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Classic Film Noir Stills

Black and white images from classic films featuring dramatic scenes and characters, evoking the aesthetic of early 20th-century cinema.

Two Women (cinema 1915). 1918. Photographs. Billy Rose Theatre Division

BORIS KARLOFF in THE MUMMY (1932), directed by KARL FREUND.

REBECCA DE MORNAY and GERALDINE PAGE in THE TRIP TO BOUNTIFUL (1985), directed by MASTERSON, PETER.

MODESTO RIVAS, RAQUEL RODRIGO and PEDRO TEROL in CARCELERAS (1932), directed by JOSE BUCHS.

A scene from the play 'What happened to Jonas', photo agency Stevens, 1936 photograph Album magazine with a photo of a scene from the performance of the play 'What happened to Jonas' on February 22, 1936. Scene with a man and a woman. Part of the photo album 'Annual parties of the Corps M.T.S. in Haarlem '. Haarlem photographic support. paper gelatin silver print vocational education, e.g.: junior technical school. students' organization. theatre, theatrical performance Haarlem

Movie scene, chimp pointing gun

ROLAND YOUNG, WALTER HUSTON, BARRY FITZGERALD, JUNE DUPREZ and LOUIS HAYWARD in AND THEN THERE WERE NONE (1945), directed by RENE CLAIR.

THE GIRL WAS YOUNG (1937) -Original title: YOUNG AND INNOCENT-, directed by ALFRED HITCHCOCK.

Elsevier photo collection. Behind the scenes of the Bouwmeester-Revue. Director offered plays in various scenes. As a vagabond pencil seller, he rehearses "behind" quickly a scene with a charming chassis. January 1940

JAVIER DE RIVERA and CARMEN RICO in LA SOBRINA DEL CURA (1925), directed by LUIS R. ALONSO.

Films of the Nickelodeon Age. The Suffragette, Edison, c 1912. Films of the period ridiculed the 'unwomanly woman' who wanted to vote. Here one of them tells the dog to keep watch on her husband and see that he minds the baby and gets dinner while she is out speech-making.

Margarida Xirgu Subirà (1888-1969), actriz de teatro.

The Story of Temple Drake, 1933.

CHRISTOPHER BEENY in UPSTAIRS, DOWNSTAIRS-TV (1971), directed by BILL BAIN and DEREK BENNET.

WILLIAM PRINCE and MALA POWERS in CYRANO DE BERGERAC (1950), directed by MICHAEL GORDON.

Fighting Blood', 1911 directed by Griffith for Biograph, with Blanche Sweet.

ARMY WIVES (1944), directed by PHIL ROSEN.

THE THIRTY-NINE STEPS (1959), directed by RALPH THOMAS.

SIMONE MAREUIL in AN ANDALUSIAN DOG (1929) -Original title: UN CHIEN ANDALOU-, directed by LUIS BUÑUEL.

JULIA GUTIERREZ CABA, JOSE ISBERT and ANTONIO OZORES in CUPIDO CONTRABANDISTA (1962), directed by ESTEBAN MADRUGA.

LAURENCE OLIVIER and BASIL SYDNEY in HAMLET (1948), directed by LAURENCE OLIVIER.

SHORT CUT TO HELL (1957), directed by JAMES CAGNEY.

EMIL JANNINGS in STREET OF SIN (1928), directed by MAURITZ STILLER.

UNA O'CONNOR, WALLACE FORD and HEATHER ANGEL in THE INFORMER (1935), directed by JOHN FORD.

FRANK S. MOTTERSHAW.

WILLIAM DEMAREST, ALAN LADD and BRENDA MARSHALL in WHISPERING SMITH (1948), directed by LESLIE FENTON.

RAFAELA APARICIO in STRANGE VOYAGE (1964) -Original title: EL EXTRAÑO VIAJE-, directed by FERNANDO FERNAN GOMEZ.

EDMUND GWENN in LASSIE COME HOME (1943), directed by FRED M. WILCOX.

nd, folkprater - the wax figures Dr, Martin Luther and Richard Wagner in the Panopticum by H, Präuschers heirs, Master class for graphics at the University of Applied Arts, Realization

Anefo photo collection. Television "Three pennies opera", Enny Mols-de Leeuwe (Mrs. Peachum), Hans Map (Peachum) and Ingeborg Alzevier (Polly). November 3, 1960

THE THOUSAND EYES OF DR. MABUSE (1960) -Original title: DIE 1000 AUGEN DES DR. MABUSE-, directed by FRITZ LANG.

SARA GARCIA in LOS DINAMITEROS (1964), directed by JUAN ATIENZA.

The actor of the movie is seated at the right-bottom, half hidden.

SUSANA CAMPOS in LOS CULPABLES (1962).

GEORGE RAFT and CLIVE BROOK in THE MIDNIGHT CLUB (1933), directed by ALEXANDER HALL and GEORGE SOMNES.

LON CHANEY in THE UNHOLY THREE (1925), directed by TOD BROWNING.

TARTUFFE (1926) -Original title: HERR TARTUFF-, directed by F. W. MURNAU.

LARRY SEMON.

Charles Ray, perennial hick of scores of Thomas H. Ince's rural dramas. (String Beans, 1919)

MAE MARSH in THE BIRTH OF A NATION (1915), directed by D. W. GRIFFITH.

PUBLICIDAD: VARIOS.

Bob's Love Affair (Cinema 1915). Photographs. Billy Rose Theatre Division

EMIL JANNINGS in THE LAST LAUGH (1924) -Original title: DER LETZTE MANN-, directed by F. W. MURNAU.

Madrid, November 1962. Conchita Velasco in a scene from "Those who have to serve", a comedy by Alfonso Paso that is performed at the Infanta Isabel. Conchita played her second role in the "verse" theater. Previously he released "The Rights of Women", by the same author.

HENRIK MALBERG in ORDET (1955), directed by CARL THEODOR DREYER.

Old Heidelberg (Cinema 1915). 1915. Photographs. Billy Rose Theatre Division

A scene from the play 'What happened to Jonas', photo agency Stevens, 1936 photograph Album magazine with a photo of a scene from the performance of the play 'What happened to Jonas' on February 22, 1936. Scene with five people in a living room. Part of the photo album 'Annual parties of the Corps M.T.S. in Haarlem '. Haarlem photographic support. paper gelatin silver print vocational education, e.g.: junior technical school. students' organization. theatre, theatrical performance Haarlem

MARRIAGE IN TRANSIT (1925), directed by ROY WILLIAM NEILL.

PELICULA : LA BODEGA , 1929. DIRECTOR , BENITO PEROJO. ACTORES , CONCHA PIQUER , VALENTIN PARERA.

FRANCINE BERGE in JUDEX (1963), directed by GEORGES FRANJU.

ZERO FOR CONDUCT (1933) -Original title: ZÉRO DE CONDUITE-, directed by JEAN VIGO.

IRENE GUTIERREZ CABA in THE HOUSE OF BERNARDA ALBA (1987) -Original title: LA CASA DE BERNARDA ALBA-, directed by MARIO CAMUS.

JANET GAYNOR and EDMOND O'BRIEN in SUNRISE: A SONG OF TWO HUMANS (1927), directed by F. W. MURNAU.

JOAN MANUEL SERRAT in MY PRIVATE TEACHER (1973) -Original title: MI PROFESORA PARTICULAR-, directed by JAIME CAMINO.

CARLOS MENDY in GAUDÍ (1960), directed by JOSE MARIA ARGEMI.

JASON ROBARDS in JOHNNY GOT HIS GUN (1971), directed by DALTON TRUMBO.

Image of a street artist who covers a single -wheeler with the help of a staircase.

LUIS ESCOBAR in NATIONAL HERITAGE (1981) -Original title: PATRIMONIO NACIONAL-, directed by LUIS GARCIA BERLANGA.

THE LEAGUE OF GENTLEMEN (1959).

CHARLIE CHAPLIN in THE KID (1921), directed by CHARLIE CHAPLIN.

METELLO (1970), directed by MAURO BOLOGNINI.

WALLACE BEERY and CARMEN MIRANDA in A DATE WITH JUDY (1948), directed by RICHARD THORPE.

EL NIÑO DE LAS COLES (1934), directed by JOSE GASPAR.

CARL LAEMMLE in UNCLE TOM'S CABIN (1927).

09/03/1919. Madrid. In the Comic Theater. A scene from the second act of the play "The Mask of the White Teeth", which premiered last night.

ORIENT EXPRESS (1954), directed by CARLO LUDOVICO BRAGAGLIA.

ALEC GUINNESS in THE MAN IN THE WHITE SUIT (1951), directed by ALEXANDER MACKENDRICK.

EMIL JANNINGS in TARTUFFE (1926) -Original title: HERR TARTUFF-, directed by F. W. MURNAU.

DAVID HARTMAN and DONALD SINDEN in THE ISLAND AT THE TOP OF THE WORLD (1974), directed by ROBERT STEVENSON.

MERRILY WE LIVE (1938), directed by NORMAN Z. MCLEOD.

DEAN JONES and JOE FLYNN in $1,000,000 DUCK (1971), directed by VINCENT MCEVEETY.

GINO CERVI, ADRIANA BENETTI and GIUDITTA RISSONE in FOUR STEPS IN THE CLOUDS (1942) -Original title: QUATTRO PASSI FRA LE NUVOLE-, directed by ALESSANDRO BLASETTI.

JOHN HURT and ANTHONY HOPKINS in THE ELEPHANT MAN (1980), directed by DAVID LYNCH.

LAMBERTO MAGIORANI in BICYCLE THIEF (1948) -Original title: LADRI DI BICICLETTE-, directed by VITTORIO DE SICA.

GREED (1924), directed by ERICH VON STROHEIM.

JEFF EAST in KLONDIKE FEVER (1980), directed by PETER CARTER.

Singers in a Paris cabaret, around 1930. Singers in a Paris cabaret, around 1930. Anonymous photography. Gélatino Bromide Draw, circa 1930.

The youth club scene in the Ruhr region, here in Essen, Dortmund and Duisburg in the years 1965-67, was characterised by parties in club basements, which were often initially prepared by the young people, Germany, the Netherlands and the United Kingdom, Europe

GASTON MODOT in UNDER THE ROOFS OF PARIS (1930) -Original title: SOUS LES TOITS DE PARIS-, directed by RENE CLAIR.

AMARCORD (1973), directed by FEDERICO FELLINI.

CARROLL BAKER in SOMETHING WILD (1961).

RICHARD CONTE and JAMES STEWART in CALL NORTHSIDE 777 (1948), directed by HENRY HATHAWAY.

San Francisco, California: c. 1915 Passengers on the twin "Palaces of the Pacific", the "S.S. Great Northern" and the "S.S. Northern Pacific", enjoy an afternoon concert in the Palm Garden Veranda. The two ships ran three times a week between San Francosco and Portland, Oregon.

Elsevier photo collection. Grand Theater in Amsterdam. Scene from "Doctor Stieglitz". February 1925. Amsterdam, Noord-Holland

Jiggs and Buster playing piano

BUSTER KEATON in THE BOAT (1921), directed by BUSTER KEATON and EDWARD F. CLINE.

ALFONSO MEJIA and ROBERTO COBO in THE YOUNG AND THE DAMNED (1950) -Original title: LOS OLVIDADOS-, directed by LUIS BUÑUEL.

Film still from 'The Return of Don Camillo' starring Fernandel, Gino Cervi, Leda Gloria, and Saro Urzi.

French romantic postcard, c1900. The artist is unknown.

CHARLES BUTTERWORTH.

FOTOGRAMA DE LA PELICULA UN PERRO ANDALUZ - 1929. Author: LUIS BUÑUEL.

Newspaper review of the 1963 film Carry On Cabby, photographs of Sid James and Kenneth Connor.

THE LADYKILLERS (1955), directed by ALEXANDER MACKENDRICK.

REQUIEM POR UN CAMPESINO ESPAÑOL (1985), directed by FRANCESC BETRIU.

PUBLICIDAD: VARIOS.

Original Film Title: EL TURISMO ES UN GRAN INVENTO. English Title: EL TURISMO ES UN GRAN INVENTO. Film Director: PEDRO LAZAGA. Year: 1968. Stars: PEDRO PORCEL; ANTONIO OZORES.

In the Absinthe (cinema 1914). 1914. Photographs. Billy Rose Theatre Division

REQUIEM POR UN CAMPESINO ESPAÑOL (1985), directed by FRANCESC BETRIU.

CECIL PARKER, MICHAEL GOUGH, ERNEST THESIGER, ALEC GUINNESS and HOWARD-MARION CRAWFORD in THE MAN IN THE WHITE SUIT (1951), directed by ALEXANDER MACKENDRICK.

JENARO, EL DE LOS 14 (1974), directed by MARIANO OZORES.

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