Classic Male Nude Studies

A collection of artistic studies featuring male nudes in various poses. The artworks emphasize anatomy and form, displaying strong lines and a classical style.

Nude study of man with club, Abraham Lion Zeelander, 1799 - 1856 print Study of a naked man with lifted club. Amsterdam paper engraving nude with covered genitals. weapons for striking a blow: club

Lazio Viterbo Viterbo S. Maria Nuova. Hutzel, Max 1960-1990 Exterior and interior views of nave and altar in Medieval collection. In Hutzel collection are views of paintings, frescoes, architectural details, throne. Owner: S. Maria Nuova General Notes: Seventy-one catalogued views in Medieval core collection and fifty-one uncatalogued, some of which do not have matching negs. Two numerical sequences have been fused into one; see guide. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Mercury carries Psyche to heaven. To a sculpture by sculptor Adriaen de Vries. Side view with the side of psyche.

Arthur-Joseph Guéniot (1866-1951). Standing man academy, turned to the left (workshop model). Black stone. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, 19th XIXth 19th 19th 19th 19th century, 20th XXth XX 20th 20th 20th century

Museo di Napoli - Narciso , Antiquities, Sculpture, Narcissus Greek mythological character. Nicholas Catsimpoolas Collection

"Cupid", by Michael Angelo, in the South Kensington Museum, 1862. 'The god is represented as a youth of sixteen or seventeen years old, kneeling on one knee in an animated momentary attitude difficult to describe; the head is turned to one side in a movement elegantly contrasted with that of the torso; the right arm extends downwards, as if about to take up some object from the ground, whilst the other, holding a bow, is raised in the air, level with the head; a quiver of arrows and some drapery rest on the ground on the left. Various portions of the work, particularly the hair of th

Sitting male naked, with a stick, Alexander Liernur, 1788 drawing paper. chalk

A standing male nude. Crayon manner print by Lavalée after J. Gamelin, 1778/1779.

Sitting male nude, to the left, Derk Anthony van de Wart, 1787 drawing Sitting male naked, to the left. Bottom left: no. 32. paper. chalk sitting figure

Bliżej Kultury Ferdinand Schenk Verlag for Art and Crafts, Vienna, Carracci

Standing naked woman ..

Hector, Angelo Bertini, After Giovanni Tognolli, After Antonio Canova, 1793 - 1838 print Sculpture of the Trojan hero Hector with sword and helmet by the Italian sculptor Antonio Canova. Italy paper engraving Hector. piece of sculpture, reproduction of a piece of sculpture

Narciso (Museo Napoli) , Antiquities, Sculpture, Narcissus Greek mythological character. Nicholas Catsimpoolas Collection

Statue der Venus, römische Göttin der Liebe, des erotischen Verlangens und der Schönheit, Capitol, Rom, Italien, Historisch, digital restaurierte Reproduktion einer Vorlage aus dem 19. Jahrhundert 1f-4903192

Rubens, Peter Paul, Antwerp, Pontius, Paulus, The drawing book of Peter Paul Rubens, Two anatomical studies of arms, print, prints, height 312 mm, width 204 mm, Southern Netherlands, 1603 - 1658-01-16, print maker, printmaker, 1616 - 1657, paper, papier, engraving, engraving (printing process), Work conception, 1577-06-28 - 1640-05-30

Standing Male Nude, Frontal Leonardo da Vinci (1452-1519 Italian) Royal Collection, Windsor, England

Theseus and the Minotaur, 1850. Exhibit in the Sculpture Gallery at Holdernesse House, residence of Charles Vane, 3rd Marquess of Londonderry, in Park Lane, London. 'The magnificent works of art this gallery contains are world-famous, the statuary including several chefs-d'oeuvre by Canova and other eminent sculptors'. The white marble sculpture of Theseus and the Minotaur, '...from the Fries Gallery at Florence', was acquired by Vane in the 1820s. It was made 1781-1782 by Antonio Canova, and later became part of the collection of the Victoria & Albert Museum. From "Illustrated London

Standing Bearded Man Holding a Book 1530-60 Anonymous, Italian, second half of the 16th century Italian. Standing Bearded Man Holding a Book 372472

Atlas was the Titan god who bore the sky aloft. Atlas was a leader of the Titans in their war against Zeus and after their defeat he was condemned to carry the heavens upon his shoulders, as seen here in this statue, known as the Farnese Atlas, a 2nd-century AD Roman marble sculpture of Atlas holding up a celestial globe. Probably a copy of an earlier work of the Hellenistic period, it is the oldest extant statue of Atlas. The sculpture is at the National Archaeological Museum of Naples, in Italy.

Photo production of a drawing by Rafaël, man with ax, Charles Thurston Thompson, After Rafaël, c. 1852 - in or before 1857 photograph Windsor Castle paper albumen print adult man. tools, aids, implements ~ crafts and industries: axe

Standing male naked, bent forward, seen from behind. Draughtsman: Jean Grandjean. Dating: 1765 - 1781. Measurements: h 531 mm × w 402 mm. Museum: Rijksmuseum, Amsterdam.

Umbria Perugia Bettona Palazzo Podesta3. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, frescos, decorative arts Owner: Pinacoteca German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Etruscan Mars still image. 1890. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Ares (Greek deity), Mars (Roman deity), Art objects, Etruscan

David sculpture by Donatello, c. 1875 - c. 1900 photograph Florence cardboard. photographic support albumen print David as a young man at Saul's court. monument, statue Florence

The Mercury. Edward Falkener (British, 1814 - 1896)

Caltnadel by Meister von 1515, early 16th century, depicting Hercules holding a column, illustrating mythological heroism and classical symbolism.

Statue of Mercury, 1636 - 1647 print Statue of Mercury, with the Caduceus in hand. On the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving piece of sculpture, reproduction of a piece of sculpture. (story of) Mercury (Hermes). caduceus (staff with two snakes, attribute of Mercury). attributes of Mercury: petasus

Sitting male naked, to the right with stretched leg, Jean Grandjean, 1780 drawing Sitting male naked, to the right with stretched left leg, a tree in the background. prepared paper. chalk

Beeldhouwwerk Apollo Saurottono, anonymous, c. 1890 - in or before 1910 photograph Part of photo album of a trip through Southern Europe and the Middle East. Vatican CITY photographic support gelatin silver print (story of) Apollo (Phoebus). piece of sculpture, reproduction of a piece of sculpture

Statue of a follower of Bacchus, 1636 - 1647 print Statue of a male follower of Bacchus, in one hand a stick, in the other hand a grapesros. With his left underarm he rests on a tree trunk. At the bottom of the tree trunk the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving offspring, companion(s), train etc. of Bacchus. piece of sculpture, reproduction of a piece of sculpture

''The Athlete Wrestling With A Python', after Sir Frederick Leighton, P.R.A.'. From "Modern Artists" by F.G.Dumas. J.S.Virtue & Co Ltd, London, c1880

Copper engraving by Francesco Villamena, 1526-1624, depicting Juno with classical attributes including crown and robes in mythological composition.

The coal drawing depicts Amor, the figure of love, shown with wings and gesture, created around 1870.

Amerika, Bernard Picart (workshop of), after Jean Cornu, 1709 print Statue in the gardens of Versailles. The female personification of America, with a headdress, a arrow sleeve on the back and an arc in hand. A crocodile on her feet. In the margin a caption in French. Paris paper etching / engraving America represented allegorically; 'America' (Ripa). piece of sculpture, reproduction of a piece of sculpture Castle of Versailles

Sculpture Apollo van Belvedère, Anonymous, c. 1890 - In or Before 1910 photograph Part of photo album of a trip through Southern Europe and the Middle East. Vatican CITY photographic support gelatin silver print piece of sculpture, reproduction of a piece of sculpture. (story of) Apollo (Phoebus)

Walter Shirlaw, Female Nude, c 1872 Female Nude

Apollo Sauroktonos ( Apollo killing a lizard ; a sculpture from the Vatican Museum, a Roman copy of the work of Praksyteles from the 4th century BC). unknown

Plate 10 from 'Los Caprichos': Love and death (El amor y la muerte). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 8 3/8 x 6 in. (21.3 x 15.2 cm)Sheet: 11 5/8 x 8 1/4 in. (29.5 x 21 cm). Series/Portfolio: Los Caprichos. Date: 1799. Museum: Metropolitan Museum of Art, New York, USA.

Venere, Raccolta d'antiche statve: bvsti bassirilievi ed altre scvltvre, Cavaceppi, Bartolomeo, 1717-1799, Engraving, 1768-1772

Image of an acrobat on a pedestal, Maria de Wilde, 1700 print On a pedestal is a picture of a lying acrobat with his legs in his neck. Under the show the two -tone, Latin pointed tight no. 42 by Martialis. At the top right of the number sixteen in Roman figures. Amsterdam paper etching piece of sculpture, reproduction of a piece of sculpture. acrobat ~ circus

Icarus, 1588 print Round show of Icarus, naked, falling under a radiant sun. In the background a bay with the father of Icarus, Daedalus, still flying with his homemade wings. To the show a border script in Latin. This print is part of a series of four falling men: Tantalus, Icarus, Phaëthon and IXion. paper engraving death i.e. the fall of Icarus (Daedalus present)

Bronze statue of a faun with a wine bag from Pompeii, c. 1875 - c. 1900 photograph National Museum cardboard. photographic support albumen print satyr(s) (in general). sculpture. wine ~ alcoholic drinks National Museum

The boxers represent Creugas and Damoxenus, two athletes who fought at the Nenaean Games and, after a draw, faced each other with a single blow. Today in the Vatican in the courtyard of the Belvedere, Pio Clementino Museum, historical, digitally restored reproduction of a 19th-century original.

Male Figure in Repose. Gaudenzio Marconi (Italian, born Switzerland, 1842 - after 1885)

Two men, a woman and a bull, 1801 print Studies of a male nude model with a foot on a stone leaning, a naked boy with fish rod, a cow and a kneeling woman. paper etching standing figure (canon, proportions) - AA - female human figure. postures of the human figure - AA - female human figure. cow. pastorals, Arcadian scenes

Paris, Angelo Testa, after Giovanni Tognolli, after Antonio Canova, in or after 1785 print A sculpture of the Trojan Prince Paris with the golden apple behind his back through the Italian sculptor Antonio Canova. Italy paper engraving / etching piece of sculpture, reproduction of a piece of sculpture. (story of) Paris (Alexander)

Male Figure Study, with Slight Sketch of Seated Figure 1540-1550 Italy. Pen and brown ink, with traces of black chalk, on ivory laid paper . Follower of Michelangelo Buonarroti

Cupid and Psyche is a very common subject in the visual arts of antiquity and modern times and a popular theme in fiction and music, Cupid and Psyche,...

Roma - Bacco (Museo delle Terme Diocleziane) , Antiquities, Sculpture, Gods, Dionysus Greek deity. Nicholas Catsimpoolas Collection

Nude studies of man and woman. Artist: Jacob de Wit. Draughtsman: Jan Brandes. Dating: 1787 - 1808. Place: Skälsebo. Measurements: h 430 mm × w 540 mm. Museum: Rijksmuseum, Amsterdam.

Roma - Bacco (Museo delle Terme Diocleziane) , Antiquities, Sculpture, Gods, Dionysus Greek deity. Nicholas Catsimpoolas Collection

Museo di Napoli - fauno danzando. (Bronze di Pompei) , Sculpture, Antiquities, Supernatural beings, Dancers, Fauns Roman mythology. Nicholas Catsimpoolas Collection

Design for a Term with Two Bacchic Figures, from: Curieuses recherches de plusieurs beaus morceaus d'ornemens antiques et modernes (...) 1645 Jean Le Pautre French. Design for a Term with Two Bacchic Figures, from: Curieuses recherches de plusieurs beaus morceaus d'ornemens antiques et modernes (...) 399252

Kneeling male naked, seen from the front (1st prize 1804). Draughtsman: Johann Joseph Schwachhofer. Dating: 3-Feb-1804. Measurements: h 473 mm × w 330 mm. Museum: Rijksmuseum, Amsterdam.

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Standing man with bunch of branches on shoulder, Alexander Cranendoncq, 1809 - 1869, draughtsman: Alexander Cranendoncq, 1809 - 1869, paper, h 478 mm × w 318 mm

Sitting male nude with rope, Gilles Demarteau, After Carle van Loo, 1732 - 1776 print Paris paper etching human figure of ideal proportions, e.g. academic nude

The Spirit of Liberty Establishes the Empire of Wisdom on Earth after 1791 After Pierre Paul Prud'hon French. The Spirit of Liberty Establishes the Empire of Wisdom on Earth 394251

Statue eines Diskuswerfer, aus dem Museum Clementino, historisches Rom, Italien, digitale Reproduktion einer Originalvorlage aus dem 18. Jahrhundert, ...

Marquis of Lansdown Herakles, Society of Dilettanti drawings, prints, and letters, Agar, John Samuel, ca. 1770-ca. 1835, Ink and wash drawing, between 1806 and 1835, Annotations: Ancient Sculpture marble statue of Hercules plate 40. Hercules. XL.

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Ticket for the Benefit of Mr. Borghi, 1780. Etching and line engraving on medium, slightly textured, cream laid paper.

Engraving by Antonio Ricciani of wall painting from Herculaneum depitcing a bacchante , Engravings, Priests, Bacchantes. Nicholas Catsimpoolas Collection

Sitting naked, c. 1585 Naked man sitting on a pillow, turned to the right. One of the 'Ignudi' (naked men) of Michelangelo's ceiling painting. Numbered below: 14. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving Naked man sitting on a pillow, turned to the right. One of the 'Ignudi' (naked men) of Michelangelo's ceiling painting. Numbered below: 14. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving

. Copy of the classic sculpture of Venus the 'Medici. Only the bust, the head to the left.

Sculpture of the Roman consul Marcus Manlius; Sculptures from ancient times. Caption in Latin. Print is part of an album.

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Ticket for the Benefit of Mr. Borghi, 1780. Etching and line engraving on medium, slightly textured, cream laid paper.

John Collins, Circus Wagon Figure Pan, c 1938 Circus Wagon Figure: Pan

Print from Drawing Book, c. 1610/1620, engraving, Bartsch 1802-1821, no. 166.54, Luca Ciamberlano (artist) Italian, 1580 - 1641

William Blake after Henry Fuseli, Fertilization of Egypt, 1791 Fertilization of Egypt

Germany, Nuremberg, Dürer, Albrecht, Crucifixion, verso lower left - stamped, Christ on the cross., print, prent, prints, height 324 mm, width 225 mm, Work conception, German, 1471-05-24 - 1528-04-05, after print by, 1480 - 1520, fourth quarter 15th century, first quarter 16th century, paper, papier, houtsnede, print maker, printmaker

Martyrdom of the H. Sebastiaan. The H. Sebastiaan is tied to a tree. His body is pierced with arrows. This print is part of an album.

Augustin Pajou, The Ludovisi Menander, 1752 1756 The Ludovisi Menander

Image of Antinous Albania in the Capitolijns Museum in Rome. The Danish Orientalist and Theologian Andreas Christian Hviid at the so-called Antinous Albani in the Capitolijns Museum in Rome.

Gaius Caligula , Antiquities, Sculpture, Emperors, Caligula, Emperor of Rome, 12-41. Nicholas Catsimpoolas Collection

Viriatus (died 139 B.C.). Leader of the Lusitanian people that resisted Roman expansion into western Hispania. Portrait. Engraving by Severini after an sculpture of Jose Bellver. "La Ilustracion Espan_ola y Ameircana", 1872. 1871.

Rubens, Peter Paul, Antwerp, Pontius, Paulus, The drawing book of Peter Paul Rubens, Anatomical study of a man, print, prints, height 323 mm, width 221 mm, Southern Netherlands, 1603 - 1658-01-16, print maker, printmaker, 1616 - 1657, paper, papier, engraving, engraving (printing process), Work conception, 1577-06-28 - 1640-05-30

Rhetoric, 1544 print Personification of the eloquence (rhetoric). A naked woman, sitting to the right in front of a curtain. paper engraving 'Rhetorica', 'Eloquentia' (~ trivium); 'Rettorica' (Ripa). the liberal arts, 'Artes Liberales'. counting off arguments, calculating on fingers

Abruzzo L'Aquila L'Aquila S. Marco0. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (15th century) Post-medieval: Architecture, architectural sculpture (17th century); sculpture, frescoes German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The International Exhibition: "Prometheus", a marble statue by Guiseppe sic Croft, 1862. 'This sculpture...is too painfully real in expression and action, and anyone with a grain of imagination must sicken to see the vulture's talons penetrating the thigh of a defenceless man, even though it be in marble, and although one may forget the horrible repast of the creature told in fable. We must add, that we think the elegance of the figure, the sleekness of the hair, and the trimness of the beard rather out of place in a subject of such severity and majesty. For the execution of this g

Comus, Greek god of festivity and excess, with torch, wreath and staff. Handcoloured copperplate engraving engraved by Jacques Louis Constant Lacerf after illustrations by Leonard Defraine from "La Mythologie en Estampes" (Mythology in Prints, or Figures of Fabled Gods), Chez P. Blanchard, Paris, c.1820.

Frédéric-Charles Victor de Vernon (1858-1912). Olympic champion in a stadium. Patinated plaster. Paris, Carnavalet museum.

The love of the homeland (IT)

Bokser, Angelo Bertini, After Giovanni Tognolli, After Antonio Canova, 1793 - 1838 print Front and back view of a sculpture of a boxer (Creugante) by the Italian sculptor Antonio Canova. Italy paper engraving boxing (sport). standing figure. piece of sculpture, reproduction of a piece of sculpture

Étude de modèle , Nudes, Alphonse Legros (1837-1911)

Campania Caserta Capua Museo Campano, Italy, 20th century, photo, photography, Europe

Wall Painting of the Gallery of the Town Hotel, 4th Arrondissement, Paris Wall painting of the Country Gallery of the City Hall. Paris (ouvere arr.), 1853. Photography of Gustave Le Gray (1820-1884).

Adolfo De Carolis, The Archer (L'Arciere), 1917 The Archer L'Arciere

Ticket for the Benefit of Mr. Borghi, Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after Giovanni Battista Cipriani RA, 1727-1785, Italian, active in Britain (1755-85), 1780, Etching and line engraving on medium, slightly textured, cream laid paper, Sheet: 8 1/4 x 6 1/2 inches (21 x 16.5 cm), Plate: 4 5/8 x 4 1/2 inches (11.7 x 11.4 cm), and Image: 4 1/8 x 3 1/2 inches (10.5 x 8.9 cm)

Portrait of the Pugilist Johnson. Date/Period: 1790. Drawing. Pen and brown ink, brushed brown ink and graphite on medium, slightly textured, blued white laid paper. Height: 260 mm (10.23 in); Width: 189 mm (7.44 in). Author: William Lock II.

Venus; Venere; Sculptures by Antonio Canova. Rear view of a goddess sculpture Venus by the Italian sculptor Antonio Canova.

Anonymous / 'Male nude figure study'. XVIII century. White chalk, Black chalk on paper. Museum: Museo del Prado, Madrid, España.

Diskobolos, Diskuswerfer, von Myron, um 500 v. Chr. 440 v. war einer der bedeutendsten griechischen Bildhauer der griechischen Antike, Historisch, dig...

Emilia-Romagna Ferrara Ferrara Museo Civico di Schifanoia95. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Die Statue des Pompejus steht im Palazzo Spada in Rom, Italien, zu dessen Füssen Cäsar am 15. März 44 v. Chr. ermordet wurde, digitale verbesserte Rep...

Overview of two bronze statues from Pompeii, c. 1875 - c. 1900 photograph On the left an image of a dancing faun, on the right a statue of Narcissus. National Museum cardboard. photographic support albumen print sculpture. man (showing himself) undressed, quasi-nude. satyrs, fauns, Sileni. (story of) Narcissus National Museum

Study of a male nude model, seen on the back and by hand in a scaffolding, next to a plaster model in exactly the same pose, in the studio of Jacques de Lalaing, Jacques Lalaing (attributed to), c. 1883 - c. 1914 photograph This photo is part of an album. Brussels photographic support albumen print artist (in general) working from nude model. adult man

Evangelist with book and Veer, Carlo Cesio, After Giovanni Lanfranco, c. 1632 - c. 1682 print print maker: Italyafter painting by: Romepublisher: Rome paper etching evangelists, usually with books or scrolls (not in biblical context)

Knife Grinder. Florence, Tribune. sculpture; Sommer & Behles (Italian, 1867 - 1874); March 20, 1867; Albumen silver print

W Walton after John Flaxman, Figure of Bubaste or Isis, published 1829 Figure of Bubaste or Isis

Musician in ancient Rome playing the flute, Ancient roman empire. Italy, Europe. Old 19th century engraved illustration from La Ilustración Artística 1882

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