Classical Military and Mythological Scenes

A collection of historical etchings depicting Roman soldiers, Greek warriors, and allegorical figures in classic European styles, with themes of combat and mythology.

Copper engraving by Albrecht Dürer after 1501 depicting multiple scenes from the Copperplate Passion series, including Christ on the column, before Kaiphas, and before Pilate, showing figures and gestures.

Albrecht Dürer's early 19th-century lithography depicts Christian and mythological hand drawings with precise line work and detailed figures.

Depicts preliminary drafts for the Dance of Death, including dagate or razor sheath scenes, created as a copper engraving print by Hans Holbein the Younger in 1848.

Etching by Daniel Nikolaus Chodowiecki from 1784 depicting six male and six female figures with properties, arranged in detailed composition.

An etching depicting a portrait of Johann Adam Klein, created between 1812 and 1875. The work emphasizes facial features, attire, and portrait composition.

Mid-17th century etching by François de la Guertière featuring grotesque ornamental decoration.

Two men and a child, Adamo Scultori, After Michelangelo, c. 1585 Figures from Michelangelo's ceiling painting. Numbered below: 48. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving Figures from Michelangelo's ceiling painting. Numbered below: 48. The print is part of an album. Print Maker: ItalyaFter Painting by: Vatican City paper engraving

Copper engravings by Jan van Londerseel depicting the mythological stories of Pyramus and Thisbe, and Jupiter as Diana with Callisto, created between 1590 and 1624, set in landscapes.

Copper engraving and etching by an unknown engraver showing people performing and resting in a landscape, created around 1625.

Photo production of a print of a woman and five geniuses, Bibois, After Anonymous, c. 1852 - in or before 1857 photograph photographic support salted paper print adult woman. child. genius

Etching by Daniel Nikolaus Chodowiecki from 1795 illustrating Richardson's novel Clarissa, showing characters, scenes, and compositional layout for a book.

Etching by Jacques-Philippe Le Bas illustrating figures from the history of France, created between 1779 and 1785 for book illustrations.

Copper engraving and etching by Adriaen Collaert depicting the Paris judgment within an ornamental frame, created between 1560 and 1618, illustrating mythological figures, allegorical narrative, and decorative elements of 16th-17th century art.

Copper engravings by Étienne Delaune from 1538-1583 depicting scenes from the mythological history of Orion with figures, stars, and symbolic elements.

Etching by Ludwig Emil Grimm depicting a portrait of Charlotte Amalie Hassenpflug and referencing the song by Bettina von Arnim, showing faces, clothing, and posture, created between 1819 and 1820.

Etchings and steel engravings by Josef Axmann depicting portraits of Rebecca, Lady Stanhope, and Die Haremsrose, showing upper body, attire, facial features, and composition, produced 1808-1873.

Virgil Solis the Elders copper engraving and etching (1529-1562) depicts female figures from mythology, illustrating poses, attributes, and early modern European printmaking style.

An etching by Gerard de Lairesse from 1675 depicting the biblical figures Christ and Moses together.

An etching by Andrea Meldolla titled 'The Victorious Virtue of the Vice,' created between 1536 and 1538, depicting moral allegory through classical figures and symbolic interaction.

An etching by Jacques-Philippe Le Bas from 1741 depicting vignettes, illustrating small scenes or decorative motifs with classical composition and detailed figures.

Copper engraving by Nicolas Bazin depicting John the Baptist, created around 1690.

Copper engraving by Bernard Picart depicting the execution of Johan van Oldenbartnevelt, showing figures, scaffold, spectators, and 18th-century Dutch execution scene.

Philipp Galle engraved a copper print around 1560 depicting the wedding of Samson, illustrating figures, attire, and the ceremonial scene.

Copper engraving by Cornelis Galle the Younger II depicting an oval cartridge, created between 1627 and 1678.

Copper engraving and etching by Lucas Vorsterman depicting a portrait of Ewald Teeling, showing facial features, attire, and composition, produced between 1610 and 1675.

This etching by Franz Stöber illustrates historical events from Milllot's General World History, created between 1810 and 1858, using detailed engraving to depict scenes accurately.

Etching by Daniel Nikolaus Chodowiecki from 1776 illustrating Gellert's fables, depicting figures, narrative action, and visual composition for a book.

Photo production of a painting, representing Gunter, Hagen and Gutrune in the court of the Gibichungen, Victor Angerer, after Joseph Hoffmann, c. 1866 - in or before 1876 photograph photographic support albumen print 'Nibelungenlied'. interior ~ representation of a building. Hagen

Etching by Cornelis Troost from 1734 depicting a bearded man's head and a girl writing by candlelight, showing facial features, posture, and indoor setting.

Etching by Daniel Nikolaus Chodowiecki illustrating 'The Desertract' by Sedaine, showing characters, interactions, and narrative scenes from 1774.

Etching and aquatint by Frederick Christian Lewis the Older depicting a landscape after Claude Lorrain, created between 1837 and 1840.

A 1778 etching by Johann Elias Ridinger showing a fortress situated on a mountain, highlighting architecture and landscape.

Etching by Claude Ferdinand Gaillard titled 'Virgin of Orleans,' created between 1650 and 1887.

Daniel Nikolaus Chodowieckis 1785 etching depicts Hawser Trunion from Smolletts Peregrine Pickle, showing facial features, attire, and narrative context in 18th-century book illustration.

Copper engraving by Reinier van Persyn depicting a love couple with a coupler, created between 1634 and 1668.

An etching by Virgil Solis the Elder from 1529-1562 depicting various supporters in heraldic or symbolic contexts, showing figures and attributes.

Etching by Gabriel Huquier created between 1729 and 1735 titled Luft, presenting an ornamental design with airy, flowing motifs characteristic of early 18th-century French engraving.

Copper engraving and etching by Jacob Matham depicting Danaë, created in 1610.

Copper engraving and etching by Pieter de Bailliu depicting a portrait of Jacob Adriaensz. Baker, created between 1633 and 1821, showing a single human figure.

Mathias Schmidt created etchings of various scenes between the 18th and mid-19th century, depicting landscapes, figures, and architectural elements.

Copper engraving and etching by Pierre Alexandre Tardieu depicting Christine, Princess of Sweden, created between 1772 and 1844, illustrating royal portraiture and 18th-century technique.

Voddemoer, 1731 - 1732 Koddige figure, in the caption in the overviewsprent, this figure bears the name: Voddemoer. Part of the booklet: XXXVI. Aterdige Figures, invented by Izaak from Ostade to Haarlem 1731-1732. Haarlem paper Koddige figure, in the caption in the overviewsprent, this figure bears the name: Voddemoer. Part of the booklet: XXXVI. Aterdige Figures, invented by Izaak from Ostade to Haarlem 1731-1732. Haarlem paper

Etching by Albrecht Dürer from 1655 depicting a cloth held by two angels, emphasizing drapery and angelic figures.

A woodcut created after 1500 by Niclas Stör showing a portrait of an individual with attention to facial features and attire.

Chodowiecki's etching 'Idyllen' (1771), based on Salomon Gessner's work, illustrates scenes from the pastoral poems, capturing serene rural life.

Etching by Daniel Nikolaus Chodowiecki from 1796 illustrating the 1797 Becker paperback, showing figures, scenes, and textual details of the book illustration.

Etching by Maria Anna Angelika Catharina Kauffmann depicting Hammond's Love Elegies, showing figures, gestures, and attire, created in 1787.

Copper engraving by Johann Theodor de Bry depicting Caspar Bauhin, created in the late sixteenth to early seventeenth century, showing detailed facial features, attire, and European portrait style.

Three photo productions of a publication by the Arundel Society with a relief and two paintings by Tintoretto, Anonymous, After Domenico Tintoretto, c. 1859 - in or before 1869 photograph photographic support albumen print book. Christ. sculpture (+ relief ~ sculpture)

A woodcut by Albrecht Dürer after 1502 depicting scenes from the life of Mary, showing figures, gestures, and attire in a religious context.

Jong Kuyken Zonder Head, 1731 - 1732 Koddige figure, in the caption in the overviewsprent, this figure bears the name: Jong Kuyken without a head. Part of the booklet: XXXVI. Aterdige Figures, invented by Izaak from Ostade to Haarlem 1731-1732. Haarlem paper Koddige figure, in the caption in the overviewsprent, this figure bears the name: Jong Kuyken without a head. Part of the booklet: XXXVI. Aterdige Figures, invented by Izaak from Ostade to Haarlem 1731-1732. Haarlem paper

Etching by Daniel Nikolaus Chodowiecki from 1796 illustrating the 1797 Becker paperback, depicting figures, scenes, and text in detailed book illustration.

Steel engraving and etching by Josef Axmann depicting a boy and a girl meeting, created between 1808 and 1873, showing a detailed portrayal of young couples in social interaction.

Etching by Paul Haubenstricker from 1770-1793 depicting portraits, showing facial features, clothing, posture, and character of the subjects.

Etching by Daniel Nikolaus Chodowiecki, 1783, illustrating Siegfried von Lindenberg for Göttingen pocket calendar, showing figures, landscape, and narrative elements.

Early -destroyed, 1731 - 1732 Koddige figure, in the caption in the overview Sprent, this figure bears the name: Early-Durving. Part of the booklet: XXXVI. Aterdige Figures, invented by Izaak from Ostade to Haarlem 1731-1732. Haarlem paper Koddige figure, in the caption in the overview Sprent, this figure bears the name: Early-Durving. Part of the booklet: XXXVI. Aterdige Figures, invented by Izaak from Ostade to Haarlem 1731-1732. Haarlem paper

Ungers 1886 etching shows Christ in spring with Maria and John, depicting figures, gestures, clothing, and surrounding landscape in religious context.

Copper engraving by Jan Pietersz. Saenredam created around 1595 depicting Susanna in the bath, showing a nude female figure, interior setting, and detailed composition.

Copper engraving and etching by Étienne Fessard depicting scenes of stealing, created between 1730 and 1774, showing figures, action, and narrative composition.

This 1538 woodcut series by Hans Holbein the Younger, 'Imagines Mortis', depicts various representations and faces of death, emphasizing allegorical and historical elements for book printing.

Copper engraving and etching by Jacob de Gheyn II depicting the mythological scene of Perseus rescuing Andromeda. Produced in 1588, it shows figures, armor, sea monster, and classical composition.

An etching by Wenzel Hollar from 1627-1677 depicting knights at a court ceremony, showing figures in ceremonial attire, architecture, and formal arrangement.

Statue of Albrecht Dürer on the Albrecht Dürerplein in Nuremberg, Anonymous, c. 1870 - c. 1900 photograph Part of Reisalbum with photos of sights in Germany and Austria and of artworks. Nuremberg paper. photographic support albumen print monument, statue Nuremberg

Diverses pièces de serruriers (Various Designs for Locksmiths), Hugues Brisville, French, active ca. 1663, Jean Bérain, the Elder, French, 1640 - 1711, Gabriel Ladame, French, active ca. 1645 - 1668, Nicolas Langlois, French, 1640 - 1703, Hugues Brisville, French, active ca. 1663, Engraving on laid paper, This group includes the orginal suite of fourteen plates, including title plate and dedication plate, an additional two plates numbered 15 and 16, and a two-page spread with a portrait of Brisville., France, after 1662, albums (bound) & books, Album, Album

Copper engraving by Jacob Matham around 1606 depicting a Bohemian landscape with a couple and hunters. The artwork shows natural scenery, figures, animals, and hunting activity in early 17th-century European style.

Bliżej Kultury Czerski, Stanisław (1777 1833)

Woodcut by Hans Baldung Grien from the 16th century depicting the three Fates, showing figures, symbols, and composition.

An etching by Maria Anna Angelika Catharina Kauffmann from 1792 depicting the mythological scene of Bacchus being nursed, showing figures, gestures, and classical narrative elements.

The etchings of Gessner from 1750-1788 present vignettes combining human figures, animals, natural landscapes, and ornamental motifs.

Etching by Joseph Fischer after 1822 depicting portraits of Corneille Cornelisz, Pierre and Jean Breughel, Pierre Neefs, Paul Moreelse, and Sébastien Franck, showing figures and facial features.

This 1787 etching by Daniel Nikolaus Chodowiecki illustrates Cecilia, from the 1789 Lauenburg Genealogical Calendar, depicting scenes and figures from the story in a book illustration format.

Etching by Jacques-Philippe Le Bas showing three small landscapes, created between 1735 and 1783, representing natural scenes.

Woman with drinks and fire, Théophile Alexandre Steinlen, 1897 print On a large table, surrounded by ladies and gentlemen in evening clothing, a drunken woman dances for a bowl with burning punch. In her right hand she holds a burning coupe. Japanese paper (handmade paper) female sex; woman. festivities. alcoholic drinks

Sechzehn Comp: und auf Kupfer Radirte Blätter v Carl August Lebsché Munich. Forest face with large stone on which the title, on cover. Within this cover a second cover, RP-P-2008-590A, in which 16 landscape passengers.

Etching by Daniel Nikolaus Chodowiecki from 1780 depicting the daily occupations of ladies, showing detailed figures and domestic activities.

An etching by Karl Rahl (The Older) illustrating masterpieces of German poets and prose writers, showing figures, narrative scenes, and book illustration composition.

Etching by an unidentified monogrammist from the 16th century depicting a Landsknecht with ornamental frieze, showing figure, attire, and decorative elements.

Group men with caps and overray, Adolf Eduard Herstein, 1879 - 1932 print paper etching / drypoint crowd, mob. adult man

Etching by Nicolaas Verkolje (1693-1746) depicting various people in a group scene. The print emphasizes figures, gestures, clothing, and interaction in Dutch late 17th- and early 18th-century engraving style.

Photo production of the upbringing of Maria by Peter Paul Rubens, Edmond Fierlants, after Peter Paul Rubens, c. 1856 - in or before c. 1861 photograph Brussels photographic support albumen print education of Mary

Copper engraving by Adriaen Muntinck from 1611-1677 depicting ornamentation with birds, showing detailed 17th-century European decorative style and composition.

Frederick Christian Lewis created aquatinta and etching landscapes inspired by Claude Lorrain between 1837 and 1840. The works depict natural scenery, classical architecture, and atmospheric effects characteristic of Lorrains style.

Etching by an unidentified engraver from 1550-1700 depicting the ceiling of the gigantic hall in Palazzo Te, Mantua, showing architectural details and decorative frescoes.

Copper engraving and etching by Johann Anton Riedel from 1750-1816 depicting a man with hat and halberd and an interior with a farmer family, showing figures, domestic setting, and 18th-19th century European printmaking techniques.

Copper engraving and etching by Noach van der Meer II, 1785-1794, depicting a still life with flowers, showing arrangement, vases, and botanical details.

Reproduction of a print of a shield with a lion held by an angel by Martin Schongauer, Simonau & Tooey, after Martin Schongauer, c. 1867 - in or before 1872 photomechanical print This print is part of a cover with 24 prints on 24 magazines. Brussels (possibly) paper armorial bearing, heraldry. angels

Copies after the 'Livre contenant passement de moresques' (plate 15). Artist: After Jacques Androuet Du Cerceau (French, Paris 1510/12-1585 Annecy). Dimensions: Sheet: 4 13/16 × 3 9/16 in. (12.2 × 9 cm)Plate: 4 1/2 × 3 5/16 in. (11.5 × 8.4 cm)Overall: 10 1/16 × 7 7/8 in. (25.5 × 20 cm). Date: 19th century ().Modern album containing 19 etchings with moresque designs after the French artist Jacques Androuet Du Cerceau. Museum: Metropolitan Museum of Art, New York, USA.

Steel engraving and etching by Josef Axmann depicting Venus and Adonis, and a bust of Marcus Aurelius, created between 1808 and 1873.

Copper engraving print by Jean Frosne between 1643 and 1676 depicting individual and group portraits.

A copper engraving by Cornelis Cort depicting the mythological figure Sylvanus, created in 1565.

Copper engraving by Coenraet Waumans circa 1640 depicting six seven-headed figures, showing detailed anatomical and artistic representation.

Reproduction of a print of grotesque ornaments with two cupidos by Hans Sebald Beham, Simonau & Tooey, after Hans Sebald Beham, c. 1866 - in or before 1871 photomechanical print This print is part of a cover with 57 prints on 54 sheets. Brussels (possibly) paper ornament ~ grotesque. Cupids: 'Amores', 'Amoretti', 'Putti'

The etching by Maria Anna Angelika Catharina Kauffmann from the late 18th to mid-19th century depicts Leonora and Laura, showing the figures, attire, posture, gestures, and surrounding environment.

Etching by Daniel Nikolaus Chodowiecki showing a leaf illustration for Klein's Life of Great Germans, made in 1782, part of the biographical series of German historical figures.

Etching by Giovanni Battista Mercati created between 1610 and 1645 depicting Fries with Nereids and Tritons. The print shows mythological sea figures interacting with water in detailed compositions.

An etching by Franz Riepenhausen from 1810-1820 showing Cimabues 'Thronging Madonna,' depicting the Madonna, surrounding figures, gestures, and religious setting.

A 1778 etching by Daniel Nikolaus Chodowiecki depicting leaves for 'Le Sage's Gil Blas', showing illustrated narrative pages with figures and detailed composition.

Etching by Joseph Fischer after 1822, depicting portraits and works of artists Gillis Mostaert, Marc Gerards, Hans Bol, Dirk Barentsen, and Adrian de Weerdt.

View of the Sphinx of Gizh and the pyramid of Chefren, Francis Frith, c. 1870 - in or before 1875 photograph Giza photographic support albumen print pyramid (historical grave form). sphinx (lion/woman); 'Sfinge' (Ripa) Pyramids from Gizh. Sphinx from gizeh

Etching by Joseph Fischer after 1822 depicts portraits of multiple artists including Livin Mehus, Adrien Backer, and Jean Erasme Quellinus, highlighting facial features, attire, and period portraiture.

The infamous hat known as the Cagliostro or the Queen's necklace, with its colours of red and yellow - cardinal on straw. (The Cardinal de Rohan was imprisoned for his role in the Affair of the Queen's necklace.) Hand-colored lithograph from "Fashions and Customs of Marie Antoinette and her Times," by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

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