Creative Sketches and Designs

Drawings range from caricatures to detailed studies, reflecting playful artistic exploration and the evolution of design through sketches.

Study for a Painting on Theme of Callisto, Filippo Falciatore, Italian, active 1737 - 1768, Pen and brown ink, black charcoal on cream laid paper; verso: pen and brown ink, Three figures of putti flying: one carrying a fish, one a goose, and the other shooting with bow and arrow at a bird; separate study of a hand and floating drapery in upper left., Italy, ca. 1750, figures, Drawing, Drawing

Sketches of an arm and a man seen from behind, draughtsman: Eugène Delacroix, France, 1808 - 1863, tracing paper, h 147 mm × w 277 mm

Studies of a lying boy, Jan Veth, 1874 - 1925 drawing paper. pencil

Leg and a scale. Page 15 From a sketchbook with 158 pages.

Album Drawing, Thomas Rowlandson, 1756-1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm)

Chinoiserie, a seated man in three-quarter back view, James Ensor, 1885, drawing, 1885, Belgian Art

Fairy tale illustration; Makowski, Tadeusz (1882-1932); around 1907 (1903-00-00-1912-00-00);

Anonymous / 'The Agony in the Garden'. XVIII century. Grey wash, Black chalk on dark yellow paper. Museum: Museo del Prado, Madrid, España.

Anonymous mythological drawing showing Juno with two satyrs and a putto, executed in brown ink with gray wash and white chalk highlights.

Capt. Thomas Hastings, 1778-1854, British, Sketch of a Hollow Tree Trunk, undated. Graphite on medium, slightly textured, cream wove paper.

Study for a Madonna with the stool by Leonardo da Vinci. Leonardo di ser Piero da Vinci (1452-1519) an Italian polymath of the Renaissance.

Woman on a balcony, overlooking Rue Cannebière, Marseille, 1899 The woman has a fan in hand and looks at the traffic in the lower street. Page 51 from a sketchbook with 42 sheets. Marseille paper. chalk street (+ city(-scape) with figures, staffage). balcony. fan. adult woman

Edgar Degas, Racehorses (study for Scene from the Steeplechase The Fallen Jockey), c 1881 Racehorses (study for Scene from the Steeplechase: The Fallen Jockey)

Study of woman sitting reading Armand Guillaumin (1841-1927). "Study of woman sitting reading". Black pencil and charcoal on blue gray paper, 1872. Museum of Fine Arts of the city of Paris, small palace.

Putti. Leaf 12 Verso and 13 recto from a sketchbook with 105 sheets.

Benjamin Robert Haydon, 1786-1846, British, Study of the Resurrection of Lazarus, undated. Pen and brown ink on medium, slightly textured, blued white, laid paper.

Sketches of Russian Officers and Horses 1813-1814 France. Graphite on tan wove paper, perimeter mounted on ivory laid paper . Jean Louis André Théodore Géricault

Robbery of Europa, Hendrick van Beaumont, after Hendrick Goltzius, 1696, Europa is carried off across the sea by Jupiter, who has assumed the form of a bull. Sheet 58 recto from a sketchbook with 91 sheets., draughtsman: Hendrick van Beaumont, Hendrick Goltzius, (workshop of), 1696, paper

Lying hunters with dogs.Leaf 2 verso from a sketchbook with 46 sheets.

Io in the guise of a cow with her father Inachus and her sisters, draughtsman: Jean Restout (II), (attributed to), 1702 - 1768, paper, h 228 mm × w 336 mm

Bow wave , Decks Ships, Seas. Charles H. Woodbury (1864-1940). Prints

Virgin (Daniel Urrabieta ORTIZ Y VIRGER, dit). Drawing for Don Quixote: sketch of two characters (front). Lead mine, 1904. Museum of Fine Arts of the City of Paris, Petit Palais. 33900-18 Sketch, drawing, man, illustration, lead mine, novel character

This set of pencil drawings by Carl Schindler focuses on horses and riders, emphasizing anatomy, posture, and equestrian motion between 1838 and 1842.

Sleep, Child (Dodo, l'enfant do) from the series Petites scènes familières. Dimensions: 33.5 cm x 25 cm, 23.7 cm x 14.8 cm. Museum: Van Gogh Museum, Amsterdam. Author: PIERRE BONNARD.

Bow wave , Decks Ships, Seas. Charles H. Woodbury (1864-1940). Prints

Six studies of heads of Apostelen, Cornelis Schut (I), 1618 - 1655 print paper etching (single) apostle, unspecified

Cupid and Psyche 1793 France . Pierre Lelu

Netherlands, Weissenbruch, Isaac, Musicerende putti, print, prints, height 71 mm, width 196 mm, Dutch, 1826-08-27 - 1912-11-13, print maker, printmaker, 1836 - 1912, paper, wood engraving

Study of Seated Figures, Benjamin Robert Haydon, 1786-1846, British, 1812, Pen and brown ink on medium, moderately textured, beige, laid paper, Sheet: 4 7/16 × 7 inches (11.3 × 17.8 cm)

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Study by Donato Creti depicting a bishop in half figure and multiple head studies, drawn with feather and red chalk.

Zwanen.Leaf 6 Verso from a sketchbook with 98 sheets.

Studies for the Head of a Lady (Studies of a Woman's Head), George Romney, 1734-1802, British, undated, Brown wash on medium, moderately textured, cream laid paper, Sheet: 10 1/8 x 15 1/4 inches (25.7 x 38.7 cm), figure study, heads, lady, plumes, woman

Farmer and Elephant, Album Leaf Painting Farmer and Elephant, Album Leaf Painting, 18th century. Ink on silk, Image: 10 5/8 x 12 3/4 in. (27 x 32.4 cm). Asian Art 18th century

Nude Man with Raised Arms (recto) Seated Man (verso), 1911. Egon Schiele (Austrian, 1890-1918). Graphite; sheet: 48.2 x 31.9 cm (19 x 12 9/16 in.).

Bol, Ferdinand, Hazard, James, The Hour of Death, Young woman and old man with Death, verso - stamped, print, prints, height 132 mm, width 87 mm, 1748 - 1787-08-03, print maker, printmaker, 1758 - 1787, paper, papier, etching, etchings, Work conception, Noord-Nederlands, 1616-06 - 1680-07-24

Thomas Stothard, 1755-1834, British, Sketch of Classical Figures in Action, undated. Graphite and pen and black ink on medium, slightly textured, cream laid paper.

Battle Scene. Artist: Hanekawa Chincho (Japanese, ca. 1679-1754). Culture: Japan. Dimensions: 12 1/4 x 21 3/4 in. (31.1 x 55.2 cm). Museum: Metropolitan Museum of Art, New York, USA.

Capt. Thomas Hastings, 1778-1854, British, Holne Chase, 30 May 1833, 1833. Graphite on medium, slightly textured, cream wove paper.

Caricatures and Grotesque Figures, by Callot Jacques, 1611 - 1620, 17th Century, pen and black pencil on white paper. Italy, Tuscany, Florence, Uffizi Gallery, Drawings and Prints Cabinet. Caricatures faces figures.

James Bruce, 1730-1794, British, Man on Horseback Throwing a Spear, undated. Graphite on medium, silghtly textured, cream laid paper.

Photograph of 'The Blind Girl' by Millais, from an album compiled by Sir John Everett Millais, Rupert Potter (Manchester, England, 1832 - 1914)

Design sketch by Hans Canon for the bezel of an allegorical representation of paleontology, executed with a paintbrush.

A man helps two people, one of them a surgeon, suffering from plague. Drawing, c. 1789, after P. Mignard.

Indian weavers at loom. Draughtsman: Jan Brandes. Dating: 1779 - 1785. Place: Batavia. Measurements: h 360 mm × w 400 mm. Museum: Rijksmuseum, Amsterdam.

Sketch for Foot washing Malczewski, Jacek (1854 1929)

Three children's heads. Also a study of a fist. Leaf 10 Recto from a sketchbook with 68 sheets.

Studies of Nude Figure, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on cream paper, A boy is shown lying on his left side and leaning on his left elbow. The right arm crosses the breast. The legs are spread. The upper part of the body in a slightly different pose is shown at the bottom. Verso: traced outlines of the full figure design., USA, 1893-94, figures, Drawing, Drawing

Geiten.Leaf 29 Recto from a sketchbook with 35 sheets.

Francisco de Goya y Lucientes / 'This is what you were born for'. 1810 - 1814. Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España.

Man with wide-brimmed hat. Draughtsman: Constantijn Huygens (II). Dating: 21-Jul-1667. Measurements: h 129 mm × w 185 mm. Museum: Rijksmuseum, Amsterdam.

Figures in costumes from 1370 and 1400. The figures, among other things, wear knight costumes with weapons and flags and the crown and cloak of a frost. Page 5 from a sketchbook with 6 sheets.

Various sketches of the Virgin and Child; that in lower right (perpendicular orientation) being the most complete. Architectural sketch on verso. Pen and ink, brush and sepia wash on paper. Date: 1820-1850. Museum: Cooper Hewitt, Smithsonian Design Museum.

Macierzyństwo. Wahl, Joseph (1753-1798), draughtsman, cartoonist

The Oak and the Reeds (Le chêne et les roseaux) Honoré Daumier (French, 1808-1879). , October 5, 1834. Lithograph on newsprint, 9 3/8 x 10 5/8 in. (23.8 x 27 cm). European Art October 5, 1834

Landscape with three men, Giovanni Francesco Grimaldi, 1616 - 1680 print Landscape with three men on the edge of a lake. print maker: ItalyVenicepublisher: Italy paper etching landscapes. lake

Black chalk drawing by Bartolomeo Altomonte around 1720 depicting a dragon falling in a dramatic scene with dynamic movement and detailed anatomy.

Sketches of Oriental Horsemen. Jean Louis André Théodore Géricault; French, 1791-1824. Date: 1813-1814. Dimensions: 170 × 229 mm. Graphite on tan wove paper, perimeter mounted on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

The Prince's Progress - Compositional Study of the Mourners, 1865-66. Artist: Dante Gabriel Rossetti

Sketches of Tigers and Men in 16th Century Costume. Eugène Delacroix; French, 1798-1863. Date: 1825-1830. Dimensions: 397 × 510 mm. Watercolor, pen and iron gall ink, and graphite, on ivory laid paper with blue fibers (discolored to buff). Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: EUGENE DELACROIX.

Reclining Female Nude. William-Adolphe Bouguereau (French, 1825-1905). Graphite, heightened with white; sheet: 30.3 x 48.3 cm (11 15/16 x 19 in.).

DIBUJO PREPARATORIO - EL DECIMO DUQUE DE OSUNA - 1816 - PLUMA SEPIA. Author: FRANCISCO DE GOYA. Location: MUSEO DEL PRADO-DIBUJOS. MADRID. SPAIN. TELLEZ GIRON FRANCISCO DE BORJA. DUQUE DE OSUNA X.

Flight from Dido and Aeneas; History of Dido, presumably designs for illustrations for the Vergilius edition of Diderot from 1791. Possible design for a print.

Standing naked man. The man has been drawn in front view and for feet. His hand coated his face. Page 17 From a sketchbook with 19 sheets.

DISENO DE UNA ESCENA DE LA COMEDIA DEL ARTE. Author: FRANCISCO BARBIERI (1823-1894).

Time reveals the truth (in box with 43 drawings), Louis Fabritius Dubourg, 1703 - 1775 drawing paper. pencil Time denuding Truth

Vilnius. Cathedral, photo photography of Konstanty Villani - "Jakub's dream"; Zdanowscy, Edmund and Bolesław; Before 1939 (1930-00-00-1939-00-00);

Intérieur de Paysans (Peasant interior). Artist: Rodolphe Bresdin (French, Montrelais 1822-1885 Sèvres). Dimensions: Mount: 4 5/16 × 6 in. (11 × 15.3 cm)Sheet: 2 3/16 × 3 1/4 in. (5.5 × 8.2 cm). Date: 1850. Museum: Metropolitan Museum of Art, New York, USA.

Bliżej Kultury Simmler, Józef (1823 1868)

Still lifes with dead poultry on a plinth. Leaf 13 Recto from a sketchbook with 15 sheets.

'Little Bulls' Folly' from the 'Disparates' (Follies / Irrationalities, Plate D) ca. 1815-19 (published before 1877) Goya (Francisco de Goya y Lucientes) Spanish One of the four additonal plates prepared for the set but not included in the posthumous first edition published by the Academia de San Fernando in Madrid in 1864 under the title 'Los Proverbios',One of the four additonal plates prepared for the set but not included in the posthumous first edition published by the Academia de San Fernando in Madrid in 1864 under the title 'Los Proverbios',. 'Little Bulls' Folly' from the 'Disparates' (Follies / Irrationalities, Plate D). Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). ca. 1815-19 (published before 1877). Etching, aquatint, drypoint on Japan paper. Prints

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REMBRANDT (1606-1669)The Abduction of Ganymede. Date/Period: 1635. Graphics. Pen and brown ink, brown wash on paper. Height: 18.5 cm (7.2 in); Width: 16.1 cm (6.3 in).

Nine studies of a lying female nude, draughtsman: Thomas Simon Cool, 1841 - 1870, paper, h 665 mm × w 482 mm

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Portions of the southern frieze of the Parthenon. (British Museum.). Knight, Charles, 1791-1873. Prints, Illustrations. 1858. Science, Industry and Business Library: General Collection. Art, Industrial arts, Friezes (Entablature components), Relief (Sculpture), Greek, Parthenon (Athens, Greece), Elgin marbles

The revolution, decoration on Koningsplein, 1795; The revolution. The revolution: Hercules breaks the yoke, in the background the ship is in need. Not used design for the revolution, allegorical decoration established on Burgerplein (Koningsplein) in Amsterdam at the Alliance party on 19 June 1795.

Standing folk woman encourages advancing group of men, Käthe Kollwitz, 1898 - 1903 drawing Design for a print. paper. chalk revolution, revolt. crowd, mob

Fighting couple, Harmen ter Borch, c. 1652, draughtsman: Harmen ter Borch, Zwolle, c. 1652, paper, brush, h 60 mm × w 88 mm

Thomas Rowlandson, 1756-1827, British, 'How to Twist Your Neck', undated. Watercolor with pen and red ink; verso: watercolor blotches on moderately thick, moderately textured, cream, wove paper.

Studies for a Biblical Scene with God the Father Appearing to a Bearded Male Figure. Dated: mid-17th Century. Dimensions: sheet: 18.6 x 26 cm (7 5/16 x 10 1/4 in.). Medium: pen and brown ink on laid paper. Museum: National Gallery of Art, Washington DC. Author: Roman 17th Century.

Sheet of Studies. Dimensions: overall (approximate): 16.2 x 20.5 cm (6 3/8 x 8 1/16 in.). Medium: graphite//brown wash uL corner unrelated to composition. Museum: National Gallery of Art, Washington DC. Author: JOHN FLAXMAN.

Drawing, Figure; Harriet Blackstone (American, 1864 - 1939); USA; brown pastel crayon on paper; 25.3 × 18.5 cm (9 15/16 × 7 5/16 in.)

Man with lap dust sitting in a landscape, 1829 - 1894 The man is sitting along a path. He probably recovers the piece of fabric over his knees. Leaf 31 Verso from a sketchbook with 35 sheets. paper. chalk. pencil landscapes (+ landscape with figures, staffage). mending, repairing ~ clothes

Sorrowing Woman. Date: January-June 1887, Paris. Dimensions: 24.4 cm x 31.1 cm. Museum: Van Gogh Museum, Amsterdam.

Pencil drawing by Josef von Führich depicting Mary breastfeeding the infant Jesus, created in 1863.

Purgatorio II, Sandro Botticelli (Florence, Italy, 1445 - 1510) 1887

Study sheet with drawing examples: heads, body parts and animals, after 1610 - Before 1630 print First print from a series of drawing examples of unknown size. Study magazine with heads, hands, feet, eyes and insects. Bottom left a salamander, a grasshopper on the right and a frog at the bottom right. paper engraving head (human). parts of the face: nose. human figure of ideal proportions, e.g. academic nude. eyes. foot. hand. model-books ~ implements of painter. rodents: squirrel. insects. lizards: lizard. tailless amphibians: frog

drawing, USA, before 1914, drawing

A pen and brown ink drawing by Francesco Mazzola from around 1526 showing three studies of a seated man in back view, emphasizing posture, anatomy, and drapery.

Statue of Standing Warrior, from Rear. Follower of Francesco de'Rossi, called Salviati; Italian, 1510-1563. Date: 1530-1563. Dimensions: 274 × 154 mm (ma×.). Pen and brown ink with brush and gray wash, on tan laid paper, laid down on cream laid paper. Origin: Flanders. Museum: The Chicago Art Institute, Chicago, USA.

Kinpaen (Bunpo) Picture Album (Kinpaen gafu). Artist: Kawamura Bunpo (Japanese, 1779-1821). Culture: Japan. Dimensions: 10 7/16 × 4 1/2 in. (26.5 × 11.5 cm). Date: 1820. Museum: Metropolitan Museum of Art, New York, USA.

The Rasing of Drusiana, by Lippi Filippino, 15th Century, pen and brown watercolor, traced of black pencil. Italy, Tuscany, Florence, Uffizi Gallery. Whole artwork. Miracle St John the Baptist resurrection Drusiana.

Robert Smirke, 1752-1845, British, Study of a Semi-Nude Woman, Sitting, with Her Arms Raised Over Her Head, undated. Pen and brown ink, over graphite on medium, moderately thick, cream, wove paper, mounted on, thick, smooth, brown, wove paper.

Prometheus and Minerva,. Date/Period: 1807/1808. Width: 22.6 cm. Height: 15.9 cm (Complete). Author: Bertel Thorvaldsen.

Study of Right Hand, Possibly for Portrait of Alexander Hamilton, Jr., Daniel Huntington, American, 1816-1906, Graphite and white chalk on brown wove paper, Study of a man's right hand holding a book, with his thumb on the cover and his index finger marking a page within., USA, 1864, figures, Drawing, Drawing

Standing Mercury, Caesar Boëtius van Everdingen, After Rafaël, 1600 - 1699 drawing paper. chalk (story of) Mercury (Hermes)

Etching by Nikolaus Rhein from the 18th century depicting a female tiger with a boy, illustrating interaction between human and animal, landscape elements, and foreground action.

Head of a Man with Horns. Date: February-June 1886, Paris. Dimensions: 10.9 cm x 19.8 cm. Museum: Van Gogh Museum, Amsterdam.

Woman and a Crane (Vigilance). Dated: 1892. Dimensions: plate: 19.3 x 29 cm (7 5/8 x 11 7/16 in.) sheet: 41.1 x 58.7 cm (16 3/16 x 23 1/8 in.). Medium: soft-ground etching, drypoint, and graphite on thin wove paper. Museum: National Gallery of Art, Washington DC. Author: Frederick Stuart Church.

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