A Roadside in Spain, 1926. Henry Keller (American, 1869-1949). Etching;

Francisco de Goya y Lucientes / 'It always happens'. 1810 - 1814. Etching, Drypoint on ivory paper. Museum: Museo del Prado, Madrid, España.

Study for the d�cor of the Gallery of the Court of Honor of the Sorbonne: The Feast of Lendit

Con razon ó sin ella (Rightly or Wrongly), pl. 2 from the series Los desastres de la guerra (The Disasters ofWar). Artist: Francisco Goya, Spanish, 1746-1828

The Survivor. George Grosz; American, born Germany, 1893-1959. Date: 1936. Dimensions: 485 x 633 mm. Pen and brush and black ink on off-white laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Francisco de Goya y Lucientes / 'Tan vien aquí hay amores. Album C, 74'. 1808 - 1814. Wash, Brush, Pencil, Grey-brown ink on laid paper. Museum: Museo del Prado, Madrid, España.

Lovis Corinth, The Bath House (Badeanstalt), 1920 The Bath House (Badeanstalt)

An etching by Francisco Goya from his series 'The Disasters of War' depicting the brutal realities of war, created using etching and pinnate techniques between 1810 and 1812, first published in 1863.

Duc d'Alençon out of Antwerp chased away. Design for a print.

L'été , Summer, Alphonse Legros (1837-1911)

Return , Beaches, Containers, Lifting & carrying. Charles H. Woodbury (1864-1940). Prints

Amsterdam, Esveldt Holtrop, Jan Steven van, Haarlem, Molijn, Pieter de, Spiegel der natuur en school der teekenkunde, Landschappen met cijfers, Landschappen met drie boeren en een boerenvrouw, Three farmers and a farmer's wife are talking in a rural setting. The print is part of an album., print, prent, albumblad, prints, prenten, height 150 mm, width 200 mm, Noord-Nederlands, 1595-04-06 - 1661-03-23, print maker, printmaker, 1626 - 1626, paper, papier, etching, etsen, Publication (Event), Publicatie, 1777 - 1833-11-20, publisher, uitgever, 1787 - 1833

Hay-making, original impression 1862, printed in 1921. Charles François Daubigny (French, 1817-1878). Cliché-verre; sheet: 28.6 x 36.6 cm (11 1/4 x 14 7/16 in.).

Dijkwerkers, Johannes Josephus Aarts, 1881 - 1931 print Two men watch a third man with a rod to pry. Three men are still working in the background. paper working class, labourers

Harem of four naked women and an eunuch.

Drawing, Saint Paul Preaching, after Raphael; Designed by Felice Giani (Italian, 1758-1823); Italy; graphite, pen and ink, brush and sepia wash on paper.

Chalk drawing by Antonio Molinari depicting an allegorical representation of victory. Executed with feather strokes and light washes.

St. John kneels at left. A pompously clothed man, his hat ornated with feathers, spurred boots, is turning the head of the saint into the right position. His left hand leans upon the uncovered sword. The scenery is a vaulted room with railed window and a curtain. A bed stands in the room. Framing line. Date: 1820-1850. Pen and ink, brush and sepia on light brown-gray paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Upper right corner of a print of the scene of Cebes; Tabula Cebetis Carta Vitae. Allegory about the Salvation of Man. Life as a city with three walled sites, with a temple in the middle. At the outer gate, the souls of children are waiting, ready to enter the adult life. Before entering, they get something to drink seduction (Seductio), which makes them ignorant. The first walled terrain shows all kinds of and distractions, such as prejudice (Opinio), desire (Cupiduas), doubt (Error) and ignorance (Ignorantia). They prevent the youthful man to penetrate the next circle. Only by following the personifications from repentance (Poenitentia), hope (SPES) and good desire (Bonnem Desiderium) can manage to access the second circle. There he is taught in all forms of worldly knowledge. On the left are the seven artes liberales and on the right arguing different scholars. Man is put to the test in this circle and confronted with false knowledge (Falsa Disciplina). With the help of self-control

Ostade, Adriaen van, Netherlands, Bos, Anthonie van den, Inn interior, verso - stamped, Five men are sitting in an inn by the fireplace. A sixth man is standing with his back to the fireplace to warm himself. The men are smoking pipes and chatting with each other. A servant is just walking towards the window. A dog is sleeping on the floor between two chairs., print, prints, height 250 mm, width 228 mm, 1763 - 1838-01-01, print maker, printmaker, 1778 - 1838, paper, papier, etching, etchings, print drawing, Work conception, Noord-Nederlands, 1610-12-19 - 1685-04-28

A pen over pencil drawing by Ernst Christian Johann Friedrich Preller the Elder from 1875-1876 showing a satyr with a pan flute in a rock niche on the seashore, with five bathing nymphs behind, emphasizing figures and setting.

Studies of a Grenadier and a Munitions Cart 1818-1824 France. Graphite, on cream wove paper, perimeter mounted on cream wove paper . Jean Louis André Théodore Géricault

Francisco de Goya y Lucientes / 'It will be the same'. 1810 - 1814. Grey-brown wash, Pencil, Red chalk on dark yellow laid paper. Museum: Museo del Prado, Madrid, España.

A company at the table. A company at the table. There are some scratches on the back of the leaf.

Herd Coming through an Arch of Rock 1740 Germany. Etching in black on paper . Christian Wilhelm Ernst Dietrich

Harvesting. Artist: Dora Bromberger, German, 1871-1942

Study sheet with workers, walking and playing figures and a forest face, 1839 - 1894 Page 12 Recto from a sketchbook with 51 sheets. paper. pencil forest, wood. walking. working class, labourers. games using special objects (marbles, top, hoop, etc.)

Un dimanche a la campagne ... " - drawing to a letter to Maria Mickiewiczówna Makowski painting a picture in the open air, accompanied by Boles Ava Ba Zekiewicz, the fish and dog raspberries; Makowski, Tadeusz (1882-1932); 22.07.1918 (1918-00-00-1918-00-00); was downloaded from the Muse of the National Museum in Warsaw; drawing / pen; products from Wzkien / Paper / Paper / Paper Rown / Paper height 26.9 cm, width 20.9 cm; rkps 1633/2 MNW; all rights reservations.Bałzukiewicz, Bolesław (1879-1935), Bałzukiewicz, Bolesław (1879-1935)-iconography, Makowski, Tadeusz (1882-1932), Makowski, Tadeusz (1882-1932)-iconography, Mickiewicz (family), Mickiewicz, Maria (1868 -1952), Mickiewicz, Maria (1868-1952) -addressee, self -portraits, painting accessories, painters, portraits of artists, dogs, easels, fishing

Sketches in Tuscany , Streets, City & town life. Joseph Pennell (1857-1926). Prints and Drawings

Illustration for Boccaccio decamerone. Illustration for Boccaccio Decamerone, History XVII. Boat with two fighting men and a woman (daughter of Beminedab). A third man falls into the water.

Eugène Devéria (1805-1865). . The captive. Orientals. Graphite pencil. 1829. Paris, house of Victor Hugo. DRAWING

Impressions of Rain, Rouen. Artist: Camille Pissarro (French, Charlotte Amalie, Saint Thomas 1830-1903 Paris). Dimensions: sheet: 11 x 8 3/4 in. (28 x 22.3 cm)plate: 4 13/16 x 4 15/16 in. (12.3 x 12.6 cm). Date: 1883. Museum: Metropolitan Museum of Art, New York, USA.

A black ink drawing by Moritz von Schwind around 1860 illustrating the scene titled 'Jägerlatein', showing figures and narrative action.

De Kuiper, P. Tonnet, 1761 - 1800 print A few is chosen in a cockpit. She still holds the hand of another lover, lying in a barrel. Theater scene from: 'De Kuiper' by Nicolas Médard Audinot. Netherlands paper etching wooden container: barrel, cask, bucket. comedy

Falstaff Inspecting the Recruits, Francis Hayman, 1707/8-1776, British, between 1761 and 1765, Black chalk, gouache, and graphite on moderately thick, slightly textured, beige laid paper, Sheet: 7 3/8 × 9 5/8 inches (18.8 × 24.4 cm), boots, boy, breeches, bust, doorway, figure study, gesturing, hats, Henry IV Part II, Act III, Scene II, Henry IV, part II by William Shakespeare, inspecting, leisure, literary theme, men, obese, plays by William Shakespeare, rafters, recruits, sitting, soldiers, staffs, stockings, England, Europe, Gloucestershire, United Kingdom

Extraña devocion! (Strange Devotion!), pl. 66 from the series Los desastres de la guerra (The Disasters ofWar). Artist: Francisco Goya, Spanish, 1746-1828

Interior of a peasant's barn, Isaac van Ostade, 1631 - 1649, A peasant's barn from the inside; on the left a wagon wheel, further many ropes and other household goods., draughtsman: Isaac van Ostade, after: Isaac van Ostade, (possibly), 1631 - 1649, paper, h 155 mm × w 203 mm

David Playing his Harp before Saul, with a Servant and Other Musicians, draughtsman: Willem Drost, (attributed to), draughtsman: Jan Victors, (rejected attribution), draughtsman: Carel Fabritius, (rejected attribution), Amsterdam, c. 1650 - c. 1655, paper, pen, h 159 mm × w 216 mm

Group figures at an arcade. Possibly the interior of a mosque. Page 90 from a sketchbook with 58 sheets.

The Fish Shop, Venice. James McNeill Whistler; American, 1834-1903. Date: 1879-1880. Dimensions: 129 x 224 mm (plate); 136 x 224 mm (sheet). Etching and drypoint with foul biting in black ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Address card with ducks at a wooden fence for the printer Delâtre, Félix Bracquemond, 1852 - 1853 print This address card with a duck family at a wooden fence made the artist for his good friend and printer Auguste Delâtre. This state shows the still empty boards of the fence where later the name and address of the printer were entered. paper etching

Man Leading a Camel. Artist: School of Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: sheet: 8 1/16 x 7 7/16 in. (20.5 x 18.9 cm). Date: 1650-69. Museum: Metropolitan Museum of Art, New York, USA.

Children, Portsmouth 1887 United States. Etching with foul biting in dark brown ink on ivory laid paper . James McNeill Whistler

Francisco Goya (1746-1828). "Tauromachie - Pl. Additional - Mariano Ceballos mounted on a bull - H 246 i2". Eat, dry point, chisel and aquatint, BRUNISSOIR works - First edition. Museum of Fine Arts of the City of Paris, Petit Palais. Tauromachie - Pl. Additional - Mariano Ceballos climbs on a bull - H 246 i2 Confrontation, aquatint, bull, bullfighting, chisel and aquatin, chisel, bullfight, etching, etching, fight, first edition, matador, riding, peon, dry point, first edition, show, bull, bullfighter, combat, lance , spear

Sheet of Sketches, No. 3. Alexandre Gabriel Decamps; French, 1803-1860. Date: 1825-1835. Dimensions: 186 × 260 mm (image); 217 × 295 mm (sheet). Lithograph in black on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Alexandre Gabriel Decamps.

Stevens' Boat Yard. James McNeill Whistler; American, 1834-1903. Date: 1859. Dimensions: 152 x 228 mm (plate); 225 x 341 mm (sheet). Etching and drypoint with foul biting in black ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

David beheads Goliat, Ugo da Carpi, After Rafaël, 1502 - 1532 print Goliat is on the ground. David stands over him and lifts the sword of Goliat above his head, ready to imagine him. The Philistines flee in the background. Italy paper David beheads Goliath with a sword. the Philistines in flight after the death of Goliath are pursued by the Israelites

Sketch by August Xaver Karl von Pettenkofen showing two figures in a garden near a disturbed bathroom, using ink and brush.

Scene in a public walker

Five walking men in a row, Harmen ter Borch, 1649, draughtsman: Harmen ter Borch, (mentioned on object), Zwolle, 9-Dec-1649, paper, h 103 mm × w 162 mm

Las resultas. (The Consequences.), pl. 72 from the series Los desastres de la guerra (The Disasters ofWar). Artist: Francisco Goya, Spanish, 1746-1828

Officer standing looking at skaters, seen from behind, Gerard ter Borch (II), after 1633 - c. 1634, draughtsman: Gerard ter Borch (II), draughtsman: Moses ter Borch, draughtsman: Harmen ter Borch, Zwolle, (possibly), after 24-Nov-1633 - c. 1634, paper, h 101 mm × w 158 mm

Drawing by Ferdinand Boberg. Uppland, Örbyhus hd., Älvkarleby sn., Älvkarleö Nordic

of 3