Crucifixion Artworks

Artistic representations of the crucifixion, featuring detailed imagery and emotional expressions, showcasing styles from different historical periods.

'Crucifixion', c1350 (1955).Artist: Master of the Vyssi Brod Altar

The Crucifixion. For his depiction of Golgotha, the mountain on which Christ was crucified, the artist chose a high viewpoint. In doing so, he created a vast landscape in which to represent successive episodes of the Passion of Christ simultaneously. This narrative convention was often used in medieval painting.

Basilica of Saint Francis of Assisi, Umbria, Italy. Lower church. Fresco : Jesus laid down from the cross by Pietro Lorenzetti (c.1315-1319).

Christ on the Cross. Dating: c. 1505. Measurements: support: h 102.5 cm × w 84.5 cm; d 8.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Master of the Figdor Deposition (circle of).

SANCHEZ, Pedro. Spanish painter active in Seville in the second half of the fifteenth century. THE BURIAL OF CHRIST. Painting on wood. Museum of Fine Arts. Budapest. Hungary.

Giorgio Colonna, The Resurrection, c 1560 The Resurrection

The Crucifixion, 1475, by Antonello da Messina (1430-about 1479). Oil on wood, lime, 41.9x25.5 cm.

Tortura altarpiece, San Sebastian with arrows and St. James the Apostle, 16th century, tempera on panel, Vitoria-Gasteiz Museum of Sacred Art, María Inmaculada Cathedral, Álava, Spain.

The Crucified Christ between the Virgin and Saint John the Evangelist ca. 1406 Lorenzo Monaco (Piero di Giovanni) Italian Lorenzo Monaco, the leading painter in Florence during the early fifteenth century, was equally gifted as an illuminator of books, a painter of frescoes, altarpieces and devotional paintings. This panel likely formed the central pinnacle of a multi-tiered altarpiece, perhaps that portraying the Madonna and Child with Saints Domninus, John the Baptist, Peter, and Anthony Abbot (Museo Diocesano, Empoli). In depicting the Crucifixion, the artist has excluded the numerous figures traditionally incorporated into the narrative, such as the crowds of soldiers, the mourning Holy Women, and the Thieves, thereby reducing the composition to include only the Virgin and Saint John. Contemplating Christs sacrifice, they are portrayed seated on the ground, for compositional or dramatic effect. Their relatively large size compared to the figure of Christ may relate to their roles

Fatima church. Passion of Christ. Way of the cross. 5th Station: Simon of Cyrene helps Jesus to carry his cross. Ho Chi Minh City. Vietnam.

DE PREDIS, Cristoforo (1440-1486). Stories of Saint Joachim, Saint Anne, Virgin Mary, Jesus, the Baptist and the End of the World. 1476. Jesus crucified is surrounded by a crying crowd in the Calvary. Renaissance art. Quattrocento. Miniature Painting. ITALY. PIEDMONT. Turin. Royal Library.

Jesus carrying the Cross, by the Master of Rubio (14th century), predella of the altarpiece from the Church of Santa Maria, Rubio, painting on wood.

Triptych with the Lamentation of Christ. The central panel of this triptych is painted to look like a Gothic portal with six small scenes of the Childhood and Passion of Christ. Together with the mourning of the dead body of Christ in the middle, they form the so-called Seven Sorrows of the Virgin. The altarpiece came from the Mariënpoel Convent outside of Leiden. The triptych could be removed to safety before the monastery was destroyed in a second Iconoclastic Fury in 1572.

Christ of Pity, 15th century Valencian

TRIPTICO DEL CALVARIO - DETALLE DE LA TABLA DERECHA - DESCENDIMIENTO - SIGLO XVI - PINTURA FLAMENCA - CONJUNTO Nº 120098. Author: FRANCKEN FRANS II EL MOZO (1581-1642). Location: MUSEO DE BELLAS ARTES-CONVENTO DE LA MERCED CALZAD. Sevilla. Seville. SPAIN. JESUS. JOSEPH OF ARIMATHEA. VIRGIN MARY. SAN JUAN BAUTISTA. TRES MARIAS. JESUS MUERTO-CRISTO MUERTO-JESUCRISTO MUERTO.

Italy - Veneto Region - Venice - Church of St. Benedict - St. Sebastian by Bernardo Strozzi

Kruifx, Kloster Wechselburg, Sachsen, Deutschland, 1890, digital restaurierte Reproduktion einer Originalvorlage aus dem 19. Jahrhundert

The Crucifixion. Dated: late 15th century. Dimensions: overall: 26.2 x 17.9 cm (10 5/16 x 7 1/16 in.). Medium: miniature on vellum. Museum: National Gallery of Art, Washington DC. Author: German 15th Century.

RETABLO DE SAN JAIME DE VILLAESPINOSA (S.XV). Museum: MUSEO DIOCESANO DE TARRAGONA. Author: JOAN MATES.

Altar with miraculous image from Mariawald Abbey, The risen Christ in the underworld with sinners and demons, St., Saint, Saint

The Crucifixion, (reverse) Saint Francis of Assisi; The Resurrection, (reverse) An Abbot Saint, Possibly Saint Benedict Northern French Painter French. The Crucifixion, (reverse) Saint Francis of Assisi; The Resurrection, (reverse) An Abbot Saint, Possibly Saint Benedict 436412

Master of 1518, (Workshop) National Gallery, London Painting 94,6x67,3 Bible The Crucifixion

The Lamentation over the dead Christ. Colour lithograph.

Baptism of Christ. Altar Retable Wing from Chełmiec unknown

France, Midi-Pyrenees Region, Tarn Department, Albi, Cathedrale Ste-Cecile cathedral, interior

Colored woodcut by an anonymous artist depicting Christ on the cross, created between 1450 and 1470.

The Crucifixion with Donors and Saints Peter and Margaret. Artist: Cornelis Engebrechtsz (Netherlandish, ca. 1461-1527). Dimensions: 24 1/4 x 35 1/4 in. (61.5 x 89.5 cm). Date: ca. 1525-27.Engebrechtsz was the leading painter in Leiden in the early sixteenth century. In this strikingly symmetrical Crucifixion, piety and dramatic energy are combined, and emotional effect is pushed to an extreme. The figure of Christ is isolated against the darkened sky; his tormented, lifeless body is flanked on either side by the crucified thieves, whose forms are contorted in agony. While the mourning Virgin echoes the posture of her son, indicating her empathic suffering, Saint John gazes up in grief at Christ. The two unidentified donors, probably husband and wife, are physically close to but psychologically detached from the scene. Museum: Metropolitan Museum of Art, New York, USA. Author: Cornelis Engebrechtsz.

The Resurrection of Christ with Donors (Epitaph for the Badehorn Family), Cranach, Lucas, the Younger (1515-1586)

Single Leaf from a Missal: The Crucifixion, c. 1390. Attributed to Nicolò da Bologna (Italian, c. 1325-1403). Ink, tempera, and gold on vellum; sheet: 26.8 x 20.2 cm (10 9/16 x 7 15/16 in.); framed: 52.4 x 39.7 cm (20 5/8 x 15 5/8 in.); matted: 48.9 x 36.2 cm (19 1/4 x 14 1/4 in.). Symbolizing the Eucharist, this leaf depicts angels holding chalices to collect blood from Christ's five wounds.

Church of our Lady of the Presentation. Baroque door of tabernacle. John the Baptist. Aveiro. Portugal.

The Trinity ca. 1390-96 Agnolo Gaddi Italian This imposing representation of the Trinity (God the Father, his son Jesus on the cross, and the dove of the Holy Spirit) was painted about 1390 and is probably the center of a triptych. Among the leading painters in late-fourteenth-century Florence, Agnolos work, with its pastel colors and delicate modeling, was especially important for Lorenzo Monaco, whose four prophets hang nearby.. The Trinity 436428

Mosaic in Curchi monastery, Moldova

Henri Bellechose 'Altarpiece of the Martyrdom of St. Denis', 1416. Tempera on Panel.

CHRIST OF EXPIRATION - 17th CENTURY - BAROQUE SPANISH. Author: PEDRO ATANASIO BOCANEGRA (1638/1689). Location: CATEDRAL-MUSEO DIOCESANO. GRANADA. SPAIN. CRISTO CRUCIFICADO. Cristo de la expiración.

Bayerischer Meister, Kreuzigung - -

"Colored woodcut by an anonymous artist depicting Christ on the cross with the Virgin Mary and Saint John, showing figures, gestures, and religious symbolism."

Provost of merchants and aldermen of Paris in 1568 praying before the Holy Trinity, 16th century Flemish

Pietà with Saint John the Evangelist Bellini, Giovanni (1430 1516)

Sodoma, Descent from the Cross

Hussenot, Joseph (n.1827-08-18-D.1896-02-27), Study for the Cross Stations of Notre-Dame-de-la-Croix church: Station XIII: Jesus is deposited with his cross and given from his mother (main title), 1876. Black pen and ink, watercolor, gold on glued paper on cardboard. Curved paper frame glued to the cardboard. Petit Palais, Museum of Fine Arts of the City of Paris.

Crucifixion with the Virgin, Saint John, Mary Magdalene, a Donor. Dating: 1500 - 1530. Place: Zuid-Duitsland. Measurements: h 109 cm × w 78 cm × t 2.7 cm; d 6.8 cm. Museum: Rijksmuseum, Amsterdam.

Christ's Passion (Triptych known as Altarpiece of St Antony) Detail: Deposition Entombment Anonymous 16th century Oil on wood. Church of St Nicolas, Tallin

Christ Nailed to the Cross Gerard David (1450/60-1523 Netherlandish)

Ecce Homo showing an epitaph, 1440.

Crucifixion: Jesus on the cross between the two robbers. Virgin Mary, right, with St James and second female figure at the foot of the cross. Printed around 1846 after James S. Baillie (active 1538-1855) . Christian religion

Crucifixion and Saints, by Neroni Bartolomeo Riccio, 16th Century, oil on canvas. Italy, Tuscany, Siena, Osservanza basilica. Whole artwork. Panel crucifixion saints pious women light blue: azure dresses: garments Christ patiens blue sky landscape suffering Mary dress: garment red green yellow red violet.

The Resurrection of Christ, Dirk Bouts, circle of, c. 1480

Descent From The Cross Masolino da Panicale (1383-ca.1440 Italian) Museo della Collegiata, Empoli, Italy

A thief, detail from the Crucifixion, by Francesco de' Bianchi Ferrari (ca 1460-1510), panel, 267x220 cm.

Saint John the Baptist baptising, 1416 fresco

Breast removal. Wing from the Saint Agatha Altar by Greimold, Jorg (ca 1500-after 1540) / Stadtmuseum Weilheim / 1523 / Germany / Oil on wood / Bible / 109x57

The Crucifixion, by Vouet Simon, 1622, 17th Century, oil on canvas. Italy: Liguria: Genoa: Chiesa dei Santi Ambrogio e Andrea. Whole artwork. The Crucifixion Jesus Christ crucified Cross Madonna St John St Mary Magdalene angels

Christ carrying the cross followed by the Carthusians (Cristo portacroce seguito dai certosini), by Ambrogio da Fossano called Bergognone, 1485, 15th Century

The Crucifixion. Dated: c. 1430. Dimensions: overall: 20.2 x 15.3 cm (7 15/16 x 6 in.). Medium: miniature on vellum. Museum: National Gallery of Art, Washington DC. Author: Austrian 15th Century.

Pieta, by Santacroce Francesco di Bernardo da, 16th Century, Unknow. Italy, Lombardy, Serina, Bergamo, Annunciata Church. Whole artwork. Pieta Madonna Virgin John the Baptist drapery: draping brown tones: hues black background veil red green blue.

triptych of the passion, master of the legend of Santa Godeliva, 15th century, oil on panel, Santa Maria de Villacones, Salinas de Anana, Vitoria, María Inmaculada Cathedral, Álava, Spain.

Jesus on his cross, with his brother, his mother and their friend Mary Magdalen

The Holy Trinity with St Andrew and St Basil, unknown 15th century Aragonese artist, painting on wood, 186x140 cm.

Notre Dame of Paris cathedral painting, Jesus on the cross looking at Mary

SANTO ENTIERRO - SIGLO XVI - RENACIMIENTO ESPAÑOL. Author: FERNANDO YAÑEZ DE ALMEDINA (1480-1536). Location: CATEDRAL DE SANTA MARIA-INTERIOR. BASIN. CUENCA. SPAIN. VIRGIN MARY. JESUS MUERTO-CRISTO MUERTO-JESUCRISTO MUERTO.

The Baptism of Christ (The Altar of St. John, middle panel) by Weyden, Rogier, van der (ca. 1399-1464) / Staatliche Museen, Berlin / ca 1455 / The Netherlands / Oil on wood / Bible / 77x48

Elevation of the Cross. Schwarz, Christoph (ca 1548-1592), painter

Interior view with altarpiece by Cranach, St. Peter and Paul's Town Church, UNESCO World Heritage Site, Classical Weimar, Thuringia, Germany, Europe

Giovanni di Paolo (about 1399-1482) The Baptism of Christ. Christ is baptised by John the Baptist in the river Jordan. God the Father and the Holy Ghost in the form of a dove appear above. The blue of the sky (now much rubbed) was painted over the gilding and then incised so as to create rays of heavenly light.

Crucifixion, fresco on the facade of Saint Valentine Church, Gentersberg, Sarntal, Trentino-Alto Adige, Italy, 13th century.

Triptych Panel with the Flagellation of Christ early 16th century French. Triptych Panel with the Flagellation of Christ 468101

Symbolic Representation of the Crucifixion by Mansueti, Giovanni di Niccolo (c. 1465-1527)/ National Gallery, London/ c. 1492/ Italy, Venetian School/ Oil on canvas/ Renaissance/ 129,5x124/ Bible

Christ on the Cross Worshipped by St Mary Magdalene, the Madonna, St John and St Francis, by Negretti Jacopo know as Palma the Younger, 1548 - 1628, 16th Century, oil on canvas. Italy, Lombardy, Milan, San Pietro Celestino Church. Whole artwork. Jesus Christ crucifix St Mary Magdalene Virgin Mary Madonna St John St Francis angels Crucifixion habit: tunic halo: aureole cloak: mantle red.

The martyrdom of Saint Andrew, painting by Joseph Heintz the Younger, cathedral of Spilimbergo, Friuli-Venezia Giulia, Italy, 17th century.

13. Kreuzweg, Abnahme des Leichnams von Jesus vom Kreuz, Kirche St. Agatha in Schmerlenbach, Deutschland 13th Stations of the Cross, Jesus body is removed from the cross, church of St. Agatha in Schmerlenbach, Germany Copyright: xZoonar.com/ZvonimirxAtletix 21424289

Jesus Carries His Cross (2nd Station of The Cross) 1898 Martin Feuerstein (1856-1931 French) Saint Anna Church, Munich, Germany

RESURRECCION DE JESUS - OLEO SOBRE ALABASTRO - PINTADO ANTES DE 1600. Author: HANS VON AACHEN. Location: PRIVATE COLLECTION. MADRID. SPAIN. JESUS. CRISTO RESUCITADO.

The Crucifixion, Execution, of Jesus of Nazareth, Christ, Good Friday, Golgotha, Miniature ca 1500, Historic, digitally restored reproduction from a 19th century original.

Jesus wird seines Gewandes entkleidet, 10. Kreuzweg in Hohenberg, Deutschland Jesus is stripped of His garments, 10th Stations of the Cross in Hohenberg, Germany Copyright: xZoonar.com/ZvonimirxAtletix 21432991

Master of the Starck Triptych, The Raising of the Cross (center, left, and right panels), c 1480 1490 The Raising of the Cross center, left, and right panels

CAPILLA SAN EUGENIO - RETABLO - CAMINO DEL CALVARIO - 1379. Author: GHERARDO DI JACOPO DI NERI (1354-1413) STARNINA. Location: CATEDRAL-INTERIOR. Toledo. SPAIN.

Crucifixion, 1457-1459, by Andrea Mantegna (1431-1506), tempera on wood, 67x93 cm.

5. Kreuzweg, Simon von Cyrene trägt das Kreuz, Kirche St. Agatha in Schmerlenbach, Deutschland 5th Stations of the Cross, Simon of Cyrene carries the cross, church of St. Agatha in Schmerlenbach, Germany Copyright: xZoonar.com/ZvonimirxAtletix 21428981

El Greco (Doménikos Theotokópoulos) (1541-1614). Spanish painter born in Crete. Crucifixion. Oil on canvas, ca. 1575-1577. El Greco Museum. Toledo, Spain.

Opinity of Christ; unknown, Marcello Venusti (1515-1579); 16th century (1500-00-00-1599-00-00);Mourning Christ (iconogr.), Copy, Italian painting

Christ in Pieta between Mary and St Dominic (or St Thomas), 1437-1445, by Giovanni da Fiesole, known as Fra Angelico (ca 1400-1455), fresco, 182x157 cm. Cells from the first floor, St Mark's Convent, Florence.

Christ as the Man of Sorrows, 1450. Artist: Petrus Christus .

Saint Sebastian tended by the Holy women, oil on canvas, José De Ribera, 1620-1623, Museo de Bellas Artes, Bilbao, Spain.

CUADRO DE CRISTO CRUCIFICADO. AUTOR: FRANCISCO DE GOYA Y LUCIENTES (EN EL MUSEO DE SANTA CRUZ).

Triptych with the Holy Trinity, 1594. Tempera on hardboard. Leszczyny, Poland. Silesian Museum. Katowice. Poland.

German 15th Century, Christ on the Cross, c 1490 1500 Christ on the Cross

BERMEJO , BARTOLOME PINTOR ESPAÑOL . SIGLO XV " CRISTO DE LA PIEDAD " COLECCION PARTICULAR JESUCRISTO. Author: BARTOLOME BERMEJO (1440-1498).

ANGELICO, Fra (1387-1455). Descent from the Cross. 1440-1441. ITALY. Florence. St. Mark's Convent. Renaissance art. Quattrocento. Fresco.

The Flagellation of Christ, by Luca Signorelli (ca 1445-1523).

Flagellation of Christ. unknown, painter

CUADRO DE CRISTO CRUCIFICADO, AUTOR: LUIS TRISTAN, EN EL MUSEO DE SANTA CRUZ, TOLEDO (OLEO SOBRE LIENZO).

Retablo de San Gregorio, fragment, anonymous, siglo XVI, temple sobre tabla, Museo Diocesano, catedral de la Virgen de las Nieves, Cathedral of Ibiza,...

Colored woodcut by an anonymous artist around 1450 depicting Christ on the cross, showing figure, gesture, and mid-15th-century religious iconography.

Christ carrying the Cross and the Carthusians, by Ambrogio da Fossano known as il Bergognone (ca 1460-1523), painting on wood transferred to canvas, 166x118 cm.

Master Wittingauer Altar / Entombment

Crucifixion, 11th century fresco, remodelled in 1634, Church of St Urbano alla Caffarella, Rome, Italy.

BORRASSA, LluÕs (1360-1425). Lament of Christ. 1410-1411. SPAIN. Manresa. Basilica of Santa Maria de la Seu of Manresa. Central predella from the Altarpiece of the Holy Spirit (1393-94) by Pere Serra. International gothic.

Descent from the Cross. nieznany malarz włoski, painter

Gothic art. 15th Century. Jaume Huguet (c. 1415-1492). Catalan painter. Altarpiece of the Saints Abdon and Senen (1460-1461). Detail depicting the beheading of the Saints Cosmas and Damian. Predella. Church of Saint Mary of Terrassa. Catalonia. Spain.

Fatima church. Passion of Christ. Way of the cross. 9th Station: Jesus falls a third time. Ho Chi Minh City. Vietnam.

Tapestries nave, the crucifixion. Saint Robert abbaye of la Chaise Dieu. Haute Loire department. Auvergne Rhone Alpes. France

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