Court Scenes and Trials

Engravings depicting court sessions and consultations among royalty, emphasizing dramatic interactions and historical events related to legal accusations.

Amsterdam, Luyken, Caspar, David embraces Absalom, verso - manuscript in brown ink, print, prints, verso - stamped, 115, height 112 mm, width 149 mm, Northern Netherlands, 1672-12-18 - 1708-10-04, print maker, printmaker, 1712 - 1712, paper, papier, etching

. The H. Heychius of Antioch is in a weaving mill with women and spins wool with a spin skirt. Soldiers come to get him in the background.

Collection of Johannes de Doper, Dietrich Krüger, after Andrea del Sarto, 1618 print print maker: Florenceafter design by: FlorenceVaticaanstadVeniceFlorence paper engraving John the Baptist arrested and imprisoned. John the Baptist reproaches Herod (Herod Antipas) and Herodias

England, 19th century. Caricature The Abbat Of Unreason, 1837, drawing by George Cruikshank (1792-1878).

Blatt to Joseph II conflict with the southern Netherlands, The War Council in Brussels on November , After, Heinrich von der Beeck, Drawer, After, Johann Hieronymus Deleteenkohl -, publishing house

Henry II of France (1519-1559) on his deathbed. France, 16th century.

Lazio Viterbo Caprarola Palazzo Farnese440. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Mordecai's disdain. Troy, Jean François de (French, 1679-1752) (cartoon creator) painter Cozette, Pierre-François (French, b.1714-d.1801) (workshop) weaver Jacques, Maurice (French, 1712-1784) (author of design, border) painter c. 1771-1774 Tapestry Dimensions: H 14' x W 17'9" Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Paris Ownership History: Offered by Louis XVI to Albert & Marie-Christine (sister of Queen Marie-Antoinette), Duke & Duchess of Saxe-Teschen & Joint Governors of the Austrian Netherlands on their visit to Paris on 8/20/1786 SS 54311. Shah of Iran coll., 1974 (). French & Co. stock sheet: purchased by the Vichy government, France, 1943 SS 54311. Inscriptions: Woven signature in central field & on lower guard, right: COZETTE.1779 Inscriptions: Woven signature in central field, on lowest of 4 steps in center: PEINT PAR DE TROY A ROME 1740 Inscriptions: Inscription on lower border, center: SOLUS MARDOCHAEUS NON FLECTEBAT CENU ch.III Haman climbs t

The Guild of Surgeons The workshop, 1731, Abraham Zeeman, 1731.

The Venetian Wedding, 1584, Hendrick Goltzius, Dutch, 1558-1617, 17 x 28 7/8 in. (43.18 x 73.34 cm) (plate)17 3/8 x 28 7/8 in. (44.13 x 73.34 cm) (sheet), Engraving, Netherlands, 16th century

Achilles en de Mosters van Lycomedes, Edme Jeaurat, After Sébastien Leclerc (II), 1713 print print maker: Francepublisher: Parispublisher: Parispublisher: Paris paper etching / engraving Achilles discovered among the daughters of Lycomedes, i.e. Achilles on Scyros: when presents are brought Achilles snatches up the weapons and thus betrays his identity

By order of Catherine de Medicis and her son Charles IX protestant leaders are murdered, leading to an all- out massacre of the huguenots. The death of Coligny. Date: 24 August 1572

De Jeugd, Jan Christoffel Jegher, After Abraham Bosse, 1643 - 1666 print A love couple, accompanied by Amor, on a terrace. Left in the foreground a fountain, crowned with a putto sitting on a swan. On the right in the background a garden with a peacock. In the margin an eight -line poem in Dutch and in French that refers to youthfulness, but also to the transience of the youth. Second print from a series of four with the ages of man. Antwerp paper engraving adolescent, young woman, maiden. couple of lovers. garden fountain

EXHIBITION OF THE ROYAL ACADEMY, PALL MALL, LONDON, UK, 1771

dance dancers evening dance copper engraving France 2nd half 17th century private collection,

A Rake's Progress, Plate I O Vanity of Age.... 1735. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Jacques Callot, Marriage of Margaret of Austria and Philip III (verso), 1612 Marriage of Margaret of Austria and Philip III verso

Marriage of Ferdinando I the 'Medici with Christina van Lorraine; Life of Ferdinando I the 'Medici. Ferdinando I de 'Medici gives a ring to Christina van Lorraine, in the presence of a spiritual and a number of ladies (left) and men (right). Under the show a blank margin. This print is part of a series of 16 prints (plus 2 unfinished prints) of the life of Ferdinando I the 'Medici, intended as a supplement to an already existing series of illustrations of the history of the Medicis.

Schmid-Schwarzenhorn, Johann Rudolf Freiherr.

Print (Netherlands); Platemark/repeat: 20.2 x 28.9 cm (7 15/16 x 11 3/8 in.)

A session of the Etats- Generaux is held at Orleans. The feeble Charles IX presides, but the real power is his awful mother, Catherine de Medicis seated beside him. Date: January 1561

Third pretext: the man who was just married; Parable of the Royal Wedding Party. A servant of the king comes to the third guest and invites him to the wedding party. The guest apologizes itself with the excuse that it is only married. He points to his bride. Under the show a reference in Latin to the Bible text in Luc. 14. This print is part of an album.

Closing the Union of Utrecht, 1579. The conclusion of the Union of Utrecht. View of interior with a group of men around a table, January 23, 1579.

Academy of painting; Il Liceo della Pittura. View of a courtyard with three groups of artists representing imitation, observation and perfection. The artists appear for scientists. All on the left is the personification of the theory. Complete right is the personification of practice with a monkey, symbol for the im. She grabs blind away from the show. There are different sculptures between the figures. Left and bottom right papers with text. In the middle of two putti carrying a medallion with text: 'Intelligenza et UZO'.

Terkel Kleve (1743-1797); C.F. Stanley (1738-1813), sacrament, (1779)

Northern Netherlands, Luyken, Jan, Illustration of the Spanish Blood Council appointed in the year 1567 by the Duke of Alva, Alva presides over the Spanish Blood Council, 1567, Session of the Council of Troubles, nicknamed the Blood Council, presided over by the Duke of Alva seated on a throne with the rod of justice in his hand, 1567. In an open court Alva sits on a throne behind a large table at which his councilors are seated. A man kneels before the council. In the background on the right a man is being beheaded., print, picture, history print, prints, pictures, Frederik Muller History plates, height 270 mm, width 343 mm, print maker, printmaker, 1677 - 1679, fourth quarter 17th century, paper, etching, etchings, 1649-04-16 - 1712-04-05

SPRING Abraham Bosse (1602-1676). Spring.

VESALIO , ANDRES. ANATOMISTA FLAMENCO. 1514 - 1564. PORTADA DE " DE HUMANIS CORPORIS FABRICA ". LECCION DE ANATOMIA. BASILEA 1555. UNIVERSIDAD COMPLUTENSE. MADRID.

France. A ward in the Hôtel-Dieu, in Paris. Facsimile after a 16th century wood engraving, in the frontispiece of a Manuscript "Le Pardon, gráces et facultés octroyés a Monseigneur l'archevéque patriarche de Bourges et primat d Aquitaine, aux bienfaiteurs de l'Hostel-Dieu de Paris". Sciences & Lettres au Moyen Age et à l'époque de la Renaissance. Paris, 1877.

The Libra, 1618. Political allegory on the victory of the counter demonstrators thanks to the intervention of Prince Maurits, 1618. The show shows an interior with a large scales. To this, in the presence of Gomarus, Arminius, Johan van Oldenbarnevelt and others, the arguments of the counter demonstrators and the remonstrants are considered against each other. Maurits does the balance to break through the counter demonstrators by putting his sword on the scales. In the background through a window The deduction of the value of value by Maurits on the Neude in Utrecht. Under the performance in three columns a verse of vondel.

Procession of Charles V with the pope at the coronation in Bologna, 1530, no. 3; Scenes from the life of Charles V; La Vie de l 'Empereur Charles V. and Tres-Belles Tailles-Douces, Gravées sur Les Dessins du Celébre A. Tempeste, Par Deux des Plus Habiles Maitres J. de Gein & C. Boel. A Leide, Chez Pierre van der Aa, avec privilegge. Procession with Charles V and the Pope Clemens VII on horseback under a canopy carried by servants, at the coronation to Emperor in Bologna, February 24, 1530. With caption of four rules in Latin.

Franz von Veltheim mourns his daughter Adelheid, Daniel Nikolaus Chodowiecki, 1783 print Numbered at the top right: 11. paper etching Literature. interior of the house. weeping. head-gear: turban

Jacques Callot (1592-1635). "The life of Ferdinand I of Medici, the wedding of Ferdinand I. First issue of a series of 16 pieces finished and 2 supernumerary pieces" (Lieure 147, Meaume 534). "Entrance to Monsignor. 1619-1620. Museum of Fine Arts of the City of Paris, Petit Palais. 99597-28 Burin, Gravure

Marteldood van de Heilige Laurentius, Claude Vignon, 1603 - 1670 print France paper etching martyrdom, suffering, misfortune, death of St. Laurence. St. Laurence is roasted on a gridiron

Ludwig XIV., King of France Stitch according to your own template of Pierre Lepautre

Pietro Fancelli, Timotheus Playing the Lyre before Alexander and Thaïs in the Hall of the Palace at Persepolis, c 1820 Timotheus Playing the Lyre before Alexander and Thaïs in the Hall of the Palace at Persepolis

Cologne, Hogenberg, French, Series 5: Dutch Events, 1566-1570, Presentation of the Petition of the Nobles, 1566, Presentation of the Petition of the Nobles. A procession of nobles passes through the gate to the palace in Brussels where the Petition is presented to Margaret of Parma, April 5, 1566. With an 8-line caption in German. Numbered: 1. Part of the bottom of the print is missing., print, prent, nieuwsprent, prints, prenten, Frederik Muller Historieplaten, height 210 mm, width 280 mm, Dutch, German, 1540 - 1590, print maker, prentmaker, 1566 - 1570, third quarter 16th century, paper, papier, etching, etsen

The death of William Pitt, Lord Chatham, in the Upper Chamber of the Palace of Westminster, 1778. Engraving by J.M. Delattre after J.S. Copley, 1779.

Meeting in the Sala del Collegio, Anonymous, 1610 Interior of the Sala del Collegio in the Dogpaleis in Venice. The Doge van Venice is in the middle and leads a meeting. Four -line Italian text in the middle. The print is part of an album. print maker: Italypublisher: Venice paper engraving Dogepaleis. Venice Interior of the Sala del Collegio in the Dogpaleis in Venice. The Doge van Venice is in the middle and leads a meeting. Four -line Italian text in the middle. The print is part of an album. print maker: Italypublisher: Venice paper engraving Dogepaleis. Venice

Woman before a King 1590-1709 Flanders. Watercolor, over black chalk, on ivory laid paper . Style of Frans Francken, II

Emperor Charles V surrounded by his conquered opponents, Dirck Volckertsz. Coornhert, after Maarten van Heemskerck, 1556 print Emperor Charles V sits on a throne, with an eagle between his feet. The eagle has a ring in his beak to which ropes are attached to which the conquered enemies of the emperor are bound. To the left of the throne are: Frans I, King of France, Pope Clemens VII and the Turkish prince Süleyman I. On the right side are the German Protestant princes Philip I, Landgraaf van Hessen, the Elector of Saxony and Willem II, Duke of Gelre, Kleef, Gulik and Berg. The print has a Latin, Spanish and French caption and is part of a twelve -part series about the victories of Karel V. print maker: Haarlemafter design by: Haarlempublisher: Antwerp paper etching / engraving / letterpress printing throne. predatory birds: eagle (+ heraldic animals)

The Last Supper. Artist: Giorgio Ghisi (Italian, Mantua ca. 1520-1582 Mantua); After Lambert Lombard (Netherlandish, Liège 1506-1566 Liège). Dimensions: Sheet (Trimmed): 13 3/4 in. × 21 in. (34.9 × 53.3 cm). Publisher: Hieronymus Cock (Netherlandish, Antwerp ca. 1510-1570 Antwerp). Date: 1551. Museum: Metropolitan Museum of Art, New York, USA.

Copper engraving by William Hogarth from 1735 depicting the third scene of The Rake's Progress, showing gambling, social interaction, and moral consequences.

Group of people for a box bed in which it is haunted, Jan Luyken, 1660 - 1712 drawing Possible design for a print. paper. ink pen / brush materialization, appearance of spirit or ghost. built-in bedstead (Dutch: 'bedstee')

Smell, Abraham Bosse, c. 1635 - c. 1636 print Paris paper etching / engraving smell, smelling (one of the five senses). dog. loggia, verandah, porch. cut flowers; nosegay, bunch of flowers

Hugo de Groot pleads for tolerance in the Amsterdam vroedschap, 1616, Simon Fokke, 1722 - 1784, Hugo de Groot pleads in vain for tolerance in the Amsterdam vroedschap on behalf of the remonstrants, 1616. Design for a print., draughtsman: Simon Fokke, Northern Netherlands, 1722 - 1784, paper, pen, brush, h 92 mm × w 52 mm

Part of the parade, no. 14, 1619 print Four participants in the parade, horses and the banners with the weapons of Mallorca and Galicia. Part of the print series of the funeral procession of Emperor Karel V on December 29, 1558 in Brussels. Southern Netherlands paper etching / engraving cortege, funeral procession Brussels. Mallorca. Galicia

The Continence of Scipio 1657-1747 Francesco Solimena Italian. The Continence of Scipio 341477

Clemens VIII, Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Munich, Sadeler, Raphaël, Vos, Maerten de, Den Grooten Figuer-Bibel, Van het lyden en Passie Christi, Laatste avondmaal, lower right - handwritten in brown ink, Christ sits with his disciples at the last supper. In the middle of the foreground Judas with the bag of silver in his hand. Below the image a text in Latin. This print is part of an album., print, prent, albumblad, prints, prenten, 132, height 195 mm, width 256 mm, print maker, prentmaker, 1604 - 1604, paper, papier, engraving, engraving (printing process), Work conception, Zuid-Nederlands, 1532 - 1603-12-04, after a design by, Publication (Event), Publicatie, publisher, uitgever, Noord-Nederlands, 1586 - 1652-06-19, 1592 - 1656-04, 1536 - 1605, verlener van privilege

Giuseppe Guzzi, Temple of Hercules, c. 1840, engraving on chine collé adhered to wove paper.

The Pride of Women: Ruffs. Artist: Maerten de Vos (Netherlandish, Antwerp 1532-1603 Antwerp). Culture: Dutch. Date: ca. 1600. Museum: Metropolitan Museum of Art, New York, USA.

Gonzalo Gustos recognizes his son; Historia Septem Infantium de Lara / Historia de los Siete Infantes de Lara; The seven infants of Lara. Explanatory numbers in the show. Caption in Spanish and Latin.

The Venetian Wedding 1584 Hendrick Goltzius Netherlandish. The Venetian Wedding 343568

Passe, Simon van de, Netherlands, The Princely Ravel Game at Schenckenschants, Le Ravel des Princes pour le Fort de Schentks, The game at Schenckenschans, 1635-1636, Cartoon on the battle for Schenckenschans in the years 1635-1636. Frederik Hendrik and the Cardinal infant Ferdinand playing dice at a table around the fort. Also present are the pope, the bishops of Mainz and Cologne, the king of Spain, the emperor, the king of France and cardinal Richelieu. The victims of the game are the peasants of Kleef and Gulik who lie groaning under the table. The print comes with a loose sheet of text., print, picture, cartoon, prints, pictures, Frederik Muller Historieplaten, height 202 mm, width 257 mm, print maker, printmaker, 1635 - 1636, second quarter 17th century, paper, engraving, engraving (printing process), etching, Northern Netherlands, 1595 - 1647-05-06

Coroon of Willem III and Maria, 1689; Her Koninglyke Hooghede to King and Koninginne about England, Vrankryk and Yerlant crowned April 21, 1689; Chronicle of the house Stuart; Cornyck or Stuarts Nootlot Synde all the pre-inaugural disasters and belly that T 'Since her start to thesen Tyt that stemme transferred syn. Coronation of Prince Willem III and Princess Maria Stuart to King and Queen of England, in Westminster Abbey on April 21, 1689. Part of a series about the fortunes of the English royal family of STUART of 1558-1711, of which are included here, sixteen prints about the Fight between Jacobus II and Willem III in the years 1688-1689.

Illustration for 'Ancient, Medieval and Modern History'. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1790. Prints; etchings. Etching

Knighting of a Young Man[?. Artist: Frans Francken the Younger, Flemish, 1581-1642

Oath of the Horaces / Horacius Oath (According to Jacques Louis David) Lambert (1824), David, Jacques Louis (1748 1825)

Group picture.

Vernois, Pierre de, Plantijn, Christoffel, Cock, Hieronymus, Southern Netherlands, Doetechum, Lucas van, Joannes van (I), The magnificent and sumptuous Pompe Funebre, made from the Obseques & Funerailles of the very great & very victorious Emperor Charles V, Celebrities in the City of Brussels the XXIX. June of the Month of December MDLVIII. by Philippes Roy Catholique d'Espaignes his Sons., Funeral procession of Emperor Charles V, 1558, Part of the procession, no. 6, Three participants in the procession, a horse decorated with the motto and emblem of the emperor, banner with Matamoros (Saint James defeating the Moors). Part of the series of prints of the Funeral Procession of Emperor Charles V on 29 December 1558 in Brussels., print, prints, Frederik Muller Historieplaten, height 235 mm, width 339 mm, Northern Netherlands, 1530 - 1605, print maker, printmaker, 1559 - 1559, third quarter 16th century, paper, etching, engraving, engraving (printing process), - 1589, 1518 - 1570-03-10, i

Louis XIV Visiting the Royal Academy of Sciences. Artist: Sébastien Leclerc I (French, Metz 1637-1714 Paris). Dimensions: sheet: 16 1/2 x 12 1/8 in. (41.9 x 30.8 cm). Date: 1671. Museum: Metropolitan Museum of Art, New York, USA. Author: Sébastien Leclerc I.

Anatomical lesson from Professor Paaw, Andries Jacobsz. Stock, after Jacques de Gheyn (II), 1615 print Anatomical lesson by Pieter Paaw in the Anatomical Theater in Leiden. Paaw points to a dissected body. Students and spectators sit around and stand around. The Hague paper engraving anatomy lesson. (human) skeleton Leiden

Fokke, Simon, Amsterdam, Illustrations of Dutch history, Gathering of nobles, verso - stamped, Representations from Dutch history. Company of nobles in consultation around a table. In the background, above the mantelpiece, hangs an image of Liberty with a hat on a stick and a bundle of arrows in her hands., print, prints, height 84 mm, width 107 mm, Noord-Nederlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1722 - 1784, paper, papier, etching, etsen, Work conception

The happiness of the future Joseph II leads his bride Franz the bride Elisabeth Wilhelmine, Princess of Württemberg, Quirin Mark -, Copper Engraver, Johann Hieronymus Rohenkohl -, publishing house

Elderly Man Torn by Death from his Wife and Grandchildren, Adriaen Pietersz van de Venne, c. 1628, Design for a print., draughtsman: Adriaen Pietersz. van de Venne, 1623 - 1628, paper, pen, brush, h 50 mm × w 66 mm

Decapitation of Karel I, 1649; The Droevich Schou-tonne of the Meadow Dot and beheading of the Great Authority Koningh Carel Stuart (...) den 10 February 1649 (...). Decapitation of the English king Charles I, for the Palace of Whitehall in London on January 30, 1649. At the top of the king's purge bed with two rows of standing European princes on either side. Above the bed a portrait of the king flanked by the portraits of Thomas Fairfax and Oliver Cromwell. At the bottom of the execution of the public, on both sides 4 small scenes of his last days.

Meeting in Orléans, 1561; Series 3: French religious wars, 1559-1573. Meeting of the three positions in Orléans, January 1561. In the presence of the king, his mother and the Duke of Guise. With caption of 8 rules in German. Numbered: 6. Leaf from an album that has been dismantled. At the top right numbered (in pen): 4 (0).

Bacchus entry into Thebes, Pieter Serwouters, After David Vinckboons, 1616 print Bacchus with his entourage in their entry into the city of Thebes. Juno watches in the clouds, with her attribute De Pauw. Book illustration for: Lof-Sanck van Bacchus, 1616. Amsterdam paper engraving / letterpress printing (story of) Bacchus (Dionysus), Liber. Pentheus withstands the cult of Bacchus in Thebes (+ variant). offspring, companion(s), train etc. of Bacchus

Dancing crowd in a garden, Anonymous, Hans Weiditz (II), 1514 - 1532 print Print is part of an album. paper letterpress printing private festivities, merry company - AA - in the open air, 'fíªte champíªtre'

Francesco I d'Este Receives the General of the French King's Army in Italy, depicted in a room beneath a The Rape of Europa, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII .... Artist: Bartolomeo Fenice (Fénis). Author: Domenico Gamberti. Dimensions: Sheet: 4 7/8 × 6 5/16 in. (12.4 × 16 cm)Plate: 4 3/4 × 6 3/16 in. (12 × 15.7 cm). Published in: Modena. Series/Portfolio: L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII .... Date: 1659.This print is from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII ... collected in an album of brown boards. Four prints are hinged on each page of the album with a seventeenth- or eighteenth-century inscription pasted beneath the print on the album page. The prints are etched in the manner of Callot and illustrate Francesco I d'Este's virtuous nature as a ruler in battle, in religious matters, and in daily life.

Renewal of the Alliance Between the French and the Swiss in 1663 Made 1682 France. Created nearly twenty years after the event it depicts, this etching is modeled after Charles Le Brunís original series of historical tapestries representing the conquests of Louis XIV. The scene commemorates the signing of the treaty at Soleure on September 4, 1663. The king is accompanied by his brother Philippe, the Prince de CondÈ, and his son, the due díEnghien. Also present are Olivier díOrmesson and the archbishop of Reims.. Engraving and etching on paper . Sébastien Le Clerc, the elder

Antwerp, Jode, Gerard de, Groeningen, Gerard van, Doetechum, Joannes van (I), Lucas van, Thesaurus sacrarum historiarum veteris testamenti, Events in and around the temple, Jews in the temple throw stones at Christ, recto top right - handwritten, In the temple Jewish men pick up stones to throw at Christ, after Christ has said that he was there before Abraham. Christ flees. Below the representation a reference in Latin to the Bible text in Joh. 8., print, prints, verso - stamped, En verité, en verité je vous le dis je suis avant abraham, recto center bottom on mounting paper - handwritten in brown ink, 80, height 200 mm, width 280 mm, - 1589, print maker, printmaker, 1585 - 1585, paper, papier, etching, etchings, engraving, engraving (printing process), Northern Netherlands, 1530 - 1605, Southern Netherlands, 1515 - 1599, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1509 - 1591-02-05, publisher

The Industrious 'Prentice performing the Duty of a Christian plate 2. 1747. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

. Two elegantly dressed ladies in an interior, with a view of a view to a garden. At the top of a putto with a banderole.

Interior with elegant company at a table Fireplaces and paneling (series title) Cheminés et lambris (series title ), interior of the house, open hearth, fire-place, rich, tapestry weaver, gobelin maker, Jean Lepautre, 1628 - 1682, paper, etching, h 146 mm × w 203 mm

LUIS XVI. REY DE FRANCIA. 1754-1792. " EL REY Y SU FAMILIA RETENIDOS EN EL CASTILLO DE VERSALLES , AÑO 1792 ". GRABADO DE LA L 'ILLUSTRATION EUROPEENNE DE BELGICA.

The Marriage of Ferdinand de' Medici and the Duchess Christine de Lorraine, plate 1 from The Life of Ferdinand de Medici 1616-1620 France. Jacques Callotís father served the Duke of Lorraine in France; thus, when Callot was appointed court artist to the Medici family in Florence, Italy, in 1614, he was already accustomed to the stately ceremonies of nobility. At court he documented lavish events through his prints such as The Marriage. Here a distinguished group of spectators witnesses the marriage of Ferdinand deí Medici and Duchess Christine. In contrast to Callotís usual medium of etching, The Marriage was executed as an engraving. The time-consuming process required the artist to incise single crisp lines into the metal plate, rather than, as with an etching, drawing the entire composition onto a waxy plate coating and using acid to eat away at the lines.. Engraving on ivory laid paper . Jacques Callot

Displaying of Mars, 1648, Salomon Savery, After Isaac Isaacsz, 1649 print Displaying of Mars disarming. Part of the impressions staged on June 23, 1648 on the Schouwburg in Amsterdam following the conclusion of the Peace of Munster. The third performance shows how Mars is disarmed by peace. A Dutch prince watches in the background. In the caption a verse of 4 lines in Dutch. Numbered with pen at the bottom right: 1. Amsterdam paper etching / lacquering theatre, theatrical performance. festivities on events of national importance. symbols, allegories of peace, 'Pax'; 'Pace' (Ripa). specific aspects, allegorical aspects of Mars; Mars as patron Schouwburg Keizersgracht (1637-1772)

Frederik Hendrik's death bed, 1647; Dodelycke uytang from Syn Hoogheyt Fred. Hendrik Prince van Oranje etc. Anno 1647. The Frederik Hendrik's death bed. In his last moments, the prince is comforted by the pastor J. Goethals. The direct family members of the prince and different drivers have collected around the bed. They are referred to in the performance with figures. The corresponding names are in the legend 1-15 below the show.

Saint Wilfred (Wilfrid, Wilfrith) the Younger (of York): he petitions King Cædwalla of Wessex to grant him land, at Selsey, which is granted. Engraving by T. King, 1807.

Francis Vernon and His Family, Thomas Bardwell, 1704-1767, British, Previously attributed: James Wills, Active 1740-died 1777, British, ca. 1730, Gray wash with pen and gray ink over graphite on laid paper, Sheet: 5 1/8 x 3 1/2in. (13 x 8.9cm)

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), the death of Cardinal Mazarin (Dutuit Manuscript, Italian school, page 101. N ° 248) (title main). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Amsterdam, Visscher, Claes Jansz. (II), Vredeman de Vries, Hans, Doetechum, Johannes of Lucas van, Theatrum biblicum, History of Daniel, Belshazzar's Feast, verso - stamped, The feast of Belshazzar, king of Babylon, with his courtiers and wives. Belshazzar, seen from the back at the head of the table, sees a writing hand appear. On the table are the stolen cups and bowls from the temple of Jerusalem. Top right are trumpeters on the balcony. Below the representation is a reference in Latin to the Bible text in Dan. 5:5., print, prent, prints, prenten, height 243 mm, width 326 mm, print maker, prentmaker, 1579 - 1579, paper, papier, etching, etsen, Work conception, Zuid-Nederlands, 1527 - 1607, naar ontwerp van, Publication (Event), Publicatie, Noord-Nederlands, 1586 - 1652-06-19, publisher

Alcine, 1706, Engraving--18th century, 11 x 6.5 cm

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Woman affects her lover on the street at night; Der Gröste Schatz Ohne Reichthum.

Testa, Pietro, Il Liceo della Pittura (Academy of Painting), verso middle bottom - handwritten in brown ink, Allegory of the theory and practice of the visual arts, print, prints, verso - stamped, 13 = 158, height 472 mm, width 728 mm, Italian, 1612 - 1650, print maker, printmaker, 1611 - 1650, first quarter 17th century, second quarter 17th century, paper, papier, etching, etsen

Death of the Virgin. Dimensions: plate: 44.5 x 52 cm (17 1/2 x 20 1/2 in.) sheet: 51.1 x 63.5 cm (20 1/8 x 25 in.). Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Robert van Audenaerd after Carlo Maratta.

Print made by Johann Jacobus Haid, 1704-1767, Rejouissances pour le Retour de l'Enfant Prodigue, undated. Mezzotint with etching on moderately thick, slightly textured, beige laid paper.

Italy, Titian, Rome, Andreani, Andrea, Triumph of Christ (sixth part), verso - stamped, Portion of the Triumph of Christ with several saints with instruments of torture., print, engraving, prints, engravings, F, recto lower center - handwritten in brown ink, height 378 mm, width 428 mm, Italian, 1559 - 1629, print maker, printmaker, 1568 - 1629, first quarter 16th century, second quarter 16th century, paper, papier, woodcut, Work conception, 1488 - 1576-08-27

Friedrich Brentel, known as Brenten the father (1580-1651). Funeral pump of Charles third of the name, Duke of Lorraine, made in Nancy the year 1608, fourth board of the representation of the procession: one hundred and fifty notable bourgeois (Le Blanc 17 Page 516; Andreas Andresen 10, volume 4, page 192) . Etching. 1609. Museum of Fine Arts of the City of Paris, Petit Palais. 100464-19 Etching, 17th XVIIth XVII 17th 17th 17 CENTURY

David van Bourgondi, Bishop of Utrecht, deprives Reinoud II van Brederode of the adornments of the Order of the Golden Fleece, 1470. Draughtsman: Jacobus Buys (signed by artist). Dating: 1785 - 1787. Measurements: h 150 mm × w 90 mm. Museum: Rijksmuseum, Amsterdam.

The Queen shares Mme Bellegarde, that her husband is free n. Desfossés (1777).

Known distance from Karel V; entry from Ferdinand in Ghent in 1635 (magazine 25); Carolus Regnis et Imperio Se Exuit / TU Nunc Eris Alter Ab Illo / Philippus II A Patre Regna Suscipit. Troon distance from Karel V on October 25, 1555 in which he transfers the government of the Netherlands to his son Philip. The emperor standing in front of the throne, next to him is his sister Maria van Hungary. Furthermore, present: Viglius van Aytta and Cardinal Granvelle. Philip II coastes his father's hand. Presentation on a side wall of the passage of the triumph port Arcus Caroli on the Friday market. Leaf No. 25 in a set of 42 plates that illustrate the publication of the arrival of the Cardinal Infant Ferdinand in Austria in Ghent on January 28, 1635 as the new governor for the Spanish Netherlands.

Amor and psyche in bed; Story of Amor and Psyche. Amor and psyche in bed in the palace of Amor. Right four musicians with a songbook and a drailer. Italian text in two cartouches in undermarge. Twice numbered bottom left: 8.

The Accademia Clementina, Bologna, with a Nude Being Positioned by the Drawing Master, the Farnese Hercules beyond; Giampietro Zanotti (Italian, 1674 - 1765); Italy; 1739; Pen and brown ink over black chalk; the outlines indented for transfer; 10.3 × 14.6 cm (4 1,16 × 5 3,4 in.)

Peru's Incan Emperors - 1748 - engraving. Author: ANTONIO DE ULLOA (1716-1795). Location: ACADEMIA DE LA HISTORIA-COLECCION. MADRID. SPANIEN. ATAHUALPA. Tupac Yupanqui. PHILIP II OF SPAIN. FELIPE V DE BORBON. FERDINAND VI. VON SPANIEN. MANCO CAPAC. ATHABALIBA. HUASCAR INCA. HUAINA CAPAC. YUPANQUI. Pachacutec. VIRACOCHA INCA. YAHUAR HUACAC. INCA ROCA. CAPAC YUPANQUI. CARLOS V ALEMANIA-CARLOS I DE ESPAÑA (1500-1558).

Friedrich Brentel, known as Brenten the father (1580-1651). Funeral pump of Charles third of the name, Duke of Lorraine, made in Nancy the year 1608, fourteenth board of the representation of the procession: the artisans of the hotel (Le Blanc 27 Page 516; Andreas Andresen 10, volume 4, page 192 ). Etching. 1609. Museum of Fine Arts of the City of Paris, Petit Palais. 100464-29 Etching, 17th XVIIth XVII 17th 17th 17 CENTURY

Groningen, Bos, Cornelis, Heemskerck, Maarten van, Coornhert, Dirck Volckertsz., Praise for the virtuous housewife, The virtuous woman sells her wares, The virtuous woman sells clothes she has made herself to a merchant. In the background a ship is unloaded at the quay. The print is based on Proverbs 31:14: 'As a merchant's ship sails to distant lands, so she brings from afar what she needs' and Proverbs 31:24: 'She makes clothing and girdles, and delivers them to merchants'. Below the image is a paraphrase of these Bible verses in German. This print is part of an album., print, prent, albumblad, prints, prenten, height 200 mm, width 246 mm, Noord-Nederlands, 1522 - 1590-10-29, print maker, prentmaker, 1555 - 1555, paper, papier, engraving, graveren (drukprocedé), Work conception, 1498 - 1574, after a design by, Publication (Event), Publication, Nederlands, 1510 - 1566, publisher

William Hogarth, 1697-1764, British, A Rake's Progress, Plate II: His Levee, 1735. Engraving.

Man in bibliotheek.A woman is brought in a library by a group of men. On the left is a man with a book in his hands and points to the image of Lady Justice.

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