Classical Sculptures and Photographs

A collection of historical sculptures and paintings featuring mythological figures, philosophers, and tomb monuments, showcasing intricate details in sepia tones.

Photo production of a painting from Margaretha from Antioch to Andrea del Sarto in the cathedral of Pisa, Italy, Fratelli Alinari, after Andrea del Sarto, 1857 - 1900 photograph Pisapublisher: Florence cardboard. paper albumen print picture, painting Cathedral of Pisa

Sculpture of a woman with a cup by Leopold Borbone, Grillet Jeune (Possible), c. 1854 - in or before 1859 photograph This photo is part of a cover with 18 photos on 18 magazines and 14 text magazines. photographic support albumen print piece of sculpture, reproduction of a piece of sculpture. adult woman. drinking-vessels

Group of Mexican Rag Work.. Benjamin West Kilburn (American, 1827 - 1909)

Copper engraving by Claude Mellan from around 1643 depicting a bust of the Jesus boy in an oval frame, showing facial features, hair, and drapery in detailed line work.

Charles Phillips, 1737- after 1783, Miss Nelly O'Brien, 1770. Mezzotint on medium, slightly textured, cream, laid paper.

Hystéro-Épilepsie Contracture. Paul-Marie-Léon Regnard (French, 1850 - 1927)

Study for a Decorative Panel. Artist: Alphonse Mucha (Czech, Ivancice 1860-1939 Prague). Dimensions: Image: 12.4 x 9.9 cm (4 7/8 x 3 7/8 in.). Date: 1908.The graphic art of the Czech artist Alphonse Mucha was the embodiment of the curvilinear aesthetic of Parisian Art Nouveau. Enshrining woman, his posters, calendars, theater programs, and decorative panels feature sensuous yet ethereal maidens caught in decorative swirls of unloosed tresses, flowing gowns, and floral arabesques. An amateur photographer early in his career, Mucha used photographs of carefully posed models to supplement preliminary sketches for larger works.This photograph is a study for "Tragedy," a decorative panel Mucha created in 1908 for the short-lived German Theater in New York; it was to be his last major undertaking in the Art Nouveau style before he redirected his efforts to history painting. Intended as a compositional study of two models, the image in close-up is invested with a powerful erotic charge, m

Stereo albumin paper photograph by the Wiener Photographen-Association, showing the French art exhibition at the 1873 World Exhibition in Vienna.

Tuscany Siena Montalcino Museo Diocesano59. Hutzel, Max 1960-1990 Post-medieval: Painting, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The elevator Anonymous. The elevator. Draw on crossllated albuminum paper on blue-green cardboard.

Photo production of a painting, representing a pieta by Daniele Crespi. Part of travel album with recordings of artworks, people and sights in Spain.

Matthias Grünewald. Nikolaus Hagenauer. Isenheim altar first sight, side panels

Sculpture by Jean -Baptiste Théodon in the Musée du Louvre in Paris, representing Atlas, Neue Photographic Gesellschaft, in or after 1894 - c. 1910 stereograph Louvre Museum cardboard. photographic support gelatin silver print (story of) Atlas. sitting figure - AA - female human figure. sculpture

The Pearl Necklace, BerlinGallery. Artist: Timothy Cole, American, 1852-1931 After: Jan Vermeer, Dutch, 1632-1675

Drapery on a Table Drapery on a table, draughtsman: Jan de Bisschop, 1648 - 1671, paper, brush, h 208 mm × w 252 mm

Stereo photograph of the Diskobolos of Myron sculpture in the Vatican Museums, printed on albumin paper around 1860.

FelixGrundy. Artist: Elijah C. Kellogg, American, 1811-1881 After: William Brown, American, 1808-1882

Portrait of Martha Marie Glissoux, called Leduc Portrait of Martha Marie Glissoux, called Leduc. Visit card. Photograph of Andr� Adolphe Eugene Dissier (1819-1889). Draw on albuminum paper. 1860-1890.

Un morceau de Schumann , Musicians, Spouses, Pianos, Flutes, Schumann, Robert, 1810-1856. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Album Asplet Folio 64, isolated photography by Augustine Allix "(Recadent album page). Photograph by Auguste Vacquerie (1819-1895). Paper. 1854. Paris, Maison de Victor Hugo. 101615-4 Portrait, 19th XIXth XIX 19th 19th 19 Center

Lazio Roma Subiaco S. Maria della Valle. Hutzel, Max 1960-1990 Views of 18th c. two-story facade, interior nave and altar, panel paintings, painted wood sculptures from 12th and 16th c. Hutzel lists main altar painting as Maltese Madonna, but this is not in TCI. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Study of a feminine nude model, lying on a tiger sheet, and head up and hand on the head, in the studio of sculptor / painter Jacques de Lalaing.

Snake goddess, Cretan, 16th century B.C., ivory and gold , Figurines, Antiquities, Goddesses, Snakes. Nicholas Catsimpoolas Collection

The adieu , Couples, Farewells, Arrivals & departures

Carte-de-Visite Album of British and European Royalty. Artist: Daniel Downey (British); F. Joubert (British); Hermann Günther (German); Hills and Saunders (British, active 1856-95); W. C. Lacy; Frères Ghemar; Alfred Windsor (British); Cornelius Jabez Hughes (British, 1819-1884); Camille Silvy (French, 1835-1869); John Jabez Edwin Mayall (British, Oldham, Lancashire 1813-1901 West Sussex); S. Mauer. Date: 1860s-70s. Museum: Metropolitan Museum of Art, New York, USA.

Black Horseman in Front of a Doorway, c. 1855. France, 19th century. Salt print from wet collodion negative; image: 15.5 x 13.5 cm (6 1/8 x 5 5/16 in.); mounted: 47 x 30.6 cm (18 1/2 x 12 1/16 in.); matted: 50.8 x 40.6 cm (20 x 16 in.). The genre of equestrian portraiture dates back to classical antiquity, but translating it to photography was tricky because of the long exposures required by the early processes. Some examples by Nadar evoke conventions of studio portraiture, such as employing a large painted backdrop to disguise the actual locations, which were probably outdoors. In this slightly earlier photograph, there is no such artifice.

Rock of Ages, (The Ascension.). Franklin G. Weller (American, 1833 - 1877)

The Madame B Album Made 1870-1879 France. Albumen prints with watercolor (in album) . Marie-Blanche Hennelle Fournier

A stereo-format photograph of the murals inside Die Veste in Coburg, Thuringia, captured in 1888 and preserved on albumin paper in its original box.

Taking Advantage of Leap Year.. Edward and Henry T. Anthony & Co. (American, founded 1862, merged 1902)

Bliżej Kultury unknown

Portraits, by Rembrandt. Caldesi & Montecchi (British, active 1850s)

Lazio Roma Rome S. Girolamo della Carita5. Hutzel, Max 1960-1990 Founded on site where saint lived in 382, church is located on Piazza della Rota and via di Monserrato. Reconstructed 1654-60. Exterior views of baroque facade and flank, with details of portals, capitals and architectural sculpture. Extensive coverage of interior altars, ceiling, sculpture, painting, frescoes, stucco, coffers. General Notes: Exterior views from via di Monserrato sequence integrated into this one. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Musée de Delphes, L'Aurige, Δελφοί , Sculpture, Antiquities. Nicholas Catsimpoolas Collection

Bliżej Kultury unknown

Moll Pitcher.. John P. Soule (American, 1827 - 1904)

Portrait of an unknown woman, half naked, anonymous, 1851 - 1860 stereograph copper (metal). glass. paper nude with covered genitals - AA - female human figure. anonymous historical person portrayed

The Engineer, Print made by Butler Clowes, active 1768, died 1782, British, after Jean François Gille Colson, 1733-1803, French, Published by Thomas Kitchin, 1719-1784, British, ca. 1770, Mezzotint on moderately thick, slightly textured, beige laid paper, Sheet: 13 7/8 × 10 1/16 inches (35.2 × 25.5 cm) and Image: 12 3/16 x 10 1/16 inches (31 x 25.5 cm), boy, buttons, cannon, child, costume, cravat, curls, dog (animal), engineer, explaining, genre subject, hat, man, physics, showing, smiling, smoke, stick, tricorn, wall, watching, wig

Siren, Skouloudi Collections , Antiquities, Sculpture, Sirens Mythology. Nicholas Catsimpoolas Collection

Three o'clock in the Morning. Trois heures du matin!!. Alfred Silvester (British, active 1850s - 1860s)

Lying nude.

Lazio Viterbo Castel Sant'Elia S. Elia82. Hutzel, Max 1960-1990 Exterior photos of views, the facade, the portal and many architeectural details. Interior views of nave, with its carved pulpit with details and its ciborium/baldacchino with details. There are many photos of Byzantine, Romanesque and early Renaissance style paintings. Sculpturally, there are photos of capitals, architectural details and inscriptions. Object Notes: Hutzel photo campaign notes: September 9, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Bertha Horn..

Sculpture by Hector Lemaire in the Musée du Luxembourg in Paris, representing a woman makes her morning toilet, Neue Photographic Gesellschaft, 1904 stereograph Luxembourg cardboard. photographic support gelatin silver print permanent exhibition, museum. sculpture. making toilet. woman (showing herself) undressed, quasi-nude

Lazio Viterbo Viterbo Palazzo Comunale8. Hutzel, Max 1960-1990 Exterior views of Renaissance palazzo portico, portal fresco, courtyard with fountain and view of SS. Trinita. Interior views of Sala Regia o Erculea, decorated with frescoes by Croce and Sala del Consiglia. Antiquities: Sarcophagi in courtyard. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Pierre Roche, Souhaits Souhaits au Gui Le Siecle Neuf (Best Wishes for the New Century), 1901 Souhaits Souhaits au Gui Le Siecle Neuf (Best Wishes for the New Century)

Standing Male Nude ca. 1856 Unknown The original impulse behind these boldly ambitious figure studies may have been to aid a painter or sculptor, but they are nonetheless without parallel in the early history of photography. Enlarged to the size of drawn académies—drawings of the live model that were a standard part of art instruction in France—their scale alone sets them apart from the more modest productions of Vallou de Villeneuve, Durieu, and other artists of the 1850s. More unusually, the images are interrupted by a surface pattern that gives the impression that the photographs are printed on finely pleated silk rather than paper—likely the result of a technical error. Instead of wiping clean his glass-plate negatives and starting over as virtually all other photographers would have done, this artist recognized that the pattern created a veil that, like time or memory, removed the images from their merely utilitarian purpose and elevated them from the mundane to the realm of art

Rebecca at the Well.. Unknown

Grafs sign by Isaac Sweerts by Rombout Verhulst in the Oude Kerk in Amsterdam, Anonymous (Monumentenzorg) (Attributed to), 1911 photograph Old church photographic support. cardboard grave, tomb. piece of sculpture, reproduction of a piece of sculpture. parts of church interior Old church

Sculpture in the Musée du Luxembourg in Paris, representing a sphinx coast a young man, Neue Photographic Gesellschaft, in or after 1895 - c. 1905 stereograph Luxembourg cardboard. photographic support gelatin silver print permanent exhibition, museum. sculpture. sphinx (lion/woman); 'Sfinge' (Ripa). embracing each other, kissing

Jean-Louis Faurain in the workshop of the Geoffroy sculptor of ruillé Anonymous. "Jean-Louis Faux in the workshop of the Geoffroy sculptor in Ruillé". Draw on albuminum against glued on cardboard, late nineteenth century. Museum of Fine Arts of the city of Paris, small palace.

Stichling Otto, allegorical figure jewelry, majority for the main facade of the town hall of Berlin-Charlottenburg, design or execution models (without date): Bronze lighting. Photo on cardboard, 35.8 x 29.4 cm (including scan edges) Stichling Otto (1866-1912): Allegorischer Figurenschmuck, mehrheitlich für die Hauptfassade des Rathauses Berlin-Charlottenburg, Entwurfs- bzw. Ausführungsmodelle

Sèriè à la Ristori 1860s Pierre-Louis Pierson French. Sèriè à la Ristori 261317

Bust of a emperor in the Vatican Museums in Vatican City, c. 1875 - c. 1900 photograph Vatican Museums cardboard. photographic support albumen print sculpture. emperor Vatican Museums

Cyanotype photograph by Johann Victor Krämer around 1900 showing a female nude model posed in a studio setting, highlighting form, lighting, and composition.

Sèriè à la Ristori. Artist: Pierre-Louis Pierson (French, 1822-1913). Date: 1860s. Museum: Metropolitan Museum of Art, New York, USA.

Vilnius. Bernardine walls. Department of Fine Arts of USB. Hol - sculpture, discobol; Bułhak, Jan (1876-1950); around 1930 (1925-00-00-1931-00-00);

John Marin Made 1910 United States. Along with fellow Photo-Secessionists and avant-garde European artists, Stieglitz also began to promote the work of a new generation of American painters at his gallery. He made portraits of many of them as well, as seen here in the images of John Marin, Arthur Dove, and Marsden Hartley. While utterly modern in approach, these photographs hearken back to the work of both David Octavius Hill and Julia Margaret Cameronówhom Stieglitz had discovered only a few years earlierówith figures emerging from massed, shadowy backgrounds.For more on the Alfred Stieglitz collection at the Art Institute, along with in-depth object information, please visit the website The Alfred Stieglitz Collection.. Platinum print . Alfred Stieglitz

Abruzzo, L'Aquila, L'Aquila, Madonna del Soccorso, Italy, 20th century, photo, photography, Europe

A statue of Cardinal Jerzy Radziwiłł by Pius Weloński (1849-1931) to the monument in the Wawel Cathedral - photography of sculpture (model in clay) at the artist's studio in Warsaw; Karoli, Aleksander (1838-1916); around 1904 (1899-00-00-1909-00-00);

Umbria Perugia Bettona S. Maria Maggiore8. Hutzel, Max 1960-1990 Medieval: 13th century architecture. Post-medieval: Architecture, architectural sculpture, sculpture, painting, fresco painting, 17th century remodel Specific Location: Piazza Cavour Antiquities: Architectural fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Young Male Nude Seated on Leopard Skin. Artist: Guglielmo Plüshow (Italian (born Germany) 1852-1930). Dimensions: 22.2 x 16.2 cm. (8 3/4 x 6 3/8 in.). Date: 1890s-1900s.Male nudity has frequently been subject to stricter control than pornography featuring women. The Arcadian photographs of Plüshow and his cousin and student Wilhelm von Gloeden were avidly collected in the late nineteenth century, but in the 1930s many of their prints and negatives, considered deviant by the Italian Fascist government, were destroyed. For much of the twentieth century, it was illegal in the United States to mail photographs that might be judged prurient, forcing photographers to mask genitalia and pubic hair with strategic props or with overpainting that could be easily removed by purchasers. Sale of erotic male physique magazines and bodybuilder pin-ups, ostensibly circulated to promote fitness, was legalized in a 1962 Supreme Court ruling, which concluded that "portrayals of the male nude cannot fairl

Lazio Viterbo Acquapendente S. Sepolcro, Cathedral8. Hutzel, Max 1960-1990 Exterior and interior views. Marble reliefs by Agostino di Duccio, altarpiece by Beneventano, wooden choir by Mario Tedescho; statues, friezes, views of crypt's columns and capitals. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Observatory; Thereza Llewelyn 1853-56 John Dillwyn Llewelyn British, Welsh. The Observatory; Thereza Llewelyn 283076

Lazio Rieti Labro S. Maria3. Hutzel, Max 1960-1990 Medieval: Architectural fragments, sculptural fragments. Post-medieval: Architecture, architectural sculpture, fresco painting, painting, sculpture, sculptural fragments Object Notes: In 1508, the church was built over the remains of a castle, preceding that of the Vitelleschi. No information provided by Hutzel. See TCI, Lazio, p.456. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The new prie.

Animal Locomotion Plate 502, 1887, Eadweard Muybridge; Publisher: University of Pennsylvania, American (born England), American (born England), 1830 - 1904, 8 11/16 x 14 1/16 in. (22.07 x 35.72 cm) (image)18 1/2 x 23 9/16 in. (46.99 x 59.85 cm) (sheet), Collotype, 19th century

Hebe van Antonio Canova in the Neues Museum, Berlin, Johann Friedrich Stiehm, after Antonio Canova, 1868 - 1870 stereograph Berlin cardboard. paper albumen print permanent exhibition, museum. sculpture new museum

Memorial portrait of a woman, circa 1880s-1900, United States, by J A Sweet. Gift of Geoffrey Batchen, 2015.

Olga Niewska with a dog at her workshop, beside the sculpture `Satyr`. unknown, photographer

Print made by Philip Dawe, ca.1745-ca.1809, British, The Oyster Woman, 1769. Mezzotint on moderately thick, slightly textured, cream wove paper.

Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Act study. From the portfolio "Acts of Heinrich Zille".

Anna Pavlowa; Arnold Genthe, American, 1869 - 1942; about 1915; Gelatin silver print; Image: 33.5 x 25.2 cm (13 3/16 x 9 15/16 in.), Mount: 45.7 x 35.6 cm (18 x 14 in.)

Depicts 'Stimulation' by Fritz Hegenbart around 1890 using etching and vernis mou, showing figures in expressive action.

Six faces expressing the human passions: (clockwise from top left) attention, admiration with astonishment, veneration, simple bodily pain, joy with tranquility, and admiration. Coloured etching, c. 1800, after C. Le Brun.

Arrangement of Chinese porcelain in the middle of paintings; Troostzaal. In the middle, the inspectors of the Collegium Medicum in Amsterdam has been expressed by Cornelis Troost, which had the Rijksmuseum until 1975 on loan from the Amsterdam Historical Museum.

Miss Nelly O'Brien, Samuel Okey, active 1765-1780, British, after Sir Joshua Reynolds RA, 1723-1792, British, undated, Mezzotint on moderately thick, moderately textured, beige, laid paper, Sheet: 13 1/4 × 10 inches (33.7 × 25.4 cm) and Image: 12 3/4 × 9 15/16 inches (32.4 × 25.2 cm)

Bayard et ses Statuettes Made 1842-1850 France. Gelatin silver print, No. 2 from the portfolio Bayard XXV Calotypes, 1842-1850 (1965); edition 14/50 . Hippolyte Bayard

Etudes d'Apres Nature. Julien Vallou de Villeneuve (French, 1795 - 1866)

Do you know me now. Attributed to J. Eastlake (British, active 1850s - 1860s)

Seven Members of the Eynard Family. Jean-Gabriel Eynard (Swiss, 1775 - 1863)

Spirit of the Joshua. Louis Fleckenstein (American, 1866 - 1943)

Interior the composition is a portrait of a sitting man with an easel in the background next to it sits on the table a naked model in Dali in the interior of the skeleton ASP Kraków unknown

Colossen van Memnon, Anonymous, c. 1865 - c. 1875 photograph This photo is part of an album. Luxor paper albumen print monument, statue Colossen van Memnon

Pan 5, no. 3 (1899)-4 (1900). Leopold von Kalckreuth (Germany, Dusseldorf, 1855-1928)Gustav Kampmann (Germany, 1859-1917)Max Liebermann (Germany, Berlin, 1847-1935)Hans Olde (Germany, Süderau, 1855-1917)Peter Behrens (Germany, 1868-1940)Walter Leistikow (Germany, Bromberg, 1865-1908). Germany, Berlin, 1899-1900. Periodicals. Printed material with two etchings, two lithographs, one woodcut and one mezzotint

Le montagnard. Artist: Pierre-Louis Pierson (French, 1822-1913). Dimensions: 8.6 x 11.7 cm. (3 3/8 x 4 5/8 in.). Date: 1860s. Museum: Metropolitan Museum of Art, New York, USA.

Lazio Viterbo Canino Collegiata, SS. Andrea e Giovanni Battista2. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Henning with Parthenon Frieze. Artist: David Octavius Hill (British, Perth, Scotland 1802-1870 Edinburgh, Scotland); Robert Adamson (British, St. Andrews, Scotland 1821-1848 St. Andrews, Scotland). Photography Studio: Hill and Adamson (British, active 1843-1848). Date: 1843-47. Museum: Metropolitan Museum of Art, New York, USA. Author: Robert Adamson. David Octavius Hill.

Johnny and Drum; Dead Game 1853-56 John Dillwyn Llewelyn British, Welsh. Johnny and Drum; Dead Game 283076

Model for mural , Artists' models, Costumes, Massachusetts Normal Art School

Return from the Ball 1879 Théophile Chauvel Proof before title.. Return from the Ball. Théophile Chauvel (French, Paris 1831-1909 Paris). 1879. Etching; proof. Prints

Figurehead of 'Empress' , Ship figureheads. The Massachusetts WPA Federal Art Project Photograph Collection

Palmer Marbles. Sculpture of bare-breasted woman. P.C. Duchochois (American, born France, about 1826 - 1909)

Female nude, attributed to Bruno Braquehais, c. 1840 - c. 1860.

Alfons Karpiński (1875-1961), abandoned; Czernecki, Jan (Wieliczka, Kraków; Publisher; 1905-1939), Anczyc, Władysław Ludwik and company (Kraków; Drukarnia; 1875-1948); around 1910 (1905-00-00-1915-00-00);

Sculpture of a smiling children's face to Jtasse; Laugh nuch Jtasse; Sculptures gallery ..

Art Exhibition. Robert Jefferson Bingham (British, 1824 - 1870)

Guillaume Benjamin Amant Duchenne (de Boulogne), Astonishment, stupefaction, amazement, 1854 1856 Astonishment, stupefaction, amazement

Eugénie Schlosser dans Gracioza André-Adolphe-Eugène Disdéri French 1861 View more. Eugénie Schlosser dans Gracioza. André-Adolphe-Eugène Disdéri (French, Paris 1819-1889 Paris). 1861. Albumen silver print from glass negative. Photographs

of 3