Classic Sculptures and Statues

Fragmented sculptures representing historical figures and deities, showcasing drapery and intricate details from ancient marble work.

Julius Caesar Roman Art

Roma - Amazzone - Salone - Museo Capitolino , Antiquities, Sculpture. Nicholas Catsimpoolas Collection

John W Kelleher, Figurehead Hercules, 1935 1942 Figurehead: Hercules

Empress consort Livia (58 BC-29 AD) as Fortuna or Copia. Marble. 20-40. Iponuba (Baena, Cordoba, Spain). National Archaeological Museum, Madrid. Spain.

Statuette of Roma or Virtus. Unknown

Marble statue of Antinus of Aristea, Greek god of gardens (117-138 a.d.)

Master of Pedralbes. Sculpture of Mary Magdalene, second third of 14th century. Marble with polychrome remains. Found in the Chapel of the Cemetery of Barcelona Cathedral. National Art Museum of Catalonia. Barcelona. Catalonia. Spain.

Athena, bronze statue, a replica of the original from the 5th Century BC by Myron of Eleutherae, from Mestica, Bulgaria. Civilizations Roman, 2nd Century.

Terracotta statuette of a woman ca. 300 B.C. Greek, Boeotian Standing, draped, fan in left hand.. Terracotta statuette of a woman 247520

Youth of Mozia statue, Giuseppe Whitaker Museum, Mozia, near Stagnone, Marsala and Trapani, Sicily, Italy

Venus Italica, by Canova Antonio, 1804 - 1812, 19th Century, marble, full relief. Italy: Tuscany: Florence: Palazzo Pitti. Detail. Statue woman bare breast goddess love Venus

Parian marble statue of Hermes holding infant Dionysus by Praxiteles, from Temple of Hera at Olympia, Greece

Detail, Bamberger Reiter (Bamberg Rider) statue at the cathedral in Bamberg, Upper Franconia, Bavaria, Germany, Europe

Plaque with Melpomena; Etruria Factory (Staffordshire; Ceramics Factory; 1769-1950), Flaxman young, John (1755-1826), Wedgwood, Josiah (1730-1795); around 1780-1785 (1780-00-00-1785-00-00);Flaxman jun

Marble statue of Arria and Poetus by Jean-Baptiste Theodon (1645-1713) and Pierre Lepautre (1659-1716) French sculptors. Dated 17th century.

The Dances of Delphi or the Acanthos Column. Santuary of Apollo. 4th century BC: Delphi. Delphi Archaeological Museum.

ESCULTURA ROMANA EN MARMOL. Location: ARCHAEOLOGICAL MUSEUM. Ampurias. GERONA. SPAIN.

Crucifix, anonymous, c. 1260 The head of Christ hangs a little over and left, the knees are bent for a moment, the right foot is attached to the left with a nail. The separate hair falls into tresses on the shoulders, but releases part of the ears; The loincloth is knotted on the right hip and runs from behind. On the sleep a slight hollow for the thorn crown. France walnut (hardwood) gilding The head of Christ hangs a little over and left, the knees are bent for a moment, the right foot is attached to the left with a nail. The separate hair falls into tresses on the shoulders, but releases part of the ears; The loincloth is knotted on the right hip and runs from behind. On the sleep a slight hollow for the thorn crown. France walnut (hardwood) gilding

Statue of patron god Hermes, Museo Palatino, Palatino, Rome, Lazio, Italy, Europe

Statue in a museum, Seated Muse, Metropolitan Museum of Art, New York City, New York State, USA

Statue at the Camera di Commercio, Chamber of Commerce, Trieste, Friuli Venezia Giulia Region, Italy, Europe

Vintage Photograph. Statue of a Greek Sculptor in 3 Century BC.

Faith 1791 After a model by John Bacon the Elder British. Faith 207571

William III, John Nost I, before 1660-1711/1712, Flemish, active in Britain (from before 1686), or John Cheere, 1709-1787, British, ca. 1700 or ca. 1750, Lead, Overall: 70 x 33 x 29 inches (177.8 x 83.8 x 73.7 cm), armor, king (person), man, portrait, sword

A Roman Emperor, Unknown artist, nineteenth century, Imitator of French 17th century bronzes, 1830s, Bronze, Overall: 23 x 13 1/2 x 7 1/2 inches (58.4 x 34.3 x 19.1 cm), emperor, portrait, Roman (style or period)

Saint John the Baptist, anonymous English, around 1420, carved and polychrome alabaster, San Sebastian de Lermanda, Vitoria-Gasteiz Museum of Sacred Art, María Inmaculada Cathedral, Álava, Spain.

Borghese Gladiator 100 B.C. Marble Statue

Torso of Silvanus (deity of woods and fields)

Marble female statue found in Athens. Roman copy (2nd century AD) of the cult statue of Nemesis. The goddess was shown holding an apple branch and a phiale, circa 430 BC.

Statuette of Venus. Unknown

French 19th Century after Jacopo Sansovino, Bacchus and a Faun, 19th century Bacchus and a Faun

Marble Statue of Athena of Velletri 1st Century A.D.

Statue of Apollo, Roman, 1st century, restored in the 18th century. Artist: Unknown

Marble statue of a woman in gown in her hands with a paper and a pen, Louis-Emile Durandelle, Ducher et Cie c. 1878 - 1881.

Charioteer Of Delphi C.470 BC Greek Art(- ) Bronze Archaeological Museum, Delphi, Greece

Marble statue of Muse Urania

LYSIPPUS (c. 370-318 BC). Ares Ludovisi. 320 BC. Roman marble copy after the original. Hellenistic art. Sculpture on marble. ITALY. LAZIO. Rome. National Roman Museum.

Right corner of a sarcophagus with the myth of the musical contest between the satyr Marsyas and the god Apollo. Culture: Roman. Dimensions: Overall: 24 x 21 x 15in. (61 x 53.3 x 38.1cm). Date: ca. A.D. 210-230.Head and torso of a man.Marsyas challenged Apollo to a musical contest, and he was flayed alive as punishment after losing. here, he is shown hanging from a pine tree, while a bearded Phrygian slave kneeling at his feet sharpens his knife. Behind Marsyas, another slave tightens the ropes that bind him to the tree. The group showing the flaying is copied from a sculptural group created in the Hellenistic period. Museum: Metropolitan Museum of Art, New York, USA.

Gilded terracotta sculpture of Thetis by Giambologna (1529-1608) a Flemish sculptor, known for his marble and bronze statuary. Dated 16th Century

Marble statue of Emperor Traian, Perge, 2nd c. Hall of the Emperors, Archaeological Museum, Antalya, Turkey, Antalya, Turkey, Asia

Marble statue of a member of the imperial family. Culture: Roman. Dimensions: H. 46 in. (116.84 cm)Width: 25 1/4 in. (64.14 cm)Depth: 14 1/2 in. (36.83 cm). Date: 27 B.C.-A.D. 68.This statue and the similar work, 2003.407.8 a, b are important additions to the small number of standing half-draped male figures known today that were part of Julio-Claudian dynastic commemorative groups. Statues of members of the imperial family, both living and already deceased, were often displayed together in public spaces such as the forum of a city, a basilica, or the theater. Museum: Metropolitan Museum of Art, New York, USA.

Heel; around 1430-1440 (1440-00-00-1450-00-00);Bronisław Krystall. Testament (Warsaw - exhibition - 2015/2016), Krystall, Bronisław (1887-1983) - collection, testamentary record of Bronisław Krystall

Marble Statue of Julius Caesar 1st Century A.D.

Statue am Portal der Kirche der Heiligen Euphemia in Verona, Italien Statue on the portal of Saint Euphemia church in Verona, Italy Copyright: xZoonar.com/ZvonimirxAtletix 21198433

Minerva (Athens), Etruscan Bronze, Museo Archeologico, Florenz. .

Archaeological Museum, Naples, Italy Agrippina The younger and other ancient artifacts

Italy, Tuscany, Chiusi, Lid of a cinerary urn with a portrait of the deceased, 460/440 B.C.

Education of the Virgin, c. 1500-1510. France, Bourbonnais, 16th century. Limestone; overall: 137.2 x 62.9 x 38.5 cm (54 x 24 3/4 x 15 3/16 in.). This relief depicts the young Virgin Mary learning to read at the knee of her mother Anne.

Summer 1800-1810 American Personifications of the four seasons were common subjects for engravers and printmakers in the eighteenth century, but carved wood statuettes such as these are exceedingly rare. In this set of figurines (1971.180.83-.86), the seasons are identified by their attributes: Spring by flowers, Summer by wheat, Autumn by a basket of fruit, and Winter by a muff. Other than for ships figureheads, there was little demand in the United States for sculptural carving during this time period. The surviving examples of non-maritime wood sculpture originated almost exclusively in Boston or Salem, Massachusetts.. Summer. American. 1800-1810. Wood. Possibly made in Salem, Massachusetts, United States; Possibly made in Boston, Massachusetts, United States

Mary Magdalene, anonymous, c. 1530 - c. 1540 Northern Netherlands oak (wood) Northern Netherlands oak (wood)

Togate. Statue. Marble. 1t century. From the Roman Theatre. Tarragona. National Archaeological Museum, Tarragona. Spain.

Statue of man, from Oderzo, Veneto region, Italy

Mother of God of Hope, 13th century, polychrome alabaster, convent of Sant Francesc de Assís, Girona art museum, Girona, Catalonia, Spain.

Statuette of Silvanus, the God of the Woods

Palmyra. Funerary bust of woman. Wearing an elaborate hair ornament, 150-200 AD. British Museum. London. UK.

Marble statuette of a male figure with shaggy hair 1st or 2nd century A.D. Roman Copy or variant of a Greek statue of the 3rd or2nd century B.C.The figure is shown in a spiraling upward movement, perhaps in dance or blowing on an instrument. Tritons, with their long fish tails, often are shown with wild hair and powerful torsos. This could be such a sea creature, possibly blowing on a conch shell.. Marble statuette of a male figure with shaggy hair 254492 Roman, Marble statuette of a male figure with shaggy hair, 1st or 2nd century A.D., Marble, Pentelic , H. 15 1/8 in. (38.4 cm). The Metropolitan Museum of Art, New York. Gift of Francis Neilson, 1942 (42.201.7)

Hermes, ein olympischer Gott in der griechischen Religion und Mythologie, digital restaurierte Reproduktion einer Originalvorlage aus dem 19. Jahrhund...

Stephen Thompson, active 19th century, British, Marble Portrait Statue of a Veiled Priestess at the British Museum, early 1870s. Albumen print from wet collodion negative on thin, smooth, cream wove paper.

Francesc Bover / Alegoría de Europa, 1802, Llotja de Mar de Barcelona.

Sculptural relief detail from the entrance/courtyard to the Capitolini museums, in Rome, Italy. The museums themselves are contained within 3 palazzi as per designs by Michelangelo Buonarroti in 1536, they were then built over a 400 year period.

Bronze sculpture of Hercules in the Vatican Museum, Rome, Italy.

Hermes, Greek god (Mercury in Roman pantheon) messenger of the gods, god of roads and travellers, holding his caduceus or herald's staff. Marble statue.

MITHRA TAUROCTONO DEGOLLANDO EL TORO SOLAR - SIGLO II - MARMOL - 133 CM DE ALTURA - ARTE ROMANO. Location: BRITISH MUSEUM. LONDON. ENGLAND. MITHRAS. DIOS DE LA LUZ. DIOS DE LA CORDURA. MITHRA TAUROCTONO. MITHRAS TAUROKTONOS.

The New Wing (Braccio Nuovo) of the Chiaramonti Museum, Vatican museum, Vatican city, Rome, Italy.

Relief with a province from Odescalchi Palace, by Unknown artist, 2nd Century, Proconnesio marble. Italy. Lazio. Rome. Palazzo Massimo alle Terme. Hadrianeum. Whole artwork. Relief from Rome, Hadrianeum in Piazza di Pietra during the excavation carried out under Alexander VII (1655-1667). State of preservation ofmissing upper moulding and part of the lower one

Artefacts in the museums that are dotted on the islands surrounding Athens. Mykonos is a beautiful place of major historical interest where a vast collection of exhibits from the Hellenistic period and prehistoric times including vessels, statues, and columns are shown. In Chora, the capital of Mykonos many museums highlight the island's rich legacy, in the history and the tradition.' Greece.

St. Jerome , Sculpture, Saints, Jerome, Saint, -419 or 420. Nicholas Catsimpoolas Collection

DETALLE DEL SARCOFAGO ROMANO DE LOS DIFUNTOS CONOCIDO COMO SARCOFAGO DEL BRILLANTE - SIGLO III DC - MARMOL. Location: ALCAZAR. CORDOBA. SPAIN.

Gaullish prisoner, Roman bronze statuette, c1st century. Artist: Unknown

Marble statue of Alexander the Great, Perge, Roman period, Hall of Emperors, Archaeological Museum, Antalya, Turkey, Antalya, Turkey, Asia

Virgin and Child. Dated: c. 1325/1350. Dimensions: overall: 100.8 x 31.2 x 17.8 cm (39 11/16 x 12 5/16 x 7 in.). Medium: marble. Museum: National Gallery of Art, Washington DC. Author: French 14th Century.

Hall of Apollo, Glyptothek, Munich, Bavaria, Germany, Europe

Allegorical female figure with torch, Municipal Lapidarium, State Capital Stuttgart, Baden-Wuerttemberg, Germany, Europe

Statue of a reclining man, probably the personification of the Charadros river. 2nd century. From Pythion. Archaeological Museum of Marathon. Greece.

Sculpture of St Bartholomew from the workshop of Andrea della Robbia

Paramythia - Dione , Antiquities, Sculpture, Goddesses. Nicholas Catsimpoolas Collection

Marcus Fabius Quintilianus (c. 35-c. 100). Roman rhetorician from Hispania. Statue. Calahorra. La Rioja. Spain.

ATENEA FARNESE - COPIA ROMANA DE LA ORIGINAL DE FIDIAS. Author: PHIDIAS. Location: NATIONAL MUSEUM OF ARCHAEOLOGY. NEAPEL. ITALIA. ATENEA (DIOSA GRIEGA). ATENEA FARNESE. ATENEA FARNESIO.

'The School of Athens. Detail of Parmenides', 1510, Fresco. Author: RAFAEL SANZIO O RAFAEL DE URBINO (1483-1520). Location: MUSEOS VATICANOS-ESTANCIA DEL SELLO. VATICANO. PARMENIDES SIGLO VI AC.

Marble statue of Tyche, goddess of fortune, from Prusias ad Hypium, Turkey

Urania Urania, muse of astronomy, Italy, 1st century AD, marble, collection His de la Salle Copyright: xZoonar.com/Tolox 23019069

'Orpheus and Eurydice (the Quarrel)'. France, Late 18th - early 19th century. Dimensions: height: 34 cm; height: 24 cm. Museum: State Hermitage, St. Petersburg. Author: French sculptor, early 19th century.

Saint John, 1450-1499. France, 15th century. Wood; overall: 125.8 x 36.9 cm (49 1/2 x 14 1/2 in.).

RETRATO DE VERA RICHTER. Author: PEREZ C. Location: MUSEO DE BELLAS ARTES-CONVENTO DE LA MERCED CALZAD. Sevilla. Seville. SPAIN.

Funerary relief. Dimensions: 20.63 x 15.63 in. (52.4 x 39.7 cm). Date: ca. 172.Inscription:1 Alas! 2 Shu'adel, 3 son of Zabdibol, 4 son of Mokimu, 5 the craftsman. 6 Died the 3rd day 7 of Kanun, the year 8-9 484.Transliteration:1 hbl2 sdl3 br zbdbwl4 br mqymw5 mn6 myt ywm 37 bknwn snt8 4.100+809 +4This relief is a type of funerary monument characteristic of the prosperous caravan city of Palmyra during the first three centuries A.D. Reliefs with a representation of the deceased and a short identifying inscription were used to seal burial niches in elaborately decorated communal tombs; those with a half-length or bust format became prevalent sometime after A.D. 65. After this early period, full-length representations such as this relief were used more frequently for memorials to children rather than adults. Shown here is a young man or boy in high relief facing directly toward the viewer, dressed in a Greek cloak known as a himation, worn over a chiton, or tunic

Kore. 6th c. BC. Baked clay. Archaic Greek art. Sculpture. SPAIN. CATALONIA. BARCELONA. Barcelona. Archaeology Museum of Catalonia. Proc: SPAIN. CATALONIA. GERONA. L'Escala. Empœries.

Copper engraving with ocher sound plate by Domenico Beccafumi around 1544-1547 depicting two apostles, showing figures, robes, gestures, and religious symbols.

Deel van het raam met de voorstelling van Apelles, ontworpen door deTiroler Glasmalerei und Cathedralenglashütte; Ontwerpen Apelles.This is the middle of three images that together present the window designed by the Tyrolean glass malaerei und Cathedralenglashütte as a personification of painting. P.J.H. In 1882 Cuypers wrote a competition for designing stained glass windows for the front hall of the Rijksmuseum. He invited six artists to participate and send a test window with Apelles. Five of them gave it to this: W.F. Dixon, H.J.J. Geuer, F. Nicolas and the Tyrolean glass malerei und Cathedralenglashuette. Dixon finally got the assignment. His window was placed. The four other windows are kept in the Rijksmuseum.

The Dutch Virgin, Eugène Lacomblé, c. 1865 clay clay

Ornamental relief sculpture on the façade of Bruges City Hall 1376.

Hermes, an Olympian god in Greek religion and mythology, digitally restored reproduction of an original 19th-century original

The Dutch Virgin. Design for Monument 1813 in The Hague

Altar Angel (one of a pair). Culture: French. Dimensions: 29 1/2 in. × 7 in. × 7 11/16 in. (75 × 17.8 × 19.5 cm). Date: ca. 1275-1300.This figure, along with its pair (acc. no. 52.33.2) probably once held either candlesticks or instruments of the Passion. Deriving in style from the smiling angels on the west facade of Reims Cathedral, such works were placed around an altar. They stood on top of small columns that supported rods on which curtains were hung. The angels were originally painted in rich colors and gold. Their upward trailing wings are now lost. Museum: Metropolitan Museum of Art, New York, USA.

Summer. Dimensions: H. 12 in. (30.5 cm). Date: 1800-1810.Personifications of the four seasons were common subjects for engravers and printmakers in the eighteenth century, but carved wood statuettes such as these are exceedingly rare. In this set of figurines (1971.180.83-.86), the seasons are identified by their attributes: Spring by flowers, Summer by wheat, Autumn by a basket of fruit, and Winter by a muff. Other than for ships' figureheads, there was little demand in the United States for sculptural carving during this time period. The surviving examples of non-maritime wood sculpture originated almost exclusively in Boston or Salem, Massachusetts. Museum: Metropolitan Museum of Art, New York, USA.

Marble statue of a woman. Culture: Greek. Dimensions: Overall (H. w/ plinth): 68 1/8 in. (173 cm)H. (H. without plinth): 66 1/8 in. (168 cm). Date: 2nd half of the 4th century B.C..The lively, varied manner in which the texture of the clothing is rendered suggests that this is a Greek original rather than a Roman copy. The crinkly linen of the chiton and the heavier wool of the himation (cloak) are carefully differentiated, and horizontal press folds add variety to the latter's surface. The drilled holes on the sleeves once held metal buttons. The upper part of the chiton is kept firmly in place by a cord that is crossed in back and slipped over the arms. This over-life size figure probably represents a goddess, and in the absence of other attributes, the shoulder cord may offer a clue to her identity. Although the huntress Artemis is often shown with such a cord, this more matronly figure may represent Themis, a goddess associated with custom and law. The head and neck were carved s

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Draped woman wearing a himation robe. Greek, Hellenistic Art (3rd-1st centuries BC). Tanagra statuette, named after the city of Tanagra in Boeotia, Greece, where it was found in 1870.

Workshop of Giovanni Antonio Amadeo, Kneeling Angel, 1470 1480 Kneeling Angel

Young woman veiled and wearing a terrain felt fabric (front view), ancient Greece. Museum of Fine Arts of the City of Paris, Petit Palais. 37423-17 Antiquity, felt -fed, woman, ancient Greece, terracotta, sail

Marble funerary relief of Publius Sextilius Fortunatus. Roman, Mid-Imperial. ca. AD 120-150. Young freedman with stylus and papyrus scroll. Lived 22 years and 3 months. Metropolitan Museum. NY. USA.

Figure of a relief, Office of the Dead on the tomb of the notary Annibaldi, cloister, Basilica San Giovanni in Laterano, Rome, Lazio, Italy, Europe

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