Classical Figures in Art

Depictions of classical muses and historical events in various engraving styles, featuring themes of learning, mythology, and notable figures.

The Etrenne du Bonnet Louis-Philibert Debucourt (1755-1832). "The bonnet bitch". Engraving (Aquatint). 1824.

Dapper decision; The bold decision. A sentence sentenced to his knees next to the executioner. He gets the choice to get married or killed with the old woman. He decides the latter.

Étrennes pour 1867. Honoré Daumier (1808-1879). Lithographs

Un Anacéron de barrières ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Je sousigne, Roi des Batignolles, prince deClichy,…. Artist: Paul Gavarni, French, 1804-1866

Un Anatole ,. Paul Gavarni (1804-1866). Lithographs and Other Works

A Tyrolean volunteer from the Welden Corps, in Italy , Thomas Benedetti -, Steel Engraver, after, Johann Friedrich Treml -, Drawer, Auer, Editor, Kargl, Printer

Voyens Angelina, as-tu assez fait poser mosieu ,. Paul Gavarni (1804-1866). Lithographs and Other Works

It seems that it is now that I am unhappy! So I had delivered to Germany to make my happiness! / 660

Dep, Schliffel, Dear friend, they know nothing more that could still be abolished - Caricature on two MPs of the National Assembly in Frankfurt , Schliffel = Friedrich Wilhelm Schlöffel, August Friedrich Pecht -, Lithographer, Georg Wigand -, publisher

() Magicienne ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Modern Penelope: one gun after another, from 'News of the day,' published in Le Charivari, August 6, 1868. Artist: Honoré Daumier (French, Marseilles 1808-1879 Valmondois). Dimensions: Image: 9 1/2 × 7 11/16 in. (24.1 × 19.6 cm)Sheet: 11 15/16 × 11 9/16 in. (30.3 × 29.4 cm). Printer: Destouches (Paris). Publisher: Arnaud de Vresse. Series/Portfolio: 'News of the day' (Actualités). Date: August 6, 1868. Museum: Metropolitan Museum of Art, New York, USA.

Monsieur, Monsieur, here's your handkerchief Madame has put some Eau de Cologne on it and she said you should ask at the Guard whether you might get a foot warmer,” plate 47 from Moeurs Conjugales 1842 France. Lithograph in black, with scraping on stone on ivory wove paper, with letterpress verso . Honoré-Victorin Daumier

Strange condition, How Schiller and Goethe - if they were still alive - have to attract themselves casually so that they can be there at certain artists caricature from Kikeriki, Unknown

- This Bourgeois Mexiai sic has z'te very polite! ... / 18. (registered title) | In Mexico (set of all)

Copper engraving and etching by Karl Rahl (The Older) after 1821 illustrating 'Manfred and the Gemsenjäger' based on Lord Byron's dramatic poem, showing figures and landscape elements with detailed composition.

"The Wandering Jew" from The Complete Works of Béranger 1836 J. J. Grandville. "The Wandering Jew" from The Complete Works of Béranger. Oeuvres complètes de Béranger. 1836. Wood engraving. Fournier & Perrotin (French). Henry Isidore Chevauchet (French). Prints

Un Anacéron de barrières ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Print, Woman with a Basket; Designed by Jean-Baptiste Pillement (French, 1728-1808); Published by Pierre-Charles Canot (French, 1710 - 1777); France; etching on laid paper

The caption for this illustration that dates to around 1865 reads: In a moment Colbert sprung upon the robber's steed, and clapping spurs to him, was out of sight before the thief had time to recover himself. Jean Baptiste Colbert was the comptroller (minister) of finance from 1665 and secretary of the navy form 1668 under King Louis XIV of France. It was said at age 15, when working for his father, he took a short way home, and was held up by a robber. Resourcefully, he threw some coins on the ground and got off his horse. The robber went ot collect the coins, Colbert mounted the steed and took off unharmed, with all the rest of the money still with him.

An 1820 lithograph by Josef Lanzedelly the Older depicting Margareth and Henry the Reich, showing detailed facial features, attire, and formal posture of historical figures.

P.c. Skovgaard (1817-1875), TripleLalliancen, 1852

Allegory on the peace breach with Algiers, 1755; Peace breach with that of Algiers on the Feb 20. 1755, and departure from the Dutch consul. Allegory on breaking peace with Algiers and the subsequent departure of the Dutch consul from Algiers, 20 February 1755. An Algerian (pirate) with drawn sword and torn towel tramples a female personification (free commerce). In the background, the consul leaves the city gate to board a ship.

Gentlemen, The trip would have taken longer, caricature on Johann Gustav Heckscher, Reichs justice and Foreign Minister of the Provisional Central Power , Alphons von Boddien -, Lithographer, Eduard Gustav May -, publisher

Important negotiations in the St Paulkirche cartoon on the National Assembly in Frankfurt , Eduard Gustav May -, publisher

- It really shouldn't be allowed to return from Bercy in a state like this... an established man like you... I am so unhappy, my God! - What's wrong ...after all, I like the water... am I not allowed to like the water anymore ,” plate 4 from Les Canotiers Parisiens 1843 France. Lithograph in black on ivory wove paper . Honoré-Victorin Daumier

Plate 18 from 'Los Caprichos': And his house is on fire (Ysele quema la Casa.) 1799 Goya (Francisco de Goya y Lucientes) Spanish. Plate 18 from 'Los Caprichos': And his house is on fire (Ysele quema la Casa.) 380461 Artist: Goya (Francisco de Goya y Lucientes), Spanish, Fuendetodos 17461828 Bordeaux, Plate 18 from 'Los Caprichos':And his house is on fire (Ysele quema la Casa.), 1799, Etching and burnished aquatint, Plate: 8 7/16 x 5 15/16 in. (21.4 x 15.1 cm) Sheet: 11 9/16 x 8 1/4 in. (29.4 x 20.9 cm). The Metropolitan Museum of Art, New York. Gift of M. Knoedler & Co., 1918 (18.64(18))

Point de fait, - à la suite d'un point de droit ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Ce que femme veut, Dieu le veut, ça doit suffire au marchand de vin...un autre - litre et du même, va! ,. Paul Gavarni (1804-1866). Lithographs and Other Works

"The Big Orgy" from The Complete Works of Béranger 1836 J. J. Grandville. "The Big Orgy" from The Complete Works of Béranger. Oeuvres complètes de Béranger. 1836. Wood engraving. Fournier & Perrotin (French). Henry Isidore Chevauchet (French). Prints

"The Storm" from The Complete Works of Béranger 1836 J. J. Grandville. "The Storm" from The Complete Works of Béranger. Oeuvres complètes de Béranger. 1836. Wood engraving. Fournier & Perrotin (French). Cherrier (French, 19th century). Prints

A figuré dans les ballets ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Husbands Always Make Me Laugh And the judge's son told my wife Made 1853 France. Lithograph in black on cream wove paper . Paul Gavarni

Print, Demoiselle Chinoise; Designed by François Boucher (French, 1703-1770); Published by Gabriel Huquier (French, 1695-1772); France; etching

King William I meets a poacher, 1829, Jean-Louis van Hemelryck, 1829 print The king meets a syruper he advises to come to the palace the next day where he can get a hunting permit so that he no longer has to poach. With two -way caption. Part of the series of 24 records with meetings with King Willem I, published under the title 'Les RenContres' in 1829-1830. Brussels paper ruler in informal contact with his subjects. poacher

This is the best republics! (IT)

Water cresses.. Busby, Thomas Lord. Prints. 1820. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Clothing & dress , England , London, Peddlers

After Winslow Homer, The Robin's Note, 20 Aug. 1870, wood engraving on newsprint.

La, mon guide s’arrete et me montre l’asile…”. Artist: Paul Gavarni, French, 1804-1866

Man shows his knee to a dead digger, Noah van der Meer (II), After Jacobus Buys, 1777 - 1778 print In a cemetery, a sick man shows his knee to a death digger. Amsterdam paper etching churchyard, cemetery. patient, sick person. grave digger

Les Inmamovable (Ti)

On se doit à une besogne ingrate, mais on n'oublie pas ce qu'on - se doit à soi-même ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Too Niche (Ti)

On se doit à une besogne ingrate, mais on n'oublie pas ce qu'on - se doit à soi-même ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Gankou: Básník Tao-Yüan-Ming. Malba na hedvábí.. Ganku, 1749-1839. Periodicals. 1911 - 1913. General Research Division. Modernism (Art), Czech literature , 20th century, Art, Arts , Czechoslovakia

A woman with a child gives alms Charlet, Nicolas Toussaint (1792 1845)

Polish images, drawn from nature and lithographed by M. Fajans, allegorical title page for book IX. Fajans, Maksymilian (Warszawa ; zakład litograficzny ; 1853-1890), lithography atelier, Fajans, Maksymilian (1827-1890), publisher

Wattier, Émile Charles (N.1800-11-17-D.1868-11-22), 5th ascending step. The dream of happiness (registered title (letter)), 1824. lithography colored on woven paper. Balzac house.

Caricature of a shooting man, François Collignon, after Stefano della Bella, 1620 - 1687 print print maker: Franceafter design by: Italypublisher: Paris paper etching caricatures (human types). firearms: rifle. adult man

Nightmare like what a gentleman was scrutinized on March 28, 1831: .... (IT)

Julian Fałat, Winter. Julian Fałat (1853-1929), draughtsman, cartoonist, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher, Gorazdowski, Edward (1843-1901), woodcutter

Man Keep Initials in a Tree Bast, Honoré Daumier, 1840 Paris paper caricatures (human types). carving heart and initials in an object, e.g. a tree trunk

Image of a page with a drawing of a scene from the opera Euryanthe by Carl Maria von Weber, performed on March 25, 1861 in the Utrechtse Schouwburg, with comments.

Mosieu le comte Onnesaitki!... - Mosieu le baron Gros-Jean!... ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Le marchand d'habits. Honoré Daumier (1808-1879). Lithographs

Parisiens pleasures./1./ It is true that it would swear that it has a figure ... (title registered (letter)) | Parisian pleasures. (Title of all)

The Chinchillas, plate 50 from Los Caprichos. Francisco José de Goya y Lucientes; Spanish, 1746-1828. Date: 1797-1799. Dimensions: 175 x 123 mm (image); 205 x 150 mm (plate); 301 x 207 mm (sheet). Etching and aquatint on ivory laid paper. Origin: Spain. Museum: The Chicago Art Institute, USA.

Full Length Portrait of a Man Standing near Balustrade. John Vanderbank; English, 1686-1739. Date: 1727-1739. Dimensions: 197 × 141 mm. Pen and brown ink over graphite on ivory laid papper, tipped onto card. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

There is a light, excerpt from bad jokes , illustrated, Blatt satires for the revolution , Joseph Albrecht, Lithographer, Josef Klemm -, publisher

Molen, Francois-René.

Aux petits des oisons, ils donnent la mangeaille.... Honoré Daumier (1808-1879). Lithographs

Portret van René Duguay -Trouin, Victor Florence Pollet, After Denis Auguste Marie Raffet, 1835 - 1837 print paper etching historical persons. pirate, corsair, buccaneer

The born of a modist, 1828: Chap. X: Alas .. Chap. X: Alas.

Czukcza; Unknown, Niemirów, Leopold (1810-1883), Draeger, F. (Moscow; Litographic insole; Ca 1850-1860); 1856 (1856-00-00-1856-00-00);

Moi, j'ainne l'amour sous le ciel. - Vive un bon souper contre un bon feu! - Oh de l'air! de la verdure! et la femme aimée! - En pantouffles (sic), aimez-vous le Chambertin - Joie paisible et suprême! - Ah! oui, suprêmes de volaille, aux truffes. - Rien, voyez-vous, rien qu'une Chartreuse! - (De perdrix, bien entendu!) - Et ma Charlotte! - Russe ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Photo production of a drawing by Ottilie with the child of Charlotte from Goethe's Die Wahlverdandtschaften by Wilhelm von Kaulbach, Anonymous, After Wilhelm von Kaulbach, 1863 - 1900 photograph This photo is part of a cover with 22 photos. cardboard. photographic support albumen print specific works of literature. adult woman. child. rowing-boat, canoe, etc.

Les anglais chez eux: Bouquets de violettes. Paul Gavarni; French, 1804-1866. Date: 1852. Dimensions: 218 × 184 mm (image); 364 × 267 mm (sheet). Lithograph in black on cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

You are French or you are not French ... / 10 (registered title) | Lithographic album by Charlet (title of all)

Six petits duos de salon ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Edward Francis Finden, 1791-1857, British, The School of Homer, Scio, 1833. Etching and engraving, third state on medium, moderately textured, beige, wove paper, with beige, chine colle.

Allegory with four women, Reinier Vinkeles (I), after Adriaan Pietersz. Loosjes, 1804 - 1805 print The personifications of religion, virtue and happiness embrace each other. They are relieved by the truth above them. Truth connects with a garland as a symbol for joy. paper engraving / etching 'Cornucopia', Horn of Plenty. sun as celestial body. Faith, 'Fides'; 'Fede', 'Fede catholica', 'Fede christiana', 'Fede christiana catholica' (Ripa) ~ one of the Three Theological Virtues. the Seven Virtues (symbolized). Happiness, Felicity. Truth; 'Verití' (Ripa)

Des femmes qu'ont peur d'un verre de vin, c'est pas - des femmes ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Ma femme m'a dit: attends moi cinq minutes... Dated: 1842. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

In Aix, in Marseille, Lyon, Toulouse, Bordeaux, Angers, everywhere, everywhere, everywhere. (Registered title)

Ah! God! I now conceive the story of the beautiful narcissus! ... / No. 55. (registered title)

I'ne pleuvra pas, certainement! mais i'pourrait pleuvoir, - et feu mon père disait, 'S'il beau, prends ton manteau, - s'il pleut, prends le si tu veux.' ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Apres ca c’ui qui n’adop’ra pas mes manieres de sentir j’y couperai. Artist: Paul Gavarni, French, 1804-1866

Portrait Van Mehmet IV, Claude Dubosc, 1692 - 1745 print Numbered in the middle: 16. France paper etching / engraving historical persons. ruler, sovereign

Convoitise ,. Paul Gavarni (1804-1866). Lithographs and Other Works

The Folies of Opinion 1. (IT)

Un peu d'ale fait grand bien ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Watercolor painting of a juggler balancing a plate, anonymous artist.

Vauban, Sébastien de.

Reviens y donc encore grand enjeoleu!.... Honoré Daumier (1808-1879). Lithographs

Convoitise ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Canoestones and Canoese Planche N18 (registered title) | 2nd sequence of 1862-1863. (Title Title) | The new raft of the Meduse (title registered)

John Frederick Herring, Sr., 2. The Scarecrow, and The Page, 1805-1865, watercolor over pencil on paper.

L'Amateur des jardins. - C'est égal, mon escadron était un joli escadron ,. Paul Gavarni (1804-1866). Lithographs and Other Works

The wolf in the sheepfold. (registered title) | The embossed metempsychosis. (title of all)

I say Billy, do you know why I'm doing this Cause, I'm going to run for Congress soon!. Artist: Anonymous, American, 19th century. Dimensions: sheet: 13 1/2 x 11 in. (34.3 x 28 cm). Date: second half 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Don't You Meddle With It!, plate 20. Honoré Victorin Daumier; French, 1808-1879. Date: 1834. Dimensions: 307 × 433 mm (image); 365 × 530 mm (sheet). Lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Un ténor incompris ,. Paul Gavarni (1804-1866). Lithographs and Other Works

They do not have pretty kidneys it will come back to me. (IT)

Dabadie, Henri Bernard.

Standing man with an umbrella looking at a sarcophagus, Isaac Weissenbruch, 1836 - 1912 print Netherlands paper adult man (+ standing). sarcophagus

Avec permission - Francesco Lipurato - entrepreneur, directeur de spectacle à domicile pour Paris et les - déoartemens (sic) au plus juste prix ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Margaret of Austria on horseback, after Velázquez. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux); After Velázquez (Diego Rodríguez de Silva y Velázquez) (Spanish, Seville 1599-1660 Madrid). Dimensions: Plate: 14 5/8 × 12 1/4 in. (37.2 × 31.1 cm)Sheet: 23 9/16 × 15 13/16 in. (59.8 × 40.1 cm). Sitter: Margaret of Austria, Queen of Spain (Spanish (born Austria), Graz 1584-1611 San Lorenzo de El Escorial). Date: 1778. Museum: Metropolitan Museum of Art, New York, USA.

Seated Man Reading 1774 Jean Honoré Fragonard French This confident drawing of a seated man absorbed in his book is closely related to a group of portraitlike drawings made by Fragonard on his second trip to Italy (1773-74) sponsored by the fermier général Pierre-Jacques-Onésyme Bergeret de Grancourt. Drawn in a rapid, confident outline and shaded to convey tone and shadow, this drawing presents its subject with an admirable economy of means. Oddly cropped at the ankle, the sitter may have been observed by the artist across a table and partially obscured. The unconventional composition attests to the informality of the sheet.. Seated Man Reading. Jean Honoré Fragonard (French, Grasse 1732-1806 Paris). 1774. Red chalk. Drawings

Jérome Sauvage, - (dit le Père Belenfant). - Ex Jokey (sic) des Écuries d'Artois, - aujourd'hui carredeur 9sic) de matelas - et pêcheur à la ligne ,. Paul Gavarni (1804-1866). Lithographs and Other Works

It's decided! (IT)

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