Classical Male Nudes

Collection of artistic representations of male nudes, showcasing muscular forms in various poses, highlighting classical techniques and styles from different eras.

Standing Male Nude nude, draughtsman: Adriaen van de Velde, 1646 - 1672, paper, h 322 mm × w 233 mm

Standing male nude with raised arm, to the right. Draughtsman: anonymous. Dating: 13-Feb-1826. Measurements: h 596 mm × w 438 mm. Museum: Rijksmuseum, Amsterdam.

Seated Man Holding aFlute. Engraver: Marcantonio Raimondi, Italian, ca. 1480-ca. 1534

Sitting naked; Paintings in the Sixtin Chapel. Sitting naked man, turned to the right, with a garland of fucks. One of the 'Ignudi' (naked men) from Michelangelo's ceiling painting. Numbered at the bottom right: 10.

Bare-chested woman. Draughtsman: anonymous. Dating: c. 1600 - c. 1699. Place: Netherlands. Measurements: h 194 mm × w 141 mm. Museum: Rijksmuseum, Amsterdam.

Artist: Joachim von Sandrart, German, 1606-1688, Hercules Hydramuvince (Hercules and theHydra), Etching and engraving, image: 31.7 × 21.2 cm (12 1/2 × 8 3/8in.), Made in Germany, German, 17thcentury, Works on Paper -Prints

Sitting nude, Adamo Scultori, After Michelangelo, c. 1585 print Sitting naked man, turned to the right, with a cloth over his head and a garland of acorns. One of the 'Ignudi' (naked men) of Michelangelo's ceiling painting. Numbered below: 18. Print Maker: ItalyaFter Painting by: Vatican City paper engraving the (nude) human figure; 'Corpo humano' (Ripa). fruits: acorn

Man who hits branches with a bundle, Jan de Bisschop, After Domenichino, 1668 - 1671 print Northern Netherlands paper etching criminal law; punishment

Cornelis II Bloemaert, said the young (1603-1692). Hercules Farnèse after François Perrier (Dutuit p. 37, Le Blanc 149). Cure, 17th century. Museum of Fine Arts of the City of Paris, Petit Palais. Cake, Catholic, Christian Chretian, biblical character, religious scene, XVIIth XVIIth XVII 17th 17th 17th century, engraving

Victory Artist's working dates 1858-1874 Spain. Etching on paper . Mariano Fortuny y Marsal

Ticket for the Theatre Royal, Haymarket, Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after unknown artist, Between 1775 and 1800, Etching and line engraving on moderately thick, moderately textured, cream laid paper, Sheet: 5 1/4 x 6 1/2 inches (13.3 x 16.5 cm), Plate: 4 7/8 x 6 1/4 inches (12.4 x 15.9 cm), and Image: 4 3/4 x 6 1/8 inches (12.1 x 15.6 cm)

Florence, Bardi e Co, Luigi, Italy, Fineschi, Fontana, Pietro, Apollo di Belvedere, Apollo Belvedere, verso - stamped, A statue of Apollo supported by a tree trunk from which a snake is crawling. This statue is known as Apollo Belvedere because from the beginning of the 16th century it stood in the sculpture garden of the Belvedere, the summer residence of the popes in Rome., print, prent, prints, prenten, height 510 mm, width 390 mm, 1762 - 1837-09-18, print maker, printmaker, 1772 - 1837, paper, papier, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, Publication (Event), Publication, Italian, publisher, uitgever

The Roman goddess Diana, marble statue from ancient Rome, Italy, digital reproduction of an original from the 18th century, original date not known, Europe

Sitting male nude, seen on the back (3rd prize 1804), Hendrik Willem Caspari, 1804 drawing paper. chalk sitting figure (+ nude human being). sitting figure (+ nude human being)

Statue of Venus, 1636 - 1647 print Image of Venus, the goddess of love, standing next to a fish. On the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving (story of) Venus (Aphrodite). piece of sculpture, reproduction of a piece of sculpture

Adam and Eve being expelled from paradise. Artist: Marcantonio Raimondi (Italian, Argini () ca. 1480-before 1534 Bologna ()); After Michelangelo Buonarroti (Italian, Caprese 1475-1564 Rome). Dimensions: 7 1/2 x 5 9/16 in. (19.0 x 14.1 cm). Date: ca. 1515-25. Museum: Metropolitan Museum of Art, New York, USA.

Ink and feather drawing by Giuseppe Cades depicting a half-sitting male figure in front view holding a sign, executed in 1793.

Design General Proportions of the Male, from Encyclopédie 1762-1777 France. Etching, with engraving, on cream laid paper . A. J. Defehrt

Stone engraving by Georg Martin Preißler showing men performing an act on a staircase.

Gaeus Pompeius Magnus, Pompejus, 29. September 106 v. Chr. 28. September 48 v. war ein römischer Politiker und Feldherr, bekannt als Gegenspieler Gaiu...

Vooroverbuigende mansfiguur. Schetsbladen met figuurstudies (series title). Draughtsman: anonymous. Dating: 1600 - 1699. Place: Verona. Measurements: h 411 mm × w 275 mm. Museum: Rijksmuseum, Amsterdam.

Mercury and Psyche: Side view with the side of Psyche, Jan Harmensz. Muller, After Adriaen de Vries, 1595 - 1599 print Mercury wears Psyche to heaven. To a sculpture by sculptor Adriaen de Vries. Side view with the side of Psyche. Amsterdam paper engraving (story of) Mercury (Hermes). Psyche is carried up to Olympus by Mercury. piece of sculpture, reproduction of a piece of sculpture

A female nude draws a compass over a globe; representing astrology. Engraving by G. Bonasone, 1544.

Seated Male Nude with Sketch of Nude Archer 1808 England. Black and white chalk on blue wove paper . George Hayter

Act of Mki; Thoma, Hans (1839-1924); around 1882 (1877-00-00-1887-00-00);

Two male nude figures, one throwing his head back, while the second advances holding a trident and a net. Crayon manner print by J.B. Lucien, 1798, after P.T. Le Clerc.

Zuccarelli, a study. Photo reproduction of drawing in 'The Reveley Collection of Drawings at Brynygwin', fig. 31.

Saint Sebastiaan tied to a tree, 1611 - 1671 print paper etching St. Sebastian, tied to a tree or a pillar, is pierced by arrows

Sculpture of Hercules, Anonymous, 1600 - 1699 print Caption in Latin. Print is part of an album. paper etching / engraving piece of sculpture, reproduction of a piece of sculpture. (story of) Hercules (Heracles)

Study of a naked man (Hercules) And two heads of women ..

The Discus Thrower. Date: Februari 1886, Antwerp. Dimensions: 56.2 cm x 44.3 cm. Museum: Van Gogh Museum, Amsterdam.

Nude Study Daniel Huntington (American, 1816-1906). Nude Study, ca. 1848. Black and white crayon on blue-green, medium-weight, slightly textured wove paper, Sheet: 21 3/4 x 15 1/8 in. (55.2 x 38.4 cm). In this suite of three drawings, Daniel Huntington rendered the idealized male figurebased on an ancient Greek sculpture of a dancing faun that he most likely knew from a plaster castin progressively complete anatomical states. Using different colored media and a combination of crisp outlines and soft hatchings, the artist rendered the human form with great precision and sensitivity to the distinct properties of skin, muscle, and bone. As a group, these sheets provide a virtuoso demonstration of the academic principle that an understanding of anatomy is fundamental to figural representation. American Art ca. 1848

Putto or cherub with goose. Copperplate engraving after an illustration by L. Agricola from Pietro Paolo Montagnani-Mirabili's Il Museo Capitolino (The Capitoline Museum), Rome, 1820.

Standing male nude, the left arm raised. Standing male nude, the left arm raised. No 85.

Heracles, hero of Greek mythology. He was the son of Zeus and Alcmena. He received the name of Alceo or Alcides at birth, in honor of his grandfather

William Blake, The Dance of Albion (Glad Day), c 1803 1810 The Dance of Albion (Glad Day)

Statue of Venus with Amor sitting on a dolphin; Galleria Giustiniana del Marchese Vincenzo Giustiniani I. Image of the goddess Venus with a chalice in her right hand. She is accompanied by amor sitting on a dolphin. On the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Firenze - Galliera - Il fauno , Antiquities, Sculpture, Supernatural beings, Fauns Roman mythology. Nicholas Catsimpoolas Collection

Albrecht Dürer, Saint Sebastian Bound to the Tree, 1500 1501 Saint Sebastian Bound to the Tree

Statua per un Simbolo dell'Oceano con le Figure Sedenti; di Gio. Bologna; guardata dal Viale prossimo al nuovo Stanzone degli Agrumi in Boboli.. Vascellini, Gaetano, 1745-1805. Soldini, Francesco Maria. Prints. 1789. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Sculpture , Italy , Florence

Naked man with a cape and sword. Leaf 14 Recto from a collective album with 32 sheets.

Lying pan with two grape bunches, Jan de Bisschop, after Giovanni Angelo Montorsoli, after Cornelis van Poelenburch, c. 1664 - in or after 1669 print paper etching (story of) Pan

Study into the statue of a boxer, Jean Grandjean, After Anonymous, 1779 drawing prepared paper. chalk piece of sculpture, reproduction of a piece of sculpture. boxing (sport) (+ sportsman, player, etc.)

Standing Nude Woman. Artist: Léon Davent (French, active 1540-56); After Francesco Primaticcio (Italian, Bologna 1504/5-1570 Paris). Dimensions: Sheet (trimmed): 10 15/16 × 5 11/16 in. (27.8 × 14.5 cm). Date: 1540-56. Museum: Metropolitan Museum of Art, New York, USA.

Statue of Apollo; Galleria Giustiniana del Marchese Vincenzo Giustiniani I. statue of Apollo with the winch, standing next to a trunk. On the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Nude man seated before a curtain, Rembrandt van Rijn, 1646 print paper etching

Carle Van Loo, Climbing Man with Arms Outstretched, c 1743 Climbing Man with Arms Outstretched

Statue of Caesar as a Divinity. Artist: Vincenzo Camuccini (Italian, Rome 1771-1844 Rome). Dimensions: 9 1/4 x 7 1/2in. (23.5 x 19.1cm). Date: 1771-1844. Museum: Metropolitan Museum of Art, New York, USA.

Man with banner and blossom branch, Jac Jongert, 1909 - 1942 print paper the (nude) human figure; 'Corpo humano' (Ripa) (+ kneeling). (ALMOND-BLOSSOM) flowers: almond-blossom

Standing male naked, from the front. Draughtsman: Johannes Tavenraat. Dating: c. 1819 - c. 1881. Measurements: h 530 mm × w 360 mm. Museum: Rijksmuseum, Amsterdam.

Rome, Valesio, Giovanni Luigi, Galleria Giustiniana del Marchese Vincenzo Giustiniani, Statue of Eros and Anteros, recto lower right - handwritten in brown ink, Statue of Eros and Anteros. Eros approaches the sleeping Anteros. On the base the crowned eagle and castle from the coat of arms of Vincenzo Giustiniani. The print is part of a series of prints after sculptures in the collection of Giustiniani in Rome., print, prints, verso - stamped, 25, height 375 mm, width 238 mm, Italian, Spanish, 1583 - 1633, print maker, printmaker, 1636 - 1636, paper, engraving, engraving (printing process)

Tagus. Philips Galle (Holland, Haarlem, 1537-1612). Holland, 1586. Prints; engravings. Engraving

His eagle is depicted on the face of the column

Seated woman, c. 1630 - c. 1670 drawing paper. chalk

River god van de Schelde, Antoine Alexandre Joseph Cardon, After Jan Baptist Rubens, 1772 - 1773 Sculpture of the river god of the Scheldt. Image made by Jan Baptist Rubens together with students from the Academy. Numbered in the top left of the plate: 1. Part of the collection of figures and statues made of snow in the streets of Antwerp in January 1772. print maker: Southern Netherlandsafter design by: Antwerp paper etching / engraving Antwerp. Scales Sculpture of the river god of the Scheldt. Image made by Jan Baptist Rubens together with students from the Academy. Numbered in the top left of the plate: 1. Part of the collection of figures and statues made of snow in the streets of Antwerp in January 1772. print maker: Southern Netherlandsafter design by: Antwerp paper etching / engraving Antwerp. Scales

Der römische Gott Bacchus, Marmorstatue aus dem antiken Rom, Italien, digitale Reproduktion einer Originalvorlage aus dem 18. Jahrhundert, Originaldat...

Hagenia abyssinica (Bruce) J.F. Gmel. : finished drawing, Luigi Balugani, 1737-1770, Italian, Formerly James Bruce, 1730-1794, British, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 15 1/4 × 11 3/8 inches (38.7 × 28.9 cm), botanical subject

Cleopatra half naked lying on bed.

Standing male nude, in spread position. .

Two wrestlers, Jan Harmensz. Muller, after Cornelis Cornelisz. van Haarlem, 1600 - 1699 print Netherlands paper engraving wrestling (sport)

The Good Thief 1470-80 Anonymous, Italian, Ferrarese, 15th century Italian. The Good Thief 399137

Pictura: allegory of painting, with a nude woman at center grinding pigments, two putti drawing at lower right ca. 1610-50 Cornelis Galle I Netherlandish. Pictura: allegory of painting, with a nude woman at center grinding pigments, two putti drawing at lower right. Cornelis Galle I (Netherlandish, Antwerp 1576-1650 Antwerp). ca. 1610-50. Engraving; second state of two. Prints

Saint John the Baptist in the desert, seated on a rock and pointing upward with his left hand, a lamb at his right, after Reni 1770 Pedro Pascual Moles Spanish. Saint John the Baptist in the desert, seated on a rock and pointing upward with his left hand, a lamb at his right, after Reni 670155

Lying Neptune. The God Neptune lying on a sea snake, the trident in the right hand.

Academy Study: Torso, Arnoldus Dirk Felix Taventrate, 1856 - 1899 drawing paper. pencil. chalk piece of sculpture, reproduction of a piece of sculpture

Drawing, Design for a Candlestick; Designed by Joseph Anton Seethaler II (German, 1799-1868); Germany; red crayon, pen and black ink, brush and wash on paper; 30.3 x 17.8 cm (11 15/16 in. x 7 in.)

Campania Caserta Capua Museo Campano, Italy, 20th century, photo, photography, Europe

Alphonse Legros, Study of a Man's Figure, Holding Rod behind Back Study of a Man's Figure, Holding Rod behind Back

Saint Sebastian Tied to a Tree (reverse copy) n.d. After Albrecht Dürer German. Saint Sebastian Tied to a Tree (reverse copy) 391062

Drawing by Johann Gottfried Schadow from 1830-1835 in brown ink over pencil depicting Heros and a companion arm in arm.

Seated male nude, head on knee, Jacob Willemz. de Vos, 1809

Three studies for a male nude model, sitting with a sword, Christiaan van Geelen Jr., 1804 - 1826 drawing paper. ink pen / brush

Antwerp, Jode, Pieter de (I), Varie figvre academiche, Diversche figvren wt de academia, Drawing examples of arms and legs, Drawing examples. Above: Three arms in different positions. Below: four legs. This print is part of an album., print, prent, albumblad, prints, prenten, height 270 mm, width 184 mm, Zuid-Nederlands, 1570 - 1634-08-09, print maker, prentmaker, 1629 - 1629, second quarter 17th century, paper, engraving, engraving (printing process)

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Studies of male torsos. Rubens, Peter Paul, 1577-1640. Prints. 1773. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Anatomy, Artistic, Men , Anatomy

Sitting male nude, seen from the side (3rd prize 1778), Christiaan Welmeer, 1778 drawing paper. chalk sitting figure (+ nude human being). sitting figure (+ nude human being)

A kneeling écorché figure, seen from behind. Etching by or after J. Gamelin, 1778/1779.

Naked man sitting in front of a curtain Harmensz van Rijn Rembrandt (1606-1669). Nude man sitting in front of a curtain (B 193 - 2nd state), 1646.

Hercules. Engraving by C. Mellan.

Hercules as a boy; Heros Aventinvs in Capitolio. Image of Hercules as a boy. On his head and over his arm the boy wears an animal skin.

Standing model , Nudes, Artists' models, Standing

Sitting male nude, seen on the back (1st prize 1769), Willem Joseph Laquy, 1769 drawing paper. chalk sitting figure (+ nude human being). sitting figure (+ nude human being)

Amsterdam, Renard, Louis, Vries, Adriaen de, Muller, Jan Harmensz., Abduction of a Sabine woman, front view, verso - stamped, A Roman abducts a Sabine woman. Front view of a wax model by sculptor Adriaen de Vries. At the bottom in the margin a two-line text in Latin., print, prent, prints, prenten, height 428 mm, width 284 mm, Noord-Nederlands, 1571 - 1628, print maker, printmaker, 1708 - 1711, paper, papier, engraving, engraving (printing process), 1556 - 1626-05-15, after image by, Publication (Event), Publication, publisher

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Standing on a rise is a female nude model seen from behind with a palm branch in her hand and a cloth draped over her arm. A mantelpiece can be seen on the left and Rembrandt is seated on the right with drawing utensils in his hand, Artist draws after a nude model l'Atelier de Rembrandt , print maker: Jan Weissenbruch, (mentioned on object), intermediary draughtsman: Rembrandt van Rijn, (mentioned on object), The Hague, (possibly), 1837 - 1880, paper, etching, h 201 mm × w 162 mm

Bachus Statua. Camerano, G., Mannelli, Antonio (fl. 1826 1845)

Naked man for basements pointing at center lines of Circle, Anonymous, 1600 - 1699 print France paper engraving man (showing himself) undressed, quasi-nude. circle (~ planimetry, geometry)

Four standing men: a servant seen from behind a, a man holding up a curtain b, a man in a Florentine costume c and a standing warrior holding a staff d, Four standing men in different poses Paradigmata graphices variorum artificum , print maker: Jan de Bisschop, (mentioned on object), Andrea del Sarto, (mentioned on object), Baccio Bandinelli, (mentioned on object), Northern Netherlands, 1668 - 1671, paper, etching, h 127 mm × w 222 mm

Atlas, carrier of the sky vow. Probably a drawing to a print. Leaf 64 Recto from a sketchbook with 91 sheets.

Portrait of the Pugilist Johnson, William Lock II, 1767-1847, British, 1790, Pen and brown ink, brush and brown ink, and graphite on medium, slightly textured, cream laid paper, Sheet: 10 1/4 × 7 1/2 inches (26 × 19.1 cm), boxer, collar, fighter, figure study, knickers, man, portrait, pugilist, shirt, shoes

Copper engraving by Albrecht Altdorfer depicting Mucius Scaevola burning his hand, created around 1520-1530, illustrating a historical Roman legend.

Statue of Apollo - The Vatican, Italy Date: circa 1904

Sitting male nude, seen on the back (3rd prize 1781), Jacques Kuyper, 1781 drawing paper. chalk sitting figure (+ nude human being). sitting figure (+ nude human being)

Sitting male nude, seen from the side (3rd prize 1774), Jean Grandjean, 1774 drawing paper. chalk sitting figure (+ nude human being). sitting figure (+ nude human being)

Greco-Roman sculptures. Knight, Charles, 1791-1873. Prints, Illustrations. 1858. Science, Industry and Business Library: General Collection. Art, Industrial arts, Sculpture, Greco-Roman

Etching and aquatint by Johann Adam von Bartsch from 1784 depicting three naked men representing the three ages of man, showing anatomy and posture.

Hendrik Goltzius after Polidoro da Caravaggio (Dutch, 1558-1617), Mercury, probably 1592, engraving

The dying Gaul - Capitoline, Rome , Antiquities, Sculpture, Death, Warriors. Nicholas Catsimpoolas Collection

Icarus; The four valers. Round representation of Icarus, nude, falling under a radiant sun. In the background a bay with the father of Icarus, Daedalus, still flying with his homemade wings above. To the show a peripheral in Latin. This print is part of a series of four falling men: Tantalus, Icarus, Phaëthon and Ixion.

Academic study of a plaster of an antique sculpture: detailed study of an arm with a fist. Artist: anonymous. Draughtsman: Johannes Tavenraat. Dating: 1819 - 1881. Measurements: h 382 mm × w 245 mm. Museum: Rijksmuseum, Amsterdam.

Joaquin Sorolla/ Dibujo. Museo de Bellas artes, Valencia.

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