← Artworks

Colorful Floral Prints

Vibrant botanical illustrations showcasing various flowers, blending detailed line work and watercolor techniques from historic floral design.

Design for the Embroidery of a Lady's Overskirt of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache on paper, The left bottom part is shown; it is composed of a row of beads and a chain at the edges, a bunch of flowers inside. Another one is sketched roughtly over it., France, ca. 1785, Drawing, Drawing
Design for the Embroidery of a Lady's Overskirt of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache on paper, The left bottom part is shown; it is composed of a row of beads and a chain at the edges, a bunch of flowers inside. Another one is sketched roughtly over it., France, ca. 1785, Drawing, Drawing
250 assets in this story
Sweet violet, Viola odorata, with flower, leaf, stem and roots. Handcoloured stipple copperplate engraving by Lambert Junior from a drawing by Pierre Jean-Francois Turpin from Chaumeton, Poiret and Chamberet's "La Flore Medicale," Paris, Panckoucke, 1830. Turpin (1775~1840) was one of the three giants of French botanical art of the era alongside Pierre Joseph Redoute and Pancrace Bessa.Wijnrank, c. 1866 - c. 1900 drawing paper. pencil drawingDrie tulpen met waterjuffer en een ander insect. Minerva / Orrienthal (title on object). Draughtsman: Jacob Marrel (mentioned on object). Dating: 1639. Measurements: h 265 mm × w 335 mm. Museum: Rijksmuseum, Amsterdam.Print (France)Langouste, plants with birds., 1866 - 1878. Decorative arts, France. Porcelain with French, European, and Japanese influences featuring birds, flowers, and shellfishGrote centaurie (Centaurea scabiosa). Groote Koorn Bloeme. / Cianus flos. / Blaveole Bland grande espèc. (title on object). Draughtsman: Anselmus Boëtius de Boodt. Draughtsman: Elias Verhulst. Dating: 1596 - 1610. Place: Praag. Measurements: h 255 mm × w 173 mm. Museum: Rijksmuseum, Amsterdam.Jean-Baptiste Pillement, Pagoda Flowers and Roses, French, 1728 - 1808, black and red chalk on laid paperDesign for a Ceiling Decoration with Putti and Garland Motifs. Artist: Attributed to Donato Giuseppe Frisoni (Italian, Laino near Como 1683-1735 Ludwigsburg). Dimensions: 13 5/16 x 12 15/16in. (33.8 x 32.8cm). Date: 1709-20. Museum: Metropolitan Museum of Art, New York, USA.Fragment, Medium: silk, metallic thread, gold paint Technique: embroidered using satin, stem and couching stiches on satin weave; painted, Small fragment with a bouquet of multicolored flowers, leaves and buds tied with a ribbon. Satin weave ground is painted gold., France, early 18th century, embroidery & stitching, FragmentStudy of various flowers, lying on a plinth. A butterfly is flying on the right. The print is part of a series of prints depicting various flowers, Floral study with butterfly Title print for: W. van Leen and J.C. & J.A. Coebergh, Etched Flowers, 1801, print maker: Willem van Leen, (mentioned on object), 1801, paper, etching, h 221 mm × w 144 mmParis, Esnauts & Rapilly, Ranson, Pierre, Voysard, Etienne Claude, 2e Suite de différens Attributs, Trophées et Groupes de Fleurs, Trophy with horticultural attributes, verso - stamped, A trophy with objects belonging to horticulture such as a scythe, a rake, a shovel, a pickaxe, a watering can, baskets and fruit., print, ornamental print, prints, ornamental prints, height 282 mm, width 220 mm, 1746 - 1812, print maker, printmaker, 1778 - 1778, paper, papier, etching, etchings, French, 1736 - 1786-09-26, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisherDrawing, Study for Fresco Decoration, Quirinal Palace, Rome; Francesco Manno (Italian, 1754 - 1831); Italy; brush and gray wash, pen and brown ink, black chalk on paper; Mat: 35.7 x 45.7 cm (14 1/16 in. x 18 in.) 27 x 33.7 cm (10 5/8 x 13 1/4 in.)Bouquet of rose, passion flower, tulip, geranium. The Group of Gentleness. Hand-coloured lithograph with gold calligraphy by Paul Jerrard from his own Gems for the Drawing Room, Paul Jerrard, 111 Fleet Street, London, 1852. Jerrard was a Victorian lithographer and print colourer active in London.Keizerskroon (Fritillaria imperialis). Kroon imperiael. / Corona imperialis / Couronne imperiale (title on object). Draughtsman: Anselmus Boëtius de Boodt. Draughtsman: Elias Verhulst. Dating: 1596 - 1610. Place: Praag. Measurements: h 317 mm × w 215 mm. Museum: Rijksmuseum, Amsterdam.Design for a Lavish Headdress with Feathers on a Helmet ca. 1620-56 Possibly by Baccio del Bianco Italian Design for a headdress, shown from the side (person facing left). The headdress is made up out of three tiers of extremely large feathers and topped with plumes.. Design for a Lavish Headdress with Feathers on a Helmet 410326Glass vase with flowers, after 1646 - Before 1696 print From series of 8 magazines, second edition. print maker: France (possibly)after design by: France (possibly)publisher: Paris paper engravingDrawing, Trophy composed of musical instruments; USA; pencil and watercolors on paperJ.M. Thorburn & Co.'s annual descriptive catalogue of flower seeds, New York, J.M. Thorburn & Co, bulbs, plants, catalogs, flowers, New York, New York State, nurseries, horticulture, nursery stock, Thorburn J.M. Co, trees, vegetables, tulips, garden stories, in bloom, Tulipa, tulip, The design showcases a beautifully arranged display of blooming tulips, highlighting their elegant petals and varying shapes. Above the floral illustration, the text 'THORBURN'S BULBS' prominently features, with the years '1916' placed on either side, indicating its significance. Below the artwork, the name 'J.M. THORBURN & COMPANY' is presented, accompanied by the address '53 BARCLAY STREET - THROUGH TO 54 PARK PLACE, NEW YORK.' This design embodies the essence of early 20th-century floral marketing, combining artistic illustration with essential company and product information.Model for vest embroidery. Gouache on cardboard, 18th. 77573-10 Embroidery, gouache, haute couture, model, female mode, genre sceneOrnament met putto met knots, Monogrammist FG, 1534 print Flat decoration with leaf vines. At the bottom is a putto with a club in his hand. Germany paper engraving Cupids: 'Amores', 'Amoretti', 'Putti'Two Little Girls in Fur-Trimmed Coats. Kate Greenaway; English, 1846-1901. Date: 1900. Dimensions: 214 × 222 mm. Watercolor, with graphite, on cream wove paper (discolored to tan). Origin: England. Museum: The Chicago Art Institute, Chicago, USA. Author: Kate Greenaway.Twelve Months of Flowers: May, 1730. Henry Fletcher (British, active 1715-38). Engraving, hand-colored; sheet: 46.6 x 35.2 cm (18 3/8 x 13 7/8 in.); platemark: 40.9 x 31.8 cm (16 1/8 x 12 1/2 in.).Print (France)Flowers ; Flowers ; Flowers. Drawings. 1800 - 1899. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. China, Drawing, Chinese, Flowers , ChinaRound plate (narcisse)., 1866 - 1878. Decorative arts, France. Porcelain with French and European influences, featuring Japanese influences and floral designs, specifically depicting narcissus plantsApple Tree (Study for a Decorative Design), Walter Shirlaw, American, b. Scotland, 1838-1909, Brush and watercolor, graphite on paper, Ripening apples are shown. Framed by a colored stripe., USA, 1875-80, nature studies, Drawing, DrawingPrintPlants, Porcelain Bowl, and Glass Goblet 1784-1794 Japan. Color woodblock print; long surimono . Katsukawa ShunshoHondstand (Erythronium Dens-Canis), Boëtius de Boodt, 1596 - 1610 drawing Dog stand. Numbered at the top right: 147. The Latin name at De Bloem. Part of the second album with drawings of flowers and plants. Ninth of twelve albums with drawings of animals, birds and plants known around 1600, made commissioned by Emperor Rudolf II. With explanation in Dutch, Latin and French. draughtsman: Praagdraughtsman: Delft paper. watercolor (paint). deck paint. ink. chalk brush / pen flowers: erythroniumLuigi Balugani, 1737-1770, Italian, Bersame abyssinica Fresen. : finished drawing, undated. Watercolor and gouache over graphite on medium, slightly textured, cream laid paper.Rosier a feuilles molles, from Les Roses, 1817-1824, Victor; Artist: after Pierre-Joseph Redouté, French, Flemish (active France), 1759-1840, 14 x 10 1/8 in. (35.56 x 25.72 cm) (sheet, margins cut), Stipple engraving, color-printed, finished by hand, France, 19th centuryUntitled. Date: ca. 1920. Watercolor on paper. Museum: Smithsonian American Art Museum.Design for a Pitcher, Brush and watercolor, gold, white gouache, pen and ink on cream paper, Design of a pitcher decorated with light blue flowers on green and gray leaves; one branch reaches the lower part of the body., Japan, 1880-1910, tableware designs, Drawing, DrawingKant pattern for a rug of bobbin with golden rain branches and flowers, Louise Wilhelmina van der Meulen -Nulle, c. 1912 Side letter or edge pattern with a part of the pattern for a rug with invnr. BK-1979-84. The letter is numbered (5a) and the name Bloemink is written on the front. Apeldoorn paper drawing Side letter or edge pattern with a part of the pattern for a rug with invnr. BK-1979-84. The letter is numbered (5a) and the name Bloemink is written on the front. Apeldoorn paper drawingTextile, Medium: silk, metallic thread, gold paint Technique: embroidered using satin, stem and couching stiches on satin weave; painted, Small fragment with a bouquet of multicolored flowers and leaves tied with a ribbon. Satin weave ground is painted gold., Europe, early 18th century, embroidery & stitching, TextileDesign for a Flower Stand, Pen and black ink, brush and watercolor, graphite on paper, Vertical rectangle. A circular base is supported by seven steps. Above rise alternately a column and a female hermae; the first supports the rim of the lower receptacle, the second the upper one, a trellis connecting both. Above is a vase, flowers are in both receptacles., France, 1810-20, sculpture, Drawing, DrawingTwo types from the Anjerf family, Crispijn van de Passe (II), 1617 print Print is part of a book. paper engraving flowersDesign for a Ceiling Decoration with Putti and Garland Motifs. 1709-20 Attributed to Donato Giuseppe Frisoni Italian. Design for a Ceiling Decoration with Putti and Garland Motifs. 340727Pepper (piper nigrum) and peony (paeonia), anonymous, 1640 print Pepper and peony. There is a bird in the pepper bush. Figs. 27 and 28 on a sheet numbered by hand 14. In: Anselmi Boëtii de Boot i.c. Brugsis & Rodolphi II. Imp. Novel. Medici a Cubiculis Florum, Herbarum, AC Fructuum Selectiorum Icones, & Vires Pleraque Hacttenus Ignotæ. Part of the album with magazines and plates from the Boodts Herbarium of 1640. The twelfth of twelve albums with watercolors of animals, birds and plants known around 1600, commissioned by Emperor Rudolf II. Southern Netherlands paper. ink. watercolor (paint) engraving flowers: peony. birdsDrawing, A covered dish for ice cream of porcelain; Italy; black chalk, brush and various water colors on light cream paperTwo roses, 1710 - 1772 Page 15 Recto from a sketchbook with 105 sheets. paper. chalk flowers: roseView of salad bowl in elevation (above) and plan (below), painted on exterior and interior in form of large cabbage-like leaves, each leaf bordered alternatively in blue and yellow/brown painted scallops. The reserves are painted with sprays of roses, tulips, and colored daisies. Brush and watercolor, black chalk on cream laid paper. Date: 1760-75. Museum: Cooper Hewitt, Smithsonian Design Museum.Two tulips with butterfly; Parangundant man / max of the princip. The drawing is part of an album.Greeting Card 1821 Johannes Endletzberger. Greeting Card. Johannes Endletzberger (Austrian, 1782-1850). 1821. Silver embossed paper frame, engraved motto on white card stock, silk chiffon, silver Dresden urn scrap, tiny floral embellishments made of a clay-like material, watercolor, and graphite.Hybrid white chrysanthemum, Chrysanthemum indicum. Handcoloured woodblock print after Keika Hasegawa from Keika Hyakugiku, Keika's 100 Chrysanthemums, published by Naosaburo Yamada, Kyoto, Japan, 1893. Keika Hasegawa drew flowers and patterns for kimono in Kyoto in the final years of the 19th century.Drawing, Design for Embroidered Waistcoat, pattern 1691 of the Fabrique de St. Ruf; Designed by Mademoiselle Baulieu; France; brush and gouache on laid paper; 23.4 x 38.9 cm (9 3/16 x 15 5/16 in.)Two Onions and a Cabbage with Geometric Border, folio 45 (verso), from Florilegium (A Book of Flower Studies), 1608. France. Watercolor, ink, silver, and gold over occasional traces of pencil, on vellum; sheet: 31.1 x 20.2 cm (12 1/4 x 7 15/16 in.).Drawing, Design for the Embroidery of a Man's Waistcoat; France; traced, graphite, brush and gouache on paper; 17.4 × 34.3 cm (6 7/8 × 13 1/2 in.)Oak Branch Made 1907-1908 France. According to his close friend, artist Robert Delaunay, all of Rousseauís drawings were destroyed after his death. However, as the inscription indicates, this rare drawing was a gift from the artist to a certain ìMademoiselle Herminie,î and it survived as a result. Rousseau often used flowers in his work for their symbolic meanings. He was particularly fond of daisies, which traditionally represent innocence and purity. Perhaps a more heartfelt message was intended here, as the petals of daisies are often plucked, one by one, to find out if one is loved ìshe loves me, she loves me not.î. Pen and gray ink on cream wove paper . Henri RousseauDrawing, Unfinished Design for the Embroidery of a Man's Waistcoat of Pattern No. 863 of the "Fabrique de St. Ruf"; Designed by Fabrique de Saint Ruf; France; graphite, brush and gouache on grayish paper; 17.4 × 26.2 cm (6 7/8 × 10 5/16 in.)Images of oxeye daisies, bleeding hearts and holly from manuscripts and their applications in ceramics, bindings, mosaic, enamel and copperwork. Chromolithograph designed and lithographed by Ernst Guillot from his Flowers After Nature and Ornamental Flowers, Fleurs d`apres Nature et fleurs ornementales, Paris, 1890.Trophy, Pierre Ranson, French, 1736-1786, Pen and ink, brush and watercolor, black chalk on water, A burning torch, a lyre, and a sheet of music., France, ca. 1780, Drawing, DrawingUntitled (Poem and Decorative Wreath) Catharine Emma Manley. , n.d. Watercolor over graphite with text in ink on paper, Sheet: 21 5/16 x 16 1/4 in. (54.1 x 41.3 cm). American Art n.d.Floral decorations in the marble on the Taj Mahal, built by the Grand Mogul Shah Jahan in memory of his principal woman Mumtaz Mahal, who died in 1631, Agra, Uttar Pradesh, India, AsiaIn Joy and Sorrow Think of Me (valentine). Unknown Artist; English, 19th century. Date: 1835-1845. Dimensions: 135 × 92 mm (folded sheet). Collaged elements and watercolor, with pen and blue ink on cut and embossed ivory wove paper (lace). Origin: England. Museum: The Chicago Art Institute, Chicago, USA.Text Papyrus plant, Figs. 3 & 4, 1759 - 1579, 1759, (Inferred), Paris, Publisher, De l'Imprimerie royale, monographic, 1579, Papyrus (The plant), Plants in art, Papyrus (Writing material) -- Specimens, Engravings, P. 267-320, 2 leaves of plates ill. ; 26 cm., Engravings of the papyrus plant, showcasing its form and significance in both art and as a writing materialPersian ornamentMadame Victor Verdier rose, crimson hybrid raised by Eugene Verdier in 1863. Chromolithograph drawn and lithographed after nature by F. Grobon from Hippolyte Jamain and Eugene Forney's "Les Roses," Paris, J. Rothschild, 1873. Jamain was a rose grower and Forney a professor of arboriculture. François Frédéric Grobon (1815-1901) ran his own atelier and illustrated "Fleurs" after Redoute with his brother Anthelme as the Grobon freres.Fantastic Flowers with Oyster-shell Blossoms. Dated: c. 1795. Dimensions: plate: 19.6 x 13.8 cm (7 11/16 x 5 7/16 in.) sheet: 26 x 23.3 cm (10 1/4 x 9 3/16 in.). Medium: etching inked la poup e in green, blue, red, purple, golden brown, and yellow on pale green wove paper. Museum: National Gallery of Art, Washington DC. Author: Anne Allen after Jean-Baptiste Pillement.Drawing, Design for a Plate; Made for Noritake; Japan; brush and watercolor, gold gouache, graphite on cream paper; 29.3 x 15.2 cm (11 9/16 x 6 in.) Mat: 35.7 x 45.8 cm (14 1/16 x 18 1/16 in.); 1985-14-9Ten of Hearts, E. Le Tellier, French, active late 19th century, B.P. Grimaud, Paris, France, Lithograph on paper, Ten of Hearts playing card from a pack of transformation playing cards. Vertically, eight figures depicted in bust view arranged in pairs, red hearts integrated into their faces, chests, and arms. At upper left, two gentlemen facing each other. At lower left, a man and woman facing away from each other. At upper right, two gentleman arguing, one sticking out his tongue. At lower right, an amorous couple., Paris, France, late 19th century, toys & games, Playing card, Playing cardGraag, Julie de, Zonnebloem, verso - stamped, print, prints, images, height 368 mm, width 294 mm, Dutch, 1877 - 1924-02-02, print maker, printmaker, 1919 - 1919, paper, papier, woodcutTransmitting the Spirit and Revealing the Form of Things: Hokusai's Pictures, vol. 1 complete, 1810s-1820s, Katsushika Hokusai; Publisher: Eirakuya Tōshirō, Japanese, 1760 - 1849, 9 x 6 1/4 x 5/16 in. (22.9 x 15.8 x 0.8 cm) (outer frame), Woodblock printed book; ink and color on paper, Japan, 19th centuryChinoiserie from Nouvelle Suite de Cahiers Arabesques Chinois 1790-99 Designed by Jean Pillement French. Chinoiserie from Nouvelle Suite de Cahiers Arabesques Chinois. Designed by Jean Pillement (French, Lyons 1728-1808 Lyons). 1790-99. Etching à la poupéeCassia tree, Cinnamomum cassia. Handcoloured copperplate botanical engraving from Johannes Zorn's "Afbeelding der Artseny-Gewassen," Jan Christiaan Sepp, Amsterdam, 1796. Zorn first published his illustrated medical botany in Nurnberg in 1780 with 500 plates, and a Dutch edition followed in 1796 published by J.C. Sepp with an additional 100 plates. Zorn (1739-1799) was a German pharmacist and botanist who collected medical plants from all over Europe for his "Icones plantarum medicinalium" for apothecaries and doctors.Proof for La Chine (black-and-whiteversion). Artist: Theodore Roussel, French, active Britain, 1847-1926Print made by Jonathan Peter Pichler, 1765-1807, Flower Piece, 1806. Mezzotint on medium, slightly textured, cream wove paper.1839 (her)Design for earthenware decoration Iseger: Double Dahlias. Draughtsman: Theo Colenbrander. Dating: 21-Aug-1920. Measurements: h 451 mm × w 213 mm. Museum: Rijksmuseum, Amsterdam.Superb Pinks and Chinese Agrimony. Artist: Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo)). Culture: Japan. Dimensions: Overall: 14 7/8 x 5 1/16 in. (37.8 x 12.9 cm). Date: ca. 1836. Museum: Metropolitan Museum of Art, New York, USA.GUIRLANDE with three elongated fruits and a peach, anonymous, After Hieronymus Bang, 1596 - 1633 print The fruits are between two volutes of leaf vines that spring from the wings of two half -visible female hermes. Title page from a series of 12 magazines, numbered 1-8. Germany (possibly) paper engravingDrawing, Design for the Embroidery of a Man's Waistcoat; France; brush and watercolor on paper; 17.5 × 29.5 cm (6 7/8 × 11 5/8 in.)Tulip called Bizard Phoenix. Draughtsman: Cornelis van Noorde. Dating: 1741 - 1795. Measurements: h 227 mm × w 279 mm. Museum: Rijksmuseum, Amsterdam.Tulip. Turkey, 1708-1709/1120 A.H.. Manuscripts; folios. Ink and opaque watercolor on paperRoses in White Vase; Roses au Vase Blanc. Tsugouharu Leonard Foujita (1886-1968). Oil on canvas. Executed circa 1957. 27 x 19cm.Gustav Leutzsch after Henry George Moon (German (), active 19th century), Cattleya Mendelii Quorndon House Var., color lithographKlokjes.Design for a pottery decoration.Pelargonium klinghardtense Knuth. Draughtsman: Robert Jacob Gordon. Dating: Oct-1777 - Mar-1786. Measurements: h 660 mm × w 480 mm; h 288 mm × w 186 mm. Museum: Rijksmuseum, Amsterdam.Untitled Valentine (Flowers). Unknown Artist; English, 19th century. Date: 1840-1850. Dimensions: 142 × 93 mm (folded sheet). Collaged elements and watercolor on blue accented and embossed ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.Rosebushes, Bees, and a Dragonfly Shafi' Abbasi. Rosebushes, Bees, and a Dragonfly, AH 1079 /1669 C.E. Ink on paper, Page: 8 7/8 x 6 9/16 in. (22.5 x 16.6 cm). This and the following drawing show the progression of the bird-and-flower genre, which appeared in single-page compositions from the Safavid period to the Qajar era. Shafi cAbbasi, the son of Riza cAbbasi (whose work is shown nearby), followed in his talented fathers footsteps as a gifted artist at the Safavid court in Isfahan; his style, however, developed independently, as seen in his drawings of flowers, which reveal an awareness of shading and modeling that probably came from his exposure to European herbal manuscripts. Arts of the Islamic World AH 1079 /1669 C.E.Still Life with Flowers, Fruit, a Great Tit and a Mouse. Herman Henstenburg earned his living baking pies, the takeaway meal of the period. He painted his delightful watercolours of flowers, fruit and insects purely for pleasure. Henstenburg developed a special kind of watercolour paint that was so bright and powerful, a contemporary remarked that it rivalled oil paint. His superb still lifes were famous among collectors in his own day, and far beyond his hometown of Hoorn.Textile Fragment, embroidery of plum blossoms and flowers on beige damask ground, anonymous, Japan, 1748 - 1751, Greaves period, silk, height 28.7 cm × width 20.4 cmLe Nenuphar rouge de la Chine, 1776, Pierre Joseph Buc'Hoz, French, 1731 - 1807, 12 1/2 x 8 1/4 in. (31.75 x 20.96 cm) (plate), Hand-colored etching, France, 18th centuryCaterpillars, dolls and butterflies, Jan Luyken, Jan Claesz ten Hoorn, 1680Catmint or catnip, Nepeta cataria. Handcoloured copperplate engraving after an illustration by Richard Duppa from his The Classes and Orders of the Linnaean System of Botany, Longman, Hurst, London, 1816.Drawing, Embroidery Design of Two Commedia dell'Arte Figures; Published by Santo Vallardi, Milan & Paris; Italy; brush and gouache on pre-printed squared laid paper; 15.5 x 22.1 cm (6 1/8 x 8 11/16 in.); Bequest of Marian Hague; 1971-71-31Bolderik (Agrostemma githago). Koorn Roose / pseudo Melanthium. / Niëlle de Bled (title on object). Draughtsman: Anselmus Boëtius de Boodt. Draughtsman: Elias Verhulst. Dating: 1596 - 1610. Place: Praag. Measurements: h 258 mm × w 172 mm. Museum: Rijksmuseum, Amsterdam.Thunder leaf (Sempervivum tectorum) and royal candle (Verbascum thapsus), Thunder leaf and royal candle. FIGs. 33 and 34 on a sheet hand numbered 18. In: Anselmi Boetii de Boot I.C. Brugensis, anonymous, 1604 - 1632 and/or 1640, paper, ink, watercolor (paint), engraving, h 135 mm × w 205 mm h 160 mm × w 230 mmDrawing, from "Saint Germain - Volumes 1 & 2"; Made by Studio Saint-Germain; France; gouache on paper; 22.8 x 20 x 0.0 cm (9 x 7 7/8 x 0 in. )Tulp (tulip), Anselm Bootius of Boodt, 1596 - 1610 drawing Orange and a red-white tulip. Numbered at the top right: 49. Part of the first album with drawings of flowers and plants. Eighth of twelve albums with drawings of animals, birds and plants known around 1600, made on behalf of Emperor Rudolf II. With explanation in Dutch, Latin and French. draughtsman: Praagdraughtsman: Delft paper. watercolor (paint). deck paint. chalk brush flowers: tulipViolas with Leaf and Fly Border, folio 21 (recto), from Florilegium (A Book of Flower Studies), 1608. France. Watercolor, ink, silver and gold over occasional traces of pencil, on vellum; sheet: 31.1 x 20.2 cm (12 1/4 x 7 15/16 in.).Dress border early 19th century French. Dress border. French. early 19th century. Silk. Textiles-EmbroideredPfirsich der Sorte Jacques Peach, Digital aufbereitete Reproduktion einer Aquarellzeichnung aus dem Jahre 1856Japan, Zeshin, Shibata, Drying khaki fruits, verso - stamped, print, prints, Japan (collection), height 239 mm, width 249 mm, Japanese, 1807 - 1891, print maker, 1880 - 1890, fourth quarter 19th century, paper, color woodcut, nishiki-eDecorative wreath of white, yellow, pink and scarlet roses with Greek motto. Stipple copperplate engraving by Jean Louis Auguste Charlin handcoloured a la poupee after a botanical illustration by Pierre-Joseph Redoute from the first folio edition Les Roses, Firmin Didot, Paris, 1817.Decorative Panel (France); Manufactured by Jules Desfossé; block-printed paper; 118 x 68 cm (46 7/16 x 26 3/4 in. )Pineapple, Jan Brandes, 1785 drawing Color drawing of a pineapple half cut and peeled. With inscription. Part of Jan Brandes' sketchbook, dl. 1 (1808), p. 46. Jakarta paper. pencil. watercolor (paint) brush fruits: pineappleTwee tulpen met vliegende kever en beervlinder. Amberez Acosta / General Bol (title on object). Draughtsman: Jacob Marrel (mentioned on object). Dating: 1637. Measurements: h 265 mm × w 335 mm. Museum: Rijksmuseum, Amsterdam.James Bruce, 1730-1794, British, Mussaenda arcuata Lam. ex Poir. : finished drawing without details, undated. Watercolor and gouache over graphite on medium, slightly textured, cream laid paper.Cap or Bonnet Pin. Dated: 1938. Dimensions: overall: 29 x 22.7 cm (11 7/16 x 8 15/16 in.). Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: John H. Tercuzzi.